Odyssee Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-140
Composed by Jan Bosveld.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000508-140. Published by
Gobelin Music
Publications
(BT.GOB-000508-140).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Odyssee Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-010
Composed by Jan Bosveld.
Set (Score & Parts). 72
pages. Gobelin Music
Publications #GOB
000508-010. Published by
Gobelin Music
Publications
(BT.GOB-000508-010).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Grade 1 SKU: CL.LDP-7196-00 Composed by Daehn. Concert Band. Score and se...(+)
Grade 1
SKU:
CL.LDP-7196-00
Composed by Daehn.
Concert Band. Score and
set of parts. Composed
1997. Duration 2 minutes,
1 second. Daehn
Publications
#LDP-7196-00. Published
by Daehn Publications
(CL.LDP-7196-00).
A bright tune
in F Major contrasts
nicely with folk-like
melodies in Aeolian and
Dorian modes to describe
a long-ago England. Very
attractive and worthy
music for young
bands!
Grade 1 SKU: CL.LDP-7196-01 Composed by Daehn. Concert Band. Extra full s...(+)
Grade 1
SKU:
CL.LDP-7196-01
Composed by Daehn.
Concert Band. Extra full
score. Composed 1997.
Duration 2 minutes, 1
second. Daehn
Publications
#LDP-7196-01. Published
by Daehn Publications
(CL.LDP-7196-01).
A bright tune
in F Major contrasts
nicely with folk-like
melodies in Aeolian and
Dorian modes to describe
a long-ago England. Very
attractive and worthy
music for young
bands!
( Skip to My Lou ). Arranged by Joseph Kreines. Concert Band. Concert Band; Scor...(+)
( Skip to My Lou ).
Arranged by Joseph
Kreines. Concert Band.
Concert Band; Score.
Alfred Debut Series.
Form: Variations. Grade
1.5. 16 pages. Published
by Alfred Music
( Skip to My Lou ). Arranged by Joseph Kreines. Concert Band. Concert Band; Part...(+)
( Skip to My Lou ).
Arranged by Joseph
Kreines. Concert Band.
Concert Band; Part(s);
Score. Alfred Debut
Series. Form: Variations.
Grade 1.5. 124 pages.
Published by Alfred Music
Publishing
Concert Band (Score) - Grade 2.5 SKU: HL.44012440 Composed by Bert Apperm...(+)
Concert Band (Score) -
Grade 2.5
SKU:
HL.44012440
Composed
by Bert Appermont. De
Haske Concert Band.
Festival. 32 pages.
Published by De Haske
Publications
(HL.44012440).
UPC:
888680084547. 9x12
inches.
This work
is based on the story of
the soldier and the
princess from the film
Cinema Paradiso.
Long ago a poor soldier
fell in love with a
beautiful princess. He
had nothing to offer her,
but managed to meet her
and declare his love. The
princess was very taken
by his emotional plea,
and told him that if he
were to wait under her
balcony for one hundred
days and nights, she
would be his. Waiting
patiently, the soldier
endured all manner of
torment from weather,
wildlife and starvation.
Finally on the
next-to-last night, the
soldier took up his chair
and disappeared. The
music evokes the
atmosphere of the
poignant story, and the
work is divided into
three different
movements. Duration:
5:00.
Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
Concert Band (Score & Parts) SKU: HL.4008643 Score and Parts. Comp...(+)
Concert Band (Score &
Parts)
SKU:
HL.4008643
Score
and Parts. Composed
by Franco Cesarini.
Arranged by Franco
Cesarini. Editions Franco
Cesarini. Concert Band,
Tuning, Warm-Up.
Softcover. Hal Leonard
#EFC003-CBHA. Published
by Hal Leonard
(HL.4008643).
ISBN
9798350114997. UPC:
196288189664.
Durin
g his experience as a
band conductor and
teacher of wind orchestra
conducting at university,
Franco Cesarini has dealt
with the topic of
warm-ups very frequently.
Throughout these long
years of conducting he
has had the opportunity
to try many existing
methods, evaluating their
advantages and
disadvantages. After a
long time, he has decided
to compile a collection
of chorales for warm-ups,
which are organized
according to the criteria
that he considers most
effective. While working
on his60 Warm-up Chorales
for Concert Band, Franco
Cesarini has always borne
in mind that amateur
musicians play for
pleasure. He feels that
it is extremely important
that they have
satisfaction at every
moment of the rehearsal
and not to start the
rehearsal with needless
“punishingâ€
exercises. Nobody is
really motivated to start
playing with scales, long
notes, or tricky
rhythmical exercises.
There is often a
distinguished absentee in
band rehearsals, namely
music itself! Although
this publication does not
foresee a specific tempo
for the chorales, they
should often be performed
rather slowly but without
dragging. Dynamics are
not indicated, so that
the conductor has the
opportunity to draw the
attention of the
musicians to his gestures
and to make them react
according to his
indications. Timpani and
bell parts have been
added with the aim of not
leaving the
percussionists completely
inactive during the
warm-up phase, but can
also be omitted. The
chorales are written in
four parts (SATB) and are
also playable in smaller
groups. The four voices
can be played in
different combinations of
woodwinds or brass
quartets or in mixed
combinations. The
collection includes ten
chorales for the
following keys: D flat
major, A flat major, E
flat major, B flat major,
F major and C major. With
his 60 Warm-up Chorales
Franco Cesarini would
like to convey the
message to play the
chorales in a musical
way, thus raising the
musiciansÂ’awareness
of phrasing, the right
interpretation of
cadences, rubato and
agogic. Above all, never
do anything
withoutputting the
musical aspect in the
foreground.
Concert Band (Full Score) SKU: HL.4007483 Score. Composed by Franc...(+)
Concert Band (Full Score)
SKU: HL.4007483
Score. Composed by
Franco Cesarini. Arranged
by Franco Cesarini.
Editions Franco Cesarini.
Concert Band, Tuning,
Warm-Up. Softcover. Hal
Leonard #EFC003-SC.
Published by Hal Leonard
(HL.4007483).
UPC:
196288058175.
Durin
g his experience as a
band conductor and
teacher of wind orchestra
conducting at university,
Franco Cesarini has dealt
with the topic of
warm-ups very frequently.
Throughout these long
years of conducting he
has had the opportunity
to try many existing
methods, evaluating their
advantages and
disadvantages. After a
long time, he has decided
to compile a collection
of chorales for warm-ups,
which are organized
according to the criteria
that he considers most
effective. While working
on his60 Warm-up Chorales
for Concert Band, Franco
Cesarini has always borne
in mind that amateur
musicians play for
pleasure. He feels that
it is extremely important
that they have
satisfaction at every
moment of the rehearsal
and not to start the
rehearsal with needless
“punishingâ€
exercises. Nobody is
really motivated to start
playing with scales, long
notes, or tricky
rhythmical exercises.
There is often a
distinguished absentee in
band rehearsals, namely
music itself! Although
this publication does not
foresee a specific tempo
for the chorales, they
should often be performed
rather slowly but without
dragging. Dynamics are
not indicated, so that
the conductor has the
opportunity to draw the
attention of the
musicians to his gestures
and to make them react
according to his
indications. Timpani and
bell parts have been
added with the aim of not
leaving the
percussionists completely
inactive during the
warm-up phase, but can
also be omitted. The
chorales are written in
four parts (SATB) and are
also playable in smaller
groups. The four voices
can be played in
different combinations of
woodwinds or brass
quartets or in mixed
combinations. The
collection includes ten
chorales for the
following keys: D flat
major, A flat major, E
flat major, B flat major,
F major and C major. With
his 60 Warm-up Chorales
Franco Cesarini would
like to convey the
message to play the
chorales in a musical
way, thus raising the
musiciansÂ’awareness
of phrasing, the right
interpretation of
cadences, rubato and
agogic. Above all, never
do anything
withoutputting the
musical aspect in the
foreground.
Composed by Paul Hart.
Score & parts. Duration
10:15. Published by G & M
Brand Music Publishers
(CN.R10311).
-Some time ago
Charles Hine, a dear
friend, asked me 'Isn't
it about time you wrote a
Czardas?' It wasn't such
a silly idea. I'd studied
violin as a child and
having learnt numerous
show pieces in that style
I felt quite at home with
the genre. Later in my
youth I was lucky enough
to work occasionally as
accompanist to a lovely
lady & singer Eve
Boswell, who was partly
Hungarian, and was
generous enough to give
me further insight into
the nature of Czardas.
Whilst the Wind Ensemble
is not the
instrumentation one might
expect for such a piece
the form is traditional,
albeit rather more
long-winded than some of
the fiddle 'lollypops'.'
- Paul Hart.
Composed by Paul Hart.
Score only. Duration
10:15. Published by G & M
Brand Music Publishers
(CN.S11311).
-Some time ago
Charles Hine, a dear
friend, asked me 'Isn't
it about time you wrote a
Czardas?' It wasn't such
a silly idea. I'd studied
violin as a child and
having learnt numerous
show pieces in that style
I felt quite at home with
the genre. Later in my
youth I was lucky enough
to work occasionally as
accompanist to a lovely
lady & singer Eve
Boswell, who was partly
Hungarian, and was
generous enough to give
me further insight into
the nature of Czardas.
Whilst the Wind Ensemble
is not the
instrumentation one might
expect for such a piece
the form is traditional,
albeit rather more
long-winded than some of
the fiddle 'lollypops'.'
- Paul Hart.
All the While Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198F Composed by Tyler Arcari. You...(+)
Band Concert Band - Grade
2
SKU: CF.YPS198F
Composed by Tyler Arcari.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS198F.
Published by Carl Fischer
Music (CF.YPS198F).
ISBN 9781491152867.
UPC:
680160910366.
All
the While was inspired
by a very special person
in Tyler Arcari's life.
Director's will be happy
to find many
opportunities for
emotional and passionate
playing with plenty of
fun in the middle for
young bands. All the
While gives students a
number of chances to
work on expressive
playing during the
beginning and ending
sections, and offers a
light rhythmic middle
section for
contrast. Program
Notes:All the While is a
bit of a personal piece
for me. I was inspired to
write it by a very
special person in my
life. It might be a
young-band piece but I
feel that it has the
capacity for great
emotion and passionate
playing as well as a
little fun in the middle.
Sometimes it is difficult
to tell people how you
feel, even if you have
known them for a long
time. I think sometimes
we say in our heads that
“I have felt this
way for a long
time,†and all the
while never being able to
put it to words.About the
work:The piece opens with
a flute and alto
saxophone duet. This
melody trades off at m.
10 with the addition of
new voices and harmonies
building in intensity all
the way to m. 28. I
personally like to use
extended phrases in this
section, though it looks
like it would just
utilize four-measure
phrases. I feel this adds
to the momentum building
in dynamic intensity.
Measure 28 is a subito
change beginning with a
prominent Timpani solo.
The following section
should be played as
lightly as possible to
avoid a lumbering feel.
In mm. 68- 70, the agogic
accents should not be
very heavy, but more
pointed in their momentum
to m. 70.Measures
70–76 should be
taken with metric liberty
bringing out all of the
moving parts in the low
brass. The low brass
really adds the
foundation of momentum
for the rest of the band
here. Measure 76 to the
end, though a repetition
of material from the
beginning, should be
played as the high point
of the piece and familiar
conclusion.
All the While Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198 Composed by Tyler Arcari. Youn...(+)
Band Concert Band - Grade
2
SKU: CF.YPS198
Composed by Tyler Arcari.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
8+2+8+8+2+4+10+4+2+4+4+8+
12+6+3+1+1+4+2+16+4
pages. Duration 2
minutes, 14 seconds. Carl
Fischer Music #YPS198.
Published by Carl Fischer
Music (CF.YPS198).
ISBN 9781491152188.
UPC: 680160909681. Key: C
minor.
All the
While was inspired by
a very special person in
Tyler Arcari's life.
Directors will be happy
to find many
opportunities for
emotional and passionate
playing with plenty of
fun in the middle for
young bands. All the
While gives students a
number of chances to
work on expressive
playing during the
beginning and ending
sections, and offers a
light rhythmic middle
section for
contrast. Program
Notes:All the While is a
bit of a personal piece
for me. I was inspired to
write it by a very
special person in my
life. It might be a
young-band piece but I
feel that it has the
capacity for great
emotion and passionate
playing as well as a
little fun in the middle.
Sometimes it is difficult
to tell people how you
feel, even if you have
known them for a long
time. I think sometimes
we say in our heads that
“I have felt this
way for a long
time,†and all the
while never being able to
put it to words.About the
work:The piece opens with
a flute and alto
saxophone duet. This
melody trades off at m.
10 with the addition of
new voices and harmonies
building in intensity all
the way to m. 28. I
personally like to use
extended phrases in this
section, though it looks
like it would just
utilize four-measure
phrases. I feel this adds
to the momentum building
in dynamic intensity.
Measure 28 is a subito
change beginning with a
prominent Timpani solo.
The following section
should be played as
lightly as possible to
avoid a lumbering feel.
In mm. 68- 70, the agogic
accents should not be
very heavy, but more
pointed in their momentum
to m. 70.Measures
70–76 should be
taken with metric liberty
bringing out all of the
moving parts in the low
brass. The low brass
really adds the
foundation of momentum
for the rest of the band
here. Measure 76 to the
end, though a repetition
of material from the
beginning, should be
played as the high point
of the piece and familiar
conclusion.
Too-Ra-Loo-Ra-Loo-Ral<
/i>. Composed by James
Royce Shannon. Arranged
by Carl Strommen. Concert
Band (CPS). Full score.
With Standard notation.
12 pages. Carl Fischer
Music #CPS215F. Published
by Carl Fischer Music
(CF.CPS215F).
ISBN
9781491153093. UPC:
680160910595.
Irish
Lullaby is based on
the song
Too-Ra-Loo-Ra-Loo-RalÂ
(That's an Irish
Lullaby). Carl
Strommen does what he
does best in creating a
beautifully orchestrated
piece with diverse
harmonies that will be
the highlight of your
next concert. It will be
a great piece to teach
phrasing and
musicianship. Too-Ra-L
oo-Ra-Loo-Ral
(“That’s An
Irish Lullaby†)
was written in 1913 by
composer James Royce
Shannon
(1881–1946) for
the Tin Pan Alley
musical, Shameen Dhu. The
original recording by
Chauncy Olcott became No.
1 on the music charts.
The song was then brought
back to prominence by
Bing Crosby’s
performance in the film
Going My Way (1944).
Crosby’s solo sold
over one million
copies.The University of
Notre Dame Band, started
in 1845, is the oldest
college band (in
continuous existence) in
the United States. The
band played as students
left to join the armies
during the Civil War,
World War 1 and 2, Korea
and Vietnam. In 1871, the
band played a benefit
concert for the victims
of the Great Chicago
Fire. The bands
performances in countless
settings and venues
include the Sydney Opera
House, Bejing Concert
Hall, Carnegie Hall, and,
in 2011, was awarded the
prestigious Sudler
Trophy, considered the
“Heisman
Trophy†of
Collegiate bands.The
Bands Director, Ken Dye,
is only the sixth
director in its long
history. Dr. Dye served
as composer/arranger for
the Sydney 2000 Olympic
band, and has produced
over 1800 works for band
and orchestra.
Too-Ra-Loo-Ra-Loo-Ral<
/i>. Composed by James
Royce Shannon. Arranged
by Carl Strommen. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
4+4+2+4+8+8+2+2+2+2+2+2+4
+4+4+2+2+3+3+3+3+4+1+1+2+
12+2 pages. Duration 3
minutes, 37 seconds. Carl
Fischer Music #CPS215.
Published by Carl Fischer
Music (CF.CPS215).
ISBN 9781491152416.
UPC:
680160909919.
Irish
Lullaby is based on
the song
Too-Ra-Loo-Ra-Loo-RalÂ
(That's an Irish
Lullaby). Carl
Strommen does what he
does best in creating a
beautifully orchestrated
piece with diverse
harmonies that will be
the highlight of your
next concert. It will be
a great piece to teach
phrasing and
musicianship. Too-Ra-L
oo-Ra-Loo-Ral
(“That’s An
Irish Lullaby†)
was written in 1913 by
composer James Royce
Shannon
(1881–1946) for
the Tin Pan Alley
musical, Shameen Dhu. The
original recording by
Chauncy Olcott became No.
1 on the music charts.
The song was then brought
back to prominence by
Bing Crosby’s
performance in the film
Going My Way (1944).
Crosby’s solo sold
over one million
copies.The University of
Notre Dame Band, started
in 1845, is the oldest
college band (in
continuous existence) in
the United States. The
band played as students
left to join the armies
during the Civil War,
World War 1 and 2, Korea
and Vietnam. In 1871, the
band played a benefit
concert for the victims
of the Great Chicago
Fire. The bands
performances in countless
settings and venues
include the Sydney Opera
House, Bejing Concert
Hall, Carnegie Hall, and,
in 2011, was awarded the
prestigious Sudler
Trophy, considered the
“Heisman
Trophy†of
Collegiate bands.The
Bands Director, Ken Dye,
is only the sixth
director in its long
history. Dr. Dye served
as composer/arranger for
the Sydney 2000 Olympic
band, and has produced
over 1800 works for band
and orchestra.
Zeus Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
(Dissidio e Furia). By Federico Agnello. For concert band. Grade 3.5. Score an...(+)
(Dissidio e Furia). By
Federico Agnello. For
concert
band. Grade 3.5. Score
and
full set of parts.
Duration 8
minutes, 30 seconds.
Published
by Scomegna Edizioni
Musical
srl
Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major.
Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F).
ISBN
9781491153239. UPC:
680160910731.
Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
SKU: CL.WFR306 Walking Frog Records CD. Walking Frog Records. Play Along....(+)
SKU: CL.WFR306
Walking Frog Records CD.
Walking Frog Records.
Play Along. CD. Composed
1999. Walking Frog
Records #WFR306.
Published by Walking Frog
Records (CL.WFR306).
An incredible
set utilizing recordings
from the 19 volume Gems
Of The Concert Band LP
record series. These
famous recordings were
remarkable for the
superlative
interpretations and
masterful performances of
Leonard B. Smith and the
Detroit Concert Band.
Digitally remastered with
the clarity of the
original performances
restored. A top notch
band which produced great
music... these are
fabulous recordings. -
Robert Peckham,
Windjammers Unlimited
Volume 1 - Great
Performances Introduction
to Act III of Lohengrin;
Marche Militaire
Francaise; Espana
Rhapsody; Shepherd's Hey;
Excerpts from Andrea
Chenier; Dance of the
Tumblers from
Snegourotchka; Flight of
the Bumblebee; Theme and
Variations from Suite No.
III; Marche Hongroise
Rakoczy; Rhapsodic Dance;
Bamboula; Clear Track
Polka; Polka and Fugue
from Schwanda the Bagpipe
Player; Excerpts from
Manzoni Requiem Volume 2
- Magnificent Marches
Americans We; Chicago
Tribune; Mainliner; Music
Festival; Official West
Point March; Spirit of
Independence; The Chimes
of Liberty; Valdres;
World Events; Barnum and
Bailey's Favorite;
American Patrol;
Jurisprudence; Bombasto;
Boston Commandery; March
of the Toys; On Jersey
Shore; Second Regiment -
Connecticut National
Guard; The Joker; The
March King; Under the
Double Eagle; Gate City;
Lights Out; American Red
Cross March; Entry of the
Gladiators; National
Emblem March; Volume 3 -
Music of the Masters
March and Procession of
Bacchus fromSylvia;
Bacchanale from Samson
and Delilah; Italian
Polka; Slavonic Dance No.
3; Farandole from
L'Arlesienne Suite;
Finlandia; Golliwog's
Cake Walk; The Kaffir on
the Karoo; Fugue a la
Gigue; Symphony No. 4
(Finale); Two Norwegian
Dances; Hungarian Dance
No. 5; Ecossaises; Second
Hungarian Rhapsody Volume
4 - Virtuoso Soloists
Carnival of Venice;
Fantastic Polka; Believe
Me; If All Those
Endearing Young Charms;
Rigoletto: Bella figlia
del amore; The Bugler;
Through the Air; Bugler's
Holiday; Blue Bells of
Scotland; Columbian
Fantasy; The Bride Elect:
An Awkward Complication
This; Wood Up Quickstep;
The Three Solitaires; The
Southern Cross; Bravura
Variations; My Heaven of
Love; Atlantic Zephyrs;
Land of the Free; Sextet:
Chi mi frena... Volume 5
- Legendary Overtures
Zampa Overture; La Forza
del Destino Overture;
Light Cavalry Overture;
Oberon Overture; Raymond
Overture; Ruy Blas
Overture; Egmont
Overture; Roman Carnival
Overture; William Tell
Overture.