Composed by Pinar Toprak. Arranged by Michael Brown. Discovery Plus Concert Band. Movies. Softcover. Published by Hal Leonard

Score and Parts Concert Band (Score and Parts) - Grade 3

SKU: HL.4008748

Arranged by Michael Brown. Young Concert Band. Movies. Softcover. Duration 350 seconds. Published by Hal Leonard (HL.4008748).

UPC: 196288197683. 9.0x12.0x1.001 inches.

Some of the most impressive movie themes in recent years have come from the blockbuster Marvel films and their superheroes. This dynamic and well-paced medley features memorable hero themes including: Captain America, Ant-Man, Thor, Iron Man, Black Panther, and of course The Avengers.

Composed by Pinar Toprak. Arranged by Paul Murtha. Young Concert Band. Movies, Concert Band. Softcover. Published by Hal Leonard

Concert Band/Harmonie - Grade 3

SKU: BT.1572-08-140-MS

Composed by Brian Wilson and Mike Love. Arranged by Don Campbell. DHP Pop, Film and Show. Pop & Rock. Score Only. Composed 2008. 24 pages. Music Sales #1572-08-140 MS. Published by Music Sales (BT.1572-08-140-MS).

9x12 inches. English-German-French-Dut ch.

The pop song Good Vibrations, which appeared as a single in 1966, is one of the most celebrated hits of The Beach Boys. The piece, composed and produced by Brian Wilson, has been called a mini symphony. Various covers versions have been made, including a marvellous a cappella version by the King’s Singers. This arrangement by Don Campbell is just as delightful as the original.

De popsong Good Vibrations, die op single verscheen in 1966, is een van de bekendste hits van de beroemde Amerikaanse Beach Boys. Het door Brian Wilson gecomponeerde en geproduceerde nummer is wel eens een minisymfonie genoemd.De kenmerkende sound, met de bijzondere, gevarieerde instrumentatie en herkenbare vocals, doet het ook tegenwoordig nog goed. Er zijn diverse covers van de song gemaakt, onder andere een prachtige a-capellaversie van de BritseKing’s Singers. Dit arrangement voor harmonieorkest, van de hand van Don Campbell, is net zo pakkend als het origineel.

Dieser Hit der American Beach Boys, geschrieben und produziert von Brian Wilson, hat den Beinamen Mini Symphonie“ erhalten. Der typische Sound und die außergewöhnliche und abwechslungsreiche Instrumentierung sind auch in der Bearbeitung von Don Campbell erhalten.

Les quatre premiers vers de cette célèbre chanson des Beach Boys résument merveille les différentes vibrations ou natures d'ondes qui existent autour de nous : lumineuses, mécaniques, chimiques, etc. Composée et produite par Brian Wilson, le génie musical du groupe, Good Vibrations (1966) connaît un succès fulgurant dans le climat psychédélique ambiant. Il se classe n°1 dans la plupart des pays du monde et devient un des hymnes du mouvement hippie naissant.

Concert Band/Harmonie - Grade 3

SKU: BT.1572-08-010-MS

Composed by Brian Wilson and Mike Love. Arranged by Don Campbell. DHP Pop, Film and Show. Pop & Rock. Set (Score & Parts). Composed 2008. Music Sales #1572-08-010 MS. Published by Music Sales (BT.1572-08-010-MS).

9x12 inches. English-German-French-Dut ch.

The pop song Good Vibrations, which appeared as a single in 1966, is one of the most celebrated hits of The Beach Boys. The piece, composed and produced by Brian Wilson, has been called a mini symphony. Various covers versions have been made, including a marvellous a cappella version by the King’s Singers. This arrangement by Don Campbell is just as delightful as the original.

De popsong Good Vibrations, die op single verscheen in 1966, is een van de bekendste hits van de beroemde Amerikaanse Beach Boys. Het door Brian Wilson gecomponeerde en geproduceerde nummer is wel eens een minisymfonie genoemd.De kenmerkende sound, met de bijzondere, gevarieerde instrumentatie en herkenbare vocals, doet het ook tegenwoordig nog goed. Er zijn diverse covers van de song gemaakt, onder andere een prachtige a-capellaversie van de BritseKing’s Singers. Dit arrangement voor harmonieorkest, van de hand van Don Campbell, is net zo pakkend als het origineel.

Dieser Hit der American Beach Boys, geschrieben und produziert von Brian Wilson, hat den Beinamen Mini Symphonie“ erhalten. Der typische Sound und die außergewöhnliche und abwechslungsreiche Instrumentierung sind auch in der Bearbeitung von Don Campbell erhalten.

Les quatre premiers vers de cette célèbre chanson des Beach Boys résument merveille les différentes vibrations ou natures d'ondes qui existent autour de nous : lumineuses, mécaniques, chimiques, etc. Composée et produite par Brian Wilson, le génie musical du groupe, Good Vibrations (1966) connaît un succès fulgurant dans le climat psychédélique ambiant. Il se classe n°1 dans la plupart des pays du monde et devient un des hymnes du mouvement hippie naissant.

Concert Band/Harmonie - Grade 1.5

SKU: BT.GOB-000225-140

Composed by Jerry B. Bensman. Score Only. 12 pages. Gobelin Music Publications #GOB 000225-140. Published by Gobelin Music Publications (BT.GOB-000225-140).

The rock ballad Just for Friends is a gem for the conductor and the band.
A marvellous number that allows the bandleader to show off the qualities of various solo-instruments.

De rockballad Just for Friends is een juweeltje voor dirigent en orkest.
Een prachtig nummer dat de dirigent in staat stelt om te pronken met de kwaliteiten van verschillende solo-instrumenten.

Concert Band/Harmonie - Grade 1.5

SKU: BT.GOB-000225-010

Composed by Jerry B. Bensman. Set (Score & Parts). 67 pages. Gobelin Music Publications #GOB 000225-010. Published by Gobelin Music Publications (BT.GOB-000225-010).

The rock ballad Just for Friends is a gem for the conductor and the band.
A marvellous number that allows the bandleader to show off the qualities of various solo-instruments.

De rockballad Just for Friends is een juweeltje voor dirigent en orkest.
Een prachtig nummer dat de dirigent in staat stelt om te pronken met de kwaliteiten van verschillende solo-instrumenten.

Band concert band - Grade 3

SKU: CF.CPS250

Composed by Peter Sciaino. Set of Score and Parts. 27+12+12+6+12+12+12+6+6+6 +6+4+4+8+8+8+4+4+6+6+6+4+ 12+4+2+6+10 pages. Duration 4 minutes, 40 seconds. Carl Fischer Music #CPS250. Published by Carl Fischer Music (CF.CPS250).

ISBN 9781491159576. UPC: 680160918164.

Kalei doscope Sky is inspired by the breathtaking pastime of hot-air ballooning and the glorious festivals around the world that honor the practice. A sky full of colorful spheres elegantly floating at the Albuquerque International Balloon Fiesta, International Balloon Festival of Saint-Jean-sur-Richelieu, Bristol International Balloon Fiesta, Mondial Air Ballons and more draw thousands of people to witness awe-inspiring scenes full of passionate balloonists. Traditional hot-air balloons mix with creatively designed balloons to thrill the tens of thousands of spectators below. While I personally am not a person who dreams of taking my own flight--heights are not my thing--I have to marvel at how gently and easily these vessels float among the clouds. It truly is an image of exquisite freedom. This piece reflects the view and experience of the onlooker taking in an elegantly shifting scene reminiscent of kaleidoscope patterns. Spectators like me can appreciate the beauty and vibrancy associated with a horizon full of adventurous balloonists and their wondrous aircrafts. Kaleidoscope Sky starts in a triumphant and celebratory fashion and continues to conjure images reminiscent of the wide variety of soaring colors on display at a hot-air balloon event. Ultimately, the piece appropriately concludes with a suspenseful, yet graceful, run to the finish line. Melodic lines should soar with attention being paid to phrase markings and assigned articulations. Encourage musicians to allow room for the melodic material to be heard in thicker textures where supporting harmonies are often rhythmic in nature. These harmonies should support, and not cloud the melodies. The meter changes should sound effortless, and the continuous figures in the percussion will help to achieve this effect. The snare drum, in particular, should bring accented notes to the foreground while maintaining a steady textural effect with non-accented notes as a rhythmic background. This will go a long way in finding a cohesive subdivision and ensemble pulse.
Kaleidoscope Sky is inspired by the breathtaking pastime of hot-air ballooning and the glorious festivals around the world that honor the practice. A sky full of colorful spheres elegantly floating at the Albuquerque International Balloon Fiesta, International Balloon Festival of Saint-Jean-sur-Richelieu, Bristol International Balloon Fiesta, Mondial Air Ballons and more draw thousands of people to witness awe-inspiring scenes full of passionate balloonists. Traditional hot-air balloons mix with creatively designed balloons to thrill the tens of thousands of spectators below. While I personally am not a person who dreams of taking my own flight—heights are not my thing—I have to marvel at how gently and easily these vessels float among the clouds. It truly is an image of exquisite freedom. This piece reflects the view and experience of the onlooker taking in an elegantly shifting scene reminiscent of kaleidoscope patterns. Spectators like me can appreciate the beauty and vibrancy associated with a horizon full of adventurous balloonists and their wondrous aircrafts. Kaleidoscope Sky starts in a triumphant and celebratory fashion and continues to conjure images reminiscent of the wide variety of soaring colors on display at a hot-air balloon event. Ultimately, the piece appropriately concludes with a suspenseful, yet graceful, run to the finish line.Melodic lines should “soar” with attention being paid to phrase markings and assigned articulations. Encourage musicians to allow room for the melodic material to be heard in thicker textures where supporting harmonies are often rhythmic in nature. These harmonies should support, and not “cloud” the melodies. The meter changes should sound effortless, and the continuous figures in the percussion will help to achieve this effect. The snare drum, in particular, should bring accented notes to the foreground while maintaining a steady textural effect with non-accented notes as a rhythmic background. This will go a long way in finding a cohesive subdivision and ensemble pulse.

Band concert band - Grade 3

SKU: CF.CPS250F

Composed by Peter Sciaino. Full score. 27 pages. Carl Fischer Music #CPS250F. Published by Carl Fischer Music (CF.CPS250F).

ISBN 9781491159583. UPC: 680160918171.

Kalei doscope Sky is inspired by the breathtaking pastime of hot-air ballooning and the glorious festivals around the world that honor the practice. A sky full of colorful spheres elegantly floating at the Albuquerque International Balloon Fiesta, International Balloon Festival of Saint-Jean-sur-Richelieu, Bristol International Balloon Fiesta, Mondial Air Ballons and more draw thousands of people to witness awe-inspiring scenes full of passionate balloonists. Traditional hot-air balloons mix with creatively designed balloons to thrill the tens of thousands of spectators below. While I personally am not a person who dreams of taking my own flight--heights are not my thing--I have to marvel at how gently and easily these vessels float among the clouds. It truly is an image of exquisite freedom. This piece reflects the view and experience of the onlooker taking in an elegantly shifting scene reminiscent of kaleidoscope patterns. Spectators like me can appreciate the beauty and vibrancy associated with a horizon full of adventurous balloonists and their wondrous aircrafts. Kaleidoscope Sky starts in a triumphant and celebratory fashion and continues to conjure images reminiscent of the wide variety of soaring colors on display at a hot-air balloon event. Ultimately, the piece appropriately concludes with a suspenseful, yet graceful, run to the finish line. Melodic lines should soar with attention being paid to phrase markings and assigned articulations. Encourage musicians to allow room for the melodic material to be heard in thicker textures where supporting harmonies are often rhythmic in nature. These harmonies should support, and not cloud the melodies. The meter changes should sound effortless, and the continuous figures in the percussion will help to achieve this effect. The snare drum, in particular, should bring accented notes to the foreground while maintaining a steady textural effect with non-accented notes as a rhythmic background. This will go a long way in finding a cohesive subdivision and ensemble pulse.
Kaleidoscope Sky is inspired by the breathtaking pastime of hot-air ballooning and the glorious festivals around the world that honor the practice. A sky full of colorful spheres elegantly floating at the Albuquerque International Balloon Fiesta, International Balloon Festival of Saint-Jean-sur-Richelieu, Bristol International Balloon Fiesta, Mondial Air Ballons and more draw thousands of people to witness awe-inspiring scenes full of passionate balloonists. Traditional hot-air balloons mix with creatively designed balloons to thrill the tens of thousands of spectators below. While I personally am not a person who dreams of taking my own flight—heights are not my thing—I have to marvel at how gently and easily these vessels float among the clouds. It truly is an image of exquisite freedom. This piece reflects the view and experience of the onlooker taking in an elegantly shifting scene reminiscent of kaleidoscope patterns. Spectators like me can appreciate the beauty and vibrancy associated with a horizon full of adventurous balloonists and their wondrous aircrafts. Kaleidoscope Sky starts in a triumphant and celebratory fashion and continues to conjure images reminiscent of the wide variety of soaring colors on display at a hot-air balloon event. Ultimately, the piece appropriately concludes with a suspenseful, yet graceful, run to the finish line.Melodic lines should “soar” with attention being paid to phrase markings and assigned articulations. Encourage musicians to allow room for the melodic material to be heard in thicker textures where supporting harmonies are often rhythmic in nature. These harmonies should support, and not “cloud” the melodies. The meter changes should sound effortless, and the continuous figures in the percussion will help to achieve this effect. The snare drum, in particular, should bring accented notes to the foreground while maintaining a steady textural effect with non-accented notes as a rhythmic background. This will go a long way in finding a cohesive subdivision and ensemble pulse.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-0981152-140

Composed by Jacob De Haan. Applause Series. Festive and Solemn Music. Score Only. Composed 1998. De Haske Publications #DHP 0981152-140. Published by De Haske Publications (BT.DHP-0981152-140).

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Oktober 1997. Jacob de Haan besucht St. Moritz in der Schweiz, wo er als Dirigent mit einem Symphonischen Blasorchester arbeitet. Die Berge rings um die Stadt, die Rhätischen Alpen, leuchten in kräftigen Herbstfarben. Die Berggipfel nahe der italienischen Grenze scheinen noch einmal tief Atem zu holen, bevor der erste Schnee fällt und Horden von Touristen das Gebiet wieder bevölkern. Die Farben, die Gerüche, die Ruhe und die Natur inspirierten mich.“ Kaum wieder zu Hause, schreibt Jacob de Haan die lyrische Komposition Yellow Mountains.

En octobre 1997, Jacob de Haan se rend Saint-Moritz en Suisse. La nature a quitté ses habits d’été pour revêtir une extraordinaire palette de couleurs. Les montagnes radieuses retiennent leur souffle dans l’attente des premières neiges et le paysage tout entier diffuse un sentiment de paix et de sérénité. Le modèle est idéal et inspire Jacob de Haan cette pièce aux couleurs tonales variées. Tel un peintre, il créé une œuvre aux traits fluides et souples, où les arrondis donnent naissance des teintes chaleureuses.

Nell 'ottobre del 1997, Jacob de Haan visitò il paese svizzero di St. Moritz, dove lavorò come direttore di una banda sinfonica di fiati. Le montagne intorno a St. Moritz erano ricoperte dei meravigliosi colori dell'autunno. La variet cromatica e la quiete della natura ispirarono a Jacob de Haan questa composizione lirica.

(Pavanne for a Dead Princess) Arranged by Jerry Brubaker, composed by Maurice Ravel (1875-1937). Conductor's score and set of performance parts for concert band (3 - 1st flute, 3 - 2nd flute, 2 - oboe, 2 - bassoon, 3 - 1st clarinet, 3 - 2nd clarinet, 3 - 3rd clarinet, 1 - alto clarinet, 2- bass clarinet, 2 - 1st alto saxophone, 2 - 2nd alto saxophone, 1 - tenor saxophone, 1 - baritone saxophone, 3 - 1st trumpet, 3 - 2nd trumpet, 3 - 3rd trumpet, 2 - 1st horn in F, 2 - 2nd horn in F, 2 - 1st trombone, 2 - 2nd trombone, 2 - 3rd trombone, 2 - euphonium, 1 - baritone (treble clef), 4 - tuba, 1 - mallet percussion I, 1 - mallet percussion II, 1 - timpani, 2 - percussion). Series: Belwin Concert Band. Published by Alfred Publishing.

Grade 3

SKU: CL.012-1850-00

Composed by Bob Hilliard. Concert Band. Command Series. Audio recording available separately (item CL.WFR332). Score and set of parts. Composed 1986. Duration 4 minutes, 54 seconds. Opus III Wind Orchestra Publications #012-1850-00. Published by Opus III Wind Orchestra Publications (CL.012-1850-00).

This fine concert piece opens with a very lyrical slow section featuring a clarinet and baritone solo over expressive jazz-like harmonies. Energetic rhythms build around a Latin flavored melody in the middle section before returning to a beautifully orchestrated quiet ending. A marvelous change of pace for your next concert.

Grade 2

SKU: CL.012-1824-00

Overture. Composed by J. Spears. Concert Band. Bach Series arranged by Alfred Reed. Audio recording available separately (items CL.WFR324 & CL.WFR195). Score and set of parts. Composed 1985. Duration 5 minutes, 10 seconds. Opus III Wind Orchestra Publications #012-1824-00. Published by Opus III Wind Orchestra Publications (CL.012-1824-00).

Opening with colorful bursts from various sections, the music surges forward to an energetic theme supported by driving harmonies and rhythms. A beautifully orchestrated middle section with a lush, expressive melody featuring solo trumpet or trumpet section is followed by a return to the original energetic tempo and an exciting ending.

About Bach Series arranged by Alfred Reed

Maste rful settings for concert band by the venerable Alfred Reed, these works have been scored to achieve richness and beauty without detracting from the textural construction created by Bach himself. Marvelous educational and program material!

Grade 3

SKU: CL.012-1850-01

Composed by Bob Hilliard. Concert Band. Command Series. Audio recording available separately (item CL.WFR332). Extra full score. Composed 1986. Duration 4 minutes, 54 seconds. Opus III Wind Orchestra Publications #012-1850-01. Published by Opus III Wind Orchestra Publications (CL.012-1850-01).

This fine concert piece opens with a very lyrical slow section featuring a clarinet and baritone solo over expressive jazz-like harmonies. Energetic rhythms build around a Latin flavored melody in the middle section before returning to a beautifully orchestrated quiet ending. A marvelous change of pace for your next concert.

Grade 2.5

SKU: CL.012-1824-01

Overture. Composed by J. Spears. Concert Band. Bach Series arranged by Alfred Reed. Audio recording available separately (items CL.WFR324 & CL.WFR195). Extra full score. Composed 1985. Duration 5 minutes, 10 seconds. Opus III Wind Orchestra Publications #012-1824-01. Published by Opus III Wind Orchestra Publications (CL.012-1824-01).

Opening with colorful bursts from various sections, the music surges forward to an energetic theme supported by driving harmonies and rhythms. A beautifully orchestrated middle section with a lush, expressive melody featuring solo trumpet or trumpet section is followed by a return to the original energetic tempo and an exciting ending.

About Bach Series arranged by Alfred Reed

Maste rful settings for concert band by the venerable Alfred Reed, these works have been scored to achieve richness and beauty without detracting from the textural construction created by Bach himself. Marvelous educational and program material!

Score Only Concert Band (Score) - Level 1.5

SKU: HL.4002427

Arranged by Michael Sweeney. MusicWorks Grade 1. Scottish. 8 pages. Published by Hal Leonard (HL.4002427).

UPC: 884088084035. 9.0x12.0x0.018 inches.

Michael takes this tender and lyrical folk song and creates a marvelous setting for beginning players. Even at this easy level, this arrangement provides a wealth of musicality through creative harmonies and skilled scoring. Every section gets a chance to play the melody at some point. Dur: 2:20 (Includes Full Performance CD).

By Robert Jager. Score and full set of parts. Hal Leonard Concert Band Series. Grade 4. Published by E.B. Marks Music.

Grade 4

SKU: CL.012-2172-01

Composed by Jutras. Concert Band. Classics Series. Audio recording available separately (item CL.WFR129). Extra full score. Composed 1989. Opus III Wind Orchestra Publications #012-2172-01. Published by Opus III Wind Orchestra Publications (CL.012-2172-01).

A true classic from the pen of Canadian composer André Jutras. From the opening chorale to the brilliant finish, this exceptional piece features fresh harmonies and a bold new sound. A marvelous concert opener and a guaranteed contest winner!

About C.L. Barnhouse Classics Series

Und er the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!

Grade 4

SKU: CL.012-2172-00

Composed by Jutras. Concert Band. Score and set of parts. Composed 1989. Opus III Wind Orchestra Publications #012-2172-00. Published by Opus III Wind Orchestra Publications (CL.012-2172-00).

A true classic from the pen of Canadian composer André Jutras. From the opening chorale to the brilliant finish, this exceptional piece features fresh harmonies and a bold new sound. A marvelous concert opener and a guaranteed contest winner!

Score Only Concert Band (Score) - Grade 2-3

SKU: HL.4005188

Arranged by Michael Sweeney. Flex-Band Grade 2. Folk, Irish. Softcover. 12 pages. Published by Hal Leonard (HL.4005188).

UPC: 888680698119. 9.0x12.0x0.027 inches.

Featuring the heartfelt melody of this traditional Irish folk song, Michael uses lush harmonies, varieties in texture, and carefully paced emotional peaks in this marvelous setting for young players. This version has been carefully adapted for flexible instrumentation.

Grade 3

SKU: CL.012-3149-01

Composed by Sheldon. Concert Band. Classics Series. Audio recording available separately (items CL.WFR316 & CL.WFR315). Extra full score. Composed 2001. Duration 4 minutes, 3 seconds. Opus III Wind Orchestra Publications #012-3149-01. Published by Opus III Wind Orchestra Publications (CL.012-3149-01).

Exciting and colorful composition featuring short solos for several woodwind instruments and provides a marvelous change of pace for any concert or contest. Exotic melodic lines and harmonies are combined with the powerful rhythms of Northern Africa to create a memorable musical experience. A wonderful choice for smaller high school bands Grade 3.

About C.L. Barnhouse Classics Series

Und er the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!

By Robert Sheldon. Concert Band. Grade 3. Score and set of parts. Composed 2001. Duration 0:04:03

Score Only Concert Band; Symphonic Band (Score) - Grade 3

SKU: HL.4005111

Composed by Michael Sweeney. MusicWorks Grade 3. Mambo. Softcover. Published by Hal Leonard (HL.4005111).

UPC: 888680684310. 9.0x12.0x0.113 inches.

Opening with a lyric section featuring a solo for flugelhorn (or trumpet), this appealing work includes sensuous melodies surrounded by lush and “bluesy” harmonies. The uptempo “mambo” kicks in with an infectious percussion groove that accompanies the melodies and riffs from the full ensemble. A marvelous and entertaining change of pace. Dur: 4:00.

Concert band - Grade 4

SKU: CL.012-4470-75

Prelude to Act III. Composed by Richard Wagner. Arranged by Patterson. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR388). Oversized, spiral-bound score. Composed 2016. Duration 3 minutes, 55 seconds. Opus III Wind Orchestra Publications #012-4470-75. Published by Opus III Wind Orchestra Publications (CL.012-4470-75).

This stunning transcription of one of Wagner's finest orchestral excerpts is a vibrant showpiece for concert band! The Prelude to Act III of Lohengrin is one of the most famous works from operatic repertoires, and Donald Patterson's magnificent arrangement captures all of the brilliance and power of the original score. Includes a choice of two endings. Mature bands will astonish audiences with this marvelous work. A tour-de-force for experienced bands!

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

(A Global Greeting for Winds). By Alfred Reed. Score and full set of parts. Hal Leonard Concert Band Series. Grade 4. Size 9x12 inches. Published by Marks.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Mark Tree, Oboe, Percussion 1 and more. - Grade 3

SKU: CF.CPS147F

Composed by Bill Calhoun. Concert Band. Full score. With Standard notation. 28 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CPS147F. Published by Carl Fischer Music (CF.CPS147F).

ISBN 9780825896408. UPC: 798408096403. 9 x 12 inches.

Arts du Cirque takes the listener on an exotic musical journey through a day at the circus. You hear the lion tamers, the trapeze artist--you even hear the clowns. It is a tapestry of sounds and marvelously orchestrated colors, not a tongue-in-cheek presentation. This new work for band will fit nicely as a contrasting piece on a concert, contest, or festival program.

By Richard Danielpour. Arranged by Jack Stamp. (Score and Parts). Schirmer Concert Band. Published by Associated Music Publishers, Inc.