(A Revolutionary Method for Beginning Musicians (Baritone T.C.)). By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips. Concert Band. For Baritone T.C.. Band Method; Book; CD; DVD; Method/Instruction. Sound Innovations. Beginner. 48 pages

(A Revolutionary Method for Beginning Musicians (Conductor's Score)). By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips. Concert Band. For Conductor's Score. Band Method; Method/Instruction; Score. Sound Innovations. Beginner. 400 pages. Published by Alfred Music Publishing

By John Edmondson. Concert Band. Music Book. Published by Queenwood Publications.

By Anne Mcginty. Concert Band. Queenwood Young Band. Music Book. Published by Queenwood Publications.

By John Edmondson. Concert Band. Music Book. Published by Queenwood Publications.

Composed by Ralph Ford. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Symphonic Band. Grade 4. 288 pages. Published by Belwin Music

Concert band - Grade 3

SKU: MH.1-59913-050-5

Composed by traditional English carols. Arranged by William Ryden. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music (MH.1-59913-050-5).

ISBN 9781599130507.

Char les Dickens certainly would have known the three carols in A CHARLES DICKENS CHRISTMAS. They were among the best-known and best-loved carols of the Victorian Era, and were a staple of the repertoire of roving waits, or carollers, that appear in his novels. Today this music is as familiar as Santa Claus and Tiny Tim. THE FIRST NOWELL was first collected in Christmas Carols, Ancient and Modern by William Sandys in 1833. It is most probably 200 years older than that. The Oxford Book of Carols contains nine verses, which makes it an ideal processional for Christmas or Epiphany (the feast commemorating the coming of the Magi). COVENTRY CAROL, or Lully, Lullay, comes from the medieval tradition of mystery and miracle plays. In 1534 the Pageant of the Shearman and Tailors Guild included a scene in which the mothers of Jewish children sang this haunting lullaby after hearing the horrifying order: Herod the king, In his raging, All young children to slay. The music is anonymous; the text believed to be by Robert Croo. ANGELS WE HAVE HEARD ON HIGH is probably of French origin, but the English long ago adopted it as their own. Besides the French text, Les Anges dans nos compagnes, it is known in several versions and by several titles, including Angels from the Realms of Glory, When the Crimson Sun Had Set, and Westminster Carol. It belongs to a category known as macaronic carols, which mix vernacular verses with Latin refrains - in this instance, Gloria in Excelsis Deo (Glory be to God on High). Ensemble instrumentation: 1 Piccolo, 8 Flute, 2 Oboe, 1 Bassoon 1, 1 Bassoon 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (Bass Clef), 2 Euphonium (Treble Clef), 5 Tubas, 1 Timpani, 2 Bells & Chimes, 3 Percussion 1: small triangle, suspended cymbal, crash cymbal, snare drum, bass drum, 2 Percussion 2: large triangle, finger cymbals.

(Based on the story of a remarkable young man and his windmill). By Brant Karrick. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Multicultural; World. Grade 3. 276 pages. Published by Alfred Music Publishing

Concert Band - Grade 4

SKU: AP.39554S

Composed by Ralph Ford. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Symphonic Band. Score. 32 pages. Belwin Music #00-39554S. Published by Belwin Music (AP.39554S).

UPC: 038081457925. English.

The title CompleX-2030 was inspired by the title given to plan created in 2000 by the National Nuclear Security Administration (NNSA) to modernize nuclear weaponry. Premiered by the Georgia Music Educators Association District X honor band in February of 2012 by the composer, the work is a mental 'soundtrack' he generated while reading a book detailing this initiative. With a variety of innovative techniques and bold sweeping musical statements, the work will clearly be well received. (5:30) This title is available in MakeMusic Cloud.

Concert Band - Grade 2

SKU: AP.49551

By Gordon Jacob (1895-1984). Composed by Gordon Jacob (1895-1984). Arranged by Douglas E. Wagner. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Young Band. Concert Band Classics; Masterwork Arrangement. Score and Part(s). Duration 2:33. Belwin Music #00-49551. Published by Belwin Music (AP.49551).

ISBN 9781470649104. UPC: 038081569888. English.

Of all of Gordon Jacob's major contributions to the British wind band repertoire, the William Byrd Suite (written in 1923) stands as his most-often programmed work. Though originally based on six movements from William Byrd's Fitzwilliam Virginal Book, this setting for developing band incorporates two contrasting movements including The Earle of Oxford's Marche and Wolsey's Wilde. Like Jacob's wind band work, the music is not a mere transcription from the original keyboard collection, but rather stylized with his own inventive musical spirit for modern concert band. A wealth of material here that opens doors to teachable moments as musical textures---dynamic contrasts, articulations, scoring options---are continually changing. Bravo! (2:33) This title is available in MakeMusic Cloud.

Concert Band - Grade 2

SKU: AP.49551S

By Gordon Jacob (1895-1984). Composed by Gordon Jacob (1895-1984). Arranged by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Concert Band Classics; Masterwork Arrangement. Score. Duration 2:33. Belwin Music #00-49551S. Published by Belwin Music (AP.49551S).

ISBN 9781470649111. UPC: 038081569895. English.

Of all of Gordon Jacob's major contributions to the British wind band repertoire, the William Byrd Suite (written in 1923) stands as his most-often programmed work. Though originally based on six movements from William Byrd's Fitzwilliam Virginal Book, this setting for developing band incorporates two contrasting movements including The Earle of Oxford's Marche and Wolsey's Wilde. Like Jacob's wind band work, the music is not a mere transcription from the original keyboard collection, but rather stylized with his own inventive musical spirit for modern concert band. A wealth of material here that opens doors to teachable moments as musical textures---dynamic contrasts, articulations, scoring options---are continually changing. Bravo! (2:33).