| What's Up at the Symphony? Bugs Bunny's Greatest Hits (Medley) Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Featuring "This Is It," "William Tell Overture," "The Barber of Seville," "The M...(+)
Featuring "This Is It,"
"William Tell Overture,"
"The Barber of Seville,"
"The Merry-Go-Round Broke
Down," and more!.
Arranged by Jerry
Brubaker. Arr. Jerry
Brubaker. For Concert
Band. Concert Band. Pop
Concert Band. TV. Level:
3 (Medium Easy) (grade
3). Conductor Score.
Published by Alfred
Publishing.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Piano No. 2 in A, S. 125 Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-...(+)
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano SKU:
AP.36-A164002
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A164002.
Published by
LudwigMasters
Publications
(AP.36-A164002). UPC:
659359515002.
English. Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $115.00 - Voir plus => Acheter | | |
| Concerto for Piano No. 2 in A, S. 125 Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-...(+)
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano SKU:
AP.36-S014201
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
SS. Kalmus Study Score
Series. Score.
LudwigMasters
Publications #36-S014201.
Published by
LudwigMasters
Publications
(AP.36-S014201). ISBN
9781608740055. UPC:
659359973819.
English. Franz
Liszt (1811-1886) started
work on his Concerto for
Piano and Orchestra No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint edition.
Study score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $14.99 - Voir plus => Acheter | | |
| Concerto for Piano No. 2 in A, S. 125 Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-...(+)
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano SKU:
AP.36-A164001
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A164001.
Published by
LudwigMasters
Publications
(AP.36-A164001). ISBN
9798892703208. UPC:
659359825644.
English. Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $45.00 - Voir plus => Acheter | | |
| Fantasy on Beethoven's Ruins of Athens, S. 122 Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score SKU:
AP.36-A816702
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A816702.
Published by
LudwigMasters
Publications
(AP.36-A816702). UPC:
659359502255.
English. As an
inexhaustible proponent
of Beethoven's life and
work, Franz Liszt
(1811-1886) produced a
number of arrangements
and transcriptions in
homage to the great
composer. His FANTASIE
ÜBER MOTIVEN AUS
BEETHOVENS RUINEN VON
ATHEN, S. 122 (FANTASY ON
BEETHOVEN'S RUINS OF
ATHENS) for piano and
orchestra is one of three
existing versions, all of
which he dedicated to
Nikolay Rubinstein. The
work on which the piece
is based, incidental
music for a play by
August von Kotzebue, was
written in 1811 in Pest,
Hungary for the
dedication of a new
theater. The first
performance of the
FANTASY took place, also
in Pest, on June 1, 1853.
Instrumentation:
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $65.00 - Voir plus => Acheter | | |
| Fantasy on Beethoven's Ruins of Athens, S. 122 Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score SKU:
AP.36-A816701
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A816701.
Published by
LudwigMasters
Publications
(AP.36-A816701). ISBN
9798892703253. UPC:
659359825590.
English. As an
inexhaustible proponent
of Beethoven's life and
work, Franz Liszt
(1811-1886) produced a
number of arrangements
and transcriptions in
homage to the great
composer. His FANTASIE
ÜBER MOTIVEN AUS
BEETHOVENS RUINEN VON
ATHEN, S. 122 (FANTASY ON
BEETHOVEN'S RUINS OF
ATHENS) for piano and
orchestra is one of three
existing versions, all of
which he dedicated to
Nikolay Rubinstein. The
work on which the piece
is based, incidental
music for a play by
August von Kotzebue, was
written in 1811 in Pest,
Hungary for the
dedication of a new
theater. The first
performance of the
FANTASY took place, also
in Pest, on June 1, 1853.
Instrumentation:
2+Picc.2.2.2: 2.2.3.0:
Timp.Perc(2-3) Str
(9-8-7-6-5 in set): Solo
Pno in Score. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $35.00 - Voir plus => Acheter | | |
| Totentanz, S. 126 (1st version, ed. Busoni) Orchestre d'harmonie LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-...(+)
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(2-3):
Str (9-8-7-6-5 in set):
Solo Piano in the sc
SKU: AP.36-A263302
Composed by Franz Liszt.
Arranged by Ferruccio
Busoni. Chamber
Orchestra; Performance
Music Ensemble; Solo.
Kalmus Orchestra Library.
Form: Concerto. Romantic.
Score and Part(s).
LudwigMasters
Publications #36-A263302.
Published by
LudwigMasters
Publications
(AP.36-A263302). UPC:
746241287199.
English. The idea
for Totentanz, S. 126
(Dance of the Dead) was
conceived by Franz Liszt
(1811-1886) in 1938. Two
versions were to follow,
the first completed in
1853, and the second
version finished in 1864.
The flashy virtuosic
piece for the solo piano
uses the Gregorian
plainchant melody Dies
irae (Day of Judgement)
in a set of variations.
The first version, which
is nicknamed De
Profundis, is most
commonly heard in the
1919 edition by famed
Italian composer,
pianist, and conductor
Ferruccio Busoni
(1866-1924).
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(2-3): Str
(9-8-7-6-5 in set): Solo
Piano in the sc.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $115.00 - Voir plus => Acheter | | |
| Totentanz, S. 126 (1st version, ed. Busoni) Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-...(+)
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(2-3):
Str (9-8-7-6-5 in set):
Solo Piano in the sc
SKU: AP.36-A263301
Composed by Franz Liszt.
Arranged by Ferruccio
Busoni. Chamber
Orchestra; Performance
Music Ensemble. Kalmus
Orchestra Library. Form:
Concerto. Romantic.
Score. LudwigMasters
Publications #36-A263301.
Published by
LudwigMasters
Publications
(AP.36-A263301). UPC:
660355020445.
English. The idea
for Totentanz, S. 126
(Dance of the Dead) was
conceived by Franz Liszt
(1811-1886) in 1938. Two
versions were to follow,
the first completed in
1853, and the second
version finished in 1864.
The flashy virtuosic
piece for the solo piano
uses the Gregorian
plainchant melody Dies
irae (Day of Judgement)
in a set of variations.
The first version, which
is nicknamed De
Profundis, is most
commonly heard in the
1919 edition by famed
Italian composer,
pianist, and conductor
Ferruccio Busoni
(1866-1924).
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(2-3): Str
(9-8-7-6-5 in set): Solo
Piano in the sc.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $35.00 - Voir plus => Acheter | | |
| Prelude to Act 3 from 'Lohengrin' Orchestre d'harmonie [Conducteur et Parties séparées] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, ...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute, 1st
Oboe, 2nd Oboe*, Eb
Clarinet*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet*, Bb Bass
Clarinet, 1st Bassoon,
2nd Bassoon*, 1st Eb Alto
Saxophone, 2nd Eb Alto
Saxophone, Bb Tenor
Saxophone, Eb Barit) -
grade 5 SKU:
CN.R10230 Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.R10230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.. $95.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Prelude to Act 3 from 'Lohengrin' Orchestre d'harmonie [Conducteur] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, ...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute, 1st
Oboe, 2nd Oboe*, Eb
Clarinet*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet*, Bb Bass
Clarinet, 1st Bassoon,
2nd Bassoon*, 1st Eb Alto
Saxophone, 2nd Eb Alto
Saxophone, Bb Tenor
Saxophone, Eb Barit) -
grade 5 SKU:
CN.S11230 Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 3:00. Published
by G & M Brand Music
Publishers (CN.S11230).
Music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.
In a letter
addressed to My dear
Liszt, dated May 1852,
Richard Wagner writes: It
was you who awakened the
mute lines of this score
to bright surrounding
life. He was referring to
a performance of his
opera Lohengrin which
Franz Liszt conducted at
the Weirner Court Theatre
on August 28, 1850. The
letter was sent from
Zurich, since Wagner was
exiled from Germany at
this time. He had
completed his romantic
opera, Lohengrin, some
five years earlier but
doubted whether he would
ever hear it performed.
The action takes place in
Antwerp in the first half
of the 10th century. Elsa
and Lohengrin are to be
married and the 3rd Act
opens as they proceed in
great splendour,
accompanied by their
respective noblewomen and
noblemen, to the
cathedral. As a Prelude
to the curtain rising
Wagner unleashed music of
enormous excitement and
expectation - marked very
animated - with brass
blazing a powerful call
against a tingling
triplet figure in
support. In the opera
this magnificent Prelude
leads directly into the
Bridal Scene as Elsa and
Lohengrin make their way
solemnly to the betrothal
ceremony. Wagner achieves
this change of mood and
atmosphere most
skillfully. In arranging
the Prelude for concert
performance the challenge
was to provide an ending
which provides a
satisfactory climax to
Wagner's blaze of
instrumental colour,
without proceeding to the
solemn betrothal music.
This was resolved by
using the composer's own
mighty flourish to end
Act I of his opera. Now,
the gauntlet is thrown
down to all who perform
it to - in Wagner's own
words - awaken the mute
lines of this score to
bright surrounding
life.. $12.50 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Song of David Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-010 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1135481-010
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135481-010. Published by
De Haske Publications
(BT.DHP-1135481-010).
9x12 inches.
English-German-French-Dut
ch. This work is
based on the 13th Century
Dies Irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan
David’s Song,
dessen Titel auf die
dritte Textzeile von
Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Cett
e oeuvre s’inspire
du Dies Irae
attribué Tomaso da
Celano, que l’on
considère comme
l’auteur de la
version définitive de
ce poème écrit au
XIIIe siècle.
Plusieurs compositeurs
célèbres tels que
Berlioz, Saint-Saëns,
Mahler et Liszt, ont
intégré des
passages de chant
grégorien dans leurs
oeuvres. Dans sa
composition Song of
David, dont le titre
fait référence la
troisième ligne du
texte original, Jan de
Haan présente un
thème l’unisson
qui sera repris ensuite
dans différentes
couleurs
orchestrales.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione definitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Song of David Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135481-140 Based on Dies ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1135481-140
Based on Dies
Irae. Arranged by Jan
de Haan. Musica Sacra.
Festive and Solemn Music.
Score Only. Composed
2013. 60 pages. De Haske
Publications #DHP
1135481-140. Published by
De Haske Publications
(BT.DHP-1135481-140).
9x12 inches.
English-German-French-Dut
ch. This work is
based on the 13th Century
Dies irae (Day of
Wrath) attributed to
Thomas von Celano. Many
famous composers have
already employed this
originally Gregorian
chant in their works,
including Berlioz,
Saint-Saëns, Mahler
and Lizst. In Jan de
Haan’s Song of
David - the title of
which is taken from the
third line of the Dies
Irae text - the theme
is presented in unison
initially and then
reappears in various
guises.
Dit werk
is gebaseerd op het 13e
eeuwse Gregoriaanse
Dies Irae zoals we
dit ook kennen uit werken
van Berlioz,
Saint-Saëns, Mahler en
Liszt. Voor de titel van
dit werk waarin hij het
thema verschillende
gedaantes meegeeft,
haalde Jan de Haan zijn
inspiratie in de derde
zin van het Dies
Irae, waarin verwezen
wordt naar David.
Dieses Werk
basiert auf dem Dies
Irae (Tag des Zorns)
aus dem 13. Jahrhundert,
das Thomas von Celano
zugeschrieben wird.
Bereits mehrere
berühmte
Komponisten, wie Berlioz,
Saint-Saëns, Mahler
und Liszt, haben den
ursprünglichen
gregorianischen Choral in
ihren Werken verwendet.
In Jan de Haan Song of
David, dessen Titel
auf die dritte Textzeile
von Dies Irae
verweist, wird das Thema
zunächst einstimmig
präsentiert und
erscheint dann in
verschiedenen
Gewändern.
Cett
e oeuvre s’inspire
du Dies Irae
attribué Tomaso da
Celano, que l’on
considère comme
l’auteur de la
version
dé_x001C_finitive de
ce poème écrit au
XIIIe siècle.
Plusieurs compositeurs
célèbres tels que
Berlioz, Saint-Saëns,
Mahler et Liszt, ont
intégré des
passages de chant
grégorien dans leurs
oeuvres. Dans sa
composition Song of
David, dont le titre
fait référence la
troisième ligne du
texte original, Jan de
Haan présente un
thème l’unisson
qui sera repris ensuite
dans
diff_x001B_érentes
couleurs
orchestrales.
Ques
to brano si ispira a
Dies Irae
attribuito a Tommaso da
Celano, considerato
l’autore della
versione
de_x001E_finitiva di
questo poema scritto nel
XIII secolo. Numerosi
celebri compositori quali
Berlioz, Saint-Saëns,
Mahler e Liszt hanno
integrato passaggi di
questo canto gregoriano
nelle loro opere. In
Song Of David (il
titolo fa riferimento
alla terza strofa del
testo originale), Jan de
Haan presenta un tema
all’unisono
ripreso in seguito con
diverse dinamiche. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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