Composed by Pinar Toprak. Arranged by Michael Brown. Discovery Plus Concert Band. Movies. Softcover. Published by Hal Leonard

Score and Parts Concert Band (Score and Parts) - Grade 3

SKU: HL.4008748

Arranged by Michael Brown. Young Concert Band. Movies. Softcover. Duration 350 seconds. Published by Hal Leonard (HL.4008748).

UPC: 196288197683. 9.0x12.0x1.001 inches.

Some of the most impressive movie themes in recent years have come from the blockbuster Marvel films and their superheroes. This dynamic and well-paced medley features memorable hero themes including: Captain America, Ant-Man, Thor, Iron Man, Black Panther, and of course The Avengers.

Composed by Pinar Toprak. Arranged by Paul Murtha. Young Concert Band. Movies, Concert Band. Softcover. Published by Hal Leonard

Band concert band - Grade 3

SKU: CF.CPS250

Composed by Peter Sciaino. Set of Score and Parts. 27+12+12+6+12+12+12+6+6+6 +6+4+4+8+8+8+4+4+6+6+6+4+ 12+4+2+6+10 pages. Duration 4 minutes, 40 seconds. Carl Fischer Music #CPS250. Published by Carl Fischer Music (CF.CPS250).

ISBN 9781491159576. UPC: 680160918164.

Kalei doscope Sky is inspired by the breathtaking pastime of hot-air ballooning and the glorious festivals around the world that honor the practice. A sky full of colorful spheres elegantly floating at the Albuquerque International Balloon Fiesta, International Balloon Festival of Saint-Jean-sur-Richelieu, Bristol International Balloon Fiesta, Mondial Air Ballons and more draw thousands of people to witness awe-inspiring scenes full of passionate balloonists. Traditional hot-air balloons mix with creatively designed balloons to thrill the tens of thousands of spectators below. While I personally am not a person who dreams of taking my own flight--heights are not my thing--I have to marvel at how gently and easily these vessels float among the clouds. It truly is an image of exquisite freedom. This piece reflects the view and experience of the onlooker taking in an elegantly shifting scene reminiscent of kaleidoscope patterns. Spectators like me can appreciate the beauty and vibrancy associated with a horizon full of adventurous balloonists and their wondrous aircrafts. Kaleidoscope Sky starts in a triumphant and celebratory fashion and continues to conjure images reminiscent of the wide variety of soaring colors on display at a hot-air balloon event. Ultimately, the piece appropriately concludes with a suspenseful, yet graceful, run to the finish line. Melodic lines should soar with attention being paid to phrase markings and assigned articulations. Encourage musicians to allow room for the melodic material to be heard in thicker textures where supporting harmonies are often rhythmic in nature. These harmonies should support, and not cloud the melodies. The meter changes should sound effortless, and the continuous figures in the percussion will help to achieve this effect. The snare drum, in particular, should bring accented notes to the foreground while maintaining a steady textural effect with non-accented notes as a rhythmic background. This will go a long way in finding a cohesive subdivision and ensemble pulse.
Kaleidoscope Sky is inspired by the breathtaking pastime of hot-air ballooning and the glorious festivals around the world that honor the practice. A sky full of colorful spheres elegantly floating at the Albuquerque International Balloon Fiesta, International Balloon Festival of Saint-Jean-sur-Richelieu, Bristol International Balloon Fiesta, Mondial Air Ballons and more draw thousands of people to witness awe-inspiring scenes full of passionate balloonists. Traditional hot-air balloons mix with creatively designed balloons to thrill the tens of thousands of spectators below. While I personally am not a person who dreams of taking my own flight—heights are not my thing—I have to marvel at how gently and easily these vessels float among the clouds. It truly is an image of exquisite freedom. This piece reflects the view and experience of the onlooker taking in an elegantly shifting scene reminiscent of kaleidoscope patterns. Spectators like me can appreciate the beauty and vibrancy associated with a horizon full of adventurous balloonists and their wondrous aircrafts. Kaleidoscope Sky starts in a triumphant and celebratory fashion and continues to conjure images reminiscent of the wide variety of soaring colors on display at a hot-air balloon event. Ultimately, the piece appropriately concludes with a suspenseful, yet graceful, run to the finish line.Melodic lines should “soar” with attention being paid to phrase markings and assigned articulations. Encourage musicians to allow room for the melodic material to be heard in thicker textures where supporting harmonies are often rhythmic in nature. These harmonies should support, and not “cloud” the melodies. The meter changes should sound effortless, and the continuous figures in the percussion will help to achieve this effect. The snare drum, in particular, should bring accented notes to the foreground while maintaining a steady textural effect with non-accented notes as a rhythmic background. This will go a long way in finding a cohesive subdivision and ensemble pulse.

Band concert band - Grade 3

SKU: CF.CPS250F

Composed by Peter Sciaino. Full score. 27 pages. Carl Fischer Music #CPS250F. Published by Carl Fischer Music (CF.CPS250F).

ISBN 9781491159583. UPC: 680160918171.

Kalei doscope Sky is inspired by the breathtaking pastime of hot-air ballooning and the glorious festivals around the world that honor the practice. A sky full of colorful spheres elegantly floating at the Albuquerque International Balloon Fiesta, International Balloon Festival of Saint-Jean-sur-Richelieu, Bristol International Balloon Fiesta, Mondial Air Ballons and more draw thousands of people to witness awe-inspiring scenes full of passionate balloonists. Traditional hot-air balloons mix with creatively designed balloons to thrill the tens of thousands of spectators below. While I personally am not a person who dreams of taking my own flight--heights are not my thing--I have to marvel at how gently and easily these vessels float among the clouds. It truly is an image of exquisite freedom. This piece reflects the view and experience of the onlooker taking in an elegantly shifting scene reminiscent of kaleidoscope patterns. Spectators like me can appreciate the beauty and vibrancy associated with a horizon full of adventurous balloonists and their wondrous aircrafts. Kaleidoscope Sky starts in a triumphant and celebratory fashion and continues to conjure images reminiscent of the wide variety of soaring colors on display at a hot-air balloon event. Ultimately, the piece appropriately concludes with a suspenseful, yet graceful, run to the finish line. Melodic lines should soar with attention being paid to phrase markings and assigned articulations. Encourage musicians to allow room for the melodic material to be heard in thicker textures where supporting harmonies are often rhythmic in nature. These harmonies should support, and not cloud the melodies. The meter changes should sound effortless, and the continuous figures in the percussion will help to achieve this effect. The snare drum, in particular, should bring accented notes to the foreground while maintaining a steady textural effect with non-accented notes as a rhythmic background. This will go a long way in finding a cohesive subdivision and ensemble pulse.
Kaleidoscope Sky is inspired by the breathtaking pastime of hot-air ballooning and the glorious festivals around the world that honor the practice. A sky full of colorful spheres elegantly floating at the Albuquerque International Balloon Fiesta, International Balloon Festival of Saint-Jean-sur-Richelieu, Bristol International Balloon Fiesta, Mondial Air Ballons and more draw thousands of people to witness awe-inspiring scenes full of passionate balloonists. Traditional hot-air balloons mix with creatively designed balloons to thrill the tens of thousands of spectators below. While I personally am not a person who dreams of taking my own flight—heights are not my thing—I have to marvel at how gently and easily these vessels float among the clouds. It truly is an image of exquisite freedom. This piece reflects the view and experience of the onlooker taking in an elegantly shifting scene reminiscent of kaleidoscope patterns. Spectators like me can appreciate the beauty and vibrancy associated with a horizon full of adventurous balloonists and their wondrous aircrafts. Kaleidoscope Sky starts in a triumphant and celebratory fashion and continues to conjure images reminiscent of the wide variety of soaring colors on display at a hot-air balloon event. Ultimately, the piece appropriately concludes with a suspenseful, yet graceful, run to the finish line.Melodic lines should “soar” with attention being paid to phrase markings and assigned articulations. Encourage musicians to allow room for the melodic material to be heard in thicker textures where supporting harmonies are often rhythmic in nature. These harmonies should support, and not “cloud” the melodies. The meter changes should sound effortless, and the continuous figures in the percussion will help to achieve this effect. The snare drum, in particular, should bring accented notes to the foreground while maintaining a steady textural effect with non-accented notes as a rhythmic background. This will go a long way in finding a cohesive subdivision and ensemble pulse.

Grade 2

SKU: CL.012-4998-01

Galop. Composed by King. Arranged by James Swearingen. Concert Band. Extra full score. Composed 2023. Opus III Wind Orchestra Publications #012-4998-01. Published by Opus III Wind Orchestra Publications (CL.012-4998-01).

Raise your baton and prepare yourself for a rewarding highlight moment as you conduct Karl King’s celebrated galop, aptly titled Excelsior. Your musicians will marvel at the clever writing style that is incorporated throughout the entire piece. And let us not forget the audience - much toe-tapping and the thunderous sound of applause following the last note is certain! This is the perfect galop to include at your next concert. A real crowd pleaser!

Grade 2

SKU: CL.024-4887-01

Composed by J. McBride. Young Concert Band. Extra full score. C.L. Barnhouse #024-4887-01. Published by C.L. Barnhouse (CL.024-4887-01).

Audiences will marvel at this commanding setting of the traditional carol, Fantasia on O Holy Night. Preserving the familiar melody throughout, original countermelodies breathe new life into this beloved holiday carol. Interwoven melodies and countermelodies present playable and unique musical moments that each section of your band will enjoy. From the powerful opening chords, to the flowing statement of the carol, through to the rousing and forceful conclusion, this piece will be a memorable and original addition to any holiday concert. Exceptional!

Grade 2

SKU: CL.024-4887-00

Composed by J. McBride. Young Concert Band. Rising Band Series for Developing Bands! Score and set of parts. Composed 2020. Duration 2 minutes, 37 seconds. C.L. Barnhouse #024-4887-00. Published by C.L. Barnhouse (CL.024-4887-00).

Audiences will marvel at this commanding setting of the traditional carol, Fantasia on O Holy Night. Preserving the familiar melody throughout, original countermelodies breathe new life into this beloved holiday carol. Interwoven melodies and countermelodies present playable and unique musical moments that each section of your band will enjoy. From the powerful opening chords, to the flowing statement of the carol, through to the rousing and forceful conclusion, this piece will be a memorable and original addition to any holiday concert. Exceptional!

Grade 3

SKU: CL.026-4910-01

Composed by James Swearingen. Concert Band. Extra full score. C.L. Barnhouse #026-4910-01. Published by C.L. Barnhouse (CL.026-4910-01).

The James Swearingen classic Romanesque is a wonderful example of lyrical writing at its absolute finest. Your musicians will marvel at the opportunity to perform music that sounds above grade level, yet is highly accessible in every way possible. Musical lines that reach out with emotion, beautiful sounding chords, and great scoring techniques all combine to present the ultimate experience of creating artistry and beauty through the precious gift of music. Very lyrical!

Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcover. Published by Hal Leonard

Arranged by Michael Brown. For Concert Band (Score and Parts). Young Concert Band. Grade 3. Published by Hal Leonard

Grade 3

SKU: CL.026-4910-00

Composed by James Swearingen. Concert Band. Score and set of parts. C.L. Barnhouse #026-4910-00. Published by C.L. Barnhouse (CL.026-4910-00).

The James Swearingen classic Romanesque is a wonderful example of lyrical writing at its absolute finest. Your musicians will marvel at the opportunity to perform music that sounds above grade level, yet is highly accessible in every way possible. Musical lines that reach out with emotion, beautiful sounding chords, and great scoring techniques all combine to present the ultimate experience of creating artistry and beauty through the precious gift of music. Very lyrical!

Composed by Alex Shapiro (1962-). Activist Music. Concert. Softcover. Published by Hal Leonard

Grade 2

SKU: CL.012-4998-00

Galop. Composed by King. Arranged by James Swearingen. Concert Band. Score and set of parts. Composed 2023. Opus III Wind Orchestra Publications #012-4998-00. Published by Opus III Wind Orchestra Publications (CL.012-4998-00).

Raise your baton and prepare yourself for a rewarding highlight moment as you conduct Karl King’s celebrated galop, aptly titled Excelsior. Your musicians will marvel at the clever writing style that is incorporated throughout the entire piece. And let us not forget the audience - much toe-tapping and the thunderous sound of applause following the last note is certain! This is the perfect galop to include at your next concert. A real crowd pleaser!

Score Only Concert Band (Score) - Level 1.5

SKU: HL.4006965

Composed by Alan Silvestri. Arranged by Robert Longfield. Flex-Band Grade 1. Disney, Movies. Softcover. 12 pages. Duration 235 seconds. Published by Hal Leonard (HL.4006965).

UPC: 840126948530. 9.0x12.0x0.023 inches.

Probably the best-known of all the Marvel movie themes, Alan Silvestri's music features dark sonorities and driving rhythms. Arranged here in an easy flex format.

Concert Band/Harmonie - Grade 3

SKU: BT.1572-08-140-MS

Composed by Brian Wilson and Mike Love. Arranged by Don Campbell. DHP Pop, Film and Show. Pop & Rock. Score Only. Composed 2008. 24 pages. Music Sales #1572-08-140 MS. Published by Music Sales (BT.1572-08-140-MS).

9x12 inches. English-German-French-Dut ch.

The pop song Good Vibrations, which appeared as a single in 1966, is one of the most celebrated hits of The Beach Boys. The piece, composed and produced by Brian Wilson, has been called a mini symphony. Various covers versions have been made, including a marvellous a cappella version by the King’s Singers. This arrangement by Don Campbell is just as delightful as the original.

De popsong Good Vibrations, die op single verscheen in 1966, is een van de bekendste hits van de beroemde Amerikaanse Beach Boys. Het door Brian Wilson gecomponeerde en geproduceerde nummer is wel eens een minisymfonie genoemd.De kenmerkende sound, met de bijzondere, gevarieerde instrumentatie en herkenbare vocals, doet het ook tegenwoordig nog goed. Er zijn diverse covers van de song gemaakt, onder andere een prachtige a-capellaversie van de BritseKing’s Singers. Dit arrangement voor harmonieorkest, van de hand van Don Campbell, is net zo pakkend als het origineel.

Dieser Hit der American Beach Boys, geschrieben und produziert von Brian Wilson, hat den Beinamen Mini Symphonie“ erhalten. Der typische Sound und die außergewöhnliche und abwechslungsreiche Instrumentierung sind auch in der Bearbeitung von Don Campbell erhalten.

Les quatre premiers vers de cette célèbre chanson des Beach Boys résument merveille les différentes vibrations ou natures d'ondes qui existent autour de nous : lumineuses, mécaniques, chimiques, etc. Composée et produite par Brian Wilson, le génie musical du groupe, Good Vibrations (1966) connaît un succès fulgurant dans le climat psychédélique ambiant. Il se classe n°1 dans la plupart des pays du monde et devient un des hymnes du mouvement hippie naissant.

Concert Band/Harmonie - Grade 3

SKU: BT.1572-08-010-MS

Composed by Brian Wilson and Mike Love. Arranged by Don Campbell. DHP Pop, Film and Show. Pop & Rock. Set (Score & Parts). Composed 2008. Music Sales #1572-08-010 MS. Published by Music Sales (BT.1572-08-010-MS).

9x12 inches. English-German-French-Dut ch.

The pop song Good Vibrations, which appeared as a single in 1966, is one of the most celebrated hits of The Beach Boys. The piece, composed and produced by Brian Wilson, has been called a mini symphony. Various covers versions have been made, including a marvellous a cappella version by the King’s Singers. This arrangement by Don Campbell is just as delightful as the original.

De popsong Good Vibrations, die op single verscheen in 1966, is een van de bekendste hits van de beroemde Amerikaanse Beach Boys. Het door Brian Wilson gecomponeerde en geproduceerde nummer is wel eens een minisymfonie genoemd.De kenmerkende sound, met de bijzondere, gevarieerde instrumentatie en herkenbare vocals, doet het ook tegenwoordig nog goed. Er zijn diverse covers van de song gemaakt, onder andere een prachtige a-capellaversie van de BritseKing’s Singers. Dit arrangement voor harmonieorkest, van de hand van Don Campbell, is net zo pakkend als het origineel.

Dieser Hit der American Beach Boys, geschrieben und produziert von Brian Wilson, hat den Beinamen Mini Symphonie“ erhalten. Der typische Sound und die außergewöhnliche und abwechslungsreiche Instrumentierung sind auch in der Bearbeitung von Don Campbell erhalten.

Les quatre premiers vers de cette célèbre chanson des Beach Boys résument merveille les différentes vibrations ou natures d'ondes qui existent autour de nous : lumineuses, mécaniques, chimiques, etc. Composée et produite par Brian Wilson, le génie musical du groupe, Good Vibrations (1966) connaît un succès fulgurant dans le climat psychédélique ambiant. Il se classe n°1 dans la plupart des pays du monde et devient un des hymnes du mouvement hippie naissant.

Concert Band/Harmonie - Grade 1.5

SKU: BT.GOB-000225-140

Composed by Jerry B. Bensman. Score Only. 12 pages. Gobelin Music Publications #GOB 000225-140. Published by Gobelin Music Publications (BT.GOB-000225-140).

The rock ballad Just for Friends is a gem for the conductor and the band.
A marvellous number that allows the bandleader to show off the qualities of various solo-instruments.

De rockballad Just for Friends is een juweeltje voor dirigent en orkest.
Een prachtig nummer dat de dirigent in staat stelt om te pronken met de kwaliteiten van verschillende solo-instrumenten.

Concert Band/Harmonie - Grade 1.5

SKU: BT.GOB-000225-010

Composed by Jerry B. Bensman. Set (Score & Parts). 67 pages. Gobelin Music Publications #GOB 000225-010. Published by Gobelin Music Publications (BT.GOB-000225-010).

The rock ballad Just for Friends is a gem for the conductor and the band.
A marvellous number that allows the bandleader to show off the qualities of various solo-instruments.

De rockballad Just for Friends is een juweeltje voor dirigent en orkest.
Een prachtig nummer dat de dirigent in staat stelt om te pronken met de kwaliteiten van verschillende solo-instrumenten.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Mark Tree, Oboe, Percussion 1 and more. - Grade 3

SKU: CF.CPS147F

Composed by Bill Calhoun. Concert Band. Full score. With Standard notation. 28 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CPS147F. Published by Carl Fischer Music (CF.CPS147F).

ISBN 9780825896408. UPC: 798408096403. 9 x 12 inches.

Arts du Cirque takes the listener on an exotic musical journey through a day at the circus. You hear the lion tamers, the trapeze artist--you even hear the clowns. It is a tapestry of sounds and marvelously orchestrated colors, not a tongue-in-cheek presentation. This new work for band will fit nicely as a contrasting piece on a concert, contest, or festival program.

Composed by Todd Stalter. Concert Band. Concert Band. Young Symphonic. Grade 2. Conductor Score and Parts. Published by Alfred Music

Bandquest Series Grade 3. By Michael Daugherty. Score and full set of parts. American Composers Forum Concert Band. CD-ROM only. Size 9x12 inches. Published by American Composers Forum.

Concert Band - Grade 2

SKU: AP.BD9807C

Composed by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Score. 24 pages. Duration 3:28. Belwin Music #00-BD9807C. Published by Belwin Music (AP.BD9807C).

UPC: 029156907773. English.

The mind's eye envisions the history, the heritage . . . the times of war, the times of peace on an historic plain whose serene environment belies the richness of its past. Allow your audience the opportunity to musically see a vista where time records the doings of mankind. A marvelously dramatic work that is supremely atmospheric in final performance. Highly recommended. (3:28).

Concert Band - Grade 2

SKU: AP.BD9807

Composed by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Score and Part(s). 246 pages. Duration 3:28. Belwin Music #00-BD9807. Published by Belwin Music (AP.BD9807).

UPC: 029156907766. English.

The mind's eye envisions the history, the heritage . . . the times of war, the times of peace on an historic plain whose serene environment belies the richness of its past. Allow your audience the opportunity to musically see a vista where time records the doings of mankind. A marvelously dramatic work that is supremely atmospheric in final performance. Highly recommended. (3:28).

By Frank Erickson. Concert Band. Concert Band. Belwin Symphonic Band. Contemporary. Grade 4. Conductor Score and Parts. 63 pages. Published by Alfred Music Publishing

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1033439-010

Composed by Henk Hogestein. On Parade! March. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033439-010. Published by De Haske Publications (BT.DHP-1033439-010).

The convent of St. Florian was the place of work of the Austrian composer Anton Bruckner. It was in the rural setting of this convent with its marvelloaus church that Bruckner composed many of his great symphonies. St. Florian Choral is Thomas Doss’ modest tribute to this great master whose music has left its permanent mark on the composer’s musical life.

Der Besuch einer weltberühmten Blumenschau inspirierte den Komponisten Henk Hogestein zu diesem brillanten Marsch. Die riesige Vielfalt an exotischen und einheimischen Blumen spiegelt sich in ebenso abwechslungsreichen Themen wider, die mal melancholisch in Moll, dann lebhaft und schließlich heiter diesen Marsch zu einem ganz besonderen Erlebnis werden lassen.

Le compositeur néerlandais Henk Hogestein s’est inspiré d’une fl nerie travers un salon d’art floral pour composer cette marche élégante. Le premier thème, écrit dans une tonalité mineure, reflète la fois le mysticisme et la sensualité des senteurs et le mystère de la profondeur des couleurs des fleurs orientales. L’art floral décoratif est mis en relief dans le second thème, plus vif de caractère. Le trio, léger et pétillant, dépeint l’élégance des fleurs indigènes et des plantes exotiques.

Florian a évolue dans la diversité des parfums et des couleurs des espèces florales. Le style est méditérranéen, exotique, alpin. Le trio, léger et pétillant, dépeint l’élégance de l’art floral.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-0981152-140

Composed by Jacob De Haan. Applause Series. Festive and Solemn Music. Score Only. Composed 1998. De Haske Publications #DHP 0981152-140. Published by De Haske Publications (BT.DHP-0981152-140).

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Oktober 1997. Jacob de Haan besucht St. Moritz in der Schweiz, wo er als Dirigent mit einem Symphonischen Blasorchester arbeitet. Die Berge rings um die Stadt, die Rhätischen Alpen, leuchten in kräftigen Herbstfarben. Die Berggipfel nahe der italienischen Grenze scheinen noch einmal tief Atem zu holen, bevor der erste Schnee fällt und Horden von Touristen das Gebiet wieder bevölkern. Die Farben, die Gerüche, die Ruhe und die Natur inspirierten mich.“ Kaum wieder zu Hause, schreibt Jacob de Haan die lyrische Komposition Yellow Mountains.

En octobre 1997, Jacob de Haan se rend Saint-Moritz en Suisse. La nature a quitté ses habits d’été pour revêtir une extraordinaire palette de couleurs. Les montagnes radieuses retiennent leur souffle dans l’attente des premières neiges et le paysage tout entier diffuse un sentiment de paix et de sérénité. Le modèle est idéal et inspire Jacob de Haan cette pièce aux couleurs tonales variées. Tel un peintre, il créé une œuvre aux traits fluides et souples, où les arrondis donnent naissance des teintes chaleureuses.

Nell 'ottobre del 1997, Jacob de Haan visitò il paese svizzero di St. Moritz, dove lavorò come direttore di una banda sinfonica di fiati. Le montagne intorno a St. Moritz erano ricoperte dei meravigliosi colori dell'autunno. La variet cromatica e la quiete della natura ispirarono a Jacob de Haan questa composizione lirica.