Band concert band - Grade 0.5 SKU: CF.PPS53F Composed by Sean O'Loughlin....(+)
Band concert band - Grade
0.5
SKU: CF.PPS53F
Composed by Sean
O'Loughlin. Primer Band
(PPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#PPS53F. Published by
Carl Fischer Music
(CF.PPS53F).
ISBN
9781491152652. UPC:
680160910151.
Illyr
ia is a region in
southern Europe, and the
name has been used in
books and music
throughout history,
including Shakespearean
plays. Composer Sean
O'Loughlin takes
beginning students on a
musical journey, starting
with broad melodic
statements by the brass,
bold full ensemble
statements, a contrasting
lyrical section, and
concluding with a
relentless finish.
Journey to
Illyria is a
sophisticated musical
presentation that is
still playable by the
youngest of
students. The title
Journey to
Illyria comes out of a
recent internet search
that came up with a
similarly titled book by
an author named Sean
O'Loughlin (no relation).
I'm always fascinated by
how connected and small
this world can seem.
After some further
research, I found that
Illyria is also a name
that appears in some
fantasy fiction books and
even on the TV show
Angel. All of this gets
wrapped into the music
for this piece.It begins
with a broad melodic
statement by the brass.
It develops further at m.
9 and then transitions to
a full statement at m. 25
with plenty of imitation
between upper and lower
voices. A contrasting
slower section follows at
m. 39, which should bring
out the haunting, rich
sound of the ensemble.
The fast section returns
at m. 46 with
progressively building
imitation to bring back
the opening gesture at m.
58. The music then is
relentless to the rousing
end.
Band concert band - Grade 0.5 SKU: CF.PPS53 Composed by Sean O'Loughlin. ...(+)
Band concert band - Grade
0.5
SKU: CF.PPS53
Composed by Sean
O'Loughlin. Primer Band
(PPS). Set of Score and
Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+5+16+2 pages.
Duration 2 minutes, 50
seconds. Carl Fischer
Music #PPS53. Published
by Carl Fischer Music
(CF.PPS53).
ISBN
9781491151976. UPC:
680160909476.
Illyr
ia is a region in
southern Europe, and the
name has been used in
books and music
throughout history,
including Shakespearean
plays. Composer Sean
O'Loughlin takes
beginning students on a
musical journey, starting
with broad melodic
statements by the brass,
bold full ensemble
statements, a contrasting
lyrical section, and
concluding with a
relentless finish.
Journey to
Illyria is a
sophisticated musical
presentation that is
still playable by the
youngest of
students. The title
Journey to
Illyria comes out of a
recent internet search
that came up with a
similarly titled book by
an author named Sean
O'Loughlin (no relation).
I'm always fascinated by
how connected and small
this world can seem.
After some further
research, I found that
Illyria is also a name
that appears in some
fantasy fiction books and
even on the TV show
Angel. All of this gets
wrapped into the music
for this piece.It begins
with a broad melodic
statement by the brass.
It develops further at m.
9 and then transitions to
a full statement at m. 25
with plenty of imitation
between upper and lower
voices. A contrasting
slower section follows at
m. 39, which should bring
out the haunting, rich
sound of the ensemble.
The fast section returns
at m. 46 with
progressively building
imitation to bring back
the opening gesture at m.
58. The music then is
relentless to the rousing
end.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002207-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002207-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 96
pages. De Haske
Publications #DHP
1002207-140. Published by
De Haske Publications
(BT.DHP-1002207-140).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in
2001.ATTILA, King of the
Huns, often named
“The scourge of
God,†is the
central figure of the
first movement, mainly
characterized by fear,
threat, aggression, and
cruelty. Attila’s
brother, Buda, however,
has a more heroic theme,
while his beloved wife,
Rika, has a lyrical
melody. The exciting
ending of this opening
movement illustrates the
dreaded speed of
Attila’s troops:
they pursued their
victims and killed them
all!
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
March of the Dwarfs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Belwin
(Lyric Suite (Orchestration of Op. 54) No. 4). Composed by Edvard Grieg (1843-19...(+)
(Lyric Suite
(Orchestration of Op. 54)
No. 4). Composed by
Edvard Grieg (1843-1907).
Arranged by Michael
Story. Concert Band.
Concert Band;
Masterworks; Part(s);
Score. Belwin Concert
Band. Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Grade 3. 122 pages.
Published by Belwin Music
Odilia Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-140 Pop Overture f...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135395-140
Pop Overture for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Original Light
Music. Score Only.
Composed 2013. 18 pages.
De Haske Publications
#DHP 1135395-140.
Published by De Haske
Publications
(BT.DHP-1135395-140).
Odili
a ist eine schnelle
und fröhliche Ode an
das französische Dorf
Baume-les-Dames. Die
Einleitung der
Komposition ist
mittelalterlicher
Tanzmusik inspiriert. Der
nachfolgende langsame
Satz in lyrischem Moll
steigert sich zu einem
dramatischen
Höhepunkt, gefolgt von
einer ruhigen Passage,
die das lyrische Thema
wieder aufnimmt.
Schließlich kehrt das
mittelalterliche Motiv
aus der Einleitung
wieder, diesmal in einer
festlichen Gospelversion.
Odilia<
/I> è una veloce e
gioiosa ode a
Baume-les-Dames, una
cittadina francese che ha
ispirato la musica
medioevale danzante che
il compositore propone
nell’introduzione
del brano. Il movimento
che segue è
caratterizzato da un modo
minore lirico che si
sviluppa in una
drammatica apoteosi,
seguita da un passaggio
calmo che riprende il
tema lirico. Il motivo
medioevale è
nuovamente proposto,
questa volta in una
festosa versione
gospel.
Odilia Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-010 Pop Overture f...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135395-010
Pop Overture for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Original Light
Music. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1135395-010. Published by
De Haske Publications
(BT.DHP-1135395-010).
Odili
a ist eine schnelle
und fröhliche Ode an
das französische Dorf
Baume-les-Dames. Die
Einleitung der
Komposition ist
mittelalterlicher
Tanzmusik inspiriert. Der
nachfolgende langsame
Satz in lyrischem Moll
steigert sich zu einem
dramatischen
Höhepunkt, gefolgt von
einer ruhigen Passage,
die das lyrische Thema
wieder aufnimmt.
Schließlich kehrt das
mittelalterliche Motiv
aus der Einleitung
wieder, diesmal in einer
festlichen Gospelversion.
Odilia<
/I> è una veloce e
gioiosa ode a
Baume-les-Dames, una
cittadina francese che ha
ispirato la musica
medioevale danzante che
il compositore propone
nell’introduzione
del brano. Il movimento
che segue è
caratterizzato da un modo
minore lirico che si
sviluppa in una
drammatica apoteosi,
seguita da un passaggio
calmo che riprende il
tema lirico. Il motivo
medioevale è
nuovamente proposto,
questa volta in una
festosa versione
gospel.
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-010 For Euphonium and ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-513-010
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Set (Score &
Parts). Composed 2021.
Anglo Music Press #AMP
513-010. Published by
Anglo Music Press
(BT.AMP-513-010).
English-German-French-
Dutch.
Pulcinell
a was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teaches euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of
Pulcinella in both
its concert band and
brass band versions in
January 2021.
Pulcinella
continues Sparke’s
series of euphonium solos
named after characters of
the Italian commedia
dell’arte and
opens with a long and
expressive minor melody
for the soloist over a
brooding accompaniment.
This is taken up briefly
by the full band and is
extended by the soloist
after a change of key. A
cadenza, accompanied by
fragments of the main
melody leads to a
complete change of mood,
tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which
leads to a short and
acrobatic coda to bring
the work to a spectacular
close.
Pulcinella
werd geschreven in
opdracht van de Taiwanese
eufoniumspeler Tzu-Hsiang
Lin. Lin is een
gerenommeerd solist en
leraar en een Besson
Euphonium Artist. Hij
geeft eufoniumles aan de
Taipei National
University of the Arts,
de National Taiwan
University of Arts, de
Shih Chien University en
de National Kaohsiung
Normal University. In
januari 2021 bracht Lin
de première van
Pulcinella in
zowel de versie voor
harmonieorkest als die
voor brassband.
Pulcinella is een
vervolg binnen Sparkes
serie
eufoniumsolo’s
waarin personages uit de
Italiaanse commedia
dell’arte de
hoofdrol spelen. Het werk
opent met een lange,
expressieve mineurmelodie
voor de solist, boven een
sonore begeleiding. Deze
wordt kortstondig door
het complete orkest
overgenomen en dan na een
modulatie door de solist
verder uitgewerkt. Een
cadens, begeleid door
fragmenten van de
hoofdmelodie, mondt uit
in een totaal andere
sfeer, tempo en
tonaliteit, met de
introductie van een
Vivo-gedeelte dat
begint met een pittige,
gesyncopeerde passage
voor de solist. Het
orkest gebruikt elementen
hieruit om een nieuwe
modulatie in te voeren,
waarbij de solist een
lyrischer tweede thema
boven een pulserende
begeleiding introduceert.
Het orkest neemt dit dan
over en verandert van
toonsoort om naar de
originele
Vivo-melodie terug
te keren, die naar een
korte, acrobatische coda
leidt en het werk op
spectaculaire wijze
afsluit.
Pulcinella
wurde von dem
taiwanesischen
Euphoniumspieler
Tzu-Hsiang Lin in Auftrag
gegeben, einem bekannten
Solisten, Lehrer und
Besson Euphonium
Artist“. Er
unterrichtet Euphonium an
der Taipei National
University of the Arts,
der National Taiwan
University of Arts, der
Shih Chien University und
an der National Kaohsiung
Normal University.
Tzu-Hsiang Lin spielte im
Januar 2021 die
Uraufführungen von
Pulcinella, sowohl
die Version mit
Blasorchesterbegleitung
als auch die mit
Brass-Band-Begleitung.
Mit Pulcinella
setzt sich Philip Sparkes
Serie mit Stücken
für Euphonium solo
fort, die nach
Charakteren der
italienischen Commedia
dell’Arte
benannt sind. Das Werk
beginnt mit einer langen
und ausdrucksvollen
Melodie des Solisten in
Moll über einer
düsteren Begleitung.
Die Melodie wird vom
gesamten Blasorchester
kurz übernommen und
durch den Solisten nach
einem Tonartwechsel
erweitert. Eine Kadenz,
begleitet von Fragmenten
der Hauptmelodie,
führt zu einer
kompletten Veränderung
von Stimmung, Tempo und
Tonalität und leitet
einen
Vivo-Abschnitt
ein, der mit einer
munteren synkopierten
Melodie des Solisten
beginnt. Das
Blasorchester greift
Elemente der neuen
Melodie auf, um einen
Tonartwechsel
einzuführen, wobei der
Solist ein lyrischeres
zweites Thema über
einer pulsierenden
Begleitung vorstellt. Das
Blasorchester greift
dieses wiederum auf,
wechselt die Tonart und
übernimmt erneut die
ursprüngliche
Vivo-Melodie. Eine
kurze und technisch
anspruchsvolle Coda
leitet in einen
fulminanten Schluss
über.
Pulcinella Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-513-140 For Euphonium and ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-513-140
For
Euphonium and Concert
Band. Composed by
Philip Sparke. Anglo
Music Midway Series. Solo
& Concerto. Score Only.
Composed 2021. 28 pages.
Anglo Music Press #AMP
513-140. Published by
Anglo Music Press
(BT.AMP-513-140).
English-German-French-
Dutch.
Pulcinell
a was commissioned by
the Taiwanese euphonium
player Tzu-Hsiang Lin.
Lin is a renowned soloist
and teacher and a Besson
Euphonium Artist. He
teaches euphonium at
Taipei National
University of the Arts,
National Taiwan
University of Arts, Shih
Chien University and
National Kaohsiung Normal
University. Lin gave the
premiere of
Pulcinella in both
its concert band and
brass band versions in
January 2021.
Pulcinella
continues Sparke’s
series of euphonium solos
named after characters of
the Italian commedia
dell’arte and
opens with a long and
expressive minor melody
for the soloist over a
brooding accompaniment.
This is taken up briefly
by the full band and is
extended by the soloist
after a change of key. A
cadenza, accompanied by
fragments of the main
melody leads to a
complete change of mood,
tempo and tonality,
introducing a Vivo
section starting with a
perky syncopated tune for
the soloist. The band
then uses elements of
this new tune to
introduce a change of
key, where the soloist
introduces a more lyrical
second subject over a
pulsing accompaniment.
The band then takes this
up and changes key to
reintroduce the original
Vivo melody, which
leads to a short and
acrobatic coda to bring
the work to a spectacular
close.
Pulcinella
werd geschreven in
opdracht van de Taiwanese
eufoniumspeler Tzu-Hsiang
Lin. Lin is een
gerenommeerd solist en
leraar en een Besson
Euphonium Artist. Hij
geeft eufoniumles aan de
Taipei National
University of the Arts,
de National Taiwan
University of Arts, de
Shih Chien University en
de National Kaohsiung
Normal University. In
januari 2021 bracht Lin
de première van
Pulcinella in
zowel de versie voor
harmonieorkest als die
voor brassband.
Pulcinella is een
vervolg binnen Sparkes
serie
eufoniumsolo’s
waarin personages uit de
Italiaanse commedia
dell’arte de
hoofdrol spelen. Het werk
opent met een lange,
expressieve mineurmelodie
voor de solist, boven een
sonore begeleiding. Deze
wordt kortstondig door
het complete orkest
overgenomen en dan na een
modulatie door de solist
verder uitgewerkt. Een
cadens, begeleid door
fragmenten van de
hoofdmelodie, mondt uit
in een totaal andere
sfeer, tempo en
tonaliteit, met de
introductie van een
Vivo-gedeelte dat
begint met een pittige,
gesyncopeerde passage
voor de solist. Het
orkest gebruikt elementen
hieruit om een nieuwe
modulatie in te voeren,
waarbij de solist een
lyrischer tweede thema
boven een pulserende
begeleiding introduceert.
Het orkest neemt dit dan
over en verandert van
toonsoort om naar de
originele
Vivo-melodie terug
te keren, die naar een
korte, acrobatische coda
leidt en het werk op
spectaculaire wijze
afsluit.
Pulcinella
wurde von dem
taiwanesischen
Euphoniumspieler
Tzu-Hsiang Lin in Auftrag
gegeben, einem bekannten
Solisten, Lehrer und
Besson Euphonium
Artist“. Er
unterrichtet Euphonium an
der Taipei National
University of the Arts,
der National Taiwan
University of Arts, der
Shih Chien University und
an der National Kaohsiung
Normal University.
Tzu-Hsiang Lin spielte im
Januar 2021 die
Uraufführungen von
Pulcinella, sowohl
die Version mit
Blasorchesterbegleitung
als auch die mit
Brass-Band-Begleitung.
Mit Pulcinella
setzt sich Philip Sparkes
Serie mit Stücken
für Euphonium solo
fort, die nach
Charakteren der
italienischen Commedia
dell’Arte
benannt sind. Das Werk
beginnt mit einer langen
und ausdrucksvollen
Melodie des Solisten in
Moll über einer
düsteren Begleitung.
Die Melodie wird vom
gesamten Blasorchester
kurz übernommen und
durch den Solisten nach
einem Tonartwechsel
erweitert. Eine Kadenz,
begleitet von Fragmenten
der Hauptmelodie,
führt zu einer
kompletten Veränderung
von Stimmung, Tempo und
Tonalität und leitet
einen
Vivo-Abschnitt
ein, der mit einer
munteren synkopierten
Melodie des Solisten
beginnt. Das
Blasorchester greift
Elemente der neuen
Melodie auf, um einen
Tonartwechsel
einzuführen, wobei der
Solist ein lyrischeres
zweites Thema über
einer pulsierenden
Begleitung vorstellt. Das
Blasorchester greift
dieses wiederum auf,
wechselt die Tonart und
übernimmt erneut die
ursprüngliche
Vivo-Melodie. Eine
kurze und technisch
anspruchsvolle Coda
leitet in einen
fulminanten Schluss
über.
Lyric Music Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
By Robert Starer (1924-2001). Concert band - solo trumpet feature. Suitable for ...(+)
By Robert Starer
(1924-2001). Concert band
- solo trumpet feature.
Suitable for advanced
middle school, high
school, community and
college bands. Grade 3.
Conductor Condensed
Score. Duration 4:00.
Published by Manhattan
Beach Music
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.AMP-460-140 F...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.AMP-460-140
For
Trumpet, Euphonium and
Band. Composed by
Philip Sparke. Elite
Series. Solo & Concerto.
Score Only. Composed
2019. 53 pages. Anglo
Music Press #AMP 460-140.
Published by Anglo Music
Press (BT.AMP-460-140).
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.AMP-460-010 F...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.AMP-460-010
For
Trumpet, Euphonium and
Band. Composed by
Philip Sparke. Elite
Series. Solo & Concerto.
Set (Score & Parts).
Composed 2019. Anglo
Music Press #AMP 460-010.
Published by Anglo Music
Press (BT.AMP-460-010).
Castles of Llyr Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.012-2243-01 Composed by J. Spears. Concert Band. Classics...(+)
Grade 3
SKU:
CL.012-2243-01
Composed by J. Spears.
Concert Band. Classics
Series. Audio recording
available separately
(item CL.WFR103). Extra
full score. Composed
1990. Duration 5 minutes.
Opus III Wind Orchestra
Publications
#012-2243-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-2243-01).
A distinctive
work inspired by folklore
surrounding Llyr, the
Welsh God of the Sea. A
powerful, grandiose
opening sets the scene
for the exciting yet
mysterious allegro of
quickly changing
instrumental colors. A
slow and dramatic section
follows, building
gradually to an explosive
return to the allegro.
Great student and
audience appeal. Rated as
a definite
pick’’ for
contest.
About C.L.
Barnhouse Classics
Series
Und
er the editorial
supervision of Dr. Alfred
Reed, these classics from
master composers have
been adapted and arranged
for concert band. A
perfect way to acquaint
concert band performers
and audiences with some
of the greatest classical
music of all time!
Castles of Llyr Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-2243-00 Composed by J. Spears. Concert Band. Classics...(+)
Grade 3
SKU:
CL.012-2243-00
Composed by J. Spears.
Concert Band. Classics
Series. Audio recording
available separately
(item CL.WFR103). Score
and set of parts.
Composed 1990. Duration 5
minutes. Opus III Wind
Orchestra Publications
#012-2243-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-2243-00).
A distinctive
work inspired by folklore
surrounding Llyr, the
Welsh God of the Sea. A
powerful, grandiose
opening sets the scene
for the exciting yet
mysterious allegro of
quickly changing
instrumental colors. A
slow and dramatic section
follows, building
gradually to an explosive
return to the allegro.
Great student and
audience appeal. Rated as
a definite
pick’’ for
contest.
About C.L.
Barnhouse Classics
Series
Und
er the editorial
supervision of Dr. Alfred
Reed, these classics from
master composers have
been adapted and arranged
for concert band. A
perfect way to acquaint
concert band performers
and audiences with some
of the greatest classical
music of all time!
(Lyrica Davidica). By Elliot Del Borgo. Concert band. For Flute, Clarinet I, Cla...(+)
(Lyrica Davidica). By
Elliot Del Borgo. Concert
band. For Flute, Clarinet
I, Clarinet II, Bass
Clarinet (in Bb), Alto
Saxophone, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn, Tenor,
Tenor II, Bassoon,
Baritone (in Treble
Clef), Tuba, Percussion,
Percussion II, Percussion
III, Percussion IV. Carl
Fischer Young Band
Series. Classical. Grade
2-2.5. Full Score -
Large. Standard notation.
26 pages
(Lyrica Davidica). By Elliot Del Borgo. Arranged by Elliot Del Borgo. Concert Ba...(+)
(Lyrica Davidica). By
Elliot Del Borgo.
Arranged by Elliot Del
Borgo. Concert Band. For
Concert Band. Carl
Fischer Young Band
Series. Grade 2-2.5.
Score and Set of Parts.
Standard notation. 26
pages
Lyric Statement Orchestre d'harmonie - Avancé Kjos Music Company
Band concert band - Grade 5 SKU: KJ.B395 Composed by John Zdechlik. Score...(+)
Band concert band - Grade
5
SKU: KJ.B395
Composed by John
Zdechlik. Score and set
of parts. Neil A. Kjos
Music Company #B395.
Published by Neil A. Kjos
Music Company (KJ.B395).
The primary
ideas of this work are
stated by the woodwinds
and horns in the
introduction and
germinate from two basic
ideas: the rhythmic
figure and the melodic
interval of a tritone.
Ostinato and lyric
melodies help develop
these ideas until the
work recaps the opening
section. A truly
wonderful contemporary
selection!
Band concert band - Grade 5 SKU: KJ.B395F Composed by John Zdechlik. Scor...(+)
Band concert band - Grade
5
SKU: KJ.B395F
Composed by John
Zdechlik. Score. Neil A.
Kjos Music Company
#B395F. Published by Neil
A. Kjos Music Company
(KJ.B395F).
The
primary ideas of this
work are stated by the
woodwinds and horns in
the introduction and
germinate from two basic
ideas: the rhythmic
figure and the melodic
interval of a tritone.
Ostinato and lyric
melodies help develop
these ideas until the
work recaps the opening
section. A truly
wonderful contemporary
selection!
Promoting positive body image in the lyric, with a catchy melody and an infec...(+)
Promoting positive body
image in the lyric, with
a
catchy melody and an
infectious grove, this
pop
tune definitely has a bit
of
a '50s and '60s doo-wop
feel
that makes it refreshing.
With its throwback soul
beat, its body-positive
message couched in a cute
musical metaphor, and its
dance-filled,
candy-colored
video, it's become a
straight-up pop
phenomenon
loved by today's pop
culture. A very playable
arrangement with a fresh
touch! (1:45).
Composed
by Soichi Konagaya. De
Haske Concert Band.
March. Score Only.
Composed 1996. Hal
Leonard #960731.
Published by Hal Leonard
(HL.44002606).
UPC:
073999491302.
8.25x11.75x0.795
inches.
Grand
March' was composed in
1995 for the All Shizuoka
Youth Band of Japan. The
piece opens with a
majestic fanfare. A
superb-sounding march,
with a commanding
character, follows. The
talent of this Japanese
composer reveals itself
in the distinctly lyrical
character of the trio
section, which contrasts
wonderfully with the
first lyrical themes of
the score.
Grand
March werd in 1995
gecomponeerd voor de All
Shizuoka Youth Band uit
Japan. Het werk opent met
een majestueuze fanfare.
Wat volgt, is een subliem
klinkende mars met een
imponerend karakter. Het
talent van de Japanse
componist Kanagaye komt
verder tot uiting in de
contrasterende lyriek van
het triodeel. Een grootse
mars waarmee uw orkest
veel eer kan inleggen!
Der Grand
March wurde 1995 fur
die All Shizuoka Youth
Band of Japan komponiert.
Der Marsch beginnt
hoffnungsvoll mit einer
majestatischen Fanfare.
Darauf folgt ein toll
klingender, energischer
Marsch. Das Talent dieses
japanischen Komponisten
zeigt sich besonders im
lyrischen Charakter des
Trio-Abschnitts, der
wunderbar im Kontrast zu
den ersten lyrischen
Themen steht.
Grand
March est une
composition datant de
1995 pour l'ensemble
japonais All Shizuoka
Youth Band. L'oeuvre
commence par une fanfare
majestueuse, tel que le
promet le titre, suivie
d'une marche superbe au
caractere imperieux. Le
talent de ce compositeur
japonais est revele dans
le style tres lyrique du
trio, qui fait un
magnifique contraste avec
les premiers themes
lyriques de la Grand
March.
Grand
March (La grande
marcia) fu composta
nel 1995 per la Banda
giovanile giapponese All
Shizuoka. La marcia si
apre con una maestosa
fanfara. Segue una marcia
dalla sonorita superba,
con un carattere
autorevole. Il talento
del compositore si rivela
nel carattere
spiccatamente lirico
della sezione del trio,
che contrasta
meravigliosamente con i
primi temi lirici della
marcia.
Grand March Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0960731-140 Composed by Soich...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0960731-140
Composed by Soichi
Konagaya. Brilliant
Marches. March. Score
Only. Composed 1996. 32
pages. De Haske
Publications #DHP
0960731-140. Published by
De Haske Publications
(BT.DHP-0960731-140).
9x12
inches.
‘Gran
d March’ was
composed in 1995 for the
All Shizuoka Youth Band
of Japan. The piece opens
with a majestic fanfare.
A superb-sounding march,
with a commanding
character, follows. The
talent of this Japanese
composer reveals itself
in the distinctly lyrical
character of the trio
section, which contrasts
wonderfully with the
first lyrical themes of
the score.
Grand
March werd in 1995
gecomponeerd voor de All
Shizuoka Youth Band uit
Japan. Het werk opent met
een majestueuze fanfare.
Wat volgt, is een subliem
klinkende mars met een
imponerend karakter. Het
talent van de Japanse
componist Kanagaye komt
verder tot uiting in de
contrasterende lyriek van
het triodeel. Een grootse
mars waarmee uw orkest
veel eer kan inleggen!
Der Grand
March wurde 1995
für die All Shizuoka
Youth Band of Japan
komponiert. Der Marsch
beginnt hoffnungsvoll mit
einer majestätischen
Fanfare. Darauf folgt ein
toll klingender,
energischer Marsch. Das
Talent dieses japanischen
Komponisten zeigt sich
besonders im lyrischen
Charakter des
Trio-Abschnitts, der
wunderbar im Kontrast zu
den ersten lyrischen
Themen steht.
Grand
March (La grande
marcia) fu composta
nel 1995 per la Banda
giovanile giapponese All
Shizuoka. La marcia si
apre con una maestosa
fanfara. Segue una marcia
dalla sonorit superba,
con un carattere
autorevole. Il talento
del compositore si rivela
nel carattere
spiccatamente lirico
della sezione del trio,
che contrasta
meravigliosamente con i
primi temi lirici della
marcia.
Grand March Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0960731-010 Composed by Soich...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0960731-010
Composed by Soichi
Konagaya. Brilliant
Marches. March. Set
(Score and Parts).
Composed 1996. De Haske
Publications #DHP
0960731-010. Published by
De Haske Publications
(BT.DHP-0960731-010).
9x12
inches.
â??Grand
Marchâ?? was composed in
1995 for the All Shizuoka
Youth Band of Japan. The
piece opens with a
majestic fanfare. A
superb-sounding march,
with a commanding
character, follows. The
talent of this Japanese
composer reveals itself
in the distinctly lyrical
character of the trio
section, which contrasts
wonderfully with the
first lyrical themes of
the score.
Grand
March werd in 1995
gecomponeerd voor de All
Shizuoka Youth Band uit
Japan. Het werk opent met
een majestueuze fanfare.
Wat volgt, is een subliem
klinkende mars met een
imponerend karakter. Het
talent van de Japanse
componist Kanagaye komt
verder tot uiting in de
contrasterende lyriek van
het triodeel. Een grootse
mars waarmee uw orkest
veel eer kan inleggen!
Der Grand
March wurde 1995
für die All Shizuoka
Youth Band of Japan
komponiert. Der Marsch
beginnt hoffnungsvoll mit
einer majestätischen
Fanfare. Darauf folgt ein
toll klingender,
energischer Marsch. Das
Talent dieses japanischen
Komponisten zeigt sich
besonders im lyrischen
Charakter des
Trio-Abschnitts, der
wunderbar im Kontrast zu
den ersten lyrischen
Themen steht.
Grand
March (La grande
marcia) fu composta
nel 1995 per la Banda
giovanile giapponese All
Shizuoka. La marcia si
apre con una maestosa
fanfara. Segue una marcia
dalla sonorit superba,
con un carattere
autorevole. Il talento
del compositore si rivela
nel carattere
spiccatamente lirico
della sezione del trio,
che contrasta
meravigliosamente con i
primi temi lirici della
marcia.
Liberty Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064075-010 Composed by John ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1064075-010
Composed by John Blanken.
Brilliant Marches. March.
Set (Score & Parts).
Composed 2009. De Haske
Publications #DHP
1064075-010. Published by
De Haske Publications
(BT.DHP-1064075-010).
9x12 inches.
English-German-French-Dut
ch.
John Blanken
composed his traditional
style concert march
Liberty was composed in
2004. The first
performance took place
during a concert in which
the theme was the
struggle for independence
and during the concert
the audience sang the
song of independence from
large banners situated on
both sides of the both.
This grandiose yet
lyrical march will open
your concert in a truly
liberating manner.
Liberty is
gecomponeerd in een
traditionele marsvorm.
Het eerste deel bevat
naast een beweeglijk
thema een aansprekende
bassolo. Na de bassolo
komt het eerste thema
weer naar voren en wordt,
na een krachtige
afsluiting, hettrio
ingeleid. Een lange,
lyrische melodie in de
tenorgroep laat
vervolgens het publiek
even achteroverleunen en
genieten. Ze wordt echter
bruusk onderbroken door
een wilde
fortissimopassage,
gekenmerkt door een lange
toonladderdie door het
hele orkest heen loopt.
Deze mondt uit in een
welluidend Grandioso met
een herhaling van de
lyrische melodie,
omspeeld in de discant,
waarmee Liberty
besluit.
Libert
y ist ein
kontrastreicher
Konzertmarsch in
traditioneller Form. Der
erste Teil enthält
neben einem lebhaften
Thema ein anspruchsvolles
Bassolo. Das ausgedehnte
lyrische Trio enthält
fast komplett neues
thematisches Material und
bildet so einen
interessanten Gegensatz
zum ersten Teil. Ein
weiterer Kontrast
entsteht durch eine
abrupt einsetzende, wilde
Fortissimo-Passage, die
durch das ganze
Blasorchester gereicht
wird, bevor ein
reizvolles Grandioso den
Marsch
beendet.
To the Sky Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé FJH
Concert Band Symphonic Band - Grade 4 SKU: FJ.B1536 Composed by Jame...(+)
Concert Band
Symphonic Band - Grade 4
SKU: FJ.B1536
Composed by James M.
Stephenson. Concert Band.
FJH Symphonic Band. Score
and Part(s). Duration
5:00. The FJH Music
Company Inc #98-B1536.
Published by The FJH
Music Company Inc
(FJ.B1536).
UPC:
674398230808.
English.
Opening
with an edge of
uncertainty, soft brass
fanfares immediately
begin to build in
intensity until bold
harmonic lines rise to
support the soaring
melodic material. A
flurry of rhythmic
activity catapults the
work forward in joyous
fashion while lyrical
lines continue in stark
contrast. Eventually, the
opening fanfare material
returns while woodwind
flourishes drive the work
to an exciting
conclusion!
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 -
5
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115212-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115212-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1115212-010. Published by
De Haske Publications
(BT.DHP-1115212-010).
9x12 inches.
English-German-French-Dut
ch.
The
introductory theme of
this composition echoes
the majestic size of the
mountains that are
visible from the
picture-postcard Cortina
d’Ampezzo—th
e socalled Queen of the
Dolomites. Then we hear a
lyrical theme, in which
we feel the peacefulness
of the surrounding
countryside. We can even
hear the hustle and
bustle of the popular ski
resort, before the two
opening themes return in
reverse order to bring
this musical sight-seeing
excursion to a
close.
Im
Eingangsthema dieser
Komposition hallt die
majestätische
Größe der
Bergformation wider, die
vom malerischen Cortina
d’Ampezzo - der so
genannten Königin der
Dolomiten“ - aus
sichtbar ist. Dann
erklingt ein lyrisches
Thema, in dem der Frieden
der umliegenden
Berglandschaft zu
spüren ist. Auch
die Betriebsamkeit des
beliebten
Wintersportortes ist zu
hören, bevor die
beiden Eingangsthemen in
umgekehrter Reihenfolge
den musikalischen
Rundblick
beenden.
Corti
na d’Ampezzo è
anche chiamata “la
regina delle
Dolomiti†per la
bellezza mozzafiato del
suo paesaggio. Cortina
è la meta obbligatoria
invernale di VIP italiani
ma anche di molti turisti
desiderosi di affrontare
le splendide piste
d’inverno e gli
innumerevoli sentieri per
indimenticabili
passeggiate
d’estate. La
musica di Jacob de Haan
riflette la sublime
bellezza dei paesaggi ed
è un vero omaggio alla
natura.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115212-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115212-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2012. 28 pages.
De Haske Publications
#DHP 1115212-140.
Published by De Haske
Publications
(BT.DHP-1115212-140).
9x12 inches.
English-German-French-Dut
ch.
The
introductory theme of
this composition echoes
the majestic size of the
mountains that are
visible from the
picture-postcard Cortina
d’Ampezzo—th
e socalled Queen of the
Dolomites. Then we hear a
lyrical theme, in which
we feel the peacefulness
of the surrounding
countryside. We can even
hear the hustle and
bustle of the popular ski
resort, before the two
opening themes return in
reverse order to bring
this musical sight-seeing
excursion to a
close.
Im
Eingangsthema dieser
Komposition hallt die
majestätische
Größe der
Bergformation wider, die
vom malerischen Cortina
d’Ampezzo - der so
genannten Königin der
Dolomiten“ - aus
sichtbar ist. Dann
erklingt ein lyrisches
Thema, in dem der Frieden
der umliegenden
Berglandschaft zu
spüren ist. Auch die
Betriebsamkeit des
beliebten
Wintersportortes ist zu
hören, bevor die
beiden Eingangsthemen in
umgekehrter Reihenfolge
den musikalischen
Rundblick beenden.
Corti
na d’Ampezzo è
anche chiamata “la
regina delle
Dolomiti†per la
bellezza mozzafiato del
suo paesaggio. Cortina
è la meta obbligatoria
invernale di VIP italiani
ma anche di molti turisti
desiderosi di affrontare
le splendide piste
d’inverno e gli
innumerevoli sentieri per
indimenticabili
passeggiate
d’estate. La
musica di Jacob de Haan
riflette la sublime
bellezza dei paesaggi ed
è un vero omaggio alla
natura.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.