The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.AMP-108-010 Co...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.AMP-108-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Set (Score &
Parts). Composed 2004.
Anglo Music Press #AMP
108-010. Published by
Anglo Music Press
(BT.AMP-108-010).
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.AMP-108-140 Co...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.AMP-108-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Score Only.
Composed 2004. Anglo
Music Press #AMP 108-140.
Published by Anglo Music
Press (BT.AMP-108-140).
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score and Parts).
Composed 2013. Anglo
Music Press #AMP 377-010.
Published by Anglo Music
Press (BT.AMP-377-010).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Score Only. Composed
2013. 40 pages. Anglo
Music Press #AMP 377-140.
Published by Anglo Music
Press (BT.AMP-377-140).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Castrum Alemorum Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175713-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175713-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2017. 34 pages.
De Haske Publications
#DHP 1175713-140.
Published by De Haske
Publications
(BT.DHP-1175713-140).
Die
imposante Burg von
Allymes, Castrum
Alemorum“, liegt
majestätisch auf einem
Hügel der
Rhônes-Alpes Region im
Osten Frankreichs. Dieses
Stück erzählt von
dieser Burg, der
herrlichen Lage und an
ihre Bedeutung für die
Gegend. Jacob de
Haankombiniert
wunderschöne Melodien
mit rhythmischen
Abschnitten sowie moderne
Klänge mit an die
Renaissancemusik
angelehnten Passagen.
Diese musikalische
Burgführung begeistert
Musiker und Publikum
gleichermaßen.
Il castello
di Allymes,
“Castrum
Alemorumâ€,
posizionato su una
collina nel centro
feudale di Allymes,
(Francia) è un
castello storico datato
XIV secolo, ricostruito
nel XVI secolo e
restaurato nel XIX.
Questo brano richiama
alla mente
l’immagine del
castello. Combinando
assieme bellissime
melodie con sezioni
ritmiche, suoni moderni
con passaggi in stile
rinascimentale, questo
lavoro di Jacob de Haan
è una sfida musicale
impressionante,
divertente da suonare e
attraente per il
pubblico. Mentre lo
ascolti puoi quasi vedere
il castello davanti ai
tuoi occhi!
Castrum Alemorum Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175713-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175713-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2017. De
Haske Publications #DHP
1175713-010. Published by
De Haske Publications
(BT.DHP-1175713-010).
Die
imposante Burg von
Allymes, Castrum
Alemorum“, liegt
majestätisch auf einem
Hügel der
Rhônes-Alpes Region im
Osten Frankreichs. Dieses
Stück erzählt von
dieser Burg, der
herrlichen Lage und an
ihre Bedeutung für die
Gegend. Jacob de
Haankombiniert
wunderschöne Melodien
mit rhythmischen
Abschnitten sowie moderne
Klänge mit an die
Renaissancemusik
angelehnten Passagen.
Diese musikalische
Burgführung begeistert
Musiker und Publikum
gleichermaßen.
Il castello
di Allymes,
“Castrum
Alemorumâ€,
posizionato su una
collina nel centro
feudale di Allymes,
(Francia) è un
castello storico datato
XIV secolo, ricostruito
nel XVI secolo e
restaurato nel XIX.
Questo brano richiama
alla mente
l’immagine del
castello. Combinando
assieme bellissime
melodie con sezioni
ritmiche, suoni moderni
con passaggi in stile
rinascimentale, questo
lavoro di Jacob de Haan
è una sfida musicale
impressionante,
divertente da suonare e
attraente per il
pubblico. Mentre lo
ascolti puoi quasi vedere
il castello davanti ai
tuoi occhi!
Glorioso Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1175789-010 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1175789-010
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Opening Pieces. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175789-010. Published by
De Haske Publications
(BT.DHP-1175789-010).
English-German-French-
Dutch.
Glorioso<
/I> was commissioned by,
and is dedicated to, the
‘Siena Wind
Orchestra’. The
work opens after a short
aleatoric intro, with an
energetic and brassy
‘one tone
fanfare’. The note
F acts as an omnipresent
note, and is also used as
a bridge into the second,
rather static movement. A
noble sounding theme
leads to an impressive
climax, shortly followed
by the spectacular and
virtuoso finale, which is
built on the musical
elements that have been
heard before.
Stylistically, this
sparkling finale is
clearly influenced by
Dmitri Shostakovich,
hence the use of the
famous signature used by
the Russian Master: C D E
flat B (or C flat). A
glorious finish to a
special workthat
highlights various facets
of the modern concert
band.
Glorioso
werd geschreven in
opdracht van en is
opgedragen aan het
Japanse Siena Wind
Orchestra. Het werk opent
na een korte aleatorische
intro met een energieke
‘one tone
fanfare’, waarin
voornamelijk het koper
aan zet is. De noot F,
als een pedaaltoon
alomtegenwoordig, blijft
nog even klinken in het
aansluitende langzame
deel. Na een nobel thema
volgt de spectaculaire en
virtuoze finale, die
voortbouwt op de muzikale
componenten die al eerder
te horen waren.
Stilistisch is in deze
wervelende finale
onmiskenbaar de invloed
van Dmitri Sjostakovitsj
aanwezig, het hoofdmotief
is tot C D Eb B (of Cb)
getransformeerd: het
anagram dat de Russische
meester vaak als
muzikalehandtekening
heeft gebruikt. Een
glorieus slot aan een
bijzonder werk dat
diverse facetten van het
moderne harmonieorkest
aan bod laat komen.
Glorioso
wurde vom Siena Wind
Orchestra in Auftrag
gegeben und ist diesem
gewidmet. Das Werk
beginnt nach einer
kurzen, aleatorischen
Einleitung mit einer
schwungvollen
Blechbläser-Fanfare
auf nur einem Ton. Dabei
ist der Ton F
allgegenwärtig und
leitet in den langsamen,
eher statischen Satz
über. Nachdem das
nobel klingende Thema zu
einem beeindruckenden
Höhepunkt geführt
hat, setzt sich das
fantastische und virtuose
Finale aus den zuvor
erklungenen Elementen
zusammen. Stilistisch ist
dieses schwungvolle
Finale deutlich von
Dmitri Schostakowitsch
beeinflusst, daher wird
die berühmte
musikalische Unterschrift
des russischen Meisters
verwendet, die dieser
oftbenutzte: C D Es H
(oder Ces). Ein
eindrucksvolles Ende
eines besonderen Werkes,
das verschiedene Facetten
des modernen
Blasorchesters
hervorhebt.
Glorioso
è stato
commissionatodalla Siena
Wind Orchestra, ed è a
loro dedicato. Il lavoro
si apre dopo una breve
introduzione aleatoria,
con una fanfara energica
e dai suoni simili agli
ottoni. La nota Fa agisce
come una nota
onnipresente, ed è
anche usata come un ponte
nel secondo movimento
piuttosto statico. Un
tema sonoro nobile porta
ad un climax
impressionante, seguito a
breve distanza dal finale
spettacolare e virtuoso,
che è costruito sugli
elementi musicali che
sono stati ascoltati
precedentemente.
Stilisticamente, questo
frizzante finale è
chiaramente influenzato
da Dmitri Shostakovich,
da qui l'uso della famosa
firma usata dal Maestro
russo: Do Re Mib Si
(oDob). Un finale
glorioso per un'opera
speciale che mette in
risalto varie
sfaccettature della banda
moderna.
Glorioso Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1175789-140 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1175789-140
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Opening Pieces. Score
Only. Composed 2017. 76
pages. De Haske
Publications #DHP
1175789-140. Published by
De Haske Publications
(BT.DHP-1175789-140).
English-German-French-
Dutch.
Glorioso<
/I> was commissioned by,
and is dedicated to, the
‘Siena Wind
Orchestra’. The
work opens after a short
aleatoric intro, with an
energetic and brassy
‘one tone
fanfare’. The note
F acts as an omnipresent
note, and is also used as
a bridge into the second,
rather static movement. A
noble sounding theme
leads to an impressive
climax, shortly followed
by the spectacular and
virtuoso finale, which is
built on the musical
elements that have been
heard before.
Stylistically, this
sparkling finale is
clearly influenced by
Dmitri Shostakovich,
hence the use of the
famous signature used by
the Russian Master: C D E
flat B (or C flat). A
glorious finish to a
special workthat
highlights various facets
of the modern concert
band.
Glorioso
werd geschreven in
opdracht van en is
opgedragen aan het
Japanse Siena Wind
Orchestra. Het werk opent
na een korte aleatorische
intro met een energieke
‘one tone
fanfare’, waarin
voornamelijk het koper
aan zet is. De noot F,
als een pedaaltoon
alomtegenwoordig, blijft
nog even klinken in het
aansluitende langzame
deel. Na een nobel thema
volgt de spectaculaire en
virtuoze finale, die
voortbouwt op de muzikale
componenten die al eerder
te horen waren.
Stilistisch is in deze
wervelende finale
onmiskenbaar de invloed
van Dmitri Sjostakovitsj
aanwezig, het hoofdmotief
is tot C D Eb B (of Cb)
getransformeerd: het
anagram dat de Russische
meester vaak als
muzikalehandtekening
heeft gebruikt. Een
glorieus slot aan een
bijzonder werk dat
diverse facetten van het
moderne harmonieorkest
aan bod laat komen.
Glorioso
wurde vom Siena Wind
Orchestra in Auftrag
gegeben und ist diesem
gewidmet. Das Werk
beginnt nach einer
kurzen, aleatorischen
Einleitung mit einer
schwungvollen
Blechbläser-Fanfare
auf nur einem Ton. Dabei
ist der Ton F
allgegenwärtig und
leitet in den langsamen,
eher statischen Satz
über. Nachdem das
nobel klingende Thema zu
einem beeindruckenden
Höhepunkt geführt
hat, setzt sich das
fantastische und virtuose
Finale aus den zuvor
erklungenen Elementen
zusammen. Stilistisch ist
dieses schwungvolle
Finale deutlich von
Dmitri Schostakowitsch
beeinflusst, daher wird
die berühmte
musikalische Unterschrift
des russischen Meisters
verwendet, die dieser
oftbenutzte: C D Es H
(oder Ces). Ein
eindrucksvolles Ende
eines besonderen Werkes,
das verschiedene Facetten
des modernen
Blasorchesters
hervorhebt.
Glorioso
è stato
commissionatodalla Siena
Wind Orchestra, ed è a
loro dedicato. Il lavoro
si apre dopo una breve
introduzione aleatoria,
con una fanfara energica
e dai suoni simili agli
ottoni. La nota Fa agisce
come una nota
onnipresente, ed è
anche usata come un ponte
nel secondo movimento
piuttosto statico. Un
tema sonoro nobile porta
ad un climax
impressionante, seguito a
breve distanza dal finale
spettacolare e virtuoso,
che è costruito sugli
elementi musicali che
sono stati ascoltati
precedentemente.
Stilisticamente, questo
frizzante finale è
chiaramente influenzato
da Dmitri Shostakovich,
da qui l'uso della famosa
firma usata dal Maestro
russo: Do Re Mib Si
(oDob). Un finale
glorioso per un'opera
speciale che mette in
risalto varie
sfaccettature della banda
moderna.
Concert Band (parts and score) - Grade 4 SKU: HL.35006439 Composed by Sco...(+)
Concert Band (parts and
score) - Grade 4
SKU:
HL.35006439
Composed
by Scott Watson. Shawnee
Press. Print on demand -
publisher prints this
title after order is
received. Full Score and
Parts. Shawnee Press
#K0601. Published by
Shawnee Press
(HL.35006439).
UPC:
747510061656. 8.5x11
inches.
This piece
is an instrumental
fantasia on the
eighteenth-century
English tune,
“Drink to Me Only
with Thine Eyes.”
It is a modern, yet tonal
work, for competition
that plays like a Grade
3-4 and yet sounds like a
Grade 5.
Dancing Zoo Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1135417-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1135417-215
Composed by Peter Kleine
Schaars. De Haske
Flexible Series. Original
Light Music. Score Only.
Composed 2012. 24 pages.
De Haske Publications
#DHP 1135417-215.
Published by De Haske
Publications
(BT.DHP-1135417-215).
9x12 inches.
English-German-French-Dut
ch.
This suite with
a four-part
instrumentation is
comprised of three
cheerful, imaginative
movements: firstly
Yellow Duck
Shuffle, a bluesy,
swinging section; next
comes Purple Panda
Polka, a lively,
modern polka in which a
funny dancing pair of
pandas take centre stage;
and finally the third
movement entitled Pink
Donkey Boogie is a
gentle boogie-woogie. The
musical motifs are played
in all four parts giving
every instrumentalist a
chance to take the
lead.
Deze
vierstemmige suite
bestaat uit drie vrolijke
delen die stuk voor stuk
tot de verbeelding
spreken. De Yellow
Duck Shuffle is een
swingend, bluesachtig
deel waarin het ritmische
gekwaak van een jong
eendje te horen is. De
Purple Panda Polka
is een snelle, moderne
polka waarin een grappige
paarse pandabeer al
dansend de hoofdrol
speelt. Het derde deel,
Pink Donkey
Boogie, is een
rustige boogiewoogie met
als terugkerend motief
het herkenbare
‘ia’ van een
swingende ezel. In de
gehele suite lopen de
melodische thema’s
door alle vier de stemmen
heen, zodat elke partij
op haar beurt de
boventoon
voert.
Diese
vierstimmige Suite
besteht aus drei
fröhlichen,
fantasieanregenden
Sätzen: Auf den
Yellow Duck
Shuffle, einen
swingender, bluesartigen
Satz, folgt die Purple
Panda Polka, eine
flotte, moderne Polka, in
der ein drolliges,
tanzendes
Panda-Pärchen die
Hauptrolle spielt. Der
dritte Satz mit dem Titel
Pink Donkey Boogie
ist ein ruhiger Boogie
Woogie. Die musikalischen
Themen wechseln durch
alle vier Stimmen durch,
sodass jede Stimme einmal
führen
darf.
Yell
ow Duck Shuffle, un
movimento in stile swing
e blues, e una polka
molto moderna (Purple
Panda Polka), sono i
primi due movimenti di
questa suite gioiosa,
perfetta per stimolare la
fantasia. Il terzo
movimento, Pink Donkey
Boogie è un
tranquillo boogie woogie.
I temi musicali sono
presenti in tutte quattro
le voci previste in
questo brano, così da
permettere a tutto
l’organico di
esibirsi come
solista.
Dancing Zoo Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1135417-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1135417-015
Composed by Peter Kleine
Schaars. De Haske
Flexible Series. Original
Light Music. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1135417-015. Published by
De Haske Publications
(BT.DHP-1135417-015).
9x12 inches.
English-German-French-Dut
ch.
This suite with
a four-part
instrumentation is
comprised of three
cheerful, imaginative
movements: firstly
Yellow Duck
Shuffle, a bluesy,
swinging section; next
comes Purple Panda
Polka, a lively,
modern polka in which a
funny dancing pair of
pandas take centre stage;
and finally the third
movement entitled Pink
Donkey Boogie is a
gentle boogie-woogie. The
musical motifs are played
in all four parts giving
every instrumentalist a
chance to take the
lead.
Deze
vierstemmige suite
bestaat uit drie vrolijke
delen die stuk voor stuk
tot de verbeelding
spreken. De Yellow
Duck Shuffle is een
swingend, bluesachtig
deel waarin het ritmische
gekwaak van een jong
eendje te horen is. De
Purple Panda Polka
is een snelle, moderne
polka waarin een grappige
paarse pandabeer al
dansend de hoofdrol
speelt. Het derde deel,
Pink Donkey
Boogie, is een
rustige boogiewoogie met
als terugkerend motief
het herkenbare
‘ia’ van een
swingende ezel. In de
gehele suite lopen de
melodische thema’s
door alle vier de stemmen
heen, zodat elke partij
op haar beurt de
boventoon
voert.
Diese
vierstimmige Suite
besteht aus drei
fröhlichen,
fantasieanregenden
Sätzen: Auf den
Yellow Duck
Shuffle, einen
swingender, bluesartigen
Satz, folgt die Purple
Panda Polka, eine
flotte, moderne Polka, in
der ein drolliges,
tanzendes
Panda-Pärchen die
Hauptrolle spielt. Der
dritte Satz mit dem Titel
Pink Donkey Boogie
ist ein ruhiger Boogie
Woogie. Die musikalischen
Themen wechseln durch
alle vier Stimmen durch,
sodass jede Stimme einmal
führen
darf.
Yell
ow Duck Shuffle, un
movimento in stile swing
e blues, e una polka
molto moderna (Purple
Panda Polka), sono i
primi due movimenti di
questa suite gioiosa,
perfetta per stimolare la
fantasia. Il terzo
movimento, Pink Donkey
Boogie è un
tranquillo boogie woogie.
I temi musicali sono
presenti in tutte quattro
le voci previste in
questo brano, così da
permettere a tutto
l’organico di
esibirsi come
solista.
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115176-140 Arranged by Loren...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115176-140
Arranged by Lorenzo
Bocci. Christmas
Collection. Score Only.
Composed 2011. 12 pages.
De Haske Publications
#DHP 1115176-140.
Published by De Haske
Publications
(BT.DHP-1115176-140).
9x12 inches.
God
Rest Ye Merry Gentlemen
appeared in print for the
first time in William
Sandy’s Christmas
Carols Ancient and Modern
in 1833, although it was
believed to have been
written many years
earlier. Today, God Rest
Ye Merry, Gentlemen is
one of the most loved and
popular English Christmas
songs of all time.
Italian composer and
arranger Lorenzo Bocci
fell in love with the
delightful melody and
created an arrangement
that will be perfect at
any Christmas concert or
event.
Over de
vraag of dit kerstlied
uit de vijftiende of de
achttiende eeuw stamt,
zijn de geleerden het
niet eens. Wel treffen we
het voor het eerst in
gedrukte vorm aan in het
jaar 1833, in het
gezangenboek Christmas
Carols Ancient andModern
van William Sandy. Hoe
dan ook, dit lied behoort
al vele eeuwen tot de
geliefdste
kerstklassiekers van het
Engelstalige gebied. Ook
de Italiaan Lorenzo Bocci
liet zich betoveren door
de prachtige oude melodie
en maakte ereen
sfeervolle bewerking van
voor
blaasorkest.
Versc
hiedenen Quellen zufolge
stammt dieses englische
Weihnachtslied aus dem
15. oder 18. Jahrhundert
und wurde erstmals im
Gesangbuch Christmas
Carols Ancient and Modern
von William Sandy im
Jahre 1833 gedruckt.
Unbestritten ist hingegen
die Tatsache, dass es
seit langem zu den
beliebtesten englischen
Weihnachtsliedern
zählt und auch über
den englischen Sprachraum
hinaus bekannt ist. Der
Italiener Lorenzo Bocci
ließ sich vom Zauber
der alten Weise gefangen
nehmen und verfasste eine
stimmungsvolle
Bearbeitung für
Blasorchester.
La fonte esatta di
questo inno cristiano
inglese è incerta,
anche se appare in
un’antologia
pubblicata da William
Sandy nel 1833 intitolata
Christmas Carols Ancient
and Modern. La serenit e
la dolcezza di God Rest
Ye Merry hanno
oltrepassato i confini
inglesi. Lorenzo Bocci si
è lasciato conquistare
da questo antico canto e
ci propone un caloroso
arrangiamento per
banda.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1094715-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1094715-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2010. 84
pages. De Haske
Publications #DHP
1094715-140. Published by
De Haske Publications
(BT.DHP-1094715-140).
9x12 inches.
English-German-French-Dut
ch.
From Ancient
Times is a major work
for brass band, inspired
largely by the music of
the Franco-Flemish School
of the Renaissance. Hints
of Gregorian chant and
middle age dances pay
tribute to music from
even earlier times. The
foundation of this
spectacular work rests on
truly ‘ancient
times’ while the
tonal language is of a
much more modern nature!
From Ancient
Times is een mijlpaal in
het oeuvre van Jan Van
der Roost. Doorgaans
vinden zijn werken hun
oorsprong veelal in de
Vlaamse vocaalpolyfonie
uit de renaissancetijd.
Maar met gregoriaans
gezang en middeleeuwse
dansen grijpthij nu terug
naar nog eerdere tijden.
De basis voor dit grootse
werk mag dan in
‘ancient
times’ liggen, de
toonspraak is dat zeer
zeker
niet..!
From
Ancient Times ist ein
Meilenstein in Jan Van
der Roosts Oeuvre, das
vor allem von der Musik
aus der Zeit der
flämischen
Vokalpolyphonie
inspiriert ist. Mit
gregorianischen
Reminiszenzen und einem
mittelalterlichen Tanz
wird jedoch auch auf noch
ältere Musik
zurückgegriffen:
Grundlage dieses
großartigen Werkes
sind wahrlich alte Zeiten
(ancient times), die
Tonsprache hingegen ist
vorwiegend modern.
From
Ancient Times è un
brano di grande impatto
che attinge nella musica
rinascimentale
franco-fiamminga. La
trama si appoggia su
principi e tecniche di
scrittura caratteristici
di questa scuola che ha
profondamente trasformato
la musica occidentale. Si
colgono anche
reminescenze gregoriane e
una danza medioevale, ma
il linguaggio sonoro
resta moderno. From
Ancient Times è un
omaggio ai grandi maestri
dei tempi antichi.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1094715-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1094715-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#DHP 1094715-010.
Published by De Haske
Publications
(BT.DHP-1094715-010).
9x12 inches.
English-German-French-Dut
ch.
From Ancient
Times is a major work
for brass band, inspired
largely by the music of
the Franco-Flemish School
of the Renaissance. Hints
of Gregorian chant and
middle age dances pay
tribute to music from
even earlier times. The
foundation of this
spectacular work rests on
truly ‘ancient
times’ while the
tonal language is of a
much more modern nature!
From Ancient
Times is een mijlpaal in
het oeuvre van Jan Van
der Roost. Doorgaans
vinden zijn werken hun
oorsprong veelal in de
Vlaamse vocaalpolyfonie
uit de renaissancetijd.
Maar met gregoriaans
gezang en middeleeuwse
dansen grijpthij nu terug
naar nog eerdere tijden.
De basis voor dit grootse
werk mag dan in
‘ancient
times’ liggen, de
toonspraak is dat zeer
zeker
niet..!
From
Ancient Times ist ein
Meilenstein in Jan Van
der Roosts Oeuvre, das
vor allem von der Musik
aus der Zeit der
flämischen
Vokalpolyphonie
inspiriert ist. Mit
gregorianischen
Reminiszenzen und einem
mittelalterlichen Tanz
wird jedoch auch auf noch
ältere Musik
zurückgegriffen:
Grundlage dieses
großartigen Werkes
sind wahrlich alte Zeiten
(ancient times), die
Tonsprache hingegen ist
vorwiegend modern.
From
Ancient Times è un
brano di grande impatto
che attinge nella musica
rinascimentale
franco-fiamminga. La
trama si appoggia su
principi e tecniche di
scrittura caratteristici
di questa scuola che ha
profondamente trasformato
la musica occidentale. Si
colgono anche
reminescenze gregoriane e
una danza medioevale, ma
il linguaggio sonoro
resta moderno. From
Ancient Times è un
omaggio ai grandi maestri
dei tempi antichi.
Concert Band (Score & Parts) - Grade 6 SKU: HL.44010846 Composed by Jan V...(+)
Concert Band (Score &
Parts) - Grade 6
SKU:
HL.44010846
Composed
by Jan Van der Roost. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#1094715010. Published by
De Haske Publications
(HL.44010846).
From Ancient
Times is a major work
for brass band, inspired
largely by the music of
the Franco-Flemish School
of the Renaissance. Hints
of Gregorian chant and
middle age dances pay
tribute to music from
even earlier times. The
foundation of this
spectacular work rests on
truly 'ancient times'
while the tonal language
is of a much more modern
nature!
From
Ancient Times is een
mijlpaal in het oeuvre
van Jan Van der Roost.
Doorgaans vinden zijn
werken hun oorsprong
veelal in de Vlaamse
vocaalpolyfonie uit de
renaissancetijd. Maar met
gregoriaans gezang en
middeleeuwse dansen
grijpthij nu terug naar
nog eerdere tijden. De
basis voor dit grootse
werk mag dan in 'ancient
times' liggen, de
toonspraak is dat zeer
zeker
niet..!
From
Ancient Times ist ein
Meilenstein in Jan Van
der Roosts Oeuvre, das
vor allem von der Musik
aus der Zeit der
flamischen
Vokalpolyphonie
inspiriert ist. Mit
gregorianischen
Reminiszenzen und einem
mittelalterlichen Tanz
wird jedoch auch auf noch
altere Musik
zuruckgegriffen:
Grundlage dieses
grossartigen Werkes sind
wahrlich alte Zeiten
(ancient times), die
Tonsprache hingegen ist
vorwiegend modern.
From Ancient
Times est une oeuvre de
grande envergure, qui
puise dans la musique
franco-flamande de la
Renaissance. La trame
s'appuie sur quelques
principes et techniques
d'ecriture
caracteristiques de cette
ecole qui a profondement
transforme la musique
occidentale. On y trouve
egalement des
reminiscences
gregoriennes et une danse
medievale, mais le
langage sonore reste
essentiellement moderne.
From Ancient Times est un
sublime hommage aux
maitres des temps
anciens.
From
Ancient Times e un brano
di grande impatto che
attinge nella musica
rinascimentale
franco-fiamminga. La
trama si appoggia su
principi e tecniche di
scrittura caratteristici
di questa scuola che ha
profondamente trasformato
la musica occidentale. Si
colgono anche
reminescenze gregoriane e
una danza medioevale, ma
il linguaggio sonoro
resta moderno. From
Ancient Times e un
omaggio ai grandi maestri
dei tempi antichi.
Op. 14. Composed
by Hector Berlioz. Great
Classics. Transcription.
Score Only. Composed
2011. De Haske
Publications #DHP
1114234-140. Published by
De Haske Publications
(BT.DHP-1114234-140).
9x12 inches.
English-German-French-Dut
ch.
Symphonie
Fantastique, composed
by Hector Berlioz, is a
symphony in five
movements based upon
Berlioz's own experiences
of disappointment in
love. Tohru Takahashi's
arrangement fully
exploits the capabilities
of the concert band
whilst staying true to
the tonal colour and
textures of the original.
Movements include:
Reveries - Passions,
Un Bal, Scène aux
champs, Marche au
supplice and Songe
d'une nuit de sabbat.
Hector Berlioz
was nogal teleurgesteld
in de liefde. Met de nog
steeds modern klinkende
Symphonie Fantastique gaf
hij hieraan uiting. Tohru
Takahashi verwerkte de
originele partituur voor
deze transcriptie. Hij
wil hiermee de
mogelijkhedenvan een
modern blaasorkest
optimaal benutten, maar
verliest daarbij de
originele klankkleuren
nooit uit het oog. De
optionele solopartij voor
de cornet verschijnt in
het tweede deel.
Oorspronkelijk werd deze
voor de
beroemdekornettist
Jean-Baptiste Arban
geschreven.Mooi en
meeslepend!Symphonie
Fantastique bestaat uit
de vijf delen
Rêveries-Passions
(Mijmeringen), Un bal
(Een bal), Scène aux
champs (Scène op de
velden), Marche au
supplice (Gangnaar het
schavot) en Songe
d'une nuit de sabbat
(Droom van een
heksensabbat).
Berlioz' einzigartige
instrumentale und
musikalische
Herangehensweise klingt
auch im 21. Jahrhundert
noch neu. Für diese
neue Transkription für
Blasorchester schöpfte
Tohru Takahashi unter
bestmöglicher
Ausnutzung der originalen
Klangfarben die
Möglichkeiten eines
modernen Blasorchesters
voll aus. Die Sinfonie
besteht aus den fünf
Sätzen
Rêveries-Passions,
Un bal, Scène aux
champs, Marche au
supplice und Songe
d'une nuit de sabbat.
L'orig
inalit strumentale e
musicale di Berlioz è
attuale anche nel XXI
secolo. Per questa nuova
trascrizione per banda,
Tohru Takahashi ha
rivisitato lo spartito di
Berlioz rispettando
l'orchestrazione
originale per sfruttare
al meglio il vasto
potenziale delle
formazioni di fiati
moderni. La Symphonie
Fantastique si
compone di cinque
movimenti:
Reveries-Passions, Un
Bal, Scène aux champs,
Marche au supplice e
Songe d'une nuit de
Sabbat.
Op. 14. Composed
by Hector Berlioz. Great
Classics. Transcription.
Set (Score & Parts).
Composed 2011. De Haske
Publications #DHP
1114234-010. Published by
De Haske Publications
(BT.DHP-1114234-010).
9x12 inches.
English-German-French-Dut
ch.
Symphonie
Fantastique, composed
by Hector Berlioz, is a
symphony in five
movements based upon
Berlioz's own experiences
of disappointment in
love. Tohru Takahashi's
arrangement fully
exploits the capabilities
of the concert band
whilst staying true to
the tonal colour and
textures of the original.
Movements include:
Reveries - Passions,
Un Bal, Scène aux
champs, Marche au
supplice and Songe
d'une nuit de sabbat.
Hector Berlioz
was nogal teleurgesteld
in de liefde. Met de nog
steeds modern klinkende
Symphonie Fantastique gaf
hij hieraan uiting. Tohru
Takahashi verwerkte de
originele partituur voor
deze transcriptie. Hij
wil hiermee de
mogelijkhedenvan een
modern blaasorkest
optimaal benutten, maar
verliest daarbij de
originele klankkleuren
nooit uit het oog. De
optionele solopartij voor
de cornet verschijnt in
het tweede deel.
Oorspronkelijk werd deze
voor de
beroemdekornettist
Jean-Baptiste Arban
geschreven.Mooi en
meeslepend!Symphonie
Fantastique bestaat uit
de vijf delen
Rêveries-Passions
(Mijmeringen), Un bal
(Een bal), Scène aux
champs (Scène op de
velden), Marche au
supplice (Gangnaar het
schavot) en Songe
d'une nuit de sabbat
(Droom van een
heksensabbat).
Berlioz' einzigartige
instrumentale und
musikalische
Herangehensweise klingt
auch im 21. Jahrhundert
noch neu. Für diese
neue Transkription für
Blasorchester schöpfte
Tohru Takahashi unter
bestmöglicher
Ausnutzung der originalen
Klangfarben die
Möglichkeiten eines
modernen Blasorchesters
voll aus. Die Sinfonie
besteht aus den fünf
Sätzen
Rêveries-Passions,
Un bal, Scène aux
champs, Marche au
supplice und Songe
d'une nuit de sabbat.
L'orig
inalit strumentale e
musicale di Berlioz è
attuale anche nel XXI
secolo. Per questa nuova
trascrizione per banda,
Tohru Takahashi ha
rivisitato lo spartito di
Berlioz rispettando
l'orchestrazione
originale per sfruttare
al meglio il vasto
potenziale delle
formazioni di fiati
moderni. La Symphonie
Fantastique si
compone di cinque
movimenti:
Reveries-Passions, Un
Bal, Scène aux champs,
Marche au supplice e
Songe d'une nuit de
Sabbat.
Triglav Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1104964-010 Slovenian Ma...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1104964-010
Slovenian March -
Slowenischer Marsch, opus
72. Composed by
Julius Fucik. Arranged by
Wil van der Beek. Great
Classics. March. Set
(Score & Parts). Composed
2010. De Haske
Publications #DHP
1104964-010. Published by
De Haske Publications
(BT.DHP-1104964-010).
9x12 inches.
English-German-French-Dut
ch.
Julius Fucik
wrote over 100
compositions: chamber
music and piano pieces as
well as works for
symphony orchestra and
choir. Aside from this he
created countless
compositions for wind
band, earning himself the
nickname ‘Bohemian
Sousa’.
Triglav(opus 72)
is an original march for
wind band from 1900,
named after the highest
peak of Slovenia. Wil van
der Beek has arranged
this march for modern
wind band
instrumentation.
J
ulius Fuc k heeft meer
dan honderd werken
geschreven: kamermuziek
en pianostukken, maar ook
composities voor
symfonieorkest en koor.
Verder vervaardigde hij
talrijke werken voor
blaasorkest. Hij wordt
daarom ook wel de
‘Boheemse
Sousa’
genoemd.Triglav
(uit 1900) is een
oorspronkelijke mars,
waarvan de titel verwijst
naar de hoogste berg van
Slovenië. Wil van der
Beek heeft de mars voor
een moderne
blaasorkestbezetting
bewerkt.
Julius
Fuc k compose oltre 400
opere di cui un buon
numero scritto per banda
militare. Ne fa parte
anche Triglav, op.
72 scritta nel 1900,
brano originale che
prende il nome dal monte
più alto della
Slovenia (2864 m). Un
pezzo che non mancher di
incantare chi vi
ascolta.
Macarena Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 4 SKU: BT.DHP-1063974-010 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 4
SKU:
BT.DHP-1063974-010
For Trumpet and
Concert Band.
Composed by Bernardo
Bautista Monterde.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop and Rock. Set
(Score and Parts).
Composed 2006. De Haske
Publications #DHP
1063974-010. Published by
De Haske Publications
(BT.DHP-1063974-010).
9x12 inches.
English-German-French-Dut
ch.
Here is your
chance for some audience
participation within your
concert programme. The
big Summer â??hitâ?? of
1995 was the Bayside Boys
with their version of a
modern Spanish song. Can
you remember the moves?
If so, why not
demonstrate them and
invite your audience to
join in with this
scintillating
arrangement. Guaranteed
to bring the house down!
In Sevilla ligt
de kleine Basilica de
Macarena, oftewel de
basiliek van de heilige
maagd - de
beschermheilige van de
toreros. Stierenvechters
komen hier bidden en
brengen offergaven voor
ze de arena betreden.
La Virgen de la
Macarenavan
Bernardino Bautista
Monterde, onsterfelijk
gemaakt door de grote
trompettist Rafael
Mendez, roept de sfeer
van bewondering en
bezetenheid van de
stierengevechten
op.
La Virgen de
la Macarenaâ?? lautet
der originale Titel
dieses Stückes von
Bernardo Bautista
Monterde, das eine
Marienprozession im
spanischen Sevilla
beschreibt. Die Melodie
wurde bereits in mehreren
Soundtracks, wie zum
Beispiel zu den Filmen
FOOLSRUSH IN (Herz
über Kopf) und FORCES
OF NATURE (Auf die
stürmische Art)
verwendet. Ein
glänzender Auftritt
für Ihren
Solotrompeter und das
gesamte
Blasorchester!
Sontuosa
costruzione moderna, la
basilica della Macarena
è celebre per la
Vergine della Macarena,
venerata a Siviglia e
protettrice dei toreri.
La passione e la
venerazione
incondizionata della
popolazione per la
Vergine della Macarena si
rinnovano ogni anno in
occasione della Settimana
Santa. Immortalata dal
grande trombettista
Rafael Mendez, La
Virgen de la Macarena
di Bernardo Bautista
Monterde evoca la
frenesia delle
corride.
Macarena Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 4 SKU: BT.DHP-1063974-140 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 4
SKU:
BT.DHP-1063974-140
For Trumpet and
Concert Band.
Composed by Bernardo
Bautista Monterde.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop & Rock. Score
Only. Composed 2006. 32
pages. De Haske
Publications #DHP
1063974-140. Published by
De Haske Publications
(BT.DHP-1063974-140).
9x12 inches.
English-German-French-Dut
ch.
Here is your
chance for some audience
participation within your
concert program. The big
Summer ‘hit’
of 1995 was the Bayside
Boys with their version
of a modern Spanish song.
Can you remember the
moves? If so, why not
demonstrate them and
invite your audience to
join in with this
scintillating
arrangement. Guaranteed
to bring the house down!
In Sevilla ligt
de kleine Basilica de
Macarena, oftewel de
basiliek van de heilige
maagd - de
beschermheilige van de
toreros. Stierenvechters
komen hier bidden en
brengen offergaven voor
ze de arena betreden.
La Virgen de la
Macarenavan
Bernardino Bautista
Monterde, onsterfelijk
gemaakt door de grote
trompettist Rafael
Mendez, roept de sfeer
van bewondering en
bezetenheid van de
stierengevechten
op.
La Virgen de
la Macarena“ lautet
der originale Titel
dieses Stückes von
Bernardo Bautista
Monterde, das eine
Marienprozession im
spanischen Sevilla
beschreibt. Die Melodie
wurde bereits in mehreren
Soundtracks, wie zum
Beispiel zu den Filmen
FOOLSRUSH IN (Herz
über Kopf) und FORCES
OF NATURE (Auf die
stürmische Art)
verwendet. Ein
glänzender Auftritt
für Ihren
Solotrompeter und das
gesamte
Blasorchester!
Sontuosa
costruzione moderna, la
basilica della Macarena
è celebre per la
Vergine della Macarena,
venerata a Siviglia e
protettrice dei toreri.
La passione e la
venerazione
incondizionata della
popolazione per la
Vergine della Macarena si
rinnovano ogni anno in
occasione della Settimana
Santa. Immortalata dal
grande trombettista
Rafael Mendez, La
Virgen de la Macarena
di Bernardo Bautista
Monterde evoca la
frenesia delle
corride.
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115176-010 Arranged by Loren...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115176-010
Arranged by Lorenzo
Bocci. Christmas
Collection. Christmas.
Set (Score and Parts).
Composed 2011. De Haske
Publications #DHP
1115176-010. Published by
De Haske Publications
(BT.DHP-1115176-010).
9x12
inches.
God Rest
Ye Merry Gentlemen
appeared in print for the
first time in William
Sandys Christmas
Carols Ancient and
Modern in 1833,
although it was believed
to have been written many
years earlier. Today,
God Rest Ye
Merry,Gentlemen is
one of the most loved and
popular English Christmas
songs of all time.
Italian composer and
arranger Lorenzo Bocci
fell in love with the
delightful melody and
created an arrangement
that will be perfect at
any Christmas concert
orevent.
Over de
vraag of dit kerstlied
uit de vijftiende of de
achttiende eeuw stamt,
zijn de geleerden het
niet eens. Wel treffen we
het voor het eerst in
gedrukte vorm aan in het
jaar 1833, in het
gezangenboek Christmas
Carols Ancient and
Modern vanWilliam
Sandy. Hoe dan ook, dit
lied behoort al vele
eeuwen tot de geliefdste
kerstklassiekers van het
Engelstalige gebied. Ook
de Italiaan Lorenzo Bocci
liet zich betoveren door
de prachtige oude melodie
en maakte ereen
sfeervolle bewerking van
voorblaasorkest.
<
I>God Rest Ye Merry,
Gentlemen zählt
seit seiner Entstehung im
19. Jahrhundert zu den
weltweit beliebtesten
Weihnachtsliedern. Der
Italiener Lorenzo Bocci
lieÃ? sich vom Zauber
der alten Weise gefangen
nehmen und verfasste eine
stimmungsvolleBearbeitung
für
Blasorchester.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155660-010 You Know Iâ??...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155660-010
You Know Iâ??m No
Good, Valerie, Love Is a
Losing Game, Back to
Black, Rehab.
Composed by Amy
Winehouse. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Concert
Piece. Set (Score and
Parts). Composed 2015. De
Haske Publications #DHP
1155660-010. Published by
De Haske Publications
(BT.DHP-1155660-010).
English-German-French-
Dutch.
On July 23
2011, the news of the
death of Amy Winehouse
shocked the entire world.
What could have been one
of the most impressive
careers in the history of
pop and modern soul, was
halted by a tragic event
which no one will forget.
The best way tohonour Amy
Winehouse now is through
her music. A Tribute
to Amy Winehouse
includes all of the songs
which earned her cult
status and made her
unforgettable You Know
Iâ??m No Good, Valerie,
Love Is a Losing Game,
Back to Black
andRehab.
Op 23 juli 2011
werd de wereld
opgeschrikt door het
nieuws over de dood van
Amy Winehouse. Aan wat
een van de meest
indrukwekkende
carrières in de
geschiedenis van de pop
en moderne soul had
kunnen worden, kwam op
tragische wijze een eind.
De bestemanier om Amy
Winehouse nu in ere te
houden, is door middel
van haar muziek. A
Tribute to Amy
Winehouse omvat alle
songs waarmee ze haar
cultstatus verwierf en
waardoor ze onvergetelijk
werd: You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black en
Rehab.
Die
Nachricht vom Tod Amy
Winehouses am 23. Juli
2011 schockierte die
ganze Welt. Was die
beeindruckendste Karriere
in der Geschichte der
Pop- und modernen
Soulmusik hätte werden
können, wurde durch
ein tragisches Ereignis
beendet, das
niemandvergessen wird.
Man kann Amy Winehouse am
besten mit ihrer Musik
ehren. A Tribute to
Amy Winehouse umfasst
alle Songs, durch die sie
Kultstatus erreicht hat
und die sie unvergesslich
machen You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black und
Rehab.
Il
23 luglio 2011
lâ??improvvisa scomparsa
di Amy Winehouse
sconvolse il mondo
intero. La sua morte ha
stroncato una delle
più promettenti
carriere della storia del
modern soul. Solo
attraverso la sua musica
è possibile tenere
viva la fiamma
creativadella popstar
britannica. Per questo
è stato pensato A
Tribute to Amy
Winehouse è un
medley che raccoglie le
canzoni che ne hanno reso
la breve quanto intensa
carriera indimenticabile:
You Know Iâ??m No
Good, Valerie,
Love Is aLosing
Game, Back to
Black and
Rehab.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155660-140 You Know Iâ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155660-140
You Know I’m No
Good, Valerie, Love Is a
Losing Game, Back to
Black, Rehab.
Composed by Amy
Winehouse. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Score Only.
Composed 2015. De Haske
Publications #DHP
1155660-140. Published by
De Haske Publications
(BT.DHP-1155660-140).
English-German-French-
Dutch.
On July 23
2011, the news of the
death of Amy Winehouse
shocked the entire world.
What could have been one
of the most impressive
careers in the history of
pop and modern soul, was
halted by a tragic event
which no one will forget.
The best way tohonour Amy
Winehouse now is through
her music. A Tribute
to Amy Winehouse
includes all of the songs
which earned her cult
status and made her
unforgettable You Know
I’m No Good,
Valerie, Love Is a Losing
Game, Back to Black
andRehab.
Op 23 juli 2011
werd de wereld
opgeschrikt door het
nieuws over de dood van
Amy Winehouse. Aan wat
een van de meest
indrukwekkende
carrières in de
geschiedenis van de pop
en moderne soul had
kunnen worden, kwam op
tragische wijze een eind.
De bestemanier om Amy
Winehouse nu in ere te
houden, is door middel
van haar muziek. A
Tribute to Amy
Winehouse omvat alle
songs waarmee ze haar
cultstatus verwierf en
waardoor ze onvergetelijk
werd: You Know
I’m No Good,
Valerie, Love Is a
LosingGame, Back to Black
en Rehab.
Die Nachricht vom
Tod Amy Winehouses am 23.
Juli 2011 schockierte die
ganze Welt. Was die
beeindruckendste Karriere
in der Geschichte der
Pop- und modernen
Soulmusik hätte werden
können, wurde durch
ein tragisches Ereignis
beendet, das
niemandvergessen wird.
Man kann Amy Winehouse am
besten mit ihrer Musik
ehren. A Tribute to
Amy Winehouse umfasst
alle Songs, durch die sie
Kultstatus erreicht hat
und die sie unvergesslich
machen You Know
I’m No Good,
Valerie, Love Is a
LosingGame, Back to Black
und
Rehab.
Il
23 luglio 2011
l’improvvisa
scomparsa di Amy
Winehouse sconvolse il
mondo intero. La sua
morte ha stroncato una
delle più promettenti
carriere della storia del
modern soul. Solo
attraverso la sua musica
è possibile tenere
viva la fiamma
creativadella popstar
britannica. Per questo
è stato pensato A
Tribute to Amy
Winehouse è un
medley che raccoglie le
canzoni che ne hanno reso
la breve quanto intensa
carriera indimenticabile:
You Know I’m No
Good, Valerie,
Love Is aLosing
Game, Back to
Black and
Rehab.
Real-Pop Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1053774-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1053774-015
Composed by Kees Vlak.
Flexible 4 Series.
Original Light Music. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053774-015. Published by
De Haske Publications
(BT.DHP-1053774-015).
English-German-French-
Dutch.
Real-Pop<
/I> bestaat uit vijf
verschillende delen, die
diverse aspecten van
Japan weergeven.
Yokohama City Rock
is een moderne ouverture
en Wintertime is
een kleine ballad.
Super Ski
verklankt daarna de
Japansewintersport en
Lovely China Girl
beschrijft een verlegen
meisje uit China dat
toekijkt bij het Japanse
wintervertier. Dan volgt
nog Techno Party,
een modern dansfeest. Een
sfeervol werk vol
afwisseling!
In
Real-Pop führt
uns Kees Vlak in fünf
Sätzen durch das
moderne Japan. Der
Großstadt Yokohama ist
die moderne Ouvertüre
gewidmet. Einen
reizvollen Kontrast dazu
bildet der zweite Satz,
eine Ballade über den
stillen Winter im Norden
des Archipels. Satz drei
handelt vom in Japan sehr
beliebten Wintersport
Skifahren; an der
Skipiste begegnet uns
auch das schüchterne
chinesische Mädchen
aus dem vierten Satz.
Computer ähnliche
Techno-Klänge im
fünften Satz stehen
für das technisch
fortschrittliche Japan.
Eine spannende Reise
für Musiker und
Publikum!
Real-Pop
è un brano in cinque
movimenti ciascuno dei
quali dipinge un aspetto
particolare del Giappone:
Yokohama City descrive il
fermento del porto di
Yokohama,
Wintertime è
l’eco della
serenit delle genti del
nord, Super Ski ci
accompagna sulle piste da
sci, Lovely China
Girl racconta la
storia di una ragazza di
origine cinese.
Nell’ultimo
movimento assistiamo ad
una serata alla moda con
il sottofondo di musica
techno.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-010 III. The Web(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1125252-010
III. The Web.
Composed by Jacob De
Haan. Concert Piece. Set
(Score & Parts). Composed
2020. De Haske
Publications #DHP
1125252-010. Published by
De Haske Publications
(BT.DHP-1125252-010).
9x12 inches.
English-German-French-Dut
ch.
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
4, track 5, track
6
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar onder volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar onder
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 4, track 5, track
6
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 4, track
5,track 6
The Book of
Urizen è una
composizione per banda,
soprano solo e voce
recitante maschile che
utilizza collage sonori
dalla connotazione
religiosa. Jacob de Haan
ha attinto alla sua
immensa ispirazione ne
The Book of
Urizen, un
affascinante poema dello
scrittore e filosofo
mistico inglese William
Blake (1757-1827). Ai due
primi movimenti The
Vision e The
Creation, si aggiunge
ora il terzo affresco:
The Web. Per
questo movimento sono
disponibili anche le
parti per il coro.
Soprano e voce narrante
utilizzano un microfono e
il coro può, se
desiderato,
anch’esso fare
utilizzo di microfoni.Per
ulteriori informazioni
sulle prime due parti,
visitateil sito
www.dehaske.com.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1125252-140 III. The Web(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1125252-140
III. The Web.
Composed by Jacob De
Haan. Concert Piece.
Score Only. Composed
2012. 46 pages. De Haske
Publications #DHP
1125252-140. Published by
De Haske Publications
(BT.DHP-1125252-140).
9x12 inches.
English-German-French-Dut
ch.
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
4, track 5, track
6
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar onder volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar onder
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 4, track 5, track
6
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
groÃ?en englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 4, track
5,track 6
The Book of
Urizen è una
composizione per banda,
soprano solo e voce
recitante maschile che
utilizza collage sonori
dalla connotazione
religiosa. Jacob de Haan
ha attinto alla sua
immensa ispirazione ne
The Book of
Urizen, un
affascinante poema dello
scrittore e filosofo
mistico inglese William
Blake (1757-1827). Ai due
primi movimenti The
Vision e The
Creation, si aggiunge
ora il terzo affresco:
The Web. Per
questo movimento sono
disponibili anche le
parti per il coro.
Soprano e voce narrante
utilizzano un microfono e
il coro può, se
desiderato, anchâ??esso
fare utilizzo di
microfoni.Per ulteriori
informazioni sulle prime
due parti, visitateil
sito www.dehaske.com.
Little Suite Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Concert Band - Grade 4 SKU: BT.EMBZ14493 Score for Symphonic Band....(+)
Concert Band - Grade 4
SKU: BT.EMBZ14493
Score for Symphonic
Band. Composed by
László Dubrovay.
EMB Concert Band Series.
Concert Piece. Score
Only. Composed 2010. 56
pages. Editio Musica
Budapest #EMBZ14493.
Published by Editio
Musica Budapest
(BT.EMBZ14493).
9x12
inches.
English-Hungarian.
This work was written in
2005, prompted by the
composer's determination
that young members of
junior, music school and
conservatoire wind
ensembles should not be
limited to transcriptions
for lack of original
compositions, especially
contemporary ones. The
new devices used in the
Little Suite are suitable
for student players to
try out. Indeed, they
enjoy them - for
instance, purring or
whistling into the
instrument. Each of the
three-or-four-minute
movements of this
four-movement work can
also be performed
separately. The titles of
the movements are the
following: 1. In cheerful
mood, 2. Song, 3. Joke,
4. March. This music in
modern idiom, full
ofinteresting new
effects, offers young
players an opportunity
for enjoyable
music-making together,
and at the same time
prepares them for playing
more difficult
contemporary works.
Dieses Werk
schrieb der Komponist
2005, für
Jugendblasorchester.
Jeder der vier Sätze
dieser Komposition
lässt sich auch
einzeln vortragen. Die
Titel der Sätze sind:
1. Gutgelaunt, 2. Lied,
3. Spass, 4. Marsch. Die
in moderner Sprache
gehaltene, mit vielen
interessanten neuen
Effekten bereicherte
Musik bietet den jungen
Instrumentalisten
Möglichkeiten zum
heiteren, gutgelaunten
Musizieren in der
Gemeinschaft und bereitet
sie auch auf das Spielen
schwierigerer
zeitgenössischer Musik
vor.
Little Suite si
presta per essere
eseguito da banda di
livello avanzato come
anche per tutte le
formazioni desiderose di
suonare un brano
originale moderno con
effetti sorprendenti. I
quattro movimenti di
questa piccola suite, In
Cheerful Mood, Song, Joke
e March, possono essere
eseguiti
separatamente.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Clarinet Concerto Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie and Clarinet Solo - Grade 4 SKU: BT.AMP-058-140 Com...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 4
SKU:
BT.AMP-058-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2003. 76 pages.
Anglo Music Press #AMP
058-140. Published by
Anglo Music Press
(BT.AMP-058-140).
This is a great
opportunity to
incorporate a modern
concerto into your band's
repertoire, which will
provide a fresh and
appealing concert item
for your upcoming season.
The work follows the
standard 3-movement
concerto form witha
syncopated, rag-like
opening movement
contrasting with a
slower, beautifully
English-sounding second
movement. The third
movement is based on a
bebop style to show off
the jazzier qualities of
the clarinet. This
substantial workis
suitable for a Grade 4
standard
band.
Mozart
schreef zijn bekende
klarinetconcert voor de
virtuoos Anton Stadler,
met wie hij bevriend was.
Stadler was
verantwoordelijk voor
veel technische
verbeteringen aan zowel
de klarinet als de
bassethoorn, hij voegde
extra kleppentoe aan
beide instrumenten,
waardoor het bereik van
de klarinet in de laagte
werd uitgebreid. Mozart
schreef dit concerto voor
een klarinet met een
lager bereik in
vergelijking tot het
moderne instrument.
Ondanks de beperkingenvan
de klarinet van nu komt
het origineel in deze
bewerking prima tot zijn
recht. opname op cd:
The Magic of
Mozart (DHR
11-011-3)
Ein
Konzert in drei
Sätzen, das den
vielfältigen Facetten
des Instrumentes Rechnung
trägt. Der
Eröffnungssatz
ähnelt im Stil fast
einem Rag. Der langsamere
zweite Satz erforscht
zunächst das
Chalumeau-Register der
Klarinette in einem
Thema, das später vom
Orchester aufgenommen
wird, während der
Solist einen filigranen
Diskant entwickelt.
Dieser leitet direkt zum
dritten Satz über,
dessen Stil an Be-Bop
erinnert und die
jazzigere Seite der
Klarinette in den
Vordergrund treten
lässt. Modern und
vielseitig!