The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155660-010 You Know Iâ??...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155660-010
You Know Iâ??m No
Good, Valerie, Love Is a
Losing Game, Back to
Black, Rehab.
Composed by Amy
Winehouse. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Concert
Piece. Set (Score and
Parts). Composed 2015. De
Haske Publications #DHP
1155660-010. Published by
De Haske Publications
(BT.DHP-1155660-010).
English-German-French-
Dutch.
On July 23
2011, the news of the
death of Amy Winehouse
shocked the entire world.
What could have been one
of the most impressive
careers in the history of
pop and modern soul, was
halted by a tragic event
which no one will forget.
The best way tohonour Amy
Winehouse now is through
her music. A Tribute
to Amy Winehouse
includes all of the songs
which earned her cult
status and made her
unforgettable You Know
Iâ??m No Good, Valerie,
Love Is a Losing Game,
Back to Black
andRehab.
Op 23 juli 2011
werd de wereld
opgeschrikt door het
nieuws over de dood van
Amy Winehouse. Aan wat
een van de meest
indrukwekkende
carrières in de
geschiedenis van de pop
en moderne soul had
kunnen worden, kwam op
tragische wijze een eind.
De bestemanier om Amy
Winehouse nu in ere te
houden, is door middel
van haar muziek. A
Tribute to Amy
Winehouse omvat alle
songs waarmee ze haar
cultstatus verwierf en
waardoor ze onvergetelijk
werd: You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black en
Rehab.
Die
Nachricht vom Tod Amy
Winehouses am 23. Juli
2011 schockierte die
ganze Welt. Was die
beeindruckendste Karriere
in der Geschichte der
Pop- und modernen
Soulmusik hätte werden
können, wurde durch
ein tragisches Ereignis
beendet, das
niemandvergessen wird.
Man kann Amy Winehouse am
besten mit ihrer Musik
ehren. A Tribute to
Amy Winehouse umfasst
alle Songs, durch die sie
Kultstatus erreicht hat
und die sie unvergesslich
machen You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black und
Rehab.
Il
23 luglio 2011
lâ??improvvisa scomparsa
di Amy Winehouse
sconvolse il mondo
intero. La sua morte ha
stroncato una delle
più promettenti
carriere della storia del
modern soul. Solo
attraverso la sua musica
è possibile tenere
viva la fiamma
creativadella popstar
britannica. Per questo
è stato pensato A
Tribute to Amy
Winehouse è un
medley che raccoglie le
canzoni che ne hanno reso
la breve quanto intensa
carriera indimenticabile:
You Know Iâ??m No
Good, Valerie,
Love Is aLosing
Game, Back to
Black and
Rehab.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0993-06-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.CMP-0993-06-010
Composed by James Hosay.
Young Band. Set (Score
and Parts). Composed
2006. Curnow Music #CMP
0993-06-010. Published by
Curnow Music
(BT.CMP-0993-06-010).
9x12 inches.
English.
Lush
harmonies and flowing
melodies make this an
excellent â??change of
paceâ? selection that
will bring a touch of
elegance to any concert
or school function.
Itâ??s also a great
opportunity to work on
accidentals, intonation,
articulations, balance,
and that smooth, relaxed
Brazilian style.
Interesting Percussion
writing fits the style
perfectly and provides a
subtle but animated
foundation for the
expressive Winds.
Tantalizing!
De zwoele bries
aan de kust van het
exotische Brazilië
komt dichterbij als uw
orkest deze lichte ballad
in latin-stijl speelt. U
kunt uw slagwerksectie
vooraan in het midden
plaatsen om een visueel
en muzikaal effect te
creëren.
Weelderigeharmonieën
en vloeiende melodieën
zorgen voor een
sfeervolle, elegante
afwisseling in uw
concert. Bossa Nova
Breeze is uitstekend
geschikt voor de
ontwikkeling van het
gevoel voor een
muziekstijl die
wereldwijd enormpopulair
is.
Mit den
leichten, flieÃ?enden
Klängen dieser Ballade
im lateinamerikanischen
Stil aus der Feder des
Amerikaners James L.
Hosay weht eine Brise
Bossa Nova von der
sonnigen Küste
Brasiliens direkt in Ihr
Konzert! Eine mögliche
Aufführungsvariante,
bei der das Schlagzeug
ganz nach vorne auf die
Bühne geholt wird,
bringt zusätzlich
visuelle und musikalische
Abwechslung in Ihr
Programm.
La bossa-nova
è uno stile musicale
nato in Brasile alla fine
degli anno 1950.
Compositori quali Carlos
Jobim, Luis Bonfa e
numerosi musicisti quali
Stan Getz, Charly Bird,
Baden Powell, Joao
Gilberto hanno
contribuito alla
diffusione di questo
nuovo ritmo. Con Bossa
Nova Breeze, il sole
del Brasile entra nelle
sale da concerto.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-337-140
For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140).
9x12
inches.
English-German-French-Dut
ch.
The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese.
Composed by Newton Mendonca, Antonio Carlos Jobim, Norman Gimbel, and Vinicius...(+)
Composed by Newton
Mendonca,
Antonio Carlos Jobim,
Norman
Gimbel, and Vinicius De
Moraes. Arranged by
Koichi
Sugimoto. Pop, Film and
Show. Original Light
Music.
Score Only. Composed
2007.
40 pages. Music Sales
#1460-
07-140 MS. Published by
Music Sales
Tara's Theme Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043663-010 From Gone with the WInd...(+)
Concert Band/Harmonie -
Grade 3
SKU: BT.DHP-1043663-010
From Gone with the WInd.
Arranged by Lorenzo
Bocci. DHP Pop, Film and
Show. Festive and Solemn
Music. Set (Score and
Parts). Composed 2004. De
Haske Publications #DHP
1043663-010. Published by
De Haske Publications
(BT.DHP-1043663-010).
Max Steiner was born in
Vienna in 1888, and grew
up surrounded by music.
He was a student of the
Imperial Academy of
Music, having among his
teachers Gustav Mahler.
In 1936 he signed an
agreement with Warner.
Steiner, considered the
father of symphonic music
in Hollywood style. One
of his most famous and
popular masterworks is,
without any doubt, Gone
with the Wind (1939). The
movie was an immediate
success and won ten
Academy Awards. In spite
of the years passed, this
movie still moves young
audiences around the
world. Lorenzo Bocci has
chosen the song Tara?s
Theme from this movie and
turned the romantic music
into an arrangement for
concert band.
Vom Winde verweht ist
einer der Filme, der
heute noch Generationen
vor dem Fernseher
vereint. Oft gezeigt,
wird jeder doch immer
wieder mitgerissen von
der tragischen
Liebesgeschichte inmitten
der Kriegswirren. Einen
nicht unwichtigen Anteil
an der bewegenden
Atmosphäre des
Filmklassikers hat die
großartige Musik von Max
Steiner, der als Urvater
der sinfonischen
Filmmusik im
Hollywoodstil gilt und
neben Vom Winde verweht
noch zahlreiche weitere
erfolgreiche Filme
vertonte. Lorenzo Bocci
wählte aus der Musik
Tara's Theme und
bearbeitete die
romantische Musik zu
einem Arrangement für
Blasorchester.
Gefühlvoll und
mitreißend!
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
The Eve of the War Orchestre d'harmonie [Conducteur] - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1373-06-140-MS From The War of...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1373-06-140-MS
From The War of the
Worlds. Composed by
Jeff Wayne. Arranged by
Ed Keeley. De Haske Pop
Collection. Pop & Rock.
Score Only. Composed
2006. Music Sales
#1373-06-140 MS.
Published by Music Sales
(BT.1373-06-140-MS).
9x12 inches.
English-German-French-Dut
ch.
When Jeff
Wayne’s musical
adaptation
H.G.Wells’ novel
The War of the Worlds was
originally released, no
one would have believed
that it would become so
popular. The Eve of the
War, the stunning opening
scene of Wayne’s
show, became a huge
international hit single
in its own right. This
new arrangement by the
highly respected British
composer/arranger Ed
Keeley retains all the
drama and tension of the
original atmospheric
opening. A joy to perform
and a pleasure to listen
to.
Toen Jeff
Wayne’s muzikale
bewerking van The War
of the Worlds - H.G.
Wells’ roman uit
1898 - eind jaren
zeventig werd
uitgebracht, had niemand
kunnen denken dat deze zo
populair zou worden. Met
Richard Burton, David
Essexen Phil Lynott
(beiden van Thin Lizzy),
Julie Covington, Chris
Thompson en Justin
Hayward bestormde het
dubbelalbum meteen de
Britse hitlijsten, waar
het jarenlang bleef
staan. The Eve of the
War, de verbluffende
openingsscène,werd als
single een enorme
internationale hit. Een
feest der herkenning voor
uw
publiek.
Krieg
der Welten ist wohl
jedem ein Begriff, sei es
in Form von
H.G.Wells’ Roman
aus dem Jahr 1898, Orson
Welles‘
Radioadaption, Jeff
Waynes innovativem
Rockmusical oder
jüngst von Steven
Spielbergs Kinofilm aus
dem Jahr 2005. The Eve
of the War, die
atemberaubende
Eröffnungsmelodie von
Waynes Musikversion wurde
ein großer
internationaler Hit. Das
Album ist die bekannteste
Musikaufnahme aller
Zeiten und wurde mehrfach
ausgezeichnet. Grund
genug für Edwin H.
Keely, diese Bearbeitung
für Blasorchester zu
schreiben, die dem
Original absolut gerecht
wird.
The War
of the Worlds (La
guerra dei mondi) è
universalmente noto come
romanzo di H.G. Wells del
1898,
nell’adattamento
radiofonico di Orson
Welles, come musical rock
firmato Jeff Waynes, e
anche per il film di
Steven Spielberg del
2005. L’album è
uno dei più grandi
successi mondiali,
premiato numerose volte.
Queste ragioni hanno
spinto Edwin H. Keeley a
comporre questo
arrangiamento per banda
molto fedele
all’originale.
Real-Pop Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1053774-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1053774-015
Composed by Kees Vlak.
Flexible 4 Series.
Original Light Music. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053774-015. Published by
De Haske Publications
(BT.DHP-1053774-015).
English-German-French-
Dutch.
Real-Pop<
/I> bestaat uit vijf
verschillende delen, die
diverse aspecten van
Japan weergeven.
Yokohama City Rock
is een moderne ouverture
en Wintertime is
een kleine ballad.
Super Ski
verklankt daarna de
Japansewintersport en
Lovely China Girl
beschrijft een verlegen
meisje uit China dat
toekijkt bij het Japanse
wintervertier. Dan volgt
nog Techno Party,
een modern dansfeest. Een
sfeervol werk vol
afwisseling!
In
Real-Pop führt
uns Kees Vlak in fünf
Sätzen durch das
moderne Japan. Der
Großstadt Yokohama ist
die moderne Ouvertüre
gewidmet. Einen
reizvollen Kontrast dazu
bildet der zweite Satz,
eine Ballade über den
stillen Winter im Norden
des Archipels. Satz drei
handelt vom in Japan sehr
beliebten Wintersport
Skifahren; an der
Skipiste begegnet uns
auch das schüchterne
chinesische Mädchen
aus dem vierten Satz.
Computer ähnliche
Techno-Klänge im
fünften Satz stehen
für das technisch
fortschrittliche Japan.
Eine spannende Reise
für Musiker und
Publikum!
Real-Pop
è un brano in cinque
movimenti ciascuno dei
quali dipinge un aspetto
particolare del Giappone:
Yokohama City descrive il
fermento del porto di
Yokohama,
Wintertime è
l’eco della
serenit delle genti del
nord, Super Ski ci
accompagna sulle piste da
sci, Lovely China
Girl racconta la
storia di una ragazza di
origine cinese.
Nell’ultimo
movimento assistiamo ad
una serata alla moda con
il sottofondo di musica
techno.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155660-140 You Know Iâ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155660-140
You Know I’m No
Good, Valerie, Love Is a
Losing Game, Back to
Black, Rehab.
Composed by Amy
Winehouse. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Score Only.
Composed 2015. De Haske
Publications #DHP
1155660-140. Published by
De Haske Publications
(BT.DHP-1155660-140).
English-German-French-
Dutch.
On July 23
2011, the news of the
death of Amy Winehouse
shocked the entire world.
What could have been one
of the most impressive
careers in the history of
pop and modern soul, was
halted by a tragic event
which no one will forget.
The best way tohonour Amy
Winehouse now is through
her music. A Tribute
to Amy Winehouse
includes all of the songs
which earned her cult
status and made her
unforgettable You Know
I’m No Good,
Valerie, Love Is a Losing
Game, Back to Black
andRehab.
Op 23 juli 2011
werd de wereld
opgeschrikt door het
nieuws over de dood van
Amy Winehouse. Aan wat
een van de meest
indrukwekkende
carrières in de
geschiedenis van de pop
en moderne soul had
kunnen worden, kwam op
tragische wijze een eind.
De bestemanier om Amy
Winehouse nu in ere te
houden, is door middel
van haar muziek. A
Tribute to Amy
Winehouse omvat alle
songs waarmee ze haar
cultstatus verwierf en
waardoor ze onvergetelijk
werd: You Know
I’m No Good,
Valerie, Love Is a
LosingGame, Back to Black
en Rehab.
Die Nachricht vom
Tod Amy Winehouses am 23.
Juli 2011 schockierte die
ganze Welt. Was die
beeindruckendste Karriere
in der Geschichte der
Pop- und modernen
Soulmusik hätte werden
können, wurde durch
ein tragisches Ereignis
beendet, das
niemandvergessen wird.
Man kann Amy Winehouse am
besten mit ihrer Musik
ehren. A Tribute to
Amy Winehouse umfasst
alle Songs, durch die sie
Kultstatus erreicht hat
und die sie unvergesslich
machen You Know
I’m No Good,
Valerie, Love Is a
LosingGame, Back to Black
und
Rehab.
Il
23 luglio 2011
l’improvvisa
scomparsa di Amy
Winehouse sconvolse il
mondo intero. La sua
morte ha stroncato una
delle più promettenti
carriere della storia del
modern soul. Solo
attraverso la sua musica
è possibile tenere
viva la fiamma
creativadella popstar
britannica. Per questo
è stato pensato A
Tribute to Amy
Winehouse è un
medley che raccoglie le
canzoni che ne hanno reso
la breve quanto intensa
carriera indimenticabile:
You Know I’m No
Good, Valerie,
Love Is aLosing
Game, Back to
Black and
Rehab.
The Eve of the War Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1373-06-010-MS From The War of...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1373-06-010-MS
From The War of the
Worlds. Composed by
Jeff Wayne. Arranged by
Ed Keeley. De Haske Pop
Collection. Concert
Piece. Set (Score &
Parts). Composed 2006.
Music Sales #1373-06-010
MS. Published by Music
Sales
(BT.1373-06-010-MS).
9x12 inches.
English-German-French-Dut
ch.
When Jeff
Wayne’s musical
adaptation
H.G.Wells’ novel
The War of the Worlds was
originally released, no
one would have believed
that it would become so
popular. The Eve of the
War, the stunning opening
scene of Wayne’s
show, became a huge
international hit single
in its own right. This
new arrangement by the
highly respected British
composer/arranger Ed
Keeley retains all the
drama and tension of the
original atmospheric
opening. A joy to perform
and a pleasure to listen
to.
Toen Jeff
Wayne’s muzikale
bewerking van The War
of the Worlds - H.G.
Wells’ roman uit
1898 - eind jaren
zeventig werd
uitgebracht, had niemand
kunnen denken dat deze zo
populair zou worden. Met
Richard Burton, David
Essexen Phil Lynott
(beiden van Thin Lizzy),
Julie Covington, Chris
Thompson en Justin
Hayward bestormde het
dubbelalbum meteen de
Britse hitlijsten, waar
het jarenlang bleef
staan. The Eve of the
War, de verbluffende
openingsscène,werd als
single een enorme
internationale hit. Een
feest der herkenning voor
uw
publiek.
Krieg
der Welten ist wohl
jedem ein Begriff, sei es
in Form von
H.G.Wells’ Roman
aus dem Jahr 1898, Orson
Welles‘
Radioadaption, Jeff
Waynes innovativem
Rockmusical oder
jüngst von Steven
Spielbergs Kinofilm aus
dem Jahr 2005. The Eve
of the War, die
atemberaubende
Eröffnungsmelodie von
Waynes Musikversion wurde
ein großer
internationaler Hit. Das
Album ist die bekannteste
Musikaufnahme aller
Zeiten und wurde mehrfach
ausgezeichnet. Grund
genug für Edwin H.
Keely, diese Bearbeitung
für Blasorchester zu
schreiben, die dem
Original absolut gerecht
wird.
The War
of the Worlds (La
guerra dei mondi) è
universalmente noto come
romanzo di H.G. Wells del
1898,
nell’adattamento
radiofonico di Orson
Welles, come musical rock
firmato Jeff Waynes, e
anche per il film di
Steven Spielberg del
2005. L’album è
uno dei più grandi
successi mondiali,
premiato numerose volte.
Queste ragioni hanno
spinto Edwin H. Keeley a
comporre questo
arrangiamento per banda
molto fedele
all’originale.
Latin Pop Special Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084322-140 Composed by Desmo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084322-140
Composed by Desmond
Child, Mark Taylor, Paul
Barry, and Robi Rosa.
Arranged by Masato
Myokoin. New Sounds for
Concert Band. Pop & Rock.
Score Only. Composed
2008. 32 pages. De Haske
Publications #DHP
1084322-140. Published by
De Haske Publications
(BT.DHP-1084322-140).
9x12 inches.
English-German-French-Dut
ch.
At the end of
the nineties Porto Rican
born singer Ricky
Martinstarted a new trend
in the world of pop music
- Latino-pop. In 1996
heconquered the world
with his catchy single
Livin la vida loca,
whichwent to number one
in many countries,
including five weeks at
thetop spot in the USA.
Today he has sold more
than 48 million
albumsmaking him one of
the most successful pop
artists of recent
times.Latin Pop Special
combines two of the most
popular songs from
thissuperstar of Latin
music!
Eind jaren
negentig was de tijd rijp
voor meer latin in de
popmuziek.
Bailamos van de
Spaanse zanger Enrique
Iglesias en
Livin’ La Vida
Loca van de Porto
Ricaanse zanger Ricky
Martin werden beide
uitgebracht 1999 - metals
resultaat twee
wereldwijde superhits! De
Japanse arrangeur Masato
Myokoin combineerde de
aanstekelijke popsongs in
een levendig arrangement
waar de vonken vanaf
vliegen.
Ricky
Martin setzte um die
Jahrtausendwende eine
Welle des Latino- Pops in
Gang, die bis heute nicht
abgeebbt ist. Einer der
Stars, die diese Welle
hervorbrachte, ist
Enrique Iglesias, der
längst aus dem
großen Schatten seines
berühmten Vaters
hervorgetreten ist.
Masato Myokoin
kombinierte zwei
Tanz-Hits der beiden
Weltstars in einem
temperamentvollen Medley
für Blasorchester.
Bailamos -
Livin’ La Vida
Loca. Composed by
Desmond Child, Mark
Taylor, Paul Barry, and
Robi Rosa. Arranged by
Masato Myokoin. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084322-010. Published by
De Haske Publications
(BT.DHP-1084322-010).
9x12 inches.
English-German-French-Dut
ch.
At the end of
the nineties Porto Rican
born singer Ricky
Martinstarted a new trend
in the world of pop music
- Latino-pop. In 1996
heconquered the world
with his catchy single
Livin la vida loca,
whichwent to number one
in many countries,
including five weeks at
thetop spot in the USA.
Today he has sold more
than 48 million
albumsmaking him one of
the most successful pop
artists of recent
times.Latin Pop Special
combines two of the most
popular songs from
thissuperstar of Latin
music!
Eind jaren
negentig was de tijd rijp
voor meer latin in de
popmuziek.
Bailamos van de
Spaanse zanger Enrique
Iglesias en
Livin’ La Vida
Loca van de Porto
Ricaanse zanger Ricky
Martin werden beide
uitgebracht 1999 - metals
resultaat twee
wereldwijde superhits! De
Japanse arrangeur Masato
Myokoin combineerde de
aanstekelijke popsongs in
een levendig arrangement
waar de vonken vanaf
vliegen.
Ricky
Martin setzte um die
Jahrtausendwende eine
Welle des Latino- Pops in
Gang, die bis heute nicht
abgeebbt ist. Einer der
Stars, die diese Welle
hervorbrachte, ist
Enrique Iglesias, der
längst aus dem
großen Schatten seines
berühmten Vaters
hervorgetreten ist.
Masato Myokoin
kombinierte zwei
Tanz-Hits der beiden
Weltstars in einem
temperamentvollen Medley
für Blasorchester.
(As performed by Bruno Mars). Composed by Philip Lawrence, Bruno Mars, Ari Le...(+)
(As performed by Bruno
Mars). Composed by Philip
Lawrence, Bruno Mars, Ari
Levine, and Phredley
Brown.
Arranged by Victor
López.
Concert Band. Concert
Band;
Part(s); Score. Pop
Concert
Band. Pop. Grade 3. 266
pages. Published by
Alfred
Music
Pop City Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175799-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175799-140
Composed by Thierry
Deleruyelle. Applause
Series. Original Light
Music. Score Only.
Composed 2017. 21 pages.
De Haske Publications
#DHP 1175799-140.
Published by De Haske
Publications
(BT.DHP-1175799-140).
English-German-French-
Dutch.
Pop
City combines pop and
funk music, and has been
composed in the style of
a film or television
theme tune. It was
commissioned by the
municipal wind band of
Phalempin (France), and
represents the vitality
and energy of the city,
which proclaims itself
“active by
natureâ€. You will
be swept away by this pop
music theme. All of the
orchestral sections
featured in this festive
music will get your
groove on and get you up
dancing. This is the
perfect opener or
apotheosis for your
performance!
Po
p City combineert
pop- en funkmuziek in de
stijl van een film- of
televisietune. Het is
gecomponeerd in opdracht
van het Orchestre
d’Harmonie
municipale de Phalempin
(Frankrijk) en het
verklankt de vitaliteit
en energie van die
plaats, die zich
presenteert als
‘van nature
actief’. Het
popmuziekthema is zeer
aanstekelijk en alle
secties die in deze
feestelijke muziek aan
bod komen, zullen het
publiek meenemen
‘in de
groove’ iedereen
zal willen opstaan om te
dansen. De perfecte
opening of het
spetterende slot van uw
optreden!
In dem
Stück Pop City,
das im Stil einer Film-
bzw. Fernseh-Titelmelodie
komponiert wurde, werden
Pop- und Funkmusik
miteinander vermischt.
Das Stück wurde vom
Städtischen
Blasorchester Phalempin
(Frankreich) in Auftrag
gegeben und stellt die
Dynamik und Energie der
Stadt dar, die sich
selbst als von Natur aus
aktiv“ bezeichnet.
Alle Instrumentengruppen
werden von dem tollen
Popmusikthema mitgerissen
und kommen bei dieser
festlichen Musik, die
groovt und zum Tanzen
anregt, zur Geltung. Das
Stück eignet sich
bestens als
KonzerteröffnungsstÃ
ck oder als
Höhepunkt!
Pop City
è un brano che unisce
pop e funk, composto in
uno stile da colonna
sonora. È stato
commissionato dalla banda
municipale di fiati di
Phalempin (Francia) e
rispecchia la vitalit e
l’energia di
questa cittadina, che ama
defi nirsi “attiva
per naturaâ€. Sarete
travolti dal suo tema
pop. Tutte le sezioni
d’orchestra
proposte in questo brano
festoso accenderanno il
vostro groove e vi
faranno ballare.
L’apertura o la
conclusione perfetta per
il vostro concerto!
Pop City Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175799-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175799-010
Composed by Thierry
Deleruyelle. Applause
Series. Original Light
Music. Set (Score &
Parts). Composed 2017. De
Haske Publications #DHP
1175799-010. Published by
De Haske Publications
(BT.DHP-1175799-010).
English-German-French-
Dutch.
Pop
City combines pop and
funk music, and has been
composed in the style of
a film or television
theme tune. It was
commissioned by the
municipal wind band of
Phalempin (France), and
represents the vitality
and energy of the city,
which proclaims itself
“active by
natureâ€. You will
be swept away by this pop
music theme. All of the
orchestral sections
featured in this festive
music will get your
groove on and get you up
dancing. This is the
perfect opener or
apotheosis for your
performance!
Po
p City combineert
pop- en funkmuziek in de
stijl van een film- of
televisietune. Het is
gecomponeerd in opdracht
van het Orchestre
d’Harmonie
municipale de Phalempin
(Frankrijk) en het
verklankt de vitaliteit
en energie van die
plaats, die zich
presenteert als
‘van nature
actief’. Het
popmuziekthema is zeer
aanstekelijk en alle
secties die in deze
feestelijke muziek aan
bod komen, zullen het
publiek meenemen
‘in de
groove’ iedereen
zal willen opstaan om te
dansen. De perfecte
opening of het
spetterende slot van uw
optreden!
In dem
Stück Pop City,
das im Stil einer Film-
bzw. Fernseh-Titelmelodie
komponiert wurde, werden
Pop- und Funkmusik
miteinander vermischt.
Das Stück wurde vom
Städtischen
Blasorchester Phalempin
(Frankreich) in Auftrag
gegeben und stellt die
Dynamik und Energie der
Stadt dar, die sich
selbst als von Natur aus
aktiv“ bezeichnet.
Alle Instrumentengruppen
werden von dem tollen
Popmusikthema mitgerissen
und kommen bei dieser
festlichen Musik, die
groovt und zum Tanzen
anregt, zur Geltung. Das
Stück eignet sich
bestens als
KonzerteröffnungsstÃ
ck oder als
Höhepunkt!
Pop City
è un brano che unisce
pop e funk, composto in
uno stile da colonna
sonora. È stato
commissionato dalla banda
municipale di fiati di
Phalempin (Francia) e
rispecchia la vitalit e
l’energia di
questa cittadina, che ama
defi nirsi “attiva
per naturaâ€. Sarete
travolti dal suo tema
pop. Tutte le sezioni
d’orchestra
proposte in questo brano
festoso accenderanno il
vostro groove e vi
faranno ballare.
L’apertura o la
conclusione perfetta per
il vostro concerto!
Canon for Christmas Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Based upon Canon in D. Composed by Larry Clark. Score and part(s). Durati...(+)
Based upon Canon in
D. Composed by Larry
Clark. Score and part(s).
Duration 3 minutes, 53
seconds. Carl Fischer
#YPS148. Published by
Carl Fischer (CF.YPS148).
Lennon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Jealous Guy / Instant Karma / Imagine). Composed by John Lennon....(+)
(Featuring: Jealous Guy /
Instant Karma / Imagine).
Composed by John Lennon.
Arranged by Roland
Barrett.
Concert Band. Concert
Band;
Part(s); Score. Pop
Concert
Band. Form: Medley.
Pop/Rock. Grade 3. 276
pages. Published by
Alfred
Music
Rolling Stones Fantasy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084534-010 Composed by K. Ri...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084534-010
Composed by K. Richards
and Mick Jagger. Arranged
by Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2009. De Haske
Publications #DHP
1084534-010. Published by
De Haske Publications
(BT.DHP-1084534-010).
9x12 inches.
English-German-French-Dut
ch.
Millions of
fans will be delighted to
hear that, after 40 years
of collaboration and
countless international
tours, The Rolling Stones
still have no intention
of ending their career.
The band’s songs
have united fans
everywhere, be they new
fans, old fans, young or
old. Their most popular
songs are the ones they
wrote during the
60’s and early
70’s and it is
from this unforgettable
era that Peter Kleine
Schaars has picked their
greatest hits to form
this mind-blowing
medley.
Nach
über 40 Jahren
Bandgeschichte und
zahllosen Welttourneen
denken die Rolling Stones
noch lange nicht ans
Aufhören - zur Freude
von Millionen Fans
weltweit. Die Songs, die
Generationen von jungen
und alten, ehemaligen,
neuen und treuen Fans
vereinen, sind jedoch die
aus den sechziger und
frühen siebziger
Jahren des vergangenen
Jahrhunderts. Aus dieser
glorreichen Ära
wählte Peter Kleine
Schaars vier große
Hits für sein rockiges
Medley.
Formatisi
nel 1962, i Rolling
Stones conoscono
l’apice del
successo nel agosto 1965,
con il single
Satisfaction. Da
quel momento, nulla li
ferma nella loro corsa ai
record: record di
longevit , di album
venduti, di concerti e di
guadagni. Riconoscimenti
meritati, grazie al
carisma del duo leader
del gruppo: Mick
Jagger-Keith Richards.
Gli Stones si impongo
come vere “bestie
da scena†e
sottolineano la loro
immagine di
“cattivi
ragazziâ€.
Rolling Stones Fantasy Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084534-140 Composed by K. Ri...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084534-140
Composed by K. Richards
and Mick Jagger. Arranged
by Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2009. 28 pages. De Haske
Publications #DHP
1084534-140. Published by
De Haske Publications
(BT.DHP-1084534-140).
9x12 inches.
English-German-French-Dut
ch.
Millions of
fans will be delighted to
hear that, after 40 years
of collaboration and
countless international
tours, The Rolling Stones
still have no intention
of ending their career.
The band’s songs
have united fans
everywhere, be they new
fans, old fans, young or
old. Their most popular
songs are the ones they
wrote during the
60’s and early
70’s and it is
from this unforgettable
era that Peter Kleine
Schaars has picked their
greatest hits to form
this mind-blowing
medley.
Nach
über 40 Jahren
Bandgeschichte und
zahllosen Welttourneen
denken die Rolling Stones
noch lange nicht ans
Aufhören - zur Freude
von Millionen Fans
weltweit. Die Songs, die
Generationen von jungen
und alten, ehemaligen,
neuen und treuen Fans
vereinen, sind jedoch die
aus den sechziger und
frühen siebziger
Jahren des vergangenen
Jahrhunderts. Aus dieser
glorreichen Ära
wählte Peter Kleine
Schaars vier große
Hits für sein rockiges
Medley.
Formatisi
nel 1962, i Rolling
Stones conoscono
l’apice del
successo nel agosto 1965,
con il single
Satisfaction. Da
quel momento, nulla li
ferma nella loro corsa ai
record: record di
longevit , di album
venduti, di concerti e di
guadagni. Riconoscimenti
meritati, grazie al
carisma del duo leader
del gruppo: Mick
Jagger-Keith Richards.
Gli Stones si impongo
come vere “bestie
da scena†e
sottolineano la loro
immagine di
“cattivi
ragazziâ€.
The Rolling Stones on Tour Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Paint It, Black / Ruby Tuesday / (I Can't Get No) Satisfaction). By ...(+)
(Featuring: Paint It,
Black / Ruby Tuesday / (I
Can't Get No)
Satisfaction). By Mick
Jagger and Keith Richards
[The Rolling Stones].
Arranged by Patrick
Roszell. Concert Band.
Concert Band; Part(s);
Score; SmartMusic. Pop
Concert Band. Form:
Medley. Pop/R
(Featuring: Paint It, Black / Ruby Tuesday / (I Can't Get No) Satisfaction). By ...(+)
(Featuring: Paint It,
Black / Ruby Tuesday / (I
Can't Get No)
Satisfaction). By Mick
Jagger and Keith Richards
[Rolling Stones].
Arranged by Patrick
Roszell. Concert Band.
Concert Band; Score. Pop
Concert Band. Form:
Medley. Pop/Rock. Grade
3. 40 pages. Published by
Alfred Music Publishing
Domino Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
(Van Morrison's Tribute to Fats Domino). Composed by Van Morrison [Fats...(+)
(Van Morrison's
Tribute to
Fats Domino). Composed by
Van Morrison [Fats
Domino].
Arranged by Michael
Kamuf.
Concert Band. Concert
Band;
Part(s); Score. Pop Young
Band. Classic Pop. Grade
2.
208 pages. Published by
Alfred Music