The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006391 By Elton John. ...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4006391
By Elton
John. By Bernie Taupin.
Arranged by Johnnie
Vinson. Flex-Band Grade
3. Pop, Rock. Softcover.
36 pages. Duration 513
seconds. Published by Hal
Leonard (HL.4006391).
UPC: 888680988005.
9.0x12.0x0.072
inches.
Hit songs
by Elton John have become
an enduring part of our
pop culture. Featured in
the bio pic Rocketman,
these familiar classics
feature catchy melodies
and timeless lyrics.
Here's a medley for
flexible instrumentation
that includes Rocket Man,
Crocodile Rock, Your
Song, and I'm Still
Standing.
One Little Spark Orchestre d'harmonie - Débutant Alfred Publishing
By Richard M. Sherman and Robert B. Sherman [Disney]. Arranged by Douglas E. Wag...(+)
By Richard M. Sherman and
Robert B. Sherman
[Disney]. Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Score. Pop
Beginning Band. Pop.
Grade 1. Published by
Alfred Music
One Little Spark Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Richard M. Sherman and Robert B. Sherman [Disney]. Arranged by D...(+)
Composed by Richard M.
Sherman
and Robert B. Sherman
[Disney]. Arranged by
Douglas
E. Wagner. Concert Band.
Concert Band; Part(s);
Score.
Pop Beginning Band. Pop.
Grade
1. 130 pages. Published
by
Alfred Music
Composed by
Bruce Fraser. Arranged by
David Farnon. Band Music.
Score only. Duration
6:30. Published by G & M
Brand Music Publishers
(CN.S11259).
During a visit
to the town of Saintes in
South West France in the
summer of 2003, I spent
some time in the Roman
amphitheatre there. It is
a well preserved arena
and I imagined what it
must have been like to
take part in the
gladiatorial games.
'Roman times' is based on
these images with the
opening grand procession
and its amazing mixture
of Mediterranean peoples.
The middle movement is an
old fashioned love ballad
followed by gladiators
fighting in a very
spirited battle to death
or victory.
Concert Band - Grade 1 SKU: AP.32475S Composed by Johnny Mercer. Arranged...(+)
Concert Band - Grade 1
SKU: AP.32475S
Composed by Johnny
Mercer. Arranged by Paul
Cook. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Beginning Band.
Movie. Score. 8 pages.
Alfred Music #00-32475S.
Published by Alfred Music
(AP.32475S).
UPC:
038081389509.
English.
I'm an Old
Cowhand (from the Rio
Grande) was written for
the motion picture Rhythm
on the Range by veteran
songwriter Johnny Mercer.
The song was sung by Bing
Crosby and became a big
hit. Many other singers
and singing groups have
recorded this song.
The Third Man Theme Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094726-140 Composed by Anton...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094726-140
Composed by Anton Karas.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Score Only.
Composed 2009. 32 pages.
De Haske Publications
#DHP 1094726-140.
Published by De Haske
Publications
(BT.DHP-1094726-140).
9x12
inches.
Anton Karas
grew up in a modest
household in Vienna and
became a self taught
zither vituoso. He wrote
the legendary Harry
Lime Theme for the
1949 British film noir
The Third Man. The
melody became so popular,
many people began calling
The Third Man
“The Zither
Movieâ€! Toshio
Mashima carefully turns
this typically Viennese
melody into a creative
piece for concert band.
Anton Karas, der
aus einfachen Wiener
Verhältnissen stammte
und es als Autodidakt zu
großer Virtuosität
an der Zither brachte,
schrieb das legendäre
Harry-Lime-Thema“
für den Agentenfilm
Der dritte Mann.
Die Melodie war so
populär, dass manche
den Film gar The Zither
Film“ nannten.
Toshio Mashima setzte die
stimmungsvolle, typisch
wienerische Melodie
geschickt für
Blasorchester um.
Il film
Il Terzo Uomo
(1949) è ricordato
anche per
l’affascinante
colonna sonora che fu una
vera e propria
rivelazione. Anton Karas
(1906-1985), compositore
ed interprete,
attraversò il mondo
dello spettacolo come una
meteora. La colonna
sonora originale,
eseguita alla cetra, gli
portò gloria e
ricchezza. Il tema del
film fu in vetta alle
classifi che delle
vendite di dischi negli
Stati Uniti tra aprile e
giugno 1950 e il film
ottenne il massimo
riconoscimento a Cannes
(Grand Prix du Festival)
nel 1949.
The Third Man Theme Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094726-010 Composed by Anton...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094726-010
Composed by Anton Karas.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094726-010.
Published by De Haske
Publications
(BT.DHP-1094726-010).
9x12
inches.
Anton Karas
grew up in a modest
household in Vienna and
became a self taught
zither vituoso. He wrote
the legendary Harry
Lime Theme for the
1949 British film noir
The Third Man. The
melody became so popular,
many people began calling
The Third Man
“The Zither
Movieâ€! Toshio
Mashima carefully turns
this typically Viennese
melody into a creative
piece for concert band.
Anton Karas, der
aus einfachen Wiener
Verhältnissen stammte
und es als Autodidakt zu
großer Virtuosität
an der Zither brachte,
schrieb das legendäre
Harry-Lime-Thema“
für den Agentenfilm
Der dritte Mann.
Die Melodie war so
populär, dass manche
den Film gar The Zither
Film“ nannten.
Toshio Mashima setzte die
stimmungsvolle, typisch
wienerische Melodie
geschickt für
Blasorchester um.
Il film
Il Terzo Uomo
(1949) è ricordato
anche per
l’affascinante
colonna sonora che fu una
vera e propria
rivelazione. Anton Karas
(1906-1985), compositore
ed interprete,
attraversò il mondo
dello spettacolo come una
meteora. La colonna
sonora originale,
eseguita alla cetra, gli
portò gloria e
ricchezza. Il tema del
film fu in vetta alle
classifi che delle
vendite di dischi negli
Stati Uniti tra aprile e
giugno 1950 e il film
ottenne il massimo
riconoscimento a Cannes
(Grand Prix du Festival)
nel 1949.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155660-010 You Know Iâ??...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155660-010
You Know Iâ??m No
Good, Valerie, Love Is a
Losing Game, Back to
Black, Rehab.
Composed by Amy
Winehouse. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Concert
Piece. Set (Score and
Parts). Composed 2015. De
Haske Publications #DHP
1155660-010. Published by
De Haske Publications
(BT.DHP-1155660-010).
English-German-French-
Dutch.
On July 23
2011, the news of the
death of Amy Winehouse
shocked the entire world.
What could have been one
of the most impressive
careers in the history of
pop and modern soul, was
halted by a tragic event
which no one will forget.
The best way tohonour Amy
Winehouse now is through
her music. A Tribute
to Amy Winehouse
includes all of the songs
which earned her cult
status and made her
unforgettable You Know
Iâ??m No Good, Valerie,
Love Is a Losing Game,
Back to Black
andRehab.
Op 23 juli 2011
werd de wereld
opgeschrikt door het
nieuws over de dood van
Amy Winehouse. Aan wat
een van de meest
indrukwekkende
carrières in de
geschiedenis van de pop
en moderne soul had
kunnen worden, kwam op
tragische wijze een eind.
De bestemanier om Amy
Winehouse nu in ere te
houden, is door middel
van haar muziek. A
Tribute to Amy
Winehouse omvat alle
songs waarmee ze haar
cultstatus verwierf en
waardoor ze onvergetelijk
werd: You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black en
Rehab.
Die
Nachricht vom Tod Amy
Winehouses am 23. Juli
2011 schockierte die
ganze Welt. Was die
beeindruckendste Karriere
in der Geschichte der
Pop- und modernen
Soulmusik hätte werden
können, wurde durch
ein tragisches Ereignis
beendet, das
niemandvergessen wird.
Man kann Amy Winehouse am
besten mit ihrer Musik
ehren. A Tribute to
Amy Winehouse umfasst
alle Songs, durch die sie
Kultstatus erreicht hat
und die sie unvergesslich
machen You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black und
Rehab.
Il
23 luglio 2011
lâ??improvvisa scomparsa
di Amy Winehouse
sconvolse il mondo
intero. La sua morte ha
stroncato una delle
più promettenti
carriere della storia del
modern soul. Solo
attraverso la sua musica
è possibile tenere
viva la fiamma
creativadella popstar
britannica. Per questo
è stato pensato A
Tribute to Amy
Winehouse è un
medley che raccoglie le
canzoni che ne hanno reso
la breve quanto intensa
carriera indimenticabile:
You Know Iâ??m No
Good, Valerie,
Love Is aLosing
Game, Back to
Black and
Rehab.
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score and parts. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.R10104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score only. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.S11104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
Y.M.C.A. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094759-010 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094759-010
Composed by Jacques
Morali. Arranged by
Naoyuki Honzawa. New
Sounds for Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094759-010.
Published by De Haske
Publications
(BT.DHP-1094759-010).
9x12 inches.
English-German-French-Dut
ch.
Y.M.C.A.
is without a doubt the
biggest hit of the
outlandish pop group The
Village People. In their
own unique way this band
stood out with its
colourful, American,
clichee-referencing
costumes, mixed with the
disco fever that swept
the 70’s away.
Y.M.C.A. is a song
for all ages. Your
audience will dance along
to this fun and energetic
arrangement!
Y.M.C.A.
ist der größte Hit
der vom Produzentenduo
Morali und Belolo ins
Leben gerufenen Gruppe
The Village People. Wie
kaum eine andere Band
steht diese Formation mit
ihren bunten,
amerikanischen Klischees
reflektierenden
Kostümen, für die
Discobewegung der
siebziger Jahre. Mit
Y.M.C.A bringen
Sie Ihr Publikum dazu,
aufzustehen und
mitzufeiern!
Fondato nel 1977
da Jacques Morali e Henri
Belolo, il gruppo Village
People si contraddistinse
per l’originalit
quasi politica del suo
concetto artistico che
intendeva denunciare il
non-riconoscimento delle
minoranze. Con canzoni
come In the Navy,
Macho Man e
l’indimenticabile
Y.M.C.A., il
gruppo conobbe un
successo mondiale.
Y.M.C.A. Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094759-140 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094759-140
Composed by Jacques
Morali. Arranged by
Naoyuki Honzawa. New
Sounds for Concert Band.
Concert Piece. Score
Only. Composed 2009. 28
pages. De Haske
Publications #DHP
1094759-140. Published by
De Haske Publications
(BT.DHP-1094759-140).
9x12 inches.
English-German-French-Dut
ch.
Y.M.C.A.
is without a doubt the
biggest hit of the
outlandish pop group The
Village People. In their
own unique way this band
stood out with its
colourful, American,
clichee-referencing
costumes, mixed with the
disco fever that swept
the 70’s away.
Y.M.C.A. is a song
for all ages. Your
audience will dance along
to this fun and energetic
arrangement!
Y.M.C.A.
ist der größte Hit
der vom Produzentenduo
Morali und Belolo ins
Leben gerufenen Gruppe
The Village People. Wie
kaum eine andere Band
steht diese Formation mit
ihren bunten,
amerikanischen Klischees
reflektierenden
Kostümen, für die
Discobewegung der
siebziger Jahre. Mit
Y.M.C.A bringen
Sie Ihr Publikum dazu,
aufzustehen und
mitzufeiern!
Fondato nel 1977
da Jacques Morali e Henri
Belolo, il gruppo Village
People si contraddistinse
per l’originalit
quasi politica del suo
concetto artistico che
intendeva denunciare il
non-riconoscimento delle
minoranze. Con canzoni
come In the Navy,
Macho Man e
l’indimenticabile
Y.M.C.A., il
gruppo conobbe un
successo mondiale.
Memories of Henry Mancini Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1402-06-010-MS Composed by Hal Da...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1402-06-010-MS
Composed by Hal David,
Henry Mancini, and Johnny
Mercer. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2006. 32 pages. Music
Sales #1402-06-010 MS.
Published by Music Sales
(BT.1402-06-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Henry Mancini
(1924-1994) is part of
the essential history of
soundtrack composition.
His forty year career was
a crowning success
rewarded by four Oscars
and his melodies are
still considered
timeless. Enter into the
hollywood magic with this
fabulous arrangement!
Vijf
legendarische
melodieën van de
meesterlijke
filmmuziekcomponist Henry
Mancini in een medley van
Toshio Mashima. Met de
stukken Baby Elephant
Walk, Sunflower, Moon
River, Two for the
Road en The Pink
Panther Themebrengt u
een stukje
filmgeschiedenis in uw
volgende
concert.
Fünf
legendäre Melodien des
großen
Filmmusikkomponisten
Henry Mancini in einem
Medley von Toshio
Mashima. Film ab für
Ihr Blasorchester!
Concert Band/Harmonie - Grade 4 SKU: BT.1402-06-140-MS Composed by Hal Da...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1402-06-140-MS
Composed by Hal David,
Henry Mancini, and Johnny
Mercer. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
TV-Film-Musical-Show.
Score Only. Composed
2006. 32 pages. Music
Sales #1402-06-140 MS.
Published by Music Sales
(BT.1402-06-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Henry Mancini
(1924-1994) is part of
the essential history of
soundtrack composition.
His forty year career was
a crowning success
rewarded by four Oscars
and his melodies are
still considered
timeless. Enter into the
hollywood magic with this
fabulous arrangement!
Fünf
legendäre Melodien des
großen
Filmmusikkomponisten
Henry Mancini in einem
Medley von Toshio
Mashima. Film ab für
Ihr Blasorchester!
Concert Band; Orchestra
2.2+EH.2+BCl.2: 2.0.0.0:
Timp: Harp: Str:
(4-4-3-3-3 in set): Solo
Tenor
SKU:
AP.36-A915501
Arranged by Giacomo
Puccini, Heinz Reichert,
adapted from a German
libretto by Alfred M.
Willner, ed./arr. by
Michael Kaye/ Italian
libretto by Giuseppe
Adami, and translated.
Light Opera, Orchestra
Accompaniment, Conductor
Score. Kalmus Opera
Library. Score.
LudwigMasters
Publications #36-A915501.
Published by
LudwigMasters
Publications
(AP.36-A915501).
ISBN
9798892703277. UPC:
659359566639.
English.
The
three-act operetta LA
RONDINE (The Swallow) by
Giacomo Puccini
(1858-1924) was first
completed in 1916 and
premiered at the Grand
Théâtre de Monte Carlo
on March 27, 1917. It
tells the story of Magda,
a Parisian courtesan, who
is torn between more
transactional love she
has chosen and the
romantic love of a wife
with the young man
Ruggero, whom she meets
at a small house party of
her protector Rambaldo,
then again at a Paris
nightspot. After leaving
to live with Ruggero for
some time, she flees back
to Rambaldo when Ruggero
proposes marriage,
declaring that she cannot
keep her past a secret
and she will not allow
her previous life to
bring grief to both
Ruggero and his parents.
Never satisfied, Puccini
revised the operetta in
both 1920 and 1921,
altering the ending each
time, and he passed
before he settled on the
definitive version. The
beautiful tenor aria
PARIGI! È LA CITTÀ DEI
DESIDERI (Paris! It is
the city of desire) was
not included in the
original libretto and
added by Puccini to give
Ruggero, the romantic
lead, something to do in
the first act. While it
does not move the plot
forward, the aria does
quickly endear listeners
to the Ruggero character.
The aria was later cut
from the opera and is not
usually heard in staged
versions, although the
music was used again with
different text in
Puccini's 1917 song
MORIRE?, S. 89. This
edition of the aria by
Michael Kaye is from the
second version (1920) of
the opera.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2+EH.2+BCl.2: 2.0.0.0:
Timp: Harp: Str:
(4-4-3-3-3 in set): Solo
Tenor
SKU:
AP.36-A915502
Arranged by Giacomo
Puccini, Heinz Reichert,
adapted from a German
libretto by Alfred M.
Willner, ed./arr. by
Michael Kaye/ Italian
libretto by Giuseppe
Adami, and translated.
Light Opera, Orchestra
Accompaniment, Conductor
Score & Parts. Kalmus
Opera Library. Score and
Part(s). LudwigMasters
Publications #36-A915502.
Published by
LudwigMasters
Publications
(AP.36-A915502).
UPC:
659359800351.
English.
The
three-act operetta LA
RONDINE (The Swallow) by
Giacomo Puccini
(1858-1924) was first
completed in 1916 and
premiered at the Grand
Théâtre de Monte Carlo
on March 27, 1917. It
tells the story of Magda,
a Parisian courtesan, who
is torn between more
transactional love she
has chosen and the
romantic love of a wife
with the young man
Ruggero, whom she meets
at a small house party of
her protector Rambaldo,
then again at a Paris
nightspot. After leaving
to live with Ruggero for
some time, she flees back
to Rambaldo when Ruggero
proposes marriage,
declaring that she cannot
keep her past a secret
and she will not allow
her previous life to
bring grief to both
Ruggero and his parents.
Never satisfied, Puccini
revised the operetta in
both 1920 and 1921,
altering the ending each
time, and he passed
before he settled on the
definitive version. The
beautiful tenor aria
PARIGI! È LA CITTÀ DEI
DESIDERI (Paris! It is
the city of desire) was
not included in the
original libretto and
added by Puccini to give
Ruggero, the romantic
lead, something to do in
the first act. While it
does not move the plot
forward, the aria does
quickly endear listeners
to the Ruggero character.
The aria was later cut
from the opera and is not
usually heard in staged
versions, although the
music was used again with
different text in
Puccini's 1917 song
MORIRE?, S. 89. This
edition of the aria by
Michael Kaye is from the
second version (1920) of
the opera.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert band (Flute 1,
Flute 2/Piccolo, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, Horn in F 1/2, Horn in
F 3/4, Trombone 1/2,
Trombone) - grade 3
SKU: CN.S11293
Composed by Peter
Meechan. Score only.
Duration 4:15. Published
by G & M Brand Music
Publishers (CN.S11293).
Inspired by the
release of Nelson Mandela
in the early 1990s, Hymn
for Africa pays tribute
to the sense of dignity
and peace that he brought
not only to South Africa,
but around the entire
globe. As the beautifully
lush chorale unfolds,
quietly undulating drums
murmur in the distance
and gradually build into
a rousing
climax.
Hymn for
Africa was written as
part of a project known
as Brass Band Aid. When I
was asked to compose a
piece with relevance to
Africa for the project, I
began to think of all the
things that I associate
with Africa. I have vivid
memories from my
childhood of the
hard-hitting news reports
from the famines of the
early/mid 1980's (and the
concerts that followed).
I also associate Africa
with amazing animal life
- the many species from
snakes to birds to lions,
with their many colours.
But more than these
associations, there is
one memory that stands
out amongst all others.
The release of Nelson
Mandela in the early
1990's had a profound
effect not only in South
Africa, but all over the
continent of Africa, as
well as the World as a
whole. The fact that one
man can achieve this with
peace and great dignity
will always be an
inspiration, not only to
me, but many, many
millions of humans around
the globe. Hymn for
Africa is inspired by
this sense of dignity and
peace. A simple eight bar
melody is the basis of
the composition. A drone
is then added, before a
chorale, and finally a
rousing climax when the
percussion and full band
enter. The piece
dedicated to Bob and
Briony Thompson in
admiration.
Romance pour Hélène Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Saxophone Solo - Grade 2 SKU: BT.DHP-0880124-010(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 2
SKU:
BT.DHP-0880124-010
Composed by Koen de Wolf.
Solo Spectrum. Festive
and Solemn Music. Set
(Score & Parts). Composed
1988. De Haske
Publications #DHP
0880124-010. Published by
De Haske Publications
(BT.DHP-0880124-010).
Through time,
many composers have
written music for their
loved ones. This lovely
piece features the alto
saxophone.
Door
de geschiedenis heen
hebben componisten altijd
al werken geschreven voor
hun geliefden. Koen De
Wolf deed dit voor zijn
eigen uitverkoren
saxofoniste.
Schon immer haben
Komponisten auf der
ganzen Welt ihre Werke
der Liebe gewidmet. Diese
Romanze wurde für die
Geliebte des Komponisten,
eine Saxophonistin,
geschrieben.
Romance pour Hélène Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare and Alto Saxophone Solo - Grade 2 SKU: BT.DHP-0...(+)
Concert
Band/Harmonie/Fanfare and
Alto Saxophone Solo -
Grade 2
SKU:
BT.DHP-0880124-015
Composed by Koen de Wolf.
Solo Spectrum. Festive
and Solemn Music. Set
(Score & Parts). Composed
1988. De Haske
Publications #DHP
0880124-015. Published by
De Haske Publications
(BT.DHP-0880124-015).
Through time,
many composers have
written music for their
loved ones. This lovely
piece features the alto
saxophone.
Door
de geschiedenis heen
hebben componisten altijd
al werken geschreven voor
hun geliefden. Koen De
Wolf deed dit voor zijn
eigen uitverkoren
saxofoniste.
Schon
immer haben Komponisten
auf der ganzen Welt ihre
Werke der Liebe gewidmet.
Diese Romanze wurde
für die Geliebte des
Komponisten, eine
Saxophonistin,
geschrieben.
Romance pour Hélène Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0880124-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0880124-215
Composed by Koen de Wolf.
Solo Spectrum. Festive
and Solemn Music. Score
Only. Composed 1988. De
Haske Publications #DHP
0880124-215. Published by
De Haske Publications
(BT.DHP-0880124-215).
Through time,
many composers have
written music for their
loved ones. This lovely
piece features the alto
saxophone.
Door
de geschiedenis heen
hebben componisten altijd
al werken geschreven voor
hun geliefden. Koen De
Wolf deed dit voor zijn
eigen uitverkoren
saxofoniste.
Schon
immer haben Komponisten
auf der ganzen Welt ihre
Werke der Liebe gewidmet.
Diese Romanze wurde
für die Geliebte des
Komponisten, eine
Saxophonistin,
geschrieben.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert band - Grade 2 SKU: CL.011-4270-01 Composed by Orcino. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4270-01
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR383). Extra
full score. Composed
2014. Duration 2 minutes,
17 seconds. C.L.
Barnhouse #011-4270-01.
Published by C.L.
Barnhouse
(CL.011-4270-01).
Who doesn't
like a sunny day in the
midst of winter? Who is
that statuesque figure
all decked out in his
winter finery? Who stands
proud, guarding the
family home? Why it's
Milton the Melting
Snowman! But alas, as the
day progresses and temps
rise a transformation
begins. Listen, as the
music evokes Milton's
dismay, I'm melting! The
musical adventure pays
tribute to this gallant
guardian, soon to be a
fond memory until next
year. Set your mind free
wander with this
whimsical winter musical
offering as the band pays
tribute to this pillar of
packed snow.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Concert band - Grade 2 SKU: CL.011-4270-00 Composed by Orcino. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4270-00
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR383). Score
and set of parts.
Composed 2014. Duration 2
minutes, 17 seconds. C.L.
Barnhouse #011-4270-00.
Published by C.L.
Barnhouse
(CL.011-4270-00).
Who doesn't
like a sunny day in the
midst of winter? Who is
that statuesque figure
all decked out in his
winter finery? Who stands
proud, guarding the
family home? Why it's
Milton the Melting
Snowman! But alas, as the
day progresses and temps
rise a transformation
begins. Listen, as the
music evokes Milton's
dismay, I'm melting! The
musical adventure pays
tribute to this gallant
guardian, soon to be a
fond memory until next
year. Set your mind free
wander with this
whimsical winter musical
offering as the band pays
tribute to this pillar of
packed snow.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Diamond Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-354-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-354-010
Euphonium Concerto No.
3. Composed by Philip
Sparke. Elite Series. Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 354-010. Published
by Anglo Music Press
(BT.AMP-354-010).
9x12
inches.
English-German-French-Dut
ch.
Diamond
Concerto was
commissioned by
Musikverein Mörschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven
Mead’s special
euphonium sound in his
head throughout the
composition process and
made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMörschied lies to
the west of Frankfurt am
Main in the area known as
the German Road of
Precious Stones, which is
famous for its thriving
gem industry. Because of
this it was decided to
give the commission a
local connection by
choosing the title,
Diamond Concerto.
Each of the three
movements is named after
a famous diamond:1 EARTH
STARis rather stern in
mood, opening with a free
fantasy for the soloist
over a static chord from
the band. This leads to
an Allegro Moderato in
minor mode where small
motives are gradually
repeated and developed by
both band and soloist.2
OCEAN DREAMuses a varied
quote from the
composer’s
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven
Mead’s suggestion,
in bebop style and takes
the form of a jazz waltz.
The quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Mörschied - met
dirigent Eric Grandjean -
voor een speciaal concert
met Steven Mead als
gastsolist. De
wereldpremière vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarrièr
e.Het plaatsje
Mörschied ligt ten
westen van Frankfurt am
Main, in het gebied dat
bekendstaat als de
Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van
Sparke’s werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben
für den Musikverein
Mörschied, westlich
von Frankfurt am Main an
der Deutschen
Edelsteinstraße
gelegen, wurde jeder der
drei Sätze von
Diamond Concerto
nach einem berühmten
Diamanten benannt: 1
EARTH STAR ist eher
stimmungstechnisch ein
Stern. Der Satz beginnt
mit einer freien Fantasie
des Solisten über
einem statischen Akkord
des Orchesters. Dieses
führt zu einem Allegro
Moderato in Moll, in
welchem kurze Motive von
sowohl Orchester als auch
Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthält, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthält
eine Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen
Holzbläsern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist für Euphonium und
Klavier erhältlich
(AMP 374-401) sowie
für Euphonium und
Brass Band (AMP 354-030).