Night Vision Orchestre d'harmonie - Débutant C.L. Barnhouse
Grade 1 SKU: CL.024-4821-00 Composed by Neeck. Young Concert Band. Rising...(+)
Grade 1
SKU:
CL.024-4821-00
Composed by Neeck. Young
Concert Band. Rising Band
Series for Developing
Bands! Score and set of
parts. Composed 2020.
Duration 2 minutes, 18
seconds. C.L. Barnhouse
#024-4821-00. Published
by C.L. Barnhouse
(CL.024-4821-00).
In Night
Vision, a colorful and
energetic work, pulsating
rhythms and bold themes
provide interest and
intensity, wrapped in a
mysterious-sounding vibe.
Unique scoring will
engage your
percussionists, with the
melodic material
appealing to all the
winds. This highly
approachable work will
intrigue and delight
students and audiences
alike. Intriguing!
Night Vision Orchestre d'harmonie - Débutant C.L. Barnhouse
Grade 1 SKU: CL.024-4821-01 Composed by Neeck. Young Concert Band. Extra ...(+)
Grade 1
SKU:
CL.024-4821-01
Composed by Neeck. Young
Concert Band. Extra full
score. C.L. Barnhouse
#024-4821-01. Published
by C.L. Barnhouse
(CL.024-4821-01).
In Night
Vision, a colorful and
energetic work, pulsating
rhythms and bold themes
provide interest and
intensity, wrapped in a
mysterious-sounding vibe.
Unique scoring will
engage your
percussionists, with the
melodic material
appealing to all the
winds. This highly
approachable work will
intrigue and delight
students and audiences
alike. Intriguing!
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1094805-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1094805-015
Composed by Jim Henson
and Sam Pottle. Arranged
by Lorenzo Bocci.
Flexible 5 Series.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094805-015. Published by
De Haske Publications
(BT.DHP-1094805-015).
9x12 inches.
English-German-French-Dut
ch.
“Itâ€
s time to play the
music. It’s time
to light the lights.
It’s time to meet
the Muppets on the Muppet
Show tonight.â€
These lyrics opened the
Muppet Show, which has
been broadcast in over
100 countries around the
world. The multi-talented
Jim Henson was the
creative inspiration for
the show, developing the
characters, providing
some of the voices for
the puppets and composed
the theme song. Now you
can bring the lights and
music to your stage with
this flexible arrangement
in five parts with drum
kit!
Jetzt tanzen
alle Puppen - macht auf
der Bühne Licht“
beginnt das
mitreißende Titellied
der unvergesslichen
Muppetshow, die in
über 100 Ländern im
Fernsehen ausgestrahlt
wurde. Jim Henson war
zugleich Erfinder der
Show, Entwickler der
Charaktere, schlüpfte
in verschiedene
Puppenrollen und
komponierte auch die
Titelmelodie. Lassen Sie
mit dieser
Blasorchesterbearbeitung
für eine
fünfstimmige Besetzung
mit Schlagzeug die Puppen
tanzen!
Il
Muppet Show è
stata una trasmissione
televisiva ideata dallo
statunitense Jim Henson e
andata in onda nel paese
d’origine dal 1976
al 1981, oltre che in 100
paesi del mondo. I
protagonisti sono dei
curiosi pupazzi chiamati
Muppet, con assonanza
delle parole inglesi
marionette e puppet. Un
arrangiamento per
strumentazione variabile
a cinque voci della
musica di questo
programma che ha
rivoluzionato il mondo
della televisione per
bambini.
Band Concert Band SKU: PR.11540431S Composed by Stacy Garrop. Study Score...(+)
Band Concert Band
SKU:
PR.11540431S
Composed
by Stacy Garrop. Study
Score. 64 pages. Duration
18 minutes. Theodore
Presser Company
#115-40431S. Published by
Theodore Presser Company
(PR.11540431S).
UPC:
680160689750.
The
first time I saw an
alpenglow, I had no idea
what it was. It was the
late 1980s, and I was at
a music camp at the base
of theRocky Mountain
National Park in
Colorado. A few of us got
up in the middle of the
night so we could hike to
a vantage pointat the
foot of Longs Peak, to
watch the sun rise
without any trees
obstructing our view.
Even though we had a few
moreminutes to go before
the sun breached the
horizon, when I looked up
at the face of Longs
Peak, it was glowing
intensely with amost
beautiful peach-pink
color. This enchanting
vision lasted only about
ten minutes, after which
the color faded as the
sunrose. Throughout the
next thirty years,
whenever I returned to
the Rocky Mountain
National Park, I would
occasionally catchthis
pre-dawn light show in
all its glory.An
alpenglow is an optical
phenomenon that is
visible on high altitude
mountains. It happens
twice daily, right before
the sunrises and right
after it sets. The
earth’s atmosphere
scatters the sun’s
light, allowing
particular wavelengths of
light through
andblanketing the
mountains in rich hues of
peach, pink, red, and
purple.Alpenglow opens
with First Light. This
movement begins in the
pre-dawn hour. The music
starts simply and slowly,
thengrows increasingly
animated as the sky
lightens and the horizon
shimmers with color. The
movement explodes in a
massiveflurry of activity
when the sun crosses the
horizon; this energy
eventually fades as the
sun rises in the sky. In
Arc of the Sun,we follow
the sun as it
energetically leaps and
surges upwards in the
sky. The music moves
steadily upwards as it
keeps pacewith the
sun’s progress,
then crests as the sun
reaches its zenith. As
the sun bends back down
towards the earth, the
musicfollows suit,
getting lower in range
and slower as the sun
nears the horizon. In
Radiant Glow, the sun
slips under the
horizon,giving way to a
most radiant alpenglow.
As the alpenglow fades
and twilight envelops the
earth, stars shimmer in
the nightsky.-S.G.
Band Concert Band SKU: PR.11540431L Composed by Stacy Garrop. Large Score...(+)
Band Concert Band
SKU:
PR.11540431L
Composed
by Stacy Garrop. Large
Score. 64 pages. Duration
18 minutes. Theodore
Presser Company
#115-40431L. Published by
Theodore Presser Company
(PR.11540431L).
UPC:
680160689767.
The
first time I saw an
alpenglow, I had no idea
what it was. It was the
late 1980s, and I was at
a music camp at the base
of theRocky Mountain
National Park in
Colorado. A few of us got
up in the middle of the
night so we could hike to
a vantage pointat the
foot of Longs Peak, to
watch the sun rise
without any trees
obstructing our view.
Even though we had a few
moreminutes to go before
the sun breached the
horizon, when I looked up
at the face of Longs
Peak, it was glowing
intensely with amost
beautiful peach-pink
color. This enchanting
vision lasted only about
ten minutes, after which
the color faded as the
sunrose. Throughout the
next thirty years,
whenever I returned to
the Rocky Mountain
National Park, I would
occasionally catchthis
pre-dawn light show in
all its glory.An
alpenglow is an optical
phenomenon that is
visible on high altitude
mountains. It happens
twice daily, right before
the sunrises and right
after it sets. The
earth’s atmosphere
scatters the sun’s
light, allowing
particular wavelengths of
light through
andblanketing the
mountains in rich hues of
peach, pink, red, and
purple.Alpenglow opens
with First Light. This
movement begins in the
pre-dawn hour. The music
starts simply and slowly,
thengrows increasingly
animated as the sky
lightens and the horizon
shimmers with color. The
movement explodes in a
massiveflurry of activity
when the sun crosses the
horizon; this energy
eventually fades as the
sun rises in the sky. In
Arc of the Sun,we follow
the sun as it
energetically leaps and
surges upwards in the
sky. The music moves
steadily upwards as it
keeps pacewith the
sun’s progress,
then crests as the sun
reaches its zenith. As
the sun bends back down
towards the earth, the
musicfollows suit,
getting lower in range
and slower as the sun
nears the horizon. In
Radiant Glow, the sun
slips under the
horizon,giving way to a
most radiant alpenglow.
As the alpenglow fades
and twilight envelops the
earth, stars shimmer in
the nightsky.-S.G.
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729.
Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4.
Concert Band - Grade 3 SKU: PE.0300761759 Arranged for Concert Band(+)
Concert Band - Grade 3
SKU: PE.0300761759
Arranged for Concert
Band. Composed by
Eriks Esenvalds. Arranged
by Phillip Littlemore.
Concert Band. Edition
Peters. Living Composer;
Programmatic. Score and
Part(s). 140 pages.
Edition Peters
#98-0300761759. Published
by Edition Peters
(PE.0300761759).
ISBN
9790300761756.
One
of the most popular of
all contemporary choral
works, Eriks
Ešenvalds's Stars is a
work of shimmering
beauty, a vision of
beating hearts of fire
seen overhead on a still,
dark night. Phillip
Littlemore's expert
arrangement for concert
band will bring a moment
of rapt stillness to any
concert programme. (4:00)
Original Item:
EP68713-CMPST.
Concert Band - Grade 3 SKU: PE.EP68713 Arranged for Concert Band. ...(+)
Concert Band - Grade 3
SKU: PE.EP68713
Arranged for Concert
Band. Composed by
Eriks Esenvalds. Arranged
by Phillip Littlemore.
Concert Band. Edition
Peters. Living Composer.
Score. 12 pages. Duration
4:00. Edition Peters
#98-EP68713. Published by
Edition Peters
(PE.EP68713).
ISBN
9790300761749. 303x232
inches.
One of the
most popular of all
contemporary choral
works, Eriks Esenvalds'
Stars is a work of
shimmering beauty, a
vision of 'beating hearts
of fire' seen overhead on
a still, dark night.
Phillip Littlemore's
expert arrangement for
concert band will bring a
moment of rapt stillness
to any concert
programme.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Concert Band - Grade 1.5 SKU: AP.49549S Composed by Nathan Farrell (ASCAP...(+)
Concert Band - Grade 1.5
SKU: AP.49549S
Composed by Nathan
Farrell (ASCAP). Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Light Concert. Score.
Duration 1:53. Belwin
Music #00-49549S.
Published by Belwin Music
(AP.49549S).
ISBN
9781470649159. UPC:
038081569932.
English.
From the
creative mind of Nathan
Farrell, The Dreaded
Devious Diabolical Dotted
Dragon will light your
band room up with dragon
fire! Knight your
students with the armor
of subdivision and attack
the dreaded dotted
quarter note! Protect the
villagers with intriguing
percussion colors and fun
yet surprisingly simple
melodic lines. Designed
to engage each section of
the band with intuitive
rhythms that take the
bite out of the dot, your
students will love this
epic musical quest.
(1:53).
Concert Band - Grade 1.5 SKU: AP.49549 Composed by Nathan Farrell (ASCAP)...(+)
Concert Band - Grade 1.5
SKU: AP.49549
Composed by Nathan
Farrell (ASCAP). Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Light Concert. Score and
Part(s). Duration 1:53.
Belwin Music #00-49549.
Published by Belwin Music
(AP.49549).
ISBN
9781470649142. UPC:
038081569925.
English.
From the
creative mind of Nathan
Farrell, The Dreaded
Devious Diabolical Dotted
Dragon will light your
band room up with dragon
fire! Knight your
students with the armor
of subdivision and attack
the dreaded dotted
quarter note! Protect the
villagers with intriguing
percussion colors and fun
yet surprisingly simple
melodic lines. Designed
to engage each section of
the band with intuitive
rhythms that take the
bite out of the dot, your
students will love this
epic musical quest.
(1:53) This title is
available in MakeMusic
Cloud.
Composed by Barker.
Concert Band. Classics
Series. Audio recording
available separately
(item CL.WFR105). Extra
full score. Composed
1993. Duration 7 minutes,
32 seconds. Opus III Wind
Orchestra Publications
#012-2546-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-2546-01).
Beautifully
descriptive piece with
four distinct sections;
Daybreak, The Storm, The
Calm, and Nightfall,
wonderful choice for
concert or festival.
About C.L.
Barnhouse Classics
Series
Und
er the editorial
supervision of Dr. Alfred
Reed, these classics from
master composers have
been adapted and arranged
for concert band. A
perfect way to acquaint
concert band performers
and audiences with some
of the greatest classical
music of all time!
Composed by Barker.
Concert Band. Classics
Series. Audio recording
available separately
(item CL.WFR105). Score
and set of parts.
Composed 1993. Duration 7
minutes, 32 seconds. Opus
III Wind Orchestra
Publications
#012-2546-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-2546-00).
Beautifully
descriptive piece with
four distinct sections;
Daybreak, The Storm, The
Calm, and Nightfall,
wonderful choice for
concert or festival.
About C.L.
Barnhouse Classics
Series
Und
er the editorial
supervision of Dr. Alfred
Reed, these classics from
master composers have
been adapted and arranged
for concert band. A
perfect way to acquaint
concert band performers
and audiences with some
of the greatest classical
music of all time!