A Gershwin Tribute to Love Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: 'S Wonderful / Love Is Here to Stay / They Can't Take ...(+)
(Featuring: 'S
Wonderful /
Love Is Here to Stay /
They
Can't Take That Away
from Me
/ Embraceable You).
Composed
by George and Ira
Gershwin.
Arranged by Brent
Heisinger.
Concert Band. Concert
Band;
Part(s); Score. Alfred
Concert Band. Form:
Medley.
Love; Masterwork
Arrangement; Standard.
Grade
4.5. 316 pages. Published
by
Alfred Music
Featuring: 'S
Wonderful / Love Is Here
to Stay / They Can't Take
That Away from Me /
Embraceable You.
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Brent Heisinger. Concert
Band; Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Form: Medley. Broadway;
Great American Songbook;
Love; Masterwork
Arrangement; Standard.
Score. 36 pages. Alfred
Music #00-41962S.
Published by Alfred Music
(AP.41962S).
UPC:
038081480350.
English.
A medley
of four Gershwin
favorites: 'S Wonderful,
Love Is Here to Stay,
They Can't Take That Away
from Me, and Embraceable
You. Arranged by
award-winning composer
Brent Heisinger, the work
incorporates a
combination of fast and
slow, swing and straight
styles with richly varied
orchestration.
By Stephen Foster. Arranged by Donald Hunsberger. By Stephen Foster / arr. Donal...(+)
By Stephen Foster.
Arranged by Donald
Hunsberger. By Stephen
Foster / arr. Donald
Hunsberger. For Concert
Band. Concert Band.
Donald Hunsberger Wind
Library. Level: Medium
Advanced (grade VI).
Conductor Score and
Parts. 168 pages.
Published by Alfred
Publishing.
Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
On the Wings of an Eagle Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Douglas E. Wagner. By Douglas E. Wagner. For Concert Band. Concert Band. Belw...(+)
By Douglas E. Wagner. By
Douglas E. Wagner. For
Concert Band. Concert
Band. Belwin Young Band.
Level: Easy (grade 2).
Conductor Score & Parts.
Duration 3:04:00.
Published by Alfred
Publishing.
((Teutonic Tales, Mvt. II)). By R. W. Smith. Concert band. For concert band. Spo...(+)
((Teutonic Tales, Mvt.
II)). By R. W. Smith.
Concert band. For concert
band. Spotlight Series.
Audio recording available
separately (item
CL.WFR372). Grade 3.
Score and set of parts.
Composed 2011. Duration 3
minutes, 11 seconds.
Published by C.L.
Barnhouse
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002207-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002207-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 96
pages. De Haske
Publications #DHP
1002207-140. Published by
De Haske Publications
(BT.DHP-1002207-140).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in
2001.ATTILA, King of the
Huns, often named
“The scourge of
God,†is the
central figure of the
first movement, mainly
characterized by fear,
threat, aggression, and
cruelty. Attila’s
brother, Buda, however,
has a more heroic theme,
while his beloved wife,
Rika, has a lyrical
melody. The exciting
ending of this opening
movement illustrates the
dreaded speed of
Attila’s troops:
they pursued their
victims and killed them
all!
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
Composed by Bruce Fraser.
Band Music. Score only.
Duration 8:30. Published
by G & M Brand Music
Publishers (CN.S11238).
Inspired by
Saint-Saens' Carnival of
the Animals, this work
depicts many of the
insects we know and love
using interesting effects
like tapping small
sticks. Bands may like to
perform the Carnival as a
complete suite or to play
individual movements on
their
own.
Carnival of
the Insects was
commissioned by the
National School Band
Association and was first
performed at the Scottish
Festival organized by
NSBA and Brian Duguid of
West Lothian Arts on May
12, 2001. The music
letters SBA were used to
form the basis of the
melodies to personalize
the piece for the
Association. (S can be
Eb, B can be Bb using
European note names.) The
Carnival is inspired by
Saint Saens Carnival of
the Animals and derives a
lot of the rhythmic
structures from it. March
of the Ants - The Thin
Black Line The composer
was reminded of a French
holiday when a line of
ants would march every
night from the gate of
the house, past the pool
and up into the garden.
Crickets and stick
insects Here the composer
remembered balmy
Mediterranean nights and
the sound of crickets. An
interesting effect is to
have small groups of
players around the
performance venue
randomly tapping small
sticks throughout this
movement. Insectivores
These are the creatures
which eat insects and the
music has a dramatic
scary feel to it with a
chase in the middle.
Metamorphosis This is
where the caterpillar
changes into a butterfly.
The Euphonium melody will
strike the listener as
being very similar to The
Elephant. The Bug Parade
This is a grand finales
where we can imagine many
of the insects in a
Disney-like parade. Bands
may like to perform the
Carnival as a complete
suite or to play
individual movements on
their own.
Score Only Concert Band (Score) - Level 1.5 SKU: HL.4006907 Composed by L...(+)
Score Only Concert Band
(Score) - Level 1.5
SKU: HL.4006907
Composed by Lee Mendelson
and Vince Guaraldi.
Arranged by Michael
Sweeney. Flex-Band Grade
1. Christmas, Holiday.
Softcover. 12 pages.
Duration 405 seconds.
Published by Hal Leonard
(HL.4006907).
UPC:
840126945607.
9.0x12.0x0.044
inches.
Here's the
beloved holiday classic
from A Charlie Brown
Christmas in a very easy
arrangement featuring
flexible
instrumentation.
Composed by
Michael J. Miller. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+2+4+5+4+4+4+8+12+6+
6+1+1+10+16+4+4+4+2
pages. Duration 3
minutes, 9 seconds. Carl
Fischer Music #YPS205.
Published by Carl Fischer
Music (CF.YPS205).
ISBN 9781491152256.
UPC: 680160909759. Key: F
major.
Cornish
Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Composed
by Michael J. Miller.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS205F.
Published by Carl Fischer
Music (CF.YPS205F).
ISBN 9781491152935.
UPC:
680160910434.
Corni
sh Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Score Only Concert Band (Score) - Grade 2 SKU: HL.4006546 Composed by Joh...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4006546
Composed
by John Williams.
Arranged by Paul Murtha.
Discovery Plus Concert
Band. Disney, Movies.
Softcover. 24 pages.
Published by Hal Leonard
(HL.4006546).
UPC:
840126912463.
9.0x12.0x0.05
inches.
Episode IX
of the Star Wars saga
(The Rise of Skywalker)
has proven a fan favorite
and effectively wraps up
the popular film series.
The music again plays a
key role featuring
beloved character themes
from earlier films along
with dramatic new
material. Here's a great
sounding and concise
medley for younger
players.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
Bist Du bei mir Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053785-010 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053785-010
Composed by Johann
Sebastian Bach. Arranged
by Jacob De Haan. Your
Favorite Classics. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053785-010. Published by
De Haske Publications
(BT.DHP-1053785-010).
English-German-French-
Dutch.
The song
Bist du bei mir,
geh’ ich mit
Freuden zum Sterben und
zu meiner Ruh’
(BWV 508) was composed by
Johann Sebastian Bach for
his second wife Anna
Magdalena (1701-1760),
who he married in
1721.The popularity of
this song is probably due
to the magnificent,
sensitive melody that
fits wonderfully with the
text, in which a loved
one is told that even
death is beautiful
“as long as you are
there with me.â€
This beautiful
arrangement by Jacob de
Haan is suitable for use
in any
concert.
Het lied
Bist du bei mir,
geh’ ich mit
freuden zum Sterben und
zu meiner Ruh (BWV 508)
werd gecomponeerd door
Johann Sebastian Bach
voor zijn tweede vrouw
Anna Magdalena
(1701-1760), met wie hij
in 1721 trouwde. Dit lied
dankt
zijnongeëvenaarde
populariteit
waarschijnlijk aan de
schitterende, gevoelige
melodie die prachtig
aansluit bij de tekst,
waarin een geliefde te
horen krijgt dat zelfs de
dood mooi is
‘zolang jij bij me
bent’. Dit
prachtige arrangementvoor
blaasorkest, geschreven
door Jacob de Haan, is
geschikt voor vele
gelegenheden.
B
ist du bei mir
schrieb Johann Sebastian
Bach für seine zweite
Frau Anna Magdalena. Die
Melodie passt
vorzüglich zum Text
eines unbekannten
Dichters, der besagt,
dass selbst der Tod
keinen Schrecken mehr
birgt, solange nur der
geliebte Mensch da ist.
Jacob de Haan schuf aus
der beliebten,
besinnlichen Melodie eine
gefühlvolle
Bearbeitung für
Blasorchester.
Nel
1721 Johann Sebastian
Bach sposa in seconde
nozze Anna Magdalena
Wilcken. Le dedica
l’aria Bist du
bei mir BWV 508. La
notoriet di questa aria
è ineguagliabile per
la sua tenerezza che si
evolve in perfetta
armonia con un testo
potente nel quale il
poeta ci regala una bella
visione
dell’amore. Jacob
de Haan ha realizzato un
superlativo arrangiamento
per banda, adatto a tutte
le occasioni.
Bist Du bei mir Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053785-140 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053785-140
Composed by Johann
Sebastian Bach. Arranged
by Jacob De Haan. Your
Favorite Classics. Score
Only. Composed 2005. 12
pages. De Haske
Publications #DHP
1053785-140. Published by
De Haske Publications
(BT.DHP-1053785-140).
English-German-French-
Dutch.
The song
Bist du bei mir,
geh’ ich mit
Freuden zum Sterben und
zu meiner Ruh’
(BWV 508) was composed by
Johann Sebastian Bach for
his second wife Anna
Magdalena (1701-1760),
who he married in
1721.The popularity of
this song is probably due
to the magnificent,
sensitive melody that
fits wonderfully with the
text, in which a loved
one is told that even
death is beautiful
“as long as you are
there with me.â€
This beautiful
arrangement by Jacob de
Haan is suitable for use
in any
concert.
Het lied
Bist du bei mir,
geh’ ich mit
freuden zum Sterben und
zu meiner Ruh (BWV 508)
werd gecomponeerd door
Johann Sebastian Bach
voor zijn tweede vrouw
Anna Magdalena
(1701-1760), met wie hij
in 1721 trouwde. Dit lied
dankt
zijnongeëvenaarde
populariteit
waarschijnlijk aan de
schitterende, gevoelige
melodie die prachtig
aansluit bij de tekst,
waarin een geliefde te
horen krijgt dat zelfs de
dood mooi is
‘zolang jij bij me
bent’. Dit
prachtige arrangementvoor
blaasorkest, geschreven
door Jacob de Haan, is
geschikt voor vele
gelegenheden.
B
ist du bei mir
schrieb Johann Sebastian
Bach für seine zweite
Frau Anna Magdalena. Die
Melodie passt
vorzüglich zum Text
eines unbekannten
Dichters, der besagt,
dass selbst der Tod
keinen Schrecken mehr
birgt, solange nur der
geliebte Mensch da ist.
Jacob de Haan schuf aus
der beliebten,
besinnlichen Melodie eine
gefühlvolle
Bearbeitung für
Blasorchester.
Nel
1721 Johann Sebastian
Bach sposa in seconde
nozze Anna Magdalena
Wilcken. Le dedica
l’aria Bist du
bei mir BWV 508. La
notoriet di questa aria
è ineguagliabile per
la sua tenerezza che si
evolve in perfetta
armonia con un testo
potente nel quale il
poeta ci regala una bella
visione
dell’amore. Jacob
de Haan ha realizzato un
superlativo arrangiamento
per banda, adatto a tutte
le occasioni.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Grade 3 - Score
Only. Composed by
Timothy Johnson. Curnow
Music Concert Band.
Festival, Sacred. 24
pages. Published by
Curnow Music
(HL.44010587).
UPC:
884088495183. 9x12
inches.
Jubiloso,
maestoso, tranquillo,
lyrico, dynamic detail,
captivating rhythms,
woodwind choir, brass
choir and more! All the
elements of a great grade
3 festival piece are
here. Tutti sections
contrast with subtle and
delicate scoring as this
melodic masterpiece
weaves its magic around
the beautiful hymn
“What Wondrous Love
is This?” Careful
attention has been paid
to cross cueing so that
bands that are missing an
instrument here or there
can still do a credible
interpretation.
Memorable!
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Burning Love Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1342-06-140-MS Composed by Dennis...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1342-06-140-MS
Composed by Dennis Linde.
Arranged by Thijs Oud.
Scherzando Pop, Film and
Show. Pop & Rock. Score
Only. Composed 2006. 24
pages. Music Sales
#1342-06-140 MS.
Published by Music Sales
(BT.1342-06-140-MS).
9x12 inches.
English-German-French-Dut
ch.
In the
seventies, Elvis Presley
gave many concerts with
an orchestra that
included a large wind
section. These concerts
were characterised by
enthusiasm and a fast
tempo. Burning Love was
one of the up-tempo
numbers where the bass
guitar player played an
especially important
role. Thus, this
arrangement of Burning
Love, written by Thijs
Oud, brings a specific
challenge for the
musicians in the low
register. The trumpets
and the trombones can
also play standing behind
the band adding to the
visual and dynamic
enhancement.
Elvis
Presley gab in den
siebziger Jahren viele
Konzerte, auf denen er
sich von einem großen
Orchester mit zahlreichen
Bläsern begleiten
ließ. Ein hohes Tempo
und absolut
mitreißende
Begeisterung
kennzeichneten diese
Auftritte. Eine der
beliebten schnellen
Nummern war Burning
Love, in dem die
Bassgitarre eine wichtige
Rolle spielte. So ist
denn auch Thijs Ouds
gelungene Bearbeitung von
Burning Love eine
besondere Herausforderung
für das tiefe
Register, während die
Trompeten und Posaunen
die ursprünglichen
Bläserstimmen
übernehmen.
Negli
anni 1970, Elvis Presley
si esibì a più
riprese con
un’orchestra
avente a disposizione una
grande sezione di
strumenti a fiato. Questi
concerti furono
caratterizzati da un
enorme entusiasmo e
coinvolgimento del
pubblico. Burning
Love è una di
queste canzoni dal ritmo
molto elevato dove il
basso riveste un ruolo
particolarmente
importante.
Burning Love Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1342-06-010-MS Composed by Dennis...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1342-06-010-MS
Composed by Dennis Linde.
Arranged by Thijs Oud.
Scherzando Pop, Film and
Show. Pop & Rock. Set
(Score & Parts). Composed
2006. Music Sales
#1342-06-010 MS.
Published by Music Sales
(BT.1342-06-010-MS).
9x12 inches.
English-German-French-Dut
ch.
In the
seventies, Elvis Presley
gave many concerts with
an orchestra that
included a large wind
section. These concerts
were characterised by
enthusiasm and a fast
tempo. Burning Love was
one of the up-tempo
numbers where the bass
guitar player played an
especially important
role. Thus, this
arrangement of Burning
Love, written by Thijs
Oud, brings a specific
challenge for the
musicians in the low
register. The trumpets
and the trombones can
also play standing behind
the band adding to the
visual and dynamic
enhancement.
Elvis
Presley gab in den
siebziger Jahren viele
Konzerte, auf denen er
sich von einem großen
Orchester mit zahlreichen
Bläsern begleiten
ließ. Ein hohes Tempo
und absolut
mitreißende
Begeisterung
kennzeichneten diese
Auftritte. Eine der
beliebten schnellen
Nummern war Burning
Love, in dem die
Bassgitarre eine wichtige
Rolle spielte. So ist
denn auch Thijs Ouds
gelungene Bearbeitung von
Burning Love eine
besondere Herausforderung
für das tiefe
Register, während die
Trompeten und Posaunen
die ursprünglichen
Bläserstimmen
übernehmen.
Negli
anni 1970, Elvis Presley
si esibì a più
riprese con
un’orchestra
avente a disposizione una
grande sezione di
strumenti a fiato. Questi
concerti furono
caratterizzati da un
enorme entusiasmo e
coinvolgimento del
pubblico. Burning
Love è una di
queste canzoni dal ritmo
molto elevato dove il
basso riveste un ruolo
particolarmente
importante.
Love Story Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0930510-010 Composed by Franc...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0930510-010
Composed by Frances Lai.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Festive and Solemn
Music. Set (Score and
Parts). Composed 1993. De
Haske Publications #DHP
0930510-010. Published by
De Haske Publications
(BT.DHP-0930510-010).
Possibly the
greatest and best-known
movie Love theme of all
time, the theme from
â??Love Storyâ??
(subtitled â??Where Do I
Beginâ??) has become an
absolute timeless classic
of cinema. Naohiro Iwai
has taken this melody and
crafted a Jazz harmonic
ballad edition featuring
many of your band
soloists. A definite must
for all Film music
concerts or for any
occasion where romance
and love befits.
Where Do I
Begin ist ein
wunderschönes Lied aus
dem Film Love
Story von 1970, der
viele Generationen bewegt
und begeistert hat. Die
Filmmusik von Francis Lai
wurde mit einem Oscar
ausgezeichnet und das
Lied Where Do I
Begin gelangte in
mehreren Interpretationen
in die Hitparaden.
Naohiro Iwai machte die
bewegende Ballade mit
seiner gefühlvollen
Bearbeitung auch Ihrem
Blasorchesterrepertoire
zugänglich.
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204).
ISBN
9781491152249. UPC:
680160909742. Key: D
minor.
Avalonâ€
Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
Santa in the Mix Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Featuring: Here Comes Santa Claus / Santa Claus Is Comin' to Town. Composed by...(+)
Featuring: Here Comes
Santa
Claus / Santa Claus Is
Comin'
to Town. Composed by
Various.
Arranged by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble.
Pop Young Band.
Christmas;
Light Concert; Winter.
Part(s); Score. Alfred
Music
#00-49180. Published by
Alfred Music
Avalon Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F).
ISBN
9781491152928. UPC:
680160910427.
Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!