Composed by Hilding
Rosenberg. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A677002.
Published by
LudwigMasters
Publications
(AP.36-A677002).
UPC:
659359999260.
English.
Hilding
Rosenberg (1892-1985) has
been described as the
first Swedish modernist
composer. Influenced by
Sibelius in his early
years, he later absorbed
the work of Stravinsky,
Schoenberg, and
Hindemith. His teachers
included Hermann
Scherchen and Wilhelm
Stenhammar. Beginning to
compose larger works
around the age of 30, he
wrote eight symphonies, a
variety of music for
string quartet, and a
number of theatrical
pieces including opera.
Working with producer Per
Lindberg in the 1920s, he
was asked to compose
incidental music to a
play by Spanish author
Jacinto Benaventes. The
Marionettes successfully
premiered in 1926.
Rosenberg later used
material from the work to
fashion an opera. He also
reconstructed it into a
Dance Suite for the
concert hall and this
Overture in 1937.
Instrumentation: 2.2.2.2:
2.2.0.0: Timp: Perc(3):
Str (9-8-7-6-5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Hilding
Rosenberg. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A677001.
Published by
LudwigMasters
Publications
(AP.36-A677001).
ISBN
9798892704144. UPC:
659359682001.
English.
Hilding
Rosenberg (1892-1985) has
been described as the
first Swedish modernist
composer. Influenced by
Sibelius in his early
years, he later absorbed
the work of Stravinsky,
Schoenberg, and
Hindemith. His teachers
included Hermann
Scherchen and Wilhelm
Stenhammar. Beginning to
compose larger works
around the age of 30, he
wrote eight symphonies, a
variety of music for
string quartet, and a
number of theatrical
pieces including opera.
Working with producer Per
Lindberg in the 1920s, he
was asked to compose
incidental music to a
play by Spanish author
Jacinto Benaventes. The
Marionettes successfully
premiered in 1926.
Rosenberg later used
material from the work to
fashion an opera. He also
reconstructed it into a
Dance Suite for the
concert hall and this
Overture in 1937.
Instrumentation: 2.2.2.2:
2.2.0.0: Timp: Perc(3):
Str (9-8-7-6-5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Flame and Glory Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1135413-140 Vatra I Slava<...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1135413-140
Vatra I Slava.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2013. 24
pages. De Haske
Publications #DHP
1135413-140. Published by
De Haske Publications
(BT.DHP-1135413-140).
9x12 inches.
English-German-French-Dut
ch.
This opening
piece was commissioned by
a youth orchestra, which
explains why it has such
a lot of dynamism, energy
and optimism. However, it
begins in a stately and
noble fashion, in the
lower range of the wind
orchestra. Soon the
rhythmical drive takes
over, imbuing this piece
with a vibrant and
energetic character. Some
lovely melodic lines and
themes are also
integrated within this
fast section. Wind music
in Croatia is developing
apace as more and more
ensembles are excited by
the next generation of
composers finding so much
success worldwide. For
this reason, the
Vatroslav Lisinski Music
School commissioned this
short but effective piece
from Jan Van der Roost.
The premièretook place
in Zagreb on April 24
2013, conducted by Mario
Komazin.
Dit
openingswerk is
geschreven in opdracht
van een jeugdorkest, wat
verklaart waarom het
zoveel dynamiek, energie
en optimisme ademt. Het
begint echter op
plechtige en statige
wijze - in het lage
blazersregister. Al snel
krijgt de muziek een
steeds ritmischer
karakter en wordt ze
levendiger en vitaler van
sfeer. In dit snelle
gedeelte zijn ook
verschillende mooie
melodielijnen en
thema’s verwerkt.
Het genre blaasmuziek is
in Kroatië sterk in
opkomst, en meer en meer
ensembles zijn
enthousiast over de
volgende generatie jonge
musici die wereldwijd
zoveel succes hebben.
Tegen die achtergrond
heeft de Vatroslav
Lisinski Music School de
Belgische componist Jan
Van der Roost verzochtdit
korte maar effectvolle
werk te schrijven. De
première vond op 24
april 2013 plaats in
Zagreb, onder leiding van
dirigent Mario Komazin.
Dieses
Eröffnungswerk wurde
im Auftrag eines
Jugendblasorchesters
geschrieben, was
erklärt, warum es so
viel Dynamik, Energie und
Optimismus ausstrahlt. Es
beginnt jedoch feierlich
und würdevoll - in den
tiefen Bläsern. Schon
bald wird der Charakter
der Musik immer
rhythmischer und
lebendiger und die
Stimmung wechselt ins
Lebhafte. In diesem
schnellen Teil sind auch
verschiedene schöne
Melodielinien und Themen
verarbeitet. Das Genre
Blasmusik ist in Kroatien
stark im Kommen und immer
mehr Ensembles zeigen
sich begeistert von der
jungen
Komponistengeneration,
die weltweit so
erfolgreich ist. Vor
diesem Hintergrund bat
die Vatroslav Lisinski
Musikschule den
belgischenKomponisten Jan
Van der Roost, dieses
kurze, aber wirkungsvolle
Werk zu schreiben. Die
Premiere fand am 24.
April 2013 in Zagreb
unter der Leitung von
Dirigent Mario Komazin
statt.
Bella Italia Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053914-010 Arranged by Rolan...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053914-010
Arranged by Roland
Kernen. Applause Series.
Original Light Music. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053914-010. Published by
De Haske Publications
(BT.DHP-1053914-010).
9x12 inches.
English-German-French-Dut
ch.
Bella Italia is
a medley of three
Neapolitan songs that
were made famous and
popular by the tenor
Mario Lanza. The work
opens with the graceful
waltz Santa Lucia, which
is followed by a
Latin-style version of O
Sole Mio, a melody that
became even more well
known when used by Elvis
Presley as the basis of
the song It’s Now
or Never. The cheerful
Funiculì, Funicul ends
the medley in 6/8 time.
This arrangement for
concert band by Roland
Kernen will appeal to a
broad audience and will
leave both the band and
the audience in a
high-spirited
mood.
Bella
Italia is een medley
van drie Napolitaanse
liederen die met name
door de tenor Mario Lanza
bekend en geliefd zijn
gemaakt bij een groot
publiek. De sierlijke
wals Santa Lucia
komt als eerste aan bod.
Dan volgteen latin-style
versie van O Sole Mio.
Het vrolijke
Funiculì, Funicul
sluit het geheel af
in een 6/8 maat. Dit
aanstekelijke arrangement
voor harmonieorkest van
Roland Kernen brengt
zowel het orkest als het
publiek in eenuitbundige
stemming.
Bella
Italia ist ein Medley
aus drei neapolitanischen
Liedern, die durch den
Tenor Mario Lanza bei
einem breiten Publikum
bekannt und beliebt
geworden sind. Den Anfang
macht der würdevolle
Walzer Santa
Lucia. Dann folgt
eine Version von O
Sole Mio im
lateinamerikanischen
Stil. Diese Melodie
erlangte noch
größere
Berühmtheit in
It’s Now or
Never von Elvis
Presley. Das fröhliche
Funiculì, Funicul
beendet das Medley
im 6/8- Takt. Diese
reizvolle Bearbeitung
für Blasorchester von
Roland Kernen versetzt
sowohl Musiker als auch
das Publikum in
Hochstimmung.
Bella
Italia è un medley
di tre canti napoletani
resi celebri al grande
pubblico dal tenore Mario
Lanza. Il primo brano del
medley è il grazioso
valzer Santa Lucia. Segue
la famosissima O Sole Mio
in una versione dagli
accentilatino-americani.
Lo spumeggiante
Funiculì, Funicul
chiude questo medley in
un 6/8 vorticoso.
Bella Italia Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053914-140 Arranged by Rolan...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053914-140
Arranged by Roland
Kernen. Applause Series.
Original Light Music.
Score Only. Composed
2005. 40 pages. De Haske
Publications #DHP
1053914-140. Published by
De Haske Publications
(BT.DHP-1053914-140).
9x12 inches.
English-German-French-Dut
ch.
Bella Italia is
a medley of three
Neapolitan songs that
were made famous and
popular by the tenor
Mario Lanza. The work
opens with the graceful
waltz Santa Lucia, which
is followed by a
Latin-style version of O
Sole Mio, a melody that
became even more well
known when used by Elvis
Presley as the basis of
the song It’s Now
or Never. The cheerful
Funiculì, Funicul ends
the medley in 6/8 time.
This arrangement for
concert band by Roland
Kernen will appeal to a
broad audience and will
leave both the band and
the audience in a
high-spirited
mood.
Bella
Italia is een medley
van drie Napolitaanse
liederen die met name
door de tenor Mario Lanza
bekend en geliefd zijn
gemaakt bij een groot
publiek. De sierlijke
wals Santa Lucia
komt als eerste aan bod.
Dan volgteen latin-style
versie van O Sole Mio.
Het vrolijke
Funiculì, Funicul
sluit het geheel af
in een 6/8 maat. Dit
aanstekelijke arrangement
voor harmonieorkest van
Roland Kernen brengt
zowel het orkest als het
publiek in eenuitbundige
stemming.
Bella
Italia ist ein Medley
aus drei neapolitanischen
Liedern, die durch den
Tenor Mario Lanza bei
einem breiten Publikum
bekannt und beliebt
geworden sind. Den Anfang
macht der würdevolle
Walzer Santa
Lucia. Dann folgt
eine Version von O
Sole Mio im
lateinamerikanischen
Stil. Diese Melodie
erlangte noch
größere
Berühmtheit in
It’s Now or
Never von Elvis
Presley. Das fröhliche
Funiculì, Funicul
beendet das Medley
im 6/8- Takt. Diese
reizvolle Bearbeitung
für Blasorchester von
Roland Kernen versetzt
sowohl Musiker als auch
das Publikum in
Hochstimmung.
Bella
Italia è un medley
di tre canti napoletani
resi celebri al grande
pubblico dal tenore Mario
Lanza. Il primo brano del
medley è il grazioso
valzer Santa Lucia. Segue
la famosissima O Sole Mio
in una versione dagli
accentilatino-americani.
Lo spumeggiante
Funiculì, Funicul
chiude questo medley in
un 6/8 vorticoso.
Eloise Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-149-140 Composed by Paul Ryan...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-149-140
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Score Only.
Composed 2006. Anglo
Music Press #AMP 149-140.
Published by Anglo Music
Press (BT.AMP-149-140).
9x12 inches.
English-German-French-Dut
ch.
Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli.
Eloise Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-149-010 Composed by Paul Ryan...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-149-010
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Set (Score &
Parts). Composed 2006.
Anglo Music Press #AMP
149-010. Published by
Anglo Music Press
(BT.AMP-149-010).
9x12
inches.
English-German-French-Dut
ch.
Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli.
Eloise Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Full Score Concert Band (Score) - Grade 4 SKU: HL.44007313 Composed by Pa...(+)
Full Score Concert Band
(Score) - Grade 4
SKU:
HL.44007313
Composed
by Paul Ryan. Arranged by
Philip Sparke. Anglo
Music Concert Band.
Concert. Score Only.
Composed 2006. Anglo
Music Press #AMP149.
Published by Anglo Music
Press (HL.44007313).
Paul and Barry
Ryan were identical twin
sons of 1950's pop singer
Marion Ryan and were born
on 24th October 1948.
They were groomed for
stardom and had started
singing as a duo before
their fifteenth birthday.
They were signed by Decca
in 1965 and brilliantly
marketed as clean-cut
fashion icons. Their
first single 'Don't Bring
Me Your Heartaches'
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarriere terwijl Paul
zich concentreerde op het
schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssohne der
50er-Jahre-Popsangerin
Marion Ryan. Den beiden
Brudern war eine Zukunft
als Popstars in die Wiege
gelegt. Bereits vor ihrem
15. Geburtstag traten sie
als Duo auf. Spater
verlegte sich Paul jedoch
aufs Songschreiben und
Barry trat solo auf. Der
Hit Eloise mit
seinem melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Kunstlern neu
interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
fur Blasorchester
spielbar.
Paul et
Barry Ryan etaient
jumeaux, nes le 24
octobre 1948, fils de la
chanteuse pop des annees
1950 Marion Ryan. Formes
pour la celebrite, ils
ont commence a chanter en
duo avant l'age de quinze
ans. En 1965 ils ont
signe un contrat
d'enregistrement avec
Decca qui a commercialise
leur image soignee
d'icones de la mode. Leur
premier single Don't
Bring Me Your
Heartaches est
parvenu au top 20 du
hit-parade britannique,
mais leur succes a deux
n'a dure que trois ans.
En 1968, Barry a
entrepris une carriere
solo tandis que Paul
s'est concentre sur la
composition et la
production.
Eloise, avec son
style vocal
melodramatique et son
accompagnement tres
orchestral, etaitun
succes precoce pour cette
nouvelle collaboration.
De nombreux artistes
l'ont depuis reprise,
telles que les legendes
du punk The Damned.
Figli gemelli di
Marion Ryan, celebre
cantante pop degli anni
'50, Paul e Barry Ryan si
esibivano insieme gia
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, e uno dei
primi successi della
collaborazione tra i due
fratelli.
Cuban Sound Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
(a medley including: Ran Kan Kan by Tito Puente - Quizas, Quizas, Quizas by Osva...(+)
(a medley including: Ran
Kan Kan by Tito Puente -
Quizas, Quizas, Quizas by
Osvaldo Farres - Mambo
Inn by Mario Bauza).
Arranged by Giancarlo
Gazzani. Concert band.
Latin Music. Grade 3.5.
Score and set of parts.
Duration 6 minutes.
Published by Scomegna
Edizioni Musical srl
Thunderbirds Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0940529-010 Composed by B. Gr...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0940529-010
Composed by B. Gray.
Arranged by Kazuhiro
Morita. New Sounds for
Concert Band. Concert
March. Set (Score &
Parts). Composed 1994. De
Haske Publications #DHP
0940529-010. Published by
De Haske Publications
(BT.DHP-0940529-010).
Who
doesn’t know the
children’s TV
series
Thunderbirds. The
Gerry Anderson classic is
still as popular today
with both children and
adults as when it was
first shown in the
sixties. This arrangement
of the theme tune will be
loved by all and will
leave your audience
humming it all the way
home.
Thunderbirds ist eine legendäre
englische Fernsehserie
aus den Sechzigern
über einen
futuristischen, weltweit
operierenden
Rettungsdienst. Die
Serie, in der die Figuren
von Puppen gespielt
werden, genießt heute
Kultstatus. Ihren Erfolg
verdankt sie nicht
zuletzt Barry Grays Musik
im Stil der großen
amerikanischen Kinofilme.
Kazuhiro Morita
verwendete das Hauptthema
der Serie für dieses
ausgezeichnete
Arrangement.
Thunderbirds Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0940529-140 Composed by B. Gr...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0940529-140
Composed by B. Gray.
Arranged by Kazuhiro
Morita. New Sounds for
Concert Band. Concert
March. Score Only.
Composed 1994. De Haske
Publications #DHP
0940529-140. Published by
De Haske Publications
(BT.DHP-0940529-140).
Who
doesn’t know the
children’s TV
series
Thunderbirds. The
Gerry Anderson classic is
still as popular today
with both children and
adults as when it was
first shown in the
sixties. This arrangement
of the theme tune will be
loved by all and will
leave your audience
humming it all the way
home.
Thunderbirds ist eine legendäre
englische Fernsehserie
aus den Sechzigern
über einen
futuristischen, weltweit
operierenden
Rettungsdienst. Die
Serie, in der die Figuren
von Puppen gespielt
werden, genießt heute
Kultstatus. Ihren Erfolg
verdankt sie nicht
zuletzt Barry Grays Musik
im Stil der großen
amerikanischen Kinofilme.
Kazuhiro Morita
verwendete das Hauptthema
der Serie für dieses
ausgezeichnete
Arrangement.
Thunderbirds Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0940529-020 Composed by B. Gray. Arran...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0940529-020
Composed by B. Gray.
Arranged by Kazuhiro
Morita. New Sounds for
Concert Band. Concert
March. Set (Score &
Parts). Composed 1994. De
Haske Publications #DHP
0940529-020. Published by
De Haske Publications
(BT.DHP-0940529-020).
Who
doesn’t know the
children’s TV
series
Thunderbirds. The
Gerry Anderson classic is
still as popular today
with both children and
adults as when it was
first shown in the
sixties. This arrangement
of the theme tune will be
loved by all and will
leave your audience
humming it all the way
home.
Thunderbirds ist eine legendäre
englische Fernsehserie
aus den Sechzigern
über einen
futuristischen, weltweit
operierenden
Rettungsdienst. Die
Serie, in der die Figuren
von Puppen gespielt
werden, genießt heute
Kultstatus. Ihren Erfolg
verdankt sie nicht
zuletzt Barry Grays Musik
im Stil der großen
amerikanischen Kinofilme.
Kazuhiro Morita
verwendete das Hauptthema
der Serie für dieses
ausgezeichnete
Arrangement.
Fanfare - Grade 4 SKU: HL.44002155 Composed by B. Gray. Arranged by Kazuh...(+)
Fanfare - Grade 4
SKU:
HL.44002155
Composed
by B. Gray. Arranged by
Kazuhiro Morita. De Haske
Concert Band. Concert
March. Score Only.
Composed 1994. De Haske
Publications #940529.
Published by De Haske
Publications
(HL.44002155).
UPC:
073999145380. 6.75x10.5
inches.
Who doesn't
know the children's TV
series
Thunderbirds. The
Gerry Anderson classic is
still as popular today
with both children and
adults as when it was
first shown in the
sixties. This arrangement
of the theme tune will be
loved by all and will
leave your audience
humming it all the way
home.
Thunderbirds ist eine legendare
englische Fernsehserie
aus den Sechzigern uber
einen futuristischen,
weltweit operierenden
Rettungsdienst. Die
Serie, in der die Figuren
von Puppen gespielt
werden, geniesst heute
Kultstatus. Ihren Erfolg
verdankt sie nicht
zuletzt Barry Grays Musik
im Stil der grossen
amerikanischen Kinofilme.
Kazuhiro Morita
verwendete das Hauptthema
der Serie fur dieses
ausgezeichnete
Arrangement.
Thunderbirds
(Les sentinelles de
l'air) est une serie
televisee d'animation
britannique creee, dans
les annees 1960, par
Gerry Anderson.
Particularite de cette
serie legendaire : les
heros etaient des
marionnettes, membres
d'une organisation
futuriste, appelee la <<
Securite Internationale
>> (<< International
Rescue >>). Ce programme
culte doit son succes en
partie a la musique de
Barry Gray, ecrite dans
un style proche des
musiques des grandes
fresques
cinematographiques
americaines. Un retour
aux souvenirs d'enfance
!
Thunderbirds Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0940529-120 Composed by B. Gray. Arran...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0940529-120
Composed by B. Gray.
Arranged by Kazuhiro
Morita. New Sounds for
Concert Band. Concert
March. Score Only.
Composed 1994. De Haske
Publications #DHP
0940529-120. Published by
De Haske Publications
(BT.DHP-0940529-120).
Who
doesn’t know the
children’s TV
series
Thunderbirds. The
Gerry Anderson classic is
still as popular today
with both children and
adults as when it was
first shown in the
sixties. This arrangement
of the theme tune will be
loved by all and will
leave your audience
humming it all the way
home.
Thunderbirds ist eine legendäre
englische Fernsehserie
aus den Sechzigern
über einen
futuristischen, weltweit
operierenden
Rettungsdienst. Die
Serie, in der die Figuren
von Puppen gespielt
werden, genießt heute
Kultstatus. Ihren Erfolg
verdankt sie nicht
zuletzt Barry Grays Musik
im Stil der großen
amerikanischen Kinofilme.
Kazuhiro Morita
verwendete das Hauptthema
der Serie für dieses
ausgezeichnete
Arrangement.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-127-010 Composed by Stephen...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-127-010
Composed by Stephen
Foster. Arranged by
Philip Sparke. Debut
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 2005.
Anglo Music Press #AMP
127-010. Published by
Anglo Music Press
(BT.AMP-127-010).
English-German-French-
Dutch.
One of the
most beautiful songs ever
written. Philip
Sparke’s sumptuous
arrangement of this
Stephen Foster classic
will make a perfect item
to bring a few minutes of
peace and calm
tranquillity to any
concert. The lush
harmonies, so
characteristic of Philip
Sparke’s
arranging. Once you have
played this once you will
want it on every concert
programme.
Veel
van de songs van Stephen
Collins Foster
(1826-1864), die onder
meer Oh! Susannah,
My Old Kentucky
Home en Beautiful
Dreamer schreef,
waren erop gericht de
zwarte Amerikaanse slaven
een menselijker gezichtte
geven. Jeanie with the
Light Brown Hair
schreef hij echter naar
aanleiding van de
afwezigheid van zijn
vrouw toen hij in New
York en zij in Pittsburgh
woonde. De melancholie
van de song komt in dit
arrangement van
PhilipSparke prachtig
naar voren.
Viele
Lieder des amerikanischen
Komponisten Stephen
Foster handelten von den
schwarzamerikanischen
Sklaven zur Zeit der
Abschaffung der
Sklaverei. Foster war ein
gewissenhafter Arbeiter
und verbrachte manchmal
Monate damit, den Text
eines Liedes zu
perfektionieren.
Jeanie with the Light
Brown Hair schrieb
Foster nach einer langen
Trennung von seiner
geliebten Frau. Dieses
strahlende Werk ist ein
ideales langsames
Zwischenspiel für Ihr
Konzertprogramm.
S
tephen Foster
(1826-1864), fu un
compositore molto
meticoloso. Dedicò a
volte mesi al
perfezionamento della
scrittura di un testo.
Conobbe il successo nel
1848 con Oh!
Susanna e la
crescente notoriet gli
consentì di lasciare
la provincia americana
alla volta di New York.
Ma il trasferimento non
ebbe l’effetto
desiderato, tanto che nel
1854 sua moglie Jane e
sua figlia Marion
ritornarono a Pittsburgh.
L’assenza
prolungata di sua moglie
gli ispirò la canzone
Jeanie with the Light
Brown Hair.
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-127-140 Composed by Stephen...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.AMP-127-140
Composed by Stephen
Foster. Arranged by
Philip Sparke. Debut
Series. Festive and
Solemn Music. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
127-140. Published by
Anglo Music Press
(BT.AMP-127-140).
English-German-French-
Dutch.
One of the
most beautiful songs ever
written. Philip
Sparke’s sumptuous
arrangement of this
Stephen Foster classic
will make a perfect item
to bring a few minutes of
peace and calm
tranquillity to any
concert. The lush
harmonies, so
characteristic of Philip
Sparke’s
arranging. Once you have
played this once you will
want it on every concert
programme.
Veel
van de songs van Stephen
Collins Foster
(1826-1864), die onder
meer Oh! Susannah,
My Old Kentucky
Home en Beautiful
Dreamer schreef,
waren erop gericht de
zwarte Amerikaanse slaven
een menselijker gezichtte
geven. Jeanie with the
Light Brown Hair
schreef hij echter naar
aanleiding van de
afwezigheid van zijn
vrouw toen hij in New
York en zij in Pittsburgh
woonde. De melancholie
van de song komt in dit
arrangement van
PhilipSparke prachtig
naar voren.
Viele
Lieder des amerikanischen
Komponisten Stephen
Foster handelten von den
schwarzamerikanischen
Sklaven zur Zeit der
Abschaffung der
Sklaverei. Foster war ein
gewissenhafter Arbeiter
und verbrachte manchmal
Monate damit, den Text
eines Liedes zu
perfektionieren.
Jeanie with the Light
Brown Hair schrieb
Foster nach einer langen
Trennung von seiner
geliebten Frau. Dieses
strahlende Werk ist ein
ideales langsames
Zwischenspiel für Ihr
Konzertprogramm.
S
tephen Foster
(1826-1864), fu un
compositore molto
meticoloso. Dedicò a
volte mesi al
perfezionamento della
scrittura di un testo.
Conobbe il successo nel
1848 con Oh!
Susanna e la
crescente notoriet gli
consentì di lasciare
la provincia americana
alla volta di New York.
Ma il trasferimento non
ebbe l’effetto
desiderato, tanto che nel
1854 sua moglie Jane e
sua figlia Marion
ritornarono a Pittsburgh.
L’assenza
prolungata di sua moglie
gli ispirò la canzone
Jeanie with the Light
Brown Hair.
By Charles Francois Gounod (1818-1893). Arranged by Jaroc. For Concert Band. Arr...(+)
By Charles Francois
Gounod (1818-1893).
Arranged by Jaroc. For
Concert Band.
Arrangements of Classical
Pieces. Classic
Arrangement. Grade 4.
Score. Published by
Molenaar Edition
Romanze Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
By Edward MacDowell (1861-1908). Arranged by Douglas McLain. For cello and conce...(+)
By Edward MacDowell
(1861-1908). Arranged by
Douglas McLain. For cello
and concert band. Baton
Music Instrumental
Series. For Cello. Grade
3. Full score and parts.
Duration 3:30. Published
by Baton Music
Young
Concert Band. Command
Series. Score and set of
parts. Composed 1986.
C.L. Barnhouse
#011-1857-00. Published
by C.L. Barnhouse
(CL.011-1857-00).
Delightful,
jaunty melody is famous
as the theme from the
Alfred Hitchcock TV show.
Andy Balent’s
masterful, easy setting
has great audience appeal
as it teaches and
reinforces six-eight
rhythm patterns.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Grade 2 SKU: CL.011-1857-02 Young Concert Band. Command Series. Extra sco...(+)
Grade 2
SKU:
CL.011-1857-02
Young
Concert Band. Command
Series. Extra score.
Composed 1986. C.L.
Barnhouse #011-1857-02.
Published by C.L.
Barnhouse
(CL.011-1857-02).
Delightful,
jaunty melody is famous
as the theme from the
Alfred Hitchcock TV show.
Andy Balent’s
masterful, easy setting
has great audience appeal
as it teaches and
reinforces six-eight
rhythm patterns.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.