March. Composed by Matthew R. Putnam. Concert Concert Band. Rhapsody Grade 3-3.5. Set of parts. Excelcia Music Publishing #RCB2302. Published by Excelcia Music Publishing

Band Concert Band - Grade 1.5

SKU: CF.FPS148

Composed by Matthew R. Putnam. SWS FS. First Plus Performance Series. Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+2 +3+3+1+4+5+16 pages. Duration 2 minutes, 56 seconds. Carl Fischer Music #FPS148. Published by Carl Fischer Music (CF.FPS148).

ISBN 9781491147320. UPC: 680160904822. 9 x 12 inches.

Invictus Rex is the Latin phrase for an invincible or undefeatable king. It calls to mind a paragon of strength, boldness, and confidence in the face of challenges and adversity. Audiences will imagine a medieval king attired in heavy armor confidently leading his men into battle, assured in the idea that, though the battle is to be long and arduous, they will ultimately reign victorious. New composer Matthew Putnam draws on his experience as a music educator to provide us with this piece that students will absolutely love to play.

Concert Band - Grade 3

SKU: XC.RCB2302FS

March. Composed by Matthew R. Putnam. Concert Concert Band. Rhapsody Grade 3-3.5. Score. Excelcia Music Publishing #RCB2302FS. Published by Excelcia Music Publishing (XC.RCB2302FS).

A modern-day March King, Matthew R. Putnam, knows how to write them! This new march in 6/8 time is easy to put together, but sounds just as grand and full as any Fillmore or Susa. A great introduction to the quick marches of yore!

Band Concert Band - Grade 2

SKU: CF.YPS191

Composed by Matthew R. Putnam. SWS FS. Carl Fischer Young Performance Series. Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+1+1+6+2+16 pages. Duration 2 minutes, 12 seconds. Carl Fischer Music #YPS191. Published by Carl Fischer Music (CF.YPS191).

ISBN 9781491147436. UPC: 680160904938. 9 x 12 inches. Key: Bb major.

Generosity is an original march in standard form, but written with developing players in mind. It is reminiscent of the wonderful marches of Bennett or King, with tuneful melodies, interesting harmonies, and a few chromatic twists thrown in to make it more exciting. Mathew Putnam has written a perfect vehicle to teach the march style and form to developing players.

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3 +2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ride Cymbal and more. - Grade 1.5

SKU: CF.FPS150

Composed by Matthew R. Putnam. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+3 +2+1+3+8+16+2 pages. Duration 2 minutes, 6 seconds. Carl Fischer Music #FPS150. Published by Carl Fischer Music (CF.FPS150).

ISBN 9781491152102. UPC: 680160909605.

The title is a play on words, but the composer had his own ulterior motives in mind when composing this piece. He wanted a piece that was fun to play, but that helped developing musicians work on their rhythmic skills. Matt Putnam uses the feel of action film soundtracks to create the mood of this interesting new piece. Interesting grooves in the percussion throughout add to the piece’s feel of mystery and thrill.
To understand my thoughts in writing this piece, I thought it best to define the two ideas that give the piece its title: ulterior motives and musical motifs. Ulterior motives occur when you believe that a person is doing something for some unknown or hidden reason. Often, they are used in action films or literature to increase the drama and tension of the story. Musically, a motif is a short rhythmic and/or melodic idea. When I wrote this piece, I must confess that I had my own ulterior motives: I wanted to create a piece that was fun to play, but I also wanted a piece that would help students develop their rhythmic counting skills. In this piece, I use a motif of a two eighth-note pattern which jumps from section to section to help me achieve my ulterior motive.Mimicking the mood of action films whose characters often have ulterior motives, the mood of the piece is suspenseful and exciting as the motif jumps from section to section throughout the ensemble. The motif keeps you guessing as it occurs on all four different beats of the measure sometimes ascending, sometimes descending, and occurs sometimes in the interval of a second and sometimes the interval of a third. Interesting grooves in the percussion throughout add to the piece’s feel of mystery and thrill.I have no ulterior motives when I say that I hope you enjoy playing Ulterior Motifs.

Concert Band Concert Band - Grade 0.5

SKU: XC.PCB2008

Composed by Matthew R. Putnam. Prelude Band Series. Concert and Contest. Concert and contest. Set of parts. Excelcia Music Publishing #PCB2008. Published by Excelcia Music Publishing (XC.PCB2008).

UPC: 812598033038. 9 x 12 inches.

This new work for beginning band is a great introduction to simple syncopation. Using only the first 6 notes of the Bb scale, Acropolis also has a great opportunity to introduce simple slurs and legato playing. We know your audience will enjoy this musical experience.

Concert Band Concert Band - Grade 0.5

SKU: XC.FCB2108FS

Composed by Matthew R. Putnam. Concert Concert Band. Flexcel Concert Works. Contest/Festival. Contest/Festival. Score. Excelcia Music Publishing #FCB2108FS. Published by Excelcia Music Publishing (XC.FCB2108FS).

UPC: 812598038682. 9 x 12 inches.

This new work for beginning band is a great introduction to simple syncopation. Using only the first 6 notes of the Bb scale, Acropolis also has a great opportunity to introduce simple slurs and legato playing. We know your audience will enjoy this musical experience.

Band concert band - Grade 1

SKU: CF.BPS118

March. Composed by Matthew R. Putnam. Beginning Band (BPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+3+1+1 +3+3+16+2 pages. Duration 2 minutes, 9 seconds. Carl Fischer Music #BPS118. Published by Carl Fischer Music (CF.BPS118).

ISBN 9781491152041. UPC: 680160909544.

Wolve rine Trail is a concert march for beginning bands and is rather helpful in introducing beginners to the march form and style. This piece is based in the key of Eb major and uses only the first seven notes taught in most method books. It is also rhythmically accessible to beginners, as simple eighth-note combinations are the most difficult rhythms in this march. The piece follows standard march form except that is does not modulate at the trio section.
When writing this piece, I was thinking of my beginning band students at Polk County Middle School. Our school is located at the foothills of the Appalachian Mountains and is surrounded by dense pine forests. The mascot of our school is rather fittingly the wolverine; hence, our school is located on the street named “Wolverine Trail.” Learning to be a musician is not an easy trial, as it requires hard work, dedication, and endurance. However, the trail to becoming a musician is full of rewarding and breathtaking experiences. As I wrote this piece, I was inspired by the rugged beauty of our school’s location and also how I am helping my beginner students to start on the trail to becoming mature musicians.Wolverine Trail is a concert march for beginning bands and is rather helpful in introducing beginners to the march form and style. This piece is based in the key of Eb major and uses only the first seven notes taught in most method books. It is also rhythmically accessible to beginners, as simple eighth-note combinations are the most difficult rhythms in this march. The piece follows standard march form except that is does not modulate at the trio section which begins at m. 57. It is my hope that this piece will help you and your beginners start your own musical trailblazing.

Concert Band - Grade 0.5

SKU: XC.PCB2401

Composed by Matthew R. Putnam. Prelude Grade .5. Contest/Festival. Set of parts. Excelcia Music Publishing #PCB2401. Published by Excelcia Music Publishing (XC.PCB2401).

9 x 12 inches.

Get ready to unleash the Heart of a Lion with this epic new beginning band piece! Written using the first 6 notes of the Bb scale, this powerful composition will ignite your student's passion for music and inspire them to reach new heights.

Concert Band - Grade 0.5

SKU: XC.PCB2008FS

Composed by Matthew R. Putnam. Prelude Band Series. Concert and Contest. Concert and contest. Score. Excelcia Music Publishing #PCB2008FS. Published by Excelcia Music Publishing (XC.PCB2008FS).

UPC: 812598033014. 9 x 12 inches.

This new work for beginning band is a great introduction to simple syncopation. Using only the first 6 notes of the Bb scale, Acropolis also has a great opportunity to introduce simple slurs and legato playing. We know your audience will enjoy this musical experience.

Concert Band - Grade 0.5

SKU: XC.PCB2401FS

Composed by Matthew R. Putnam. Prelude Grade .5. Contest/Festival. Score. Excelcia Music Publishing #PCB2401FS. Published by Excelcia Music Publishing (XC.PCB2401FS).

9 x 12 inches.

Get ready to unleash the Heart of a Lion with this epic new beginning band piece! Written using the first 6 notes of the Bb scale, this powerful composition will ignite your student's passion for music and inspire them to reach new heights.

Concert Band Concert Band - Grade 0.5

SKU: XC.FCB2108

Composed by Matthew R. Putnam. Flexible Concert Concert Band. Flexcel Concert Works. Contest/Festival. Contest/Festival. Score and set of parts. Excelcia Music Publishing #FCB2108. Published by Excelcia Music Publishing (XC.FCB2108).

UPC: 812598038699. 9 x 12 inches.

This new work for beginning band is a great introduction to simple syncopation. Using only the first 6 notes of the Bb scale, Acropolis also has a great opportunity to introduce simple slurs and legato playing. We know your audience will enjoy this musical experience.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Gong, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS115

Composed by Matthew R. Putnam. Beginning Band (BPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+3+2+1 +2+5+16+2 pages. Duration 2 minutes, 22 seconds. Carl Fischer Music #BPS115. Published by Carl Fischer Music (CF.BPS115).

ISBN 9781491152010. UPC: 680160909513.

The Gauntlet is a piece written to sound bold and exciting while also being accessible to young performers with a limited range. Simple yet bold rhythms add excitement, heightened by the fact that every section has an opportunity to play melodic content. The interesting “development” section provides a contrast to the opening and helps to build the suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing a variety of colorful sounds including a gong solo at the end to signal the knight’s triumph.
A knight gallops over the rise of the hill into battle, determination shining in his eyes. He must charge through the treacherous lines and survive in order to preserve his kingdom and his honor. The pounding of the battle drums echoes the desperate pounding of his heart. Swords clash and the hooves of the horses strike the muddy ground. He must run this torturous gauntlet. Will he succeed before it is too late?The Gauntlet is a piece written to sound bold and exciting while also being easy for young players to perform due to the piece’s limited range (comprised of the first seven notes in most method books). Simple but bold rhythms add an air of excitement. This is heightened by the fact that every section has an opportunity to play melodic content, even the low brass. The interesting “development” section provides a contrast to the opening section and helps to build some intrigue and suspense before the return of the main theme. The percussion helps to drive the energy of the piece by providing lots of colorful sounds including a gong solo at the end to signal the knight’s triumph.