Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Ross Roy Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0971085-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0971085-010
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-010. Published by
De Haske Publications
(BT.DHP-0971085-010).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy is de
naam van de monumentale
villa in Brisbane
(Australië) waar in
1945 het St. Peters
Lutheran College is
gesticht. In opdracht van
het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen.De structuur en
discipline van de school
horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een
schertsende,humoristische
versie van het hoofdthema
ontbreekt niet: op school
moet immers ook tijd zijn
voor vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke
apotheose.
Ross
Roy ist der Name
einer monumentalen Villa
in Brisbane, Australien,
in der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Commissionato
dalla St. Peter’s
Wind Symphony Orchestra
di Brisbane, è
dedicato alla monumentale
villa tardo-ottocentesca
dove il collegio
dell’orchestra ha
avuto la sua storica
sede. Metafora degli anni
della formazione, è
caratterizzato da un
finale in stile
ouverture, come se gli
anni della scuola
rappresentassero una
sorta di ouverture al
resto della vita.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Scottish Dances Orchestre d'harmonie - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000956-140 Composed by Pete...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000956-140
Composed by Peter Martin.
Arranged by Menno
Haantjes. Score Only.
Gobelin Music
Publications #GOB
000956-140. Published by
Gobelin Music
Publications
(BT.GOB-000956-140).
Scottish Dances
is based on three
Scottish traditionals:
Cock of the North, The
Bonnie Bank's O'Loch
Lomond and Marie's
Wedding.
I. Cock
of the North's name is
used for multiple things
or events. For example
for a locomotive to a
famous, it seems,
delicious liqueur, and
rallies to snowboard
competitions. Furthermore
is Cock O' the North a
nickname of a famous
Duke. (The 4th Duke of
Gordon). In this
composition Cock of the
North (a Jig) is a
traditional Scottish
bagpipe tune, regularly
played on tattoos by Pipe
Bands. Not infrequently
the drummers sing the
text.
Auntie
Mary, had a canary,
Up the leg of her
trousers While she
was sleeping Iwas
peeping Up the leg of
her trousers.
II.
The Bonnie Bank's O'Loch
Lomond is about a sad
story that took place
during an revolt against
the British. In 1745
Bonnie Prince Charlie had
to retreat. Two of his
men were captured. One
was convicted and
executed, while the other
was released. The spirit
of the executed soldier
would arrive in Scotland
via the 'low road'
(underworld) before his
companion, who had still
a long way to go.
You'll take the
high road And I'll
take the low road And
I'll be in Scotland afore
ye But me and my true
love will never meet
again On the Bonnie
Bonnie Banks of Loch
Lomond
III. In a
Scottish wedding, after
the official ceremonies,
there is often danced.
This is called a ceilidh.
For this we use
traditional Scottish
music such as Marie's
Wedding '. Mid dance
we go back to the church,
where a lovely song in
honor of the couple
sounds. Marie's
Wedding has been recorded
by Van Morrison (among
many others).
Step we gaely, on we go,
heel for heel and toe for
toe Arm and arm and
on we go, all for Marie's
wedding
Scottish
Dances is gebaseerd op
drie Schotse
traditionals: Cock of the
North, The Bonnie Bank's
O'Loch Lomond en Marie's
Wedding.
I. De
naam Cock of the North
wordt voor meerdere
dingen of evenementen
gebruikt. Van een
beroemdelocomotief tot
een, naar het schijnt,
een heerlijke likeur, en
van rally's tot snowboard
wedstrijden. Bovendien
was 'Cock O' the North'
een bijnaam van een
bekende hertog. (the 4th
Duke of Gordon) Het
in deze
compositiegebruikte Cock
of the North (een Jig) is
een traditioneel Schotse
bagpipe tune (doedelzak
liedje) wat regelmatig
gespeeld wordt op taptoes
door Pipebands. Niet
zelden zingen de
slagwerkers de tekst
mee.
Auntie Mary,
had acanary, Up the
leg of her trousers
While she was sleeping I
was peeping Up the
leg of her
trousers.
You'll
take the high road
And I'll take the low
road And I'll be in
Scotland aforeye But
me and my true love will
never meet again On
the Bonnie Bonnie Banks
of Loch Lomond
III. Bij een Schotse
bruiloft wordt na de
officiele plechtigheden
vaak gedanst. Dit noemt
men een ceilidh. Hiervoor
gebruiktmen traditionele
Schotse muziek zoals
bijv. 'Marie's
Wedding'. Halverwege
de dans gaan we nog even
terug naar de kerk, waar
een lieflijk lied ter ere
van het bruidspaar
klinkt. Marie's
Wedding is o.a. door Van
Morrison opgenomen.
La Forza Del Destino Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
(Ouverture/Overture). By Giuseppe Verdi (1813-1901). Arranged by P Stalmeier. Fo...(+)
(Ouverture/Overture). By
Giuseppe Verdi
(1813-1901). Arranged by
P Stalmeier. For Concert
Band. Arrangements of
Classical Opera and
Operetta Overtures /
Arrangements of Classical
Pieces. Classic
Arrangement. Grade 6.
Score and Parts.
Published by Molenaar
Edition
Oriental Fantasy.
Composed by Albert
Ketèlbey. Arranged by
Tohru Takahashi. Great
Classics. Transcription.
Score Only. Composed
2013. 20 pages. Music
Sales #1883-12-140 MS.
Published by Music Sales
(BT.1883-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
A few
flavoursome introductory
bars carry the listener
off to a temple garden in
Manchuria in
North-eastern China.
Mysterious incantations
of the priests in the
temple and the scent of
incense set the scene,
while the melody tells of
two lovers. A Manchurian
wedding procession passes
by outside. In the street
the coolies are becoming
restless. Within the
temple, all is calm.
Again we hear the
incantations of the
priest before the
lovers’ theme is
heard in birdsong, with
short quotes from the
temple theme and coolie
theme to end the
piece.Vocal score
available separately:
1883-12-050 MS
De
sfeervolle inleidende
maten van dit werk nemen
de luisteraar mee naar
een tempelhof in
Mantsjoerije, in het
noordoosten van China.
Mysterieuze bezweringen
van de priesters in de
tempel en de geur van
wierook vormen het decor,
terwijl de melodie het
verhaal van twee
geliefden vertelt. Een
Mantsoerijse
bruiloftsstoet komt
buiten langs. Op straat
worden de koelies
onrustig. In de tempel
heerst een kalme sfeer.
Opnieuw horen we de
bezweringen van de
priesters voordat het
thema van de geliefden te
horen is in vogelzang,
met korte citaten uit het
tempel- en het
koeliethema ter
afsluiting van de
compositie.Vocal score
available separately:
1883-12-050
MS
Albert
Ketèlby entführt
schon in den ersten
Takten seines Werkes den
Zuhörer in einen
Tempelgarten in der
Mandschurei im Nordosten
Chinas. Geheimnisvolle
Beschwörungen der
Priester im Tempel, eine
vorüber ziehende
mandschurische
Hochzeitsprozession und
Unruhen unter den Kulis,
die von einem Tempelgong
beendet werden, kreieren
eine exotische Szenerie,
in der die Melodie die
Geschichte zweier
Liebender
erzählt.Chorstimmen
separat erhältlich:
1883-12-050
MS
Un’intro
duzione di alcune battute
ci accompagna nel
giardino di un tempio in
Manciuria, nel nord est
della Cina. I segreti dei
monaci e il profumo
penetrante
dell’incenso fanno
da sottofondo ad una
melodia che racconta di
due amanti.
All’esterno sfila
un corteo nuziale. Un
viaggio musicale in
questa, a noi poco
conosciuta, regione della
Cina.Vocal score
available separately:
1883-12-050 MS.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
Composed by F.D.
Marchetti and M. de
Feraudy. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084452-010. Published by
De Haske Publications
(BT.DHP-1084452-010).
9x12 inches.
English-German-French-Dut
ch.
The melody of
Fascination was composed
in 1905 by Dante
Pilade“Fermo“
Marchetti. In the 1930s
it was successfully
performed inFrench and
English and in 1957 it
again became famous when
itwas used in the
soundtrack of the
American movie Love in
theAfternoon. This piece
has been loved by many
generations andToshio
Mashima’s
arrangement will without
doubt bring joy to
allmembers of your
audience!
De
melodie van
Fascination werd
al in 1905 gecomponeerd
door Fermo Dante
Marchetti. In de jaren
dertig werd er zowel een
Franse als een Engelse
tekst op gezongen. In
1957 werd het lied
opnieuw bekend doordat
het werd gebruiktvoor de
Amerikaanse film Love
in the Afternoon, met
onder anderen Audrey
Hepburn en Gary Cooper.
Daarna bleef
¬Fascination
opeenvolgende generaties
fascineren. Toshimo
Mashima’s
bewerking is daarvan een
fraai bewjs.
Die
Melodie von
Fascination wurde
schon 1905 vom
U-Musik-Komponist Dante
Pilade Fermo“
Marchetti komponiert. In
den 30-Jahren wurde sie
erfolgreich auf
Französisch und
Englisch gesungen und
erreichte 1957 erneut
großen Ruhm durch den
amerikanischen Film
Love in the
Afternoon und mehrere
darauf folgende
Aufnahmen. Fascination,
das tatsächlich schon
mehrere Generationen
fasziniert hat, wird auch
in Toshio Mashimas
Blasorchesterbearbeitung
überzeugen!
Composed by F.D.
Marchetti and M. de
Feraudy. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2008. 28 pages.
De Haske Publications
#DHP 1084452-140.
Published by De Haske
Publications
(BT.DHP-1084452-140).
9x12 inches.
English-German-French-Dut
ch.
The melody of
Fascination was composed
in 1905 by Dante
Pilade“Fermo“
Marchetti. In the 1930s
it was successfully
performed inFrench and
English and in 1957 it
again became famous when
itwas used in the
soundtrack of the
American movie Love in
theAfternoon. This piece
has been loved by many
generations andToshio
Mashima’s
arrangement will without
doubt bring joy to
allmembers of your
audience!
De
melodie van
Fascination werd
al in 1905 gecomponeerd
door Fermo Dante
Marchetti. In de jaren
dertig werd er zowel een
Franse als een Engelse
tekst op gezongen. In
1957 werd het lied
opnieuw bekend doordat
het werd gebruiktvoor de
Amerikaanse film Love
in the Afternoon, met
onder anderen Audrey
Hepburn en Gary Cooper.
Daarna bleef
¬Fascination
opeenvolgende generaties
fascineren. Toshimo
Mashima’s
bewerking is daarvan een
fraai bewjs.
Die
Melodie von
Fascination wurde
schon 1905 vom
U-Musik-Komponist Dante
Pilade Fermo“
Marchetti komponiert. In
den 30-Jahren wurde sie
erfolgreich auf
Französisch und
Englisch gesungen und
erreichte 1957 erneut
großen Ruhm durch den
amerikanischen Film
Love in the
Afternoon und mehrere
darauf folgende
Aufnahmen. Fascination,
das tatsächlich schon
mehrere Generationen
fasziniert hat, wird auch
in Toshio Mashimas
Blasorchesterbearbeitung
überzeugen!
Little Mermaid Melody Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band (Score) - Grade 4 SKU: HL.44013437 Concert Band Score...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44013437
Concert Band
Score. Composed by
Alan Menken & Howard
Ashman. Arranged by
Takashi Hoshide. De Haske
Concert Band. Classical,
Disney. Softcover. 36
pages. Duration 430
seconds. De Haske
Publications #125305140.
Published by De Haske
Publications
(HL.44013437).
UPC:
888680926229.
Again
st her fatherÂ’s
wishes the little mermaid
Ariel goes looking for
adventure in the human
world. The Little
Mermaid, the 28th Disney
animation film, was
released in 1989 and is
based on the fairytale by
Hans Christian Andersen
that has all the
ingredients of a classic
novel including longing,
love, beauty and the
battle between good and
evil. In the film the
fantastic animation and
of course the music
contribute to the
enchantment. This medley
contains: Under the Sea,
Kiss the Girl and Part of
Your World.
Celtic Dance Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0423-00-010 Composed by Dougl...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.CMP-0423-00-010
Composed by Douglas
Court. Passport Series.
Set (Score & Parts).
Composed 2000. Curnow
Music #CMP 0423-00-010.
Published by Curnow Music
(BT.CMP-0423-00-010).
You'll be
a-wearin' the green with
CELTIC DANCE by Douglas
Court. The unmistakable
Galway Piper opens the
piece, and through artful
variation, playfully
comes a-visitin' now and
again, while original
thematic material leads
us on a tour of a lovely
emerald musical
countryside. The
energetic joy of Irish
dance and the
internationally appealing
flavor of Irish folk
music come together in
CELTIC DANCE to form a
jewel of young band
literature. Court's
unerring sense of young
player's abilities makes
this one a pot o'
gold!
Celtic
Dance is een fris,
jeugdig stuk dat de
levendigheid van de dans
verbindt met de sfeer van
de Ierse volksmuziek. De
compositie begint met de
volksliedklanken van de
Galway Piper, die
vervolgens worden
gecombineerdmet origineel
muzikaal materiaal. Met
dit stuk worden beelden
van het groene Ierse
landschap
opgeroepen.
Ein
frisches, jugendliches
Stück für junge
Musiker! Celtic
Dance verbindet die
kraftvolle
Ausgelassenheit des
Tanzes mit dem
unverwechselbaren Flair
irischer Volksmusik. Der
berühmte 'Galway
Piper' - Klang
eröffnet die
Komposition und wird in
deren Verlauf mit
originalem musikalischen
Material kombiniert. Die
grüne irische
Landschaft und ihr Zauber
sind förmlich zu
spüren!
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+24+4+4
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #YPS207.
Published by Carl Fischer
Music (CF.YPS207).
ISBN 9781491152270.
UPC: 680160909773. Key: C
minor.
Factory
Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer .
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Full score. With Standard
notation. 24 pages. Carl
Fischer Music #YPS207F.
Published by Carl Fischer
Music (CF.YPS207F).
ISBN 9781491152959.
UPC:
680160910458.
Facto
ry Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer .
Celtic Dance Orchestre d'harmonie - Facile Curnow Music
Concert Band - Grade 2 SKU: BT.CMP-0423-00-040 Composed by Douglas Court....(+)
Concert Band - Grade 2
SKU:
BT.CMP-0423-00-040
Composed by Douglas
Court. Passport Series.
Original Light Music. Set
(Score and Parts).
Composed 2000. Curnow
Music #CMP 0423-00-040.
Published by Curnow Music
(BT.CMP-0423-00-040).
You'll be
a-wearin' the green with
CELTIC DANCE by Douglas
Court. The unmistakable
Galway Piper opens the
piece, and through artful
variation, playfully
comes a-visitin' now and
again, while original
thematic material leads
us on a tour of a lovely
emerald musical
countryside. The
energetic joy of Irish
dance and the
internationally appealing
flavor of Irish folk
music come together in
CELTIC DANCE to form a
jewel of young band
literature. Court's
unerring sense of young
player's abilities makes
this one a pot o'
gold!
Celtic
Dance is een fris,
jeugdig stuk dat de
levendigheid van de dans
verbindt met de sfeer van
de Ierse volksmuziek. De
compositie begint met de
volksliedklanken van de
Galway Piper, die
vervolgens worden
gecombineerdmet origineel
muzikaal materiaal. Met
dit stuk worden beelden
van het groene Ierse
landschap
opgeroepen.
Ein
frisches, jugendliches
Stück für junge
Musiker! Celtic
Dance verbindet die
kraftvolle
Ausgelassenheit des
Tanzes mit dem
unverwechselbaren Flair
irischer Volksmusik. Der
berühmte 'Galway
Piper' - Klang
eröffnet die
Komposition und wird in
deren Verlauf mit
originalem musikalischen
Material kombiniert. Die
grüne irische
Landschaft und ihr Zauber
sind förmlich zu
spüren!
Band Concert Band - Grade 2 SKU: CF.YPS82 Composed by Alan Lee Silva. Car...(+)
Band Concert Band - Grade
2
SKU: CF.YPS82
Composed by Alan Lee
Silva. Carl Fischer Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+4+6+6+6+1+4+12+20
pages. Carl Fischer Music
#YPS82. Published by Carl
Fischer Music (CF.YPS82).
ISBN 9780825870286.
UPC: 798408070281. Key:
Bb major.
A
contrast between heroic
trumpet melodies and
lyrical woodwind lines
highlight this effective
new composition from Alan
Lee Silva. Bands will
sound their best and love
doing it with this
distinctive new piece
that is suitable for
concert or
contest. Staccato
brass figures along with
woodwind trills and runs
highlight the powerful
opening of Legend of the
Lake. The trumpet states
the heroic main theme at
m. 10. The dynamics
soften in m. 18 for a
lyrical flute solo,
playing the B-melody. The
full woodwind section is
featured at m. 26 in a
reprise of the B-melody.
The trumpets proclaim the
A-melody again at m. 34
with full band
accompaniment, plus
woodwind fills and
background lines. The
interlude at m. 42
features each section of
the band independently as
well as the entire
ensemble in concerted
rhythms.The reiteration
of the introduction
material at m. 49 builds
to a slow maestoso
treatment of the A-theme.
A short contrapuntal
interlude, featuring
woodwinds at m. 61, leads
to an ending statement
with the complete group
at m. 66. Measure 68 is a
percussion feature that
builds to the explosive
final tonic chord and
staccato unison
ending.
Grade 2 SKU: CL.011-4996-01 Composed by McBride. Young Concert Band. Extr...(+)
Grade 2
SKU:
CL.011-4996-01
Composed by McBride.
Young Concert Band. Extra
full score. C.L.
Barnhouse #011-4996-01.
Published by C.L.
Barnhouse
(CL.011-4996-01).
Here’s
an exciting
fanfare/opener from the
pen of Jonathan McBride
that your band will
really sink their teeth
into! Bright melodies and
dancing syncopations are
two hallmarks of this
dynamic concert work.
Featuring distinctive
melodic lines and catchy
rhythms, your band will
love to play Saber
Celebration time and time
again. Very highly
recommended!
Grade 2 SKU: CL.011-4996-00 Composed by McBride. Young Concert Band. Scor...(+)
Grade 2
SKU:
CL.011-4996-00
Composed by McBride.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #011-4996-00.
Published by C.L.
Barnhouse
(CL.011-4996-00).
Here’s
an exciting
fanfare/opener from the
pen of Jonathan McBride
that your band will
really sink their teeth
into! Bright melodies and
dancing syncopations are
two hallmarks of this
dynamic concert work.
Featuring distinctive
melodic lines and catchy
rhythms, your band will
love to play Saber
Celebration time and time
again. Very highly
recommended!
Composed by Sean
O'Loughlin. Primer Band.
Set of Score and Parts.
With Standard notation.
8+2+8+2+5+2+2+8+2+3+2+6+2
+3+1+1+2+3+16 pages.
Duration 1 minute, 47
seconds. Carl Fischer
Music #PPS24. Published
by Carl Fischer Music
(CF.PPS24).
ISBN
9780825895432. UPC:
798408095437. 9 x 12
inches.
A beginning
concert band piece of
elephantine proportions!
Sean O'Loughlin is able
to deliver exciting music
that students love to
play, time and time
again. His pieces in
sounds much more
difficult and
sophisticated than
students are technically
able to play. Your band
will shine with this
mammoth musical
depiction.
Pre 1 SKU: CL.RWS-2039-01 Composed by Robert W. Smith. Young Concert Band...(+)
Pre 1
SKU:
CL.RWS-2039-01
Composed by Robert W.
Smith. Young Concert
Band. Extra full Score.
Composed 2020. RWS Music
Company #RWS-2039-01.
Published by RWS Music
Company (CL.RWS-2039-01).
A thrilling
musical adventure for
your young band
musicians, Race Against
Time is a fast and
furious journey with an
educational focus on the
time signature. Driving
in 4/4 time, your
students will like the
intensity and strength of
the musical race.
However, they will love
their journey through the
time tunnel with simple
yet effective meter
changes. Master educator
Robert W. Smith has
provided a perfect
vehicle to teach and
reinforce the time
signature in a musically
relevant setting.
Composed by Robert W. Smith. Young Concert Band. RWS Very Beginning Band Ser...(+)
Composed by Robert W.
Smith.
Young Concert Band. RWS
Very
Beginning Band Series.
Composed 2020. Duration 1
minute, 58 seconds.
Published
by C.L. Barnhouse
Euphonium or Baritone and Piano Baritone; Euphonium; Piano Accompaniment (SCORE+...(+)
Euphonium or Baritone and
Piano Baritone;
Euphonium; Piano
Accompaniment
(SCORE+PARTS)
SKU:
HL.4008509
Euphonium Concerto No.
4 for Euphonium or
Baritone and Piano.
Composed by Philip
Sparke. Anglo Music
Concert Band. Classical,
Performance, Recital.
Softcover. Duration 1110
seconds. Anglo Music
Press #AMP536401.
Published by Anglo Music
Press (HL.4008509).
UPC:
196288176275.
Omagg
io was commissioned by
Steven Mead in
celebration of his 60th
birthday and in memory of
his father, Rex. He gave
the premiere of the brass
band version in Rome in
March 2022, accompanied
by the Italian Brass Band
conducted by Filippo
Cangiamilla. The
concertband premiere took
place on 6th July that
year as part of the 2022
Spanish International
Tuba Euphonium
Conference, accompanied
by the Banda municipal de
música de Málaga.
The concerto is set in 3
continuous movements,
which are united by a
recurring syncopated
interval of a fifth. The
first movement, FANTASIA,
opens with this motive
accompanying an extended
monologue for the
soloist. This is followed
by a lengthy bridge
passage by the piano,
which is eventually
joined by the soloist,
who guides the music back
to the opening soliloquy,
leading to an energetic
central section. This
develops until the
opening material again
returns to introduce the
second movement, BALLAD,
which revolves around an
expressive melody for the
soloist, interspersed by
accompanied cadenzas. The
thirdmovement, THE KING
TRIUMPHANT, pays homage
to StevenÂ’s late
father, Rex, and its
title alludes both to
Rex's name ('Rex' being
Latinfor 'king') as well
as his love of Eric
BallÂ’s Salvationist
masterpiece, The Kingdom
Triumphant. The finale is
an energetic
tour-de-force featuring
an acrobatic 6/8 melody,
which is interrupted
twice by the magnificent
hymn tune, Helmsley,
which Ball uses so
effectively in The
Kingdom Triumphant. A
galloping coda brings the
work to a close.
As Performed by Lady Gaga. Composed by Lady Gaga, Natalie Hemby, Hillary Lind...(+)
As Performed by Lady
Gaga.
Composed by Lady Gaga,
Natalie Hemby, Hillary
Lindsey, and Aaron
Raitiere.
Arranged by Michael
Kamuf.
Concert Band; Performance
Music Ensemble. Pop Young
Band. Movie. Score. 24
pages.
Duration 4:00. Alfred
Music
#00-47413S. Published by
Alfred Music
As Performed by Lady Gaga. Composed by Lady Gaga, Natalie Hemby, Hillary Lind...(+)
As Performed by Lady
Gaga.
Composed by Lady Gaga,
Natalie Hemby, Hillary
Lindsey, and Aaron
Raitiere.
Arranged by Michael
Kamuf.
Concert Band; Performance
Music Ensemble. Pop Young
Band. Movie. Score and
Parts.
262 pages. Duration 4:00.
Alfred Music #00-47413.
Published by Alfred Music