Where Never Lark or Eagle Flew by James Curnow. For Concert Band. Hal Leonard Composers Series. Grade 4-6. Published by Hal Leonard

(A Complete Concert Including The Silver Rocket, Dreaming, Tacos and Salsa, and Clog Dance) Composed by Jack Bullock, Jerry Burns, Lew Davison, Paul Cook. Conductor's score and set of performance parts for concert band (10 - flute, 2 - oboe, 10 - clarinet, 2 - bass clarinet, 6 - alto saxophone, 4 - tenor saxophone, 2 - baritone saxophone, 8 - trumpet, 4 - horn in F, 6 - trombone/baritone/bassoon , 2 - baritone (treble clef), 4 - tuba, 1 - mallet percussion, 2 - percussion I, 4 - percussion II, 2 - percussion III). With performance notes. Series: Belwin Beginning Band. Published by Alfred Publishing.

Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2/3, Bb Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1 (w/ Solo Cornet), Trumpet in Bb 2/3, Horn in F 1/2, ) - grade 4.5

SKU: CN.15171

And are now at rest. Composed by Warner Hutchinson. Band Music. Score only. Duration 8:15. Published by C. Alan Publications (CN.15171).

They Flew Away (and are now at rest) is an elegy dedicated to the many brave pilots who lost their lives in service to our country. The mournful tones of the solo trumpet speak not only of the sorrow at their loss, but the nobility and courage they displayed as the most famous fighting power in military history.

They Flew Away (and are now at rest) is an elegy dedicated to the many brave pilots who lost their lives in service to our country. The mournful tones of the solo trumpet speak not only of the sorrow at their loss, but the nobility and courage they displayed as the most famous fighting power in military history. This work is recorded by the USAF Heritage of America Band on an album titled 'Portraits,' Maj. Larry H. Lang, conductor, and also on an album by the Augustana College Band, Dr. Bruce T. Ammann, conductor.

By Brian Lewis. Music by Brian Lewis. For Concert Band. Concert Band. Alfred Debut Series. Conductor Score. Published by Alfred Publishing.

Grade 3

SKU: CL.CTS-8054-00

Composed by Pappas. Concert Band. Score and set of parts. Composed 2004. Claude T. Smith Publications #CTS-8054-00. Published by Claude T. Smith Publications (CL.CTS-8054-00).

Lewis and Clark, 1804, captures the musical experiences of the pioneer explorers using popular folk music of the era. The subtle changes in rhythms and colorful harmonies provides the background for the melodic material that maintains the audience and performers interest. This spirited work is great for concert or festivals.

Grade 3

SKU: CL.CTS-8054-01

Composed by Pappas. Concert Band. Extra score. Composed 2004. Claude T. Smith Publications #CTS-8054-01. Published by Claude T. Smith Publications (CL.CTS-8054-01).

Lewis and Clark, 1804, captures the musical experiences of the pioneer explorers using popular folk music of the era. The subtle changes in rhythms and colorful harmonies provides the background for the melodic material that maintains the audience and performers interest. This spirited work is great for concert or festivals.

Fanfare and Fantasy. Composed by Tyler Arcari. Score and part(s). With Standard notation. 32 322 pages. Duration 4 minutes, 6 seconds. Carl Fischer #CPS0185. Published by Carl Fischer (CF.CPS185).

Grade 3

SKU: CL.012-1377-00

Overture for Band. Composed by Tatgenhorst. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR101 & CL.WFR197). Score and set of parts. Composed 1972. Duration 4 minutes, 12 seconds. Opus III Wind Orchestra Publications #012-1377-00. Published by Opus III Wind Orchestra Publications (CL.012-1377-00).

A beautifully conceived contest composition which explores the full range of dynamics and sonorities of the concert band. Tanglewood is a staple of numerous state contest lists. A proven classic!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Concert band - Grade 2-3

SKU: DH.DP200110-SET

Composed by Gene Milford. Score and set of parts. Duration 4 minutes, 50 seconds. Published by Daehn Publications (DH.DP200110-SET).

Mysterious voices emanate from silence, followed by bold themes, flashes of dialogue between winds and percussion, and a fiery recapitulation. Dr. Milford has captured the awe and drama of Lewis' science fiction classic. A great adventure for young bands!

Concert band - Grade 2-3

SKU: DH.DP200110-SC

Composed by Gene Milford. Score. Duration 4 minutes, 50 seconds. Published by Daehn Publications (DH.DP200110-SC).

Mysterious voices emanate from silence, followed by bold themes, flashes of dialogue between winds and percussion, and a fiery recapitulation. Dr. Milford has captured the awe and drama of Lewis' science fiction classic. A great adventure for young bands!

By Jack Bullock, Lew Davison, Katherine Lee Bates And Samuel A. Ward. Arranged by Paul Cook And Jerry Burns. By Jack Bullock, Lew Davison, Katherine Lee Bates and Samuel A. Ward / arr. Paul Cook and Jerry Burns. For Concert Band. Concert Band. Belwin Beginning Band. Level: 1 (Very Easy) (grade 1). Conductor Score. Published by Alfred Publishing.

By Paul Cook, Jack Bullock, Lew Davison, and Jerry Burns. By Paul Cook, Jack Bullock, Lew Davison, and Jerry Burns. For Concert Band. Concert Band. Belwin Very Beginning Band. Level: Very Easy (grade 1/2). Conductor Score, Parts and CD. 344 pages. Duration 3:34. Published by Alfred Publishing.

By Jack Bullock, Lew Davison, Katherine Lee Bates And Samuel A. Ward. Arranged by Paul Cook And Jerry Burns. By Jack Bullock, Lew Davison, Katherine Lee Bates and Samuel A. Ward / arr. Paul Cook and Jerry Burns. For Concert Band. Concert Band. Belwin Beginning Band. Level: 1 (Very Easy) (grade 1). Conductor Score & Parts. 348 pages. Duration 6:12. Published by Alfred Publishing.

By Paul Cook, Jack Bullock, Lew Davison, And Jerry Burns. By Paul Cook, Jack Bullock, Lew Davison, and Jerry Burns. For Concert Band. Concert Band. Belwin Very Beginning Band. Level: .5 (Very Easy) (grade .5). Conductor Score. Published by Alfred Publishing.

By Various. Arranged by Lew Buckley. For dixie group with concert band. Large ensemble music. Published by Cimarron Music Press

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1084364-010

Composed by Hayato Hirose. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084364-010. Published by De Haske Publications (BT.DHP-1084364-010).

9x12 inches. English-German-French-Dut ch.

In de loop der jaren is Alice’s Adventures in Wonderland van de Engelse schrijver Lewis Carroll (1832-1898) een favoriet boek gebleken voor kinderen en volwassenen over de hele wereld. Voor dit werk is het verhaal over Aliceals uitgangspunt gebruikt, er hoort een voor te dragen vertelling bij en er is - optioneel - zelfs gelegenheid voor zang en acteerwerk. De muziek weerspiegelt de essentie van het verhaal en voegt er een extra dimensie aan toe.

Alice im Wunderland wird seit Generationen von Kindern und Erwachsenen auf der ganzen Welt gelesen und geliebt. Hayato Hirose schuf frei nach dem Buch, das wohl zu den fantasievollsten literarischen Werken aller Zeiten gezählt werden darf, ein ebenso fantasievolles Musikstück für Blasorchester mit optionalem Gesang, szenischem Spiel und einem Erzähler. Schaffen Sie mit Alice’s Adventures in Wonderland ein Bühnenereignis, das Ihr Publikum so schnell nicht vergessen wird!

Depuis des années, Alice au Pays des Merveilles de Lewis Caroll figure parmi les best-sellers internationaux de la littérature jeunesse et continue de séduire des générations d’adultes. La trame musicale de cette œuvre est très librement inspirée du récit original. Elle est accompagnée d’une narration et d’un jeu scénique optionnel (chant et expression scénique) qui imaginent une histoire aux contours modifiés.Pour qui ne sait plus ce qui se passe dans l’histoire originale, un résumé du livre s’impose :Tandis qu’Alice poursuit un lapin blanc, elle tombe dans un puits interminable et atterrit dans un monde absurde et bizarre peuplé d'insolites créatures. Après unesuite d’aventures rocambolesques, Alice rencontre la Reine de Cœur qui tente de la faire condamner pour un crime qu’elle n’a pas commis. Elle réussit s’échapper, puis enfin se réveille. Alice s’était endormie. Ce n’était qu’un rêve.La musique est un miroir qui réfléchit une vision de l’histoire. La musique illumine le récit.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1084364-140

Composed by Hayato Hirose. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2008. 48 pages. De Haske Publications #DHP 1084364-140. Published by De Haske Publications (BT.DHP-1084364-140).

9x12 inches. English-German-French-Dut ch.

In de loop der jaren is Alice’s Adventures in Wonderland van de Engelse schrijver Lewis Carroll (1832-1898) een favoriet boek gebleken voor kinderen en volwassenen over de hele wereld. Voor dit werk is het verhaal over Aliceals uitgangspunt gebruikt, er hoort een voor te dragen vertelling bij en er is - optioneel - zelfs gelegenheid voor zang en acteerwerk. De muziek weerspiegelt de essentie van het verhaal en voegt er een extra dimensie aan toe.

Alice im Wunderland wird seit Generationen von Kindern und Erwachsenen auf der ganzen Welt gelesen und geliebt. Hayato Hirose schuf frei nach dem Buch, das wohl zu den fantasievollsten literarischen Werken aller Zeiten gezählt werden darf, ein ebenso fantasievolles Musikstück für Blasorchester mit optionalem Gesang, szenischem Spiel und einem Erzähler. Schaffen Sie mit Alice’s Adventures in Wonderland ein Bühnenereignis, das Ihr Publikum so schnell nicht vergessen wird!

Depuis des années, Alice au Pays des Merveilles de Lewis Caroll figure parmi les best-sellers internationaux de la littérature jeunesse et continue de séduire des générations d’adultes. La trame musicale de cette œuvre est très librement inspirée du récit original. Elle est accompagnée d’une narration et d’un jeu scénique optionnel (chant et expression scénique) qui imaginent une histoire aux contours modifiés.Pour qui ne sait plus ce qui se passe dans l’histoire originale, un résumé du livre s’impose :Tandis qu’Alice poursuit un lapin blanc, elle tombe dans un puits interminable et atterrit dans un monde absurde et bizarre peuplé d'insolites créatures. Après unesuite d’aventures rocambolesques, Alice rencontre la Reine de Cœur qui tente de la faire condamner pour un crime qu’elle n’a pas commis. Elle réussit s’échapper, puis enfin se réveille. Alice s’était endormie. Ce n’était qu’un rêve.La musique est un miroir qui réfléchit une vision de l’histoire. La musique illumine le récit.

Concert band - Grade 1

SKU: RM.LEWI00026-BA

Composed by Lewie. Arranged by John Briver. Parade. Orchestra. Full set. Editions Robert Martin #LEWI00026-BA. Published by Editions Robert Martin (RM.LEWI00026-BA).

ISBN 9790231000269.

Concert band - Grade 1

SKU: RM.LEWI00026-CO

Composed by Lewie. Arranged by John Briver. Parade. Orchestra. Conductor's score. Editions Robert Martin #LEWI00026-CO. Published by Editions Robert Martin (RM.LEWI00026-CO).

Concert Band/Harmonie - Grade 3

SKU: BT.CMP-0910-05-010

Composed by James Curnow. Concert Band. Set (Score & Parts). Composed 2005. Curnow Music #CMP 0910-05-010. Published by Curnow Music (BT.CMP-0910-05-010).

English.

A superb opportunity to explore the expressive side of your band! This rich and lovely arrangement by James Curnow has so much to offer. Building from a simple statement in the woodwinds to the full sonority of the concert band at its best, you will treasure this arrangement for years to come. Let the music flow freely as you develop your own sensitive interpretation of this endearing carol.Evocative!

A Wexford Reverie vormt een uitgelezen mogelijkheid om de expressieve kant van uw orkest te ontwikkelen. Dit charmante arrangement van James Curnow heeft veel te bieden. Van een eenvoudig statement in het hout tot de vollewarmte van het complete harmonieorkest is dit een arrangement van grote waarde. Laat de muziek vrijelijk stromen en geef uw eigen interpretatie aan dit innemende kerstlied.

Eine großartige Gelegenheit, die ausdrucksvolle Seite Ihres Blasorchesters auszuloten! Dieses klangvolle, liebliche Arrangement des traditionellen irischen Weihnachtsliedes Wexford Carol hat viel zu bieten. Von einer einfachen musikalischen Aussage in den Holzbläsern ausgehend baut sich das gesamte Blasorchester zu seiner gesamten Klangfülle auf. Ein Stück, das garantiert einen festen Platz in Ihrem Weihnachtsrepertoire bekommen wird.

Dans un cadre expressif bien défini, dans une transparence sonore, tout est gr ce, poésie, naturel. A Wexford Reverie développe une cascade de couleurs sonores dans une atmosphère de calme et de sérénité induisant une douce rêverie.

Concert Band/Harmonie - Grade 3

SKU: BT.CMP-0910-05-140

Composed by James Curnow. Concert Band. Score Only. Composed 2005. 20 pages. Curnow Music #CMP 0910-05-140. Published by Curnow Music (BT.CMP-0910-05-140).

English.

A superb opportunity to explore the expressive side of your band! This rich and lovely arrangement by James Curnow has so much to offer. Building from a simple statement in the woodwinds to the full sonority of the concert band at its best, you will treasure this arrangement for years to come. Let the music flow freely as you develop your own sensitive interpretation of this endearing carol.Evocative!

A Wexford Reverie vormt een uitgelezen mogelijkheid om de expressieve kant van uw orkest te ontwikkelen. Dit charmante arrangement van James Curnow heeft veel te bieden. Van een eenvoudig statement in het hout tot de vollewarmte van het complete harmonieorkest is dit een arrangement van grote waarde. Laat de muziek vrijelijk stromen en geef uw eigen interpretatie aan dit innemende kerstlied.

Eine gro�artige Gelegenheit, die ausdrucksvolle Seite Ihres Blasorchesters auszuloten! Dieses klangvolle, liebliche Arrangement des traditionellen irischen Weihnachtsliedes Wexford Carol hat viel zu bieten. Von einer einfachen musikalischen Aussage in den Holzbläsern ausgehend baut sich das gesamte Blasorchester zu seiner gesamten Klangfülle auf. Ein Stück, das garantiert einen festen Platz in Ihrem Weihnachtsrepertoire bekommen wird.

Dans un cadre expressif bien défini, dans une transparence sonore, tout est gr ce, poésie, naturel. A Wexford Reverie développe une cascade de couleurs sonores dans une atmosphère de calme et de sérénité induisant une douce rêverie.

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

By Wolfgang Amadeus Mozart. Arranged by Brian Lewis. Music by Wolfgang Amadeus Mozart / arr. Brian Lewis. For Concert Band. Concert Band. Young Symphonic. Level: 2 (Medium Easy) (grade 2). Conductor Score. 16 pages. Published by Alfred Publishing.

By Wolfgang Amadeus Mozart. Arranged by Brian Lewis. Music by Wolfgang Amadeus Mozart / arr. Brian Lewis. For Concert Band. Concert Band. Young Symphonic. Level: grade 2. Conductor Score & Parts. 1 pages. Published by Alfred Publishing.

Band Concert Band

SKU: PR.46500013L

For Wind Ensemble. Composed by Dan Welcher. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013L. Published by Theodore Presser Company (PR.46500013L).

UPC: 680160600151. 11 x 14 inches.

I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Band concert band - Grade 1

SKU: CF.BPS124F

Composed by Joseph Compello. Sws. Bps. Full score. 12 pages. Duration 1:30. Carl Fischer Music #BPS124F. Published by Carl Fischer Music (CF.BPS124F).

ISBN 9781491156155. UPC: 680160914692. 9 x 12 inches.

Personal Note My high school band director, Clarence F. Wroblewski, died on November 24, 2018. In the 1950s, he was a pioneer in the field of public school instrumental music in the Baltimore City. He was my mentor and my dear friend. It was his guidance and encouragement that set my young life's course on the path of music. Performance Notes The idea for this easy march is a parade with horses, hence the title Cadets' Cavalcade. It may be taught and performed in common time, but the feel is in 2 at the indicated tempo. Directors who wish to perform it a little faster or slower than 80 should feel free to do so. All cues are for endurance considerations. Bands that are capable of playing from beginning to end without rests may ignore the cues. When cymbals are just following the bass drum line, be certain that the player observes the proper balance.
Personal NoteMy high school band director, Clarence F. Wroblewski, died on November 24, 2018. In the 1950s, he was a pioneer in the field of public school instrumental music in the Baltimore City. He was my mentor and my dear friend. It was his guidance and encouragement that set my young life's course on the path of music.Performance NotesThe idea for this easy march is a parade with horses, hence the title Cadets' Cavalcade. It may be taught and performed in common time, but the feel is in 2 at the indicated tempo. Directors who wish to perform it a little faster or slower than 80 should feel free to do so. All cues are for endurance considerations. Bands that are capable of playing from beginning to end without rests may ignore the cues. When cymbals are just following the bass drum line, be certain that the player observes the proper balance.