(from "Flashdance"). Composed by Giorgio Moroder. Arranged by Lorenzo Bocci. ...(+)
(from "Flashdance").
Composed by Giorgio
Moroder.
Arranged by Lorenzo
Bocci.
For concert band.
Musical/Pop
Music/Movies/Catalogue
New
Band Music Vol.
12/Catalogue
Prom Concerts. Movie and
Musical. Recorded on Sway
(ML.311115720). Grade 3.
Full set. Duration 3
minutes, 41 seconds.
Published by Molenaar
Edition
Orchestre d'harmonie [Conducteur] Faber Music Limited
Composed by Kenneth Hesketh. 5 or More; Performance Music Ensemble; Solo Small E...(+)
Composed by Kenneth
Hesketh. 5 or More;
Performance Music
Ensemble; Solo Small
Ensembles; Wind Band.
Faber Edition: Faber Wind
Band Series. Form: Dance.
20th Century; Masterwork.
Score. Faber Music
#12-0571564704. Published
by Faber Music
Danceries by Kenneth Hesketh. Concert Band. For Wind Band. Part(s); Score; Wind ...(+)
Danceries by Kenneth
Hesketh. Concert Band.
For Wind Band. Part(s);
Score; Wind Band. Faber
Edition: Faber Wind Band
Series. 20th Century;
Masterwork. Published by
Faber Music
Contents: Fanfare of the Bells · Chapel Gorge Overture · Under Three Flags...(+)
Contents: Fanfare of the
Bells · Chapel Gorge
Overture · Under Three
Flags · Jericho ·
Solitude and Dance ·
Fanfare Prelude on the
Italian Hymn ·
Rhapsody for Hanukkah
· Jungle Fantasy ·
Overture to a Winter
Festival · Heralds
foran Occasion · New
Horizons · Trumpet
Tune · Joy to the
World · Cielito Lindo
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003SSC C...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003SSC
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Study score
only. Amis Musical Circle
#AMC-WB-003SSC. Published
by Amis Musical Circle
(AI.AMC-WB-003SSC).
8.5 x 11
inches.
The 1818
publication of Francis
Johnson's A Collection of
New Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003 Comp...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Score and Parts.
Amis Musical Circle
#AMC-WB-003. Published by
Amis Musical Circle
(AI.AMC-WB-003).
The 1818
publication of Francis
Johnson's A Collection of
New Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003SCO C...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003SCO
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Conductor score.
Amis Musical Circle
#AMC-WB-003SCO. Published
by Amis Musical Circle
(AI.AMC-WB-003SCO).
11
x 17 inches.
The
1818 publication of
Francis Johnson's A
Collection of New
Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
New Dance Orchestre d'harmonie - Intermédiaire/avancé Schirmer
Score and Parts. By Wallingford Riegger. Score and full set of parts. Hal Leonar...(+)
Score and Parts. By
Wallingford Riegger.
Score and full set of
parts. Hal Leonard
Concert Band Series.
Grade 4. Published by G.
Schirmer (Associated
Music Publishers).
Composed by Antonin Dvorak (1841-1904). Arranged by Ton van Grevenbroek. Catalog...(+)
Composed by Antonin
Dvorak (1841-1904).
Arranged by Ton van
Grevenbroek. Catalogue
New Band Music Vol.
13/Arrangements of
Classical Compositions.
Classic Arrangement.
Recorded on The Rise -
2351 (ML.311122720). Full
set. Duration 2 minutes,
41 seconds. Published by
Molenaar Edition
(ML.013219060).
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Concert Band/Harmonie - Grade 4 SKU: BT.1750-10-010-MS Arranged by Naohir...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1750-10-010-MS
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop & Rock. Set
(Score & Parts). Composed
2010. Music Sales
#1750-10-010 MS.
Published by Music Sales
(BT.1750-10-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Four
unforgettable disco songs
come together in one
stunning medley. Up fi
rst is the 1979 dance
floor hit I’m in
the Mood for Dancing by
The Nolans. Next the
medley quiets down with a
charming love song,
Lovin’ You, a song
Minnie Riperton dedicated
to her daughter. You
Can’t Hurry Love
was a huge success for
The Supremes in 1966 and
Phil Collins repeated
their success in 1983
making the song immortal.
This exciting medley ends
with Olivia
Newton-John’s
hit-song Xanadu, from her
1980 musical of the same
name.
Vier
Evergreens aus der
Disco-Ära in einem
Blasorchester-Medley: Den
Anfang macht
I’m in the Mood
for Dancing, mit dem
die Geschwister- Combo
The Nolans 1979 auf vier
Kontinenten die Menschen
auf die Tanzflächen
jagte. Danach folgt als
Ruhepunkt das bezaubernde
Liebeslied
Lovin’ You,
das Minnie Riperton 1975
ihrer kleinen Tochter
widmete. You
Can’t Hurry
Love war in der
Originalversion von 1966
für die Supremes
ein Riesenhit - Phil
Collins wiederholte
diesen Erfolg 1983 und
machte den Song
unsterblich. Den
Abschluss von Naohiro
Iwais mitreißendem
Medley bildet Olivia
Newton-Johns Hit
Xanadu aus dem
gleichnamigen Musical von
1980.
Questo medley
racchiude quattro
standard degli anni della
musica disco: I’m
in the Mood for Dancing
delle Nolan Sisters
anticipa le deliziose
note della ballata
Lovin’ You di
Minnie Ripperton. Nel
1966, The Supremes
conoscono la gloria con
la versione originale di
Can’t Hurry Love.
Nel 1983, Phil Collins
replica il successo dei
Supremes e rende la
canzone immortale. Per
concludere il suo medley,
Naohiro Iwai ha scelto
Xanadu (1980) la canzone
della commedia musicale
interpretata da Olivia
Newton John.
Concert Band/Harmonie - Grade 4 SKU: BT.1750-10-140-MS Arranged by Naohir...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1750-10-140-MS
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Pop & Rock. Score
Only. Composed 2010. 44
pages. Music Sales
#1750-10-140 MS.
Published by Music Sales
(BT.1750-10-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Four
unforgettable disco songs
come together in one
stunning medley. Up fi
rst is the 1979 dance
floor hit I’m in
the Mood for Dancing by
The Nolans. Next the
medley quiets down with a
charming love song,
Lovin’ You, a song
Minnie Riperton dedicated
to her daughter. You
Can’t Hurry Love
was a huge success for
The Supremes in 1966 and
Phil Collins repeated
their success in 1983
making the song immortal.
This exciting medley ends
with Olivia
Newton-John’s
hit-song Xanadu, from her
1980 musical of the same
name.
Vier
Evergreens aus der
Disco-Ära in einem
Blasorchester-Medley: Den
Anfang macht
I’m in the Mood
for Dancing, mit dem
die Geschwister- Combo
The Nolans 1979 auf vier
Kontinenten die Menschen
auf die Tanzflächen
jagte. Danach folgt als
Ruhepunkt das bezaubernde
Liebeslied
Lovin’ You,
das Minnie Riperton 1975
ihrer kleinen Tochter
widmete. You
Can’t Hurry
Love war in der
Originalversion von 1966
für die Supremes
ein Riesenhit - Phil
Collins wiederholte
diesen Erfolg 1983 und
machte den Song
unsterblich. Den
Abschluss von Naohiro
Iwais mitreißendem
Medley bildet Olivia
Newton-Johns Hit
Xanadu aus dem
gleichnamigen Musical von
1980.
Questo medley
racchiude quattro
standard degli anni della
musica disco: I’m
in the Mood for Dancing
delle Nolan Sisters
anticipa le deliziose
note della ballata
Lovin’ You di
Minnie Ripperton. Nel
1966, The Supremes
conoscono la gloria con
la versione originale di
Can’t Hurry Love.
Nel 1983, Phil Collins
replica il successo dei
Supremes e rende la
canzone immortale. Per
concludere il suo medley,
Naohiro Iwai ha scelto
Xanadu (1980) la canzone
della commedia musicale
interpretata da Olivia
Newton John.
Zodiac Dances Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-453-140 Six miniatures bas...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-453-140
Six
miniatures based on
animals from the Japanese
'Junishi'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2017. 50
pages. Anglo Music Press
#AMP 453-140. Published
by Anglo Music Press
(BT.AMP-453-140).
English-German-French-
Dutch.
Zodiac
Dances was
commissioned by the
Izumiotsu City Band,
Osaka, Japan to celebrate
their 50th anniversary.
Sparke had previously
written the piece,
Prelude to a
Celebration for the
band, and in composing a
new piece for their 50th
anniversary wanted to
personalise it to reflect
the band’s
history. He chose to
write a set of six
dance-miniatures based on
the decades following the
band’s foundation
and the equivalent signs
from the Japanese
‘Junishi’. During the piece, all
aspects of true
musicianship come to the
surface. Energetic
playing, phrasing,
melodic music making,
technique and a
spectacular finale make
this work a perfect test
or concertwork!
Zodiac
Dances werd
geschreven in opdracht
van de Izumiotsu City
Band uit Osaka, Japan,
ter gelegenheid van het
vijftigjarig bestaan van
dit orkest. Eerder al
heeft Sparke voor dit
orkest Prelude to a
Celebration
gecomponeerd. Met dit
nieuwe werk voor het
vijftigjarig bestaan
wilde hij de geschiedenis
van het orkest
weerspiegelen. Hij koos
voor een set van zes
dansminiaturen, gebaseerd
op de decennia na de
oprichting, in combinatie
met de bijbehorende
sterrenbeelden uit de
Japanse Junishi.
In dit werk komen alle
aspecten van het ware
muzikantschap naar voren.
Levendig spel, frasering,
melodisch spel, techniek
en natuurlijk een
spetterende finale maken
diteen perfect wedstrijd-
of concertstuk!
Zodiac
Dances wurde von der
Izumiotsu City Band aus
Osaka (Japan)
anlässlich ihres
50-jährigen Bestehens
in Auftrag gegeben.
Philip Sparke schuf eine
Suite aus
Miniaturtänzen, von
denen jeder jeweils ein
Jahrzehnt und das
entsprechendejapanische
Tierkreiszeichen
symbolisiert. Das Werk
ist energiegeladen und
melodisch bis zum
spektakulären Finale
und damit ein perfektes
Wettbewerbs- oder
Konzertstück!
Zodiac
Dances è una
commissione della
Izumiotsu City Band di
Osaka, in Giappone, per
la celebrazione del suo
cinquantesimo
anniversario. Nel
comporre un nuovo brano
per la ricorrenza
dell’anniversario
ha voluto creare
un’opera che si
ispirasse alla storia di
questa formazione. Ha
scelto di scrivere un set
di sei danze in miniatura
ispirate ai decenni che
hanno seguito la
fondazione della banda e
ai segni equivalenti del
“Junishiâ€
giapponese.
L’energia
dell’esecuzione,
il fraseggio, la melodia,
gli aspetti tecnici e un
finale spettacolare
rendono questo brano
perfetto per un esame o
un concerto!
Zodiac Dances Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-453-010 Six miniatures bas...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-453-010
Six
miniatures based on
animals from the Japanese
'Junishi'. Composed
by Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2017.
Anglo Music Press #AMP
453-010. Published by
Anglo Music Press
(BT.AMP-453-010).
English-German-French-
Dutch.
Zodiac
Dances was
commissioned by the
Izumiotsu City Band,
Osaka, Japan to celebrate
their 50th anniversary.
Sparke had previously
written the piece,
Prelude to a
Celebration for the
band, and in composing a
new piece for their 50th
anniversary wanted to
personalise it to reflect
the band’s
history. He chose to
write a set of six
dance-miniatures based on
the decades following the
band’s foundation
and the equivalent signs
from the Japanese
‘Junishi’. During the piece, all
aspects of true
musicianship come to the
surface. Energetic
playing, phrasing,
melodic music making,
technique and a
spectacular finale make
this work a perfect test
or concertwork!
Zodiac
Dances werd
geschreven in opdracht
van de Izumiotsu City
Band uit Osaka, Japan,
ter gelegenheid van het
vijftigjarig bestaan van
dit orkest. Eerder al
heeft Sparke voor dit
orkest Prelude to a
Celebration
gecomponeerd. Met dit
nieuwe werk voor het
vijftigjarig bestaan
wilde hij de geschiedenis
van het orkest
weerspiegelen. Hij koos
voor een set van zes
dansminiaturen, gebaseerd
op de decennia na de
oprichting, in combinatie
met de bijbehorende
sterrenbeelden uit de
Japanse Junishi.
In dit werk komen alle
aspecten van het ware
muzikantschap naar voren.
Levendig spel, frasering,
melodisch spel, techniek
en natuurlijk een
spetterende finale maken
diteen perfect wedstrijd-
of concertstuk!
Zodiac
Dances wurde von der
Izumiotsu City Band aus
Osaka (Japan)
anlässlich ihres
50-jährigen Bestehens
in Auftrag gegeben.
Philip Sparke schuf eine
Suite aus
Miniaturtänzen, von
denen jeder jeweils ein
Jahrzehnt und das
entsprechendejapanische
Tierkreiszeichen
symbolisiert. Das Werk
ist energiegeladen und
melodisch bis zum
spektakulären Finale
und damit ein perfektes
Wettbewerbs- oder
Konzertstück!
Zodiac
Dances è una
commissione della
Izumiotsu City Band di
Osaka, in Giappone, per
la celebrazione del suo
cinquantesimo
anniversario. Nel
comporre un nuovo brano
per la ricorrenza
dell’anniversario
ha voluto creare
un’opera che si
ispirasse alla storia di
questa formazione. Ha
scelto di scrivere un set
di sei danze in miniatura
ispirate ai decenni che
hanno seguito la
fondazione della banda e
ai segni equivalenti del
“Junishiâ€
giapponese.
L’energia
dell’esecuzione,
il fraseggio, la melodia,
gli aspetti tecnici e un
finale spettacolare
rendono questo brano
perfetto per un esame o
un concerto!
Grade 2 SKU: CL.011-3730-01 Composed by Shaffer. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-3730-01
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR359). Extra full
score. Composed 2008.
Duration 4 minutes, 24
seconds. C.L. Barnhouse
#011-3730-01. Published
by C.L. Barnhouse
(CL.011-3730-01).
This exciting
new work for concert band
is a set of three
delightful dances.
Opening with a bold
fanfare statement, the
first dance reveals the
melodic material that is
the basis for all three
movements. The title of
this movement, Double
Dance, is derived from
the second statement of
the melody, appearing in
doubled rhythmic values.
The second movement,
Round Dance, the melody
is written as a three
part round. You could not
have a Round Dance
without a Square Dance,
which is the title of
final movement. Lots of
fun percussion
instruments add
interesting timbres
throughout. This
interesting and clever
composition is perfect
for contest and
festival.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
The Hustle Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064184-140 Composed by Van M...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064184-140
Composed by Van McCoy.
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Score Only.
Composed 2006. 28 pages.
De Haske Publications
#DHP 1064184-140.
Published by De Haske
Publications
(BT.DHP-1064184-140).
9x12 inches.
International.
In
1975, a new dance form
took the Latin-Amercan
areas of the Bronx by
storm. After observing
the frenzy of the dancers
in that area, Van McCoy
composed a melody that
successfully took its
basis from Latin and R&B.
The Hustle was an instant
success and made a large
contribution to the
evolution of disco music
in the 1970's. Your band
will not be able to
resist the fantastic
groove and drive of this
evergreen disco hit,
fantastically arranged by
Lorenzo Bocci.
Im Jahr 1975 schrieb
Van McCoy, inspiriert von
einem neuen Tanzstil der
lateinamerikanischen
Jugend in der Bronx, eine
prickelnde Melodie, in
welcher der
unwiderstehliche
Latin-Beat und Rhythm and
Blues mit der
verführerischen
Einladung Do it, do the
hustle“ verschmolz.
Das Lied und der Tanzstil
eroberten die Diskotheken
auf der ganzen Welt.
Lorenzo Boccis
Bearbeitung ist ebenso
packend wie das Original.
Ihr Publikum wird die
Tanzlust packen!
The Hustle Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064184-010 Composed by Van M...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064184-010
Composed by Van McCoy.
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064184-010. Published by
De Haske Publications
(BT.DHP-1064184-010).
9x12 inches.
International.
In
1975, a new dance form
took the Latin-Amercan
areas of the Bronx by
storm. After observing
the frenzy of the dancers
in that area, Van McCoy
composed a melody that
successfully took its
basis from Latin and R&B.
The Hustle was an instant
success and made a large
contribution to the
evolution of disco music
in the 1970's. Your band
will not be able to
resist the fantastic
groove and drive of this
evergreen disco hit,
fantastically arranged by
Lorenzo Bocci.
Im Jahr 1975 schrieb
Van McCoy, inspiriert von
einem neuen Tanzstil der
lateinamerikanischen
Jugend in der Bronx, eine
prickelnde Melodie, in
welcher der
unwiderstehliche
Latin-Beat und Rhythm and
Blues mit der
verführerischen
Einladung Do it, do the
hustle“ verschmolz.
Das Lied und der Tanzstil
eroberten die Diskotheken
auf der ganzen Welt.
Lorenzo Boccis
Bearbeitung ist ebenso
packend wie das Original.
Ihr Publikum wird die
Tanzlust packen!
Let's Dance Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1064040-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1064040-015
Composed by Henk
Hogestein. Flexible 6
Series. Original Light
Music. Set (Score and
Parts). Composed 2006. De
Haske Publications #DHP
1064040-015. Published by
De Haske Publications
(BT.DHP-1064040-015).
9x12 inches.
English-German-French-Dut
ch.
Letâ??s Dance
takes you on an exciting
night of dancing, being
cool on the dance floor
with your designer
clothes, dancing the
night away and forgetting
about your daily worries.
Itâ??s party time on the
dance floor with this
grooving new work.
¬Letâ??s
Dance is een heel
afwisselend werk in zes
delen met de veelzeggende
titels Be Cool, Disco
Flight, Slow Motion,
Party Dream, Go on and
Dance en Born to
Dance. Een gezellig
avondje stappen tot in de
kleine uurtjeswordt
muzikaal belicht. Met
deze levendige en
hedendaagse compositie
komen zowel de muzikanten
als het publiek in een
swingende
stemming.
Partysti
mmung und Discofeeling
sind mit diesem Stück
von Henk Hogestein
garantiert. Die Titel der
sechs Sätze sprechen
für sich: Be Cool,
Disco Flight, Slow
Motion, Party Dream, Go
on and Dance und Born to
Dance. Wer kann bei
so einem Programm noch
still sitzen?
Letâ??s
Dance dâ??Henk
Hogestein est le morceau
quâ??il vous faut pour
soulever
lâ??enthousiasme du
public. Be cool, Disco
Flight, Slow Motion,
Party Dream, Go on and
Dance et Born to
Dance, six mouvements
qui bougent et groovent !
Letâ??s
Dance è il brano
ideale per animare lo
spirito del vostro
pubblico. Be Cool,
Disco Flight, Slow
Motion, Party Dream, Go
on and Dance e
Born to Dance, sei
movimenti che faranno
danzare chi vi
ascolta!
Dance of Uzume Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1053826-010 For Alto Saxop...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1053826-010
For Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. 72
pages. De Haske
Publications #DHP
1053826-010. Published by
De Haske Publications
(BT.DHP-1053826-010).
English-German-French-
Dutch.
Dance of
Uzume is a concertino
that is based on a
Japanese myth: out of
anger toward her brother
Susanowa, the storm god,
the sun goddess Amaterasu
hides in a cave. The
goddess of joy, Uzume,
succeeds in luring the
sun goddess out of the
cave by dancing wildly.
The joy and laughter of
the other gods as they
watch Uzume arouses
Amaterasu’s
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino für
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Ärger über
ihren Bruder Susanowa,
den Gott des Sturms,
versteckt sich die
Sonnengöttin Amaterasu
in einer Höhle und
kann erst durch den Tanz
von Uzume, der Göttin
der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zurück. Piet
Swerts’
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ähnliche Motive
sowie östliche
Anklänge sind eine
lohnende Herausforderung
für Saxophonisten und
bieten vielAbwechslung
für das gesamte
Blasorchester.
Dance of
Uzume è un dialogo
virtuoso e lirico tra il
solista e
l’accompagnamento.
La trama si sviluppa su
un tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando più
l’oscurit , gli
altri Dei si riuniscono
davanti
all’entrata della
caverna per trovare un
mezzo per farla uscire.
Uzume, la Dea della
gioia, inizia una danza
frenetica. Intrigata,
Amaterasu appare
all’entrata e il
mondo ritrova la luce del
sole.
Dance of Uzume Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1053826-140 For Alto Saxop...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1053826-140
For Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
Solo Spectrum. Solo &
Concerto. Score Only.
Composed 2005. 72 pages.
De Haske Publications
#DHP 1053826-140.
Published by De Haske
Publications
(BT.DHP-1053826-140).
English-German-French-
Dutch.
Dance of
Uzume is a concertino
that is based on a
Japanese myth: out of
anger toward her brother
Susanowa, the storm god,
the sun goddess Amaterasu
hides in a cave. The
goddess of joy, Uzume,
succeeds in luring the
sun goddess out of the
cave by dancing wildly.
The joy and laughter of
the other gods as they
watch Uzume arouses
Amaterasu’s
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino für
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Ärger über
ihren Bruder Susanowa,
den Gott des Sturms,
versteckt sich die
Sonnengöttin Amaterasu
in einer Höhle und
kann erst durch den Tanz
von Uzume, der Göttin
der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zurück. Piet
Swerts’
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ähnliche Motive
sowie östliche
Anklänge sind eine
lohnende Herausforderung
für Saxophonisten und
bieten vielAbwechslung
für das gesamte
Blasorchester.
Dance of
Uzume è un dialogo
virtuoso e lirico tra il
solista e
l’accompagnamento.
La trama si sviluppa su
un tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando più
l’oscurit , gli
altri Dei si riuniscono
davanti
all’entrata della
caverna per trovare un
mezzo per farla uscire.
Uzume, la Dea della
gioia, inizia una danza
frenetica. Intrigata,
Amaterasu appare
all’entrata e il
mondo ritrova la luce del
sole.
Concert Band - Grade 3 SKU: BT.EMBZ14737 Composed by Ãrpád Baláz...(+)
Concert Band - Grade 3
SKU: BT.EMBZ14737
Composed by Ãrpád
Balázs. EMB Concert
Band Series. Concert
Piece. Score Only.
Composed 2012. 20 pages.
Editio Musica Budapest
#EMBZ14737. Published by
Editio Musica Budapest
(BT.EMBZ14737).
For
Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
De Haske Concert Band.
Solo & Concerto. Score
Only. Composed 2005. De
Haske Publications
#1053826. Published by De
Haske Publications
(HL.44005579).
UPC:
884088058272.
English-German-French-Dut
ch.
Dance of Uzume
is a concertino that is
based on a Japanese myth:
out of anger toward her
brother Susanowa, the
storm god, the sun
goddess Amaterasu hides
in a cave. The goddess of
joy, Uzume, succeeds in
luring the sun goddess
out of the cave by
dancing wildly. The joy
and laughter of the other
gods as they watch Uzume
arouses Amaterasu's
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino fur
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Arger uber ihren
Bruder Susanowa, den Gott
des Sturms, versteckt
sich die Sonnengottin
Amaterasu in einer Hohle
und kann erst durch den
Tanz von Uzume, der
Gottin der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zuruck. Piet Swerts'
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ahnliche Motive
sowie ostliche Anklange
sind eine lohnende
Herausforderung fur
Saxophonisten und bieten
vielAbwechslung fur das
gesamte Blasorchester.
Dance of Uzume
(La danse d'Uzume) est un
dialogue virtuose et
lyrique entre le soliste
et l'accompagnement. La
trame se developpe sur un
tempo unique et rapide.
Ce concertino raconte un
episode de la mythologie
japonaise. Ulceree par
les mefaits de son frere
Susanowo, dieu du vent et
des tempetes, Amaterasu,
deesse du Soleil, se
confine dans une caverne,
privant le monde de sa
lumiere. Ne supportant
plus l'obscurite, les
autres dieux se
reunissent devant
l'entree de la caverne
pour trouver un moyen de
la faire sortir. Uzume,
la deesse de la gaiete,
se met alors a danser
frenetiquement.
Intriguee, Amaterasu
parait enfin et le monde
retrouve la lumiere du
soleil.
Dance of
Uzume e un dialogo
virtuoso e lirico tra il
solista e
l'accompagnamento. La
trama si sviluppa su un
tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando piu
l'oscurita, gli altri Dei
si riuniscono davanti
all'entrata della caverna
per trovare un mezzo per
farla uscire. Uzume, la
Dea della gioia, inizia
una danza frenetica.
Intrigata, Amaterasu
appare all'entrata e il
mondo ritrova la luce del
sole.
Appalachian Folk Dance Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
By Robert W. Smith. For concert band. Young Band. Sound Foundations Series. Grad...(+)
By Robert W. Smith. For
concert band. Young Band.
Sound Foundations Series.
Grade 0.5. Score and set
of parts. Duration 1
minute, 54 seconds.
Published by C.L.
Barnhouse
Polovtsian Dances Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie and Percussion Solo - Grade 5 SKU: BT.DHP-1094652-010(+)
Concert Band/Harmonie and
Percussion Solo - Grade 5
SKU:
BT.DHP-1094652-010
For Snare Drums and
Band. Composed by
Alexander Porfiryevich
Borodin. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Classical. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094652-010. Published by
De Haske Publications
(BT.DHP-1094652-010).
9x12 inches.
English-German-French-Dut
ch.
This
arrangement of the
popular Polovtsian
Dances by Russian
composer Borodin contains
seven dances from the
original manuscript, some
of which have been used
in the musical
Kismet, as well as
being performed by such
famous names as Tony
Bennett and Bing Crosby.
Includes a solo for snare
drum!
Masamicz
Amono bewerkte de
´Polovetser Dansen´
van de rus Alexander
Borodin voor
harmonieorkest. Borodin
begon in 1869 aan de
opera, Prins Igor,
volgens sommigen zijn
voornaamste werk. De
opera bevat deze
Polovetser
Dansen,die meestal
als een zelfstandig stuk
wordt uitgevoerd en in
deze vorm waarschijnlijk
zijn meest bekende
compositie is. Bij zijn
dood was de opera niet
volledig, daar hij
onvoldoende tijd had voor
componeren, gezien zijn
werkals scheikundige. De
opera werd postuum
afgemaakt door Nikolaj
Rimski-Korsakov en
Aleksandr
Glazoenov.
Masamic
z Amano nahm sich die
beliebten Polovetzer
Tänze des russischen
Komponisten Alexander
Borodin vor, die auch
schon im Musical
Kismet verwendet
und als Lied von Tony
Bennet, Bing Crosby und
den Four Aces
interpretiert wurden.
Amano schuf daraus ein
überzeugendes
Arrangement für
Blasorchester, in dem die
Snare Drum solistisch
glänzen darf.
Le
Polovtsian Dances
offrono l’esempio
più spettacolare
dell’esotismo
musicale russo, fatto di
una sensualit selvaggia e
di una rara virtuosit
orchestrale. Questo
divertimento ballato e
cantato in vari episodi,
quintessenza
dell’opera Il
Principe Igor (1879),
contiene tutto ciò che
l’Europa del XIX
secolo adora: desiderio
di posti lontani,
attrazione per un oriente
più sognato che reale.
L’arrangiamento di
Masamicz Amano propone un
delizioso assolo per
rullante.
Polovtsian Dances Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie and Percussion Solo - Grade 5 SKU: BT.DHP-1094652-140(+)
Concert Band/Harmonie and
Percussion Solo - Grade 5
SKU:
BT.DHP-1094652-140
For Snare Drums and
Band. Composed by
Alexander Porfiryevich
Borodin. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Classical. Score Only.
Composed 2009. 40 pages.
De Haske Publications
#DHP 1094652-140.
Published by De Haske
Publications
(BT.DHP-1094652-140).
9x12 inches.
English-German-French-Dut
ch.
This
arrangement of the
popular Polovtsian
Dances by Russian
composer Borodin contains
seven dances from the
original manuscript, some
of which have been used
in the musical
Kismet, as well as
being performed by such
famous names as Tony
Bennett and Bing Crosby.
Includes a solo for snare
drum!
Masamicz
Amono bewerkte de
´Polovetser Dansen´
van de rus Alexander
Borodin voor
harmonieorkest. Borodin
begon in 1869 aan de
opera, Prins Igor,
volgens sommigen zijn
voornaamste werk. De
opera bevat deze
Polovetser
Dansen,die meestal
als een zelfstandig stuk
wordt uitgevoerd en in
deze vorm waarschijnlijk
zijn meest bekende
compositie is. Bij zijn
dood was de opera niet
volledig, daar hij
onvoldoende tijd had voor
componeren, gezien zijn
werkals scheikundige. De
opera werd postuum
afgemaakt door Nikolaj
Rimski-Korsakov en
Aleksandr
Glazoenov.
Masamic
z Amano nahm sich die
beliebten Polovetzer
Tänze des russischen
Komponisten Alexander
Borodin vor, die auch
schon im Musical
Kismet verwendet
und als Lied von Tony
Bennet, Bing Crosby und
den Four Aces
interpretiert wurden.
Amano schuf daraus ein
überzeugendes
Arrangement für
Blasorchester, in dem die
Snare Drum solistisch
glänzen darf.
Le
Polovtsian Dances
offrono l’esempio
più spettacolare
dell’esotismo
musicale russo, fatto di
una sensualit selvaggia e
di una rara virtuosit
orchestrale. Questo
divertimento ballato e
cantato in vari episodi,
quintessenza
dell’opera Il
Principe Igor (1879),
contiene tutto ciò che
l’Europa del XIX
secolo adora: desiderio
di posti lontani,
attrazione per un oriente
più sognato che reale.
L’arrangiamento di
Masamicz Amano propone un
delizioso assolo per
rullante.
Dance of Uzume Orchestre d'harmonie - Avancé De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-1053826-040 For Alto Saxophone and ...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1053826-040
For Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. 72
pages. De Haske
Publications #DHP
1053826-040. Published by
De Haske Publications
(BT.DHP-1053826-040).
English-German-French-
Dutch.
Dance of
Uzume is a concertino
that is based on a
Japanese myth: out of
anger toward her brother
Susanowa, the storm god,
the sun goddess Amaterasu
hides in a cave. The
goddess of joy, Uzume,
succeeds in luring the
sun goddess out of the
cave by dancing wildly.
The joy and laughter of
the other gods as they
watch Uzume arouses
Amaterasu’s
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino für
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Ärger über
ihren Bruder Susanowa,
den Gott des Sturms,
versteckt sich die
Sonnengöttin Amaterasu
in einer Höhle und
kann erst durch den Tanz
von Uzume, der Göttin
der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zurück. Piet
Swerts’
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ähnliche Motive
sowie östliche
Anklänge sind eine
lohnende Herausforderung
für Saxophonisten und
bieten vielAbwechslung
für das gesamte
Blasorchester.
Dance of
Uzume è un dialogo
virtuoso e lirico tra il
solista e
l’accompagnamento.
La trama si sviluppa su
un tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando più
l’oscurit , gli
altri Dei si riuniscono
davanti
all’entrata della
caverna per trovare un
mezzo per farla uscire.
Uzume, la Dea della
gioia, inizia una danza
frenetica. Intrigata,
Amaterasu appare
all’entrata e il
mondo ritrova la luce del
sole.
Regi Magyar Tancok Gomorbol Orchestre d'harmonie [Set de Parties séparées] - Intermédiaire EMB (Editio Musica Budapest)
(Early Hungarian Dances from Gomor). Composed by Arpad Balazs. For Concert Band ...(+)
(Early Hungarian Dances
from Gomor). Composed by
Arpad Balazs. For Concert
Band (Score and Parts).
EMB. Grade 3. Set of
parts. Editio Musica
Budapest #Z14737SET.
Published by Editio
Musica Budapest