Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Composed by John Philip Sousa (1854-1932). Arranged by Keith Brion and Loras Sch...(+)
Composed by John Philip
Sousa (1854-1932).
Arranged by Keith Brion
and Loras Schissel.
Concert Band. Sousa
Centennial. Audio
recording available
separately (item
CL.WFR137). Classical.
Score and set of parts.
Composed 1997. Duration 2
minutes, 30 seconds.
Published by Willow
Blossom Music
Diamond Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-354-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-354-010
Euphonium Concerto No.
3. Composed by Philip
Sparke. Elite Series. Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 354-010. Published
by Anglo Music Press
(BT.AMP-354-010).
9x12
inches.
English-German-French-Dut
ch.
Diamond
Concerto was
commissioned by
Musikverein Mörschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven
Mead’s special
euphonium sound in his
head throughout the
composition process and
made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMörschied lies to
the west of Frankfurt am
Main in the area known as
the German Road of
Precious Stones, which is
famous for its thriving
gem industry. Because of
this it was decided to
give the commission a
local connection by
choosing the title,
Diamond Concerto.
Each of the three
movements is named after
a famous diamond:1 EARTH
STARis rather stern in
mood, opening with a free
fantasy for the soloist
over a static chord from
the band. This leads to
an Allegro Moderato in
minor mode where small
motives are gradually
repeated and developed by
both band and soloist.2
OCEAN DREAMuses a varied
quote from the
composer’s
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven
Mead’s suggestion,
in bebop style and takes
the form of a jazz waltz.
The quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Mörschied - met
dirigent Eric Grandjean -
voor een speciaal concert
met Steven Mead als
gastsolist. De
wereldpremière vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarrièr
e.Het plaatsje
Mörschied ligt ten
westen van Frankfurt am
Main, in het gebied dat
bekendstaat als de
Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van
Sparke’s werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben
für den Musikverein
Mörschied, westlich
von Frankfurt am Main an
der Deutschen
Edelsteinstraße
gelegen, wurde jeder der
drei Sätze von
Diamond Concerto
nach einem berühmten
Diamanten benannt: 1
EARTH STAR ist eher
stimmungstechnisch ein
Stern. Der Satz beginnt
mit einer freien Fantasie
des Solisten über
einem statischen Akkord
des Orchesters. Dieses
führt zu einem Allegro
Moderato in Moll, in
welchem kurze Motive von
sowohl Orchester als auch
Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthält, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthält
eine Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen
Holzbläsern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist für Euphonium und
Klavier erhältlich
(AMP 374-401) sowie
für Euphonium und
Brass Band (AMP 354-030).
Score and Parts.
Composed by Philip
Sparke. Anglo Music
Concert Band. Set (Score
& Parts). Composed 2012.
Anglo Music Press
#AMP354010. Published by
Anglo Music Press
(HL.44011228).
Diamond
Concerto was
commissioned by
Musikverein Morschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven Mead's
special euphonium sound
in his head throughout
the composition process
and made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMorschied lies to the
west of Frankfurt am Main
in the area known as the
German Road of Precious
Stones, which is famous
for its thriving gem
industry. Because of this
it was decided to give
the commission a local
connection by choosing
the title, Diamond
Concerto. Each of the
three movements is named
after a famous diamond:1
EARTH STARis rather stern
in mood, opening with a
free fantasy for the
soloist over a static
chord from the band. This
leads to an Allegro
Moderato in minor mode
where small motives are
gradually repeated and
developed by both band
and soloist.2 OCEAN
DREAMuses a varied quote
from the composer's
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven Mead's
suggestion, in bebop
style and takes the form
of a jazz waltz. The
quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Morschied - met dirigent
Eric Grandjean - voor een
speciaal concert met
Steven Mead als
gastsolist. De
wereldpremiere vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarriere.H
et plaatsje Morschied
ligt ten westen van
Frankfurt am Main, in het
gebied dat bekendstaat
als de Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van Sparke's werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben fur
den Musikverein
Morschied, westlich von
Frankfurt am Main an der
Deutschen
Edelsteinstrasse gelegen,
wurde jeder der drei
Satze von Diamond
Concerto nach einem
beruhmten Diamanten
benannt: 1 EARTH STAR ist
eher stimmungstechnisch
ein Stern. Der Satz
beginnt mit einer freien
Fantasie des Solisten
uber einem statischen
Akkord des Orchesters.
Dieses fuhrt zu einem
Allegro Moderato in Moll,
in welchem kurze Motive
von sowohl Orchester als
auch Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthalt, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthalt eine
Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen Holzblasern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist fur Euphonium und
Klavier erhaltlich (AMP
374-401) sowie fur
Euphonium und Brass Band
(AMP 354-030).
Diamond
Concerto est une
œuvre de commande de
la formation allemande
Musikverein Morschied,
dirigee par le Dr Eric
Grandjean, pour un
concert avec un invite
special, le soliste
Steven Mead. Ensemble,
ils ont cree cette
œuvre le 28 avril
2012 au theatre de la
ville
d'Idar-Oberstein.Cette
commande represente l'un
des points culminants
d'une amitie de trente
annees entre le
compositeur et le
soliste, leur relation
ayant donne naissance a
de nombreux
enregistrements et
concerts et, maintenant,
a un concerto. Pendant la
composition de cette
œuvre, Sparke avait
sans cesse a l'esprit le
son bien particulier de
l'euphonium de Steven
Mead, et il a employe
librement lavariete de
styles que ce virtuose
mondialement connu a
adoptes au cours de sa
brillante carriere de
soliste.Le village de
Morschied se trouve a
l'ouest de
Francfort-sur-le-Main,
dans la region surnommee
Route allemande des
pierres precieuses,
celebre pour son
industrie de la
joaillerie. C'est
pourquoi le compositeur a
decide de saluer cette
province en intitulant
son œuvre Diamond
Concerto. Les trois
mouvements sont chacun
nommes d'apres un diamant
celebre :1 EARTH STARDe
caractere plutot serieux,
ce mouvement debute avec
une fantaisie libre pour
le soliste sur un accord
statique de l'orchestre.
Vient ensuite un Allegro
Moderato en mode mineur
ou de courts motifs sont
progressivement repetes
et developpes par
l'orchestre et le
soliste.2 OCEAN DREAML'on
pourra entendre ici une
variante d'un extrait de
Music for Battle
Creek, incluant une
melodie lente et
emouvante, que le
compositeur ecrivit alors
dans l'optique d'une
future interpretation
realisee par Steven
Mead.3 BLUE HEARTSuivant
l'idee de Steven Mead, ce
mouvement est ecrit dans
un style de be-bop et
prend la forme d'une
valse jazzy. La partie
centrale,
quasi-improvisee,
comprend un passage
d'appel et reponse entre
le soliste et les
bois.Soliste: Difficulte
6Diamond Concerto
est aussi disponible pour
euphonium et piano (AMP
374-401) et euphonium et
brass.
Score Only.
Composed by Philip
Sparke. Anglo Music
Concert Band. Score Only.
Composed 2012. 64 pages.
Anglo Music Press
#AMP354140. Published by
Anglo Music Press
(HL.44011229).
Diamond
Concerto was
commissioned by
Musikverein Morschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven Mead's
special euphonium sound
in his head throughout
the composition process
and made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMorschied lies to the
west of Frankfurt am Main
in the area known as the
German Road of Precious
Stones, which is famous
for its thriving gem
industry. Because of this
it was decided to give
the commission a local
connection by choosing
the title, Diamond
Concerto. Each of the
three movements is named
after a famous diamond:1
EARTH STARis rather stern
in mood, opening with a
free fantasy for the
soloist over a static
chord from the band. This
leads to an Allegro
Moderato in minor mode
where small motives are
gradually repeated and
developed by both band
and soloist.2 OCEAN
DREAMuses a varied quote
from the composer's
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven Mead's
suggestion, in bebop
style and takes the form
of a jazz waltz. The
quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Morschied - met dirigent
Eric Grandjean - voor een
speciaal concert met
Steven Mead als
gastsolist. De
wereldpremiere vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarriere.H
et plaatsje Morschied
ligt ten westen van
Frankfurt am Main, in het
gebied dat bekendstaat
als de Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van Sparke's werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben fur
den Musikverein
Morschied, westlich von
Frankfurt am Main an der
Deutschen
Edelsteinstrasse gelegen,
wurde jeder der drei
Satze von Diamond
Concerto nach einem
beruhmten Diamanten
benannt: 1 EARTH STAR ist
eher stimmungstechnisch
ein Stern. Der Satz
beginnt mit einer freien
Fantasie des Solisten
uber einem statischen
Akkord des Orchesters.
Dieses fuhrt zu einem
Allegro Moderato in Moll,
in welchem kurze Motive
von sowohl Orchester als
auch Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthalt, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthalt eine
Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen Holzblasern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist fur Euphonium und
Klavier erhaltlich (AMP
374-401) sowie fur
Euphonium und Brass Band
(AMP 354-030).
Diamond
Concerto est une
œuvre de commande de
la formation allemande
Musikverein Morschied,
dirigee par le Dr Eric
Grandjean, pour un
concert avec un invite
special, le soliste
Steven Mead. Ensemble,
ils ont cree cette
œuvre le 28 avril
2012 au theatre de la
ville
d'Idar-Oberstein.Cette
commande represente l'un
des points culminants
d'une amitie de trente
annees entre le
compositeur et le
soliste, leur relation
ayant donne naissance a
de nombreux
enregistrements et
concerts et, maintenant,
a un concerto. Pendant la
composition de cette
œuvre, Sparke avait
sans cesse a l'esprit le
son bien particulier de
l'euphonium de Steven
Mead, et il a employe
librement lavariete de
styles que ce virtuose
mondialement connu a
adoptes au cours de sa
brillante carriere de
soliste.Le village de
Morschied se trouve a
l'ouest de
Francfort-sur-le-Main,
dans la region surnommee
Route allemande des
pierres precieuses,
celebre pour son
industrie de la
joaillerie. C'est
pourquoi le compositeur a
decide de saluer cette
province en intitulant
son œuvre Diamond
Concerto. Les trois
mouvements sont chacun
nommes d'apres un diamant
celebre :1 EARTH STARDe
caractere plutot serieux,
ce mouvement debute avec
une fantaisie libre pour
le soliste sur un accord
statique de l'orchestre.
Vient ensuite un Allegro
Moderato en mode mineur
ou de courts motifs sont
progressivement repetes
et developpes par
l'orchestre et le
soliste.2 OCEAN DREAML'on
pourra entendre ici une
variante d'un extrait de
Music for Battle
Creek, incluant une
melodie lente et
emouvante, que le
compositeur ecrivit alors
dans l'optique d'une
future interpretation
realisee par Steven
Mead.3 BLUE HEARTSuivant
l'idee de Steven Mead, ce
mouvement est ecrit dans
un style de be-bop et
prend la forme d'une
valse jazzy. La partie
centrale,
quasi-improvisee,
comprend un passage
d'appel et reponse entre
le soliste et les
bois.Soliste: Difficulte
6Diamond Concerto
est aussi disponible pour
euphonium et piano (AMP
374-401) et euphonium et
brass.
Full Score Concert Band (Score) - Grade 2-3 SKU: HL.4002924 Composed by J...(+)
Full Score Concert Band
(Score) - Grade 2-3
SKU: HL.4002924
Composed by Johnnie
Vinson. Flex-Band Grade
3. Folk. 32 pages.
Published by Hal Leonard
(HL.4002924).
UPC:
884088457105.
9.0x12.0x0.064
inches.
This
arrangement for flexible
instrumentation is a
setting of three
traditional Czech
melodies displaying a
wide range of moods and
styles. Includes: Walking
at Night; Meadows Green
and Spring, The
Madcap.
Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
Odysseia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch.
Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
The Golden Sixties Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1175842-140 You Can't Hu...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1175842-140
You Can't Hurry Love -
Son-Of-A-Preacher Man -
Stand By Me - Think.
Arranged by Richard
Johnsen. DHP Pop, Film
and Show. Pop & Rock.
Score Only. Composed
2017. 25 pages. De Haske
Publications #DHP
1175842-140. Published by
De Haske Publications
(BT.DHP-1175842-140).
The 1960s is
one of the most
fascinating eras in the
history of popular music.
Many great hits from then
have been turned into new
versions during later
decades after initial
success. But everyone,
both young and old,
remembers the original
songs well. Richard
Johnsen has made great
arrangements of You
Can't Hurry Love,
Son-of-A-Preacher
Man, Stand By
Me and Think,
for this spectacular
medley, The Golden
Sixties.
De
jaren zestig: een
fascinerend tijdperk uit
de geschiedenis van de
popmuziek. Veel grote
hits uit die periode zijn
in de decennia die erop
volgden verschillende
keren in een nieuw jasje
gestoken, maar iedereen
jong en oud kent ook de
originele songs. Richard
Johnsen bewerkte You
Can't Hurry Love,
Son-Of-A-Preacher
Man, Stand By
Me en Think,
waarmee hij deze fraaie
en spectaculaire medley
The Golden Sixties
in het leven
riep.
Die 1960er
Jahre gehören zu den
faszinierendsten Zeiten
in der Geschichte der
Popmusik. Viele bekannte
Hits aus dieser Zeit
erschienen in den
Jahrzehnten nach ihrem
ursprünglichen Erfolg
mehrmals in neuen
Versionen. Aber jeder,
sowohl die Jungen als
auch die Alten, erinnert
sich auch noch an die
Originalversion der
Songs. Richard Johnsen
hat tolle Arrangements
von You Can't Hurry
Love,
Son-Of-A-Preacher
Man, Stand By
Me und Think
geschrieben und das
fantastische Medley
The Golden Sixties
erstellt.
Gli anni
’60 sono uno dei
periodi più
affascinanti per la
musica pop. Molte hit di
quegli anni, dopo il
successo inziale, sono
state riviste in nuove
versioni negli ultimi
decenni. Ma proprio
tutti, sia giovani che
meno giovani, ricordano
molto bene la versione
originale. Richard
Johnsen ha sapientemente
arrangiato per questo
spettacolare medley i
brani You Can't Hurry
Love,
Son-Of-A-Preacher
Man, Stand By
Me e
Think.
The Golden Sixties Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1175842-010 You Can't Hu...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1175842-010
You Can't Hurry Love -
Son-Of-A-Preacher Man -
Stand By Me - Think.
Arranged by Richard
Johnsen. DHP Pop, Film
and Show. Pop & Rock. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175842-010. Published by
De Haske Publications
(BT.DHP-1175842-010).
The 1960s is
one of the most
fascinating eras in the
history of popular music.
Many great hits from then
have been turned into new
versions during later
decades after initial
success. But everyone,
both young and old,
remembers the original
songs well. Richard
Johnsen has made great
arrangements of You
Can't Hurry Love,
Son-of-A-Preacher
Man, Stand By
Me and Think,
for this spectacular
medley, The Golden
Sixties.
De
jaren zestig: een
fascinerend tijdperk uit
de geschiedenis van de
popmuziek. Veel grote
hits uit die periode zijn
in de decennia die erop
volgden verschillende
keren in een nieuw jasje
gestoken, maar iedereen
jong en oud kent ook de
originele songs. Richard
Johnsen bewerkte You
Can't Hurry Love,
Son-Of-A-Preacher
Man, Stand By
Me en Think,
waarmee hij deze fraaie
en spectaculaire medley
The Golden Sixties
in het leven
riep.
Die 1960er
Jahre gehören zu den
faszinierendsten Zeiten
in der Geschichte der
Popmusik. Viele bekannte
Hits aus dieser Zeit
erschienen in den
Jahrzehnten nach ihrem
ursprünglichen Erfolg
mehrmals in neuen
Versionen. Aber jeder,
sowohl die Jungen als
auch die Alten, erinnert
sich auch noch an die
Originalversion der
Songs. Richard Johnsen
hat tolle Arrangements
von You Can't Hurry
Love,
Son-Of-A-Preacher
Man, Stand By
Me und Think
geschrieben und das
fantastische Medley
The Golden Sixties
erstellt.
Gli anni
’60 sono uno dei
periodi più
affascinanti per la
musica pop. Molte hit di
quegli anni, dopo il
successo inziale, sono
state riviste in nuove
versioni negli ultimi
decenni. Ma proprio
tutti, sia giovani che
meno giovani, ricordano
molto bene la versione
originale. Richard
Johnsen ha sapientemente
arrangiato per questo
spettacolare medley i
brani You Can't Hurry
Love,
Son-Of-A-Preacher
Man, Stand By
Me e
Think.
King Cotton Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Willow Blossom Music
March. Composed by John Philip Sousa (1854-1932). Arranged by Keith Brion and Lo...(+)
March. Composed by John
Philip Sousa (1854-1932).
Arranged by Keith Brion
and Loras Schissel.
Concert Band. Sousa
Centennial. Audio
recording available
separately (items
CL.WFR325 and CL.WFR194).
March. Score and set of
parts. Composed 2000.
Duration 2 minutes, 52
seconds. Published by
Willow Blossom Music
El Capitan Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Willow Blossom Music
March. Composed by John Philip Sousa (1854-1932). Arranged by Keith Brion and Lo...(+)
March. Composed by John
Philip Sousa (1854-1932).
Arranged by Keith Brion
and Loras Schissel.
Concert Band. Sousa
Centennial. Audio
recording available
separately (item
CL.WFR137). March. Score
and set of parts.
Composed 1999. Duration 2
minutes, 17 seconds.
Published by Willow
Blossom Music
The Beatles Orchestre d'harmonie [Partition + CD] - Débutant Hal Leonard
(Essential Elements for Band Correlated Collections Score w/CD). By The Beatles....(+)
(Essential Elements for
Band Correlated
Collections Score w/CD).
By The Beatles. Arranged
by John Moss, Johnnie
Vinson, and Robert
Longfield. For Conductor
(CONDUCTOR). Essential
Elements Band Folios.
Grade 1.5. Softcover with
CD. 68 pages. Published
by H
The Beatles Orchestre d'harmonie [Conducteur et Parties séparées + CD] Hal Leonard
(Essential Elements for Band Correlated Collections Value Pak (Conductor with CD...(+)
(Essential Elements for
Band Correlated
Collections Value Pak
(Conductor with CD 24
Part Books)). By The
Beatles. Arranged by John
Moss, Johnnie Vinson, and
Robert Longfield. For
Concert Band (Kit of
score and part books).
Essential Elements Band
Folios
Taylor Swift: Eras Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Score and Parts Concert Band (Score and Parts) - Grade 2 SKU: HL.4008522 ...(+)
Score and Parts Concert
Band (Score and Parts) -
Grade 2
SKU:
HL.4008522
By Taylor
Swift. Arranged by
Johnnie Vinson. Discovery
Plus Concert Band.
Concert, Pop. Softcover.
Duration 335 seconds.
Published by Hal Leonard
(HL.4008522).
UPC:
196288176848.
9.0x12.0x0.742
inches.
Pop icon
Taylor Swift has
continued to expand her
popularity thanks to her
“Eras Tour” across
the country, and now a
concert film. Here is a
great-sounding medley for
young bands featuring
signature hits from her
various “eras.”
Includes: You Belong to
Me, Enchanted, I Knew You
Were Trouble, Shake It
Off, Look What You Made
Me Do, Cardigan, and
Anti-Hero.
Songs of Aloha Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Hawaiian Wedding Song / Hawaiian War Chant / Aloha 'Oe). Ar...(+)
(Featuring: Hawaiian
Wedding
Song / Hawaiian War Chant
/
Aloha 'Oe). Arranged
by
Ralph Ford. Concert Band.
Concert Band; Part(s);
Score. Pop Symphonic
Band.
Folk. Grade 4. 262 pages.
Published by Alfred Music
Songs of Aloha Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
(Featuring: Hawaiian Wedding Song / Hawaiian War Chant / Aloha 'Oe). Arranged by...(+)
(Featuring: Hawaiian
Wedding Song / Hawaiian
War Chant / Aloha 'Oe).
Arranged by Ralph Ford.
Concert Band. Concert
Band; Score. Pop
Symphonic Band. Folk.
Grade 4. 32 pages.
Published by Alfred Music
Mah-na Mah-na Orchestre d'harmonie [Conducteur] - Facile Boosey and Hawkes
Score Only Concert Band (Score) - Level 1.5 SKU: HL.4005434 Composed by P...(+)
Score Only Concert Band
(Score) - Level 1.5
SKU: HL.4005434
Composed by Piero
Umiliani. Arranged by
Johnnie Vinson. Discovery
Concert Band. Latin.
Softcover. Published by
Boosey & Hawkes
(HL.4005434).
UPC:
888680726829.
9.0x12.0x0.047
inches.
Made famous
by the Muppets, but also
recorded by a number of
contemporary artists
(including rock group
Cake) this clever tune is
sure to raise a smile.
Arranged here in a
straight 8th Latin style
(rather than swing) the
melody is cleverly passed
from section to section.
Sure to be a fun piece
for your students.
Song of Tosagata Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Kjos Music Company
Band concert band - Grade 3 SKU: KJ.WB175 Composed by Mike Hannickel. Sta...(+)
Band concert band - Grade
3
SKU: KJ.WB175
Composed by Mike
Hannickel. Standard of
Excellence in Concert.
Score and set of parts.
Neil A. Kjos Music
Company #WB175. Published
by Neil A. Kjos Music
Company (KJ.WB175).
Song of
Tosagata is a skillfully
crafted arrangement of an
authentic ballad from
Northern Japan. Filled
with multicultural and
inter- disciplinary
enrichment possibilities,
this delicate and
mysterious work features
timbres And textures
reminiscent of the
classic Japanese
instrumental trio
comprised of the
Shakuhachi, Samisen, And
Koto. Adding to the
arrangement's uniqueness
and authentic flavor are
optional parts for
autoharp (also playable
on synthesizer) and
template bells, playable
on a student-made version
of the traditional
instrument.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084420-010 Composed by Giaco...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084420-010
Composed by Giacomo
Puccini. Arranged by Wil
van der Beek. Great
Classics. Classical. Set
(Score and Parts).
Composed 2007. De Haske
Publications #DHP
1084420-010. Published by
De Haske Publications
(BT.DHP-1084420-010).
9x12 inches.
English-German-French-Dut
ch.
Giacomo Puccini
was one of the all time
great opera composers
andis especially famed
for his wonderful,
warm-blooded melodies,
hiscolourful
instrumentations, his
compelling dramatics, his
musicalfantasy and his
power to reflect exotic
ambiences in sounds.
ForPuccini Highlights,
Wil van der Beek has made
use of musical
materialfrom the tenor
aria â??E lucevan le
stelleâ?? (Tosca), the
choral aria â??Girala
coteâ?? (Turandot) and
the soprano aria â??Un
bel di vedremoâ??
(MadamButterfly). An
operatic masterpiece that
will go down a storm at
anyconcert.
Puccin
i wordt geroemd om zijn
warmbloedige
melodieën, kleurrijke
instrumentaties,
meeslepende dramatiek en
muzikale fantasie.
Opvallend veel
Puccini-ariaâ??s zijn
buiten hun eigenlijke
context aantrekkelijk
gebleken voor de
concertpraktijk.Voor
Puccini Highlights
heeft Wil van der Beek
gebruik gemaakt van
muzikaal materiaal uit de
tenoraria â??E lucevan
le stelleâ??
(Tosca), de
kooraria â??Gira la
coteâ??
(Turandot) en de
sopraanaria â??Un bel
divedremoâ?? (Madama
Butterfly).
Pu
ccini war zweifellos
einer der erfolgreichsten
italienischen
Opernkomponisten aller
Zeiten. Viele seiner
Arien haben sich auch als
beliebte Konzertstücke
auÃ?erhalb ihres
eigentlichen Kontexts
bewährt. Für
Puccini Highlights
verwendete Wil van der
Beek musikalisches
Material aus der
Tenorarie E Lucevan le
Stelle aus
Tosca, der
Chorarie Gira la
Cote aus
Turandot sowie der
Sopranarie Un Bel di
Vedremo aus Madama
Butterfly.
Puccini Highlights Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084420-140 Composed by Giaco...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084420-140
Composed by Giacomo
Puccini. Arranged by Wil
van der Beek. Great
Classics. Classical.
Score Only. Composed
2007. 24 pages. De Haske
Publications #DHP
1084420-140. Published by
De Haske Publications
(BT.DHP-1084420-140).
9x12 inches.
English-German-French-Dut
ch.
Giacomo Puccini
was one of the all time
great opera composers
andis especially famed
for his wonderful,
warm-blooded melodies,
hiscolourful
instrumentations, his
compelling dramatics, his
musicalfantasy and his
power to reflect exotic
ambiences in sounds.
ForPuccini Highlights,
Wil van der Beek has made
use of musical
materialfrom the tenor
aria ‘E lucevan le
stelle’ (Tosca),
the choral aria
‘Girala
cote’ (Turandot)
and the soprano aria
‘Un bel di
vedremo’
(MadamButterfly). An
operatic masterpiece that
will go down a storm at
anyconcert.
Puccin
i wordt geroemd om zijn
warmbloedige
melodieën, kleurrijke
instrumentaties,
meeslepende dramatiek en
muzikale fantasie.
Opvallend veel
Puccini-aria’s
zijn buiten hun
eigenlijke context
aantrekkelijk gebleken
voor de
concertpraktijk.Voor
Puccini Highlights
heeft Wil van der Beek
gebruik gemaakt van
muzikaal materiaal uit de
tenoraria ‘E
lucevan le stelle’
(Tosca), de
kooraria ‘Gira la
cote’
(Turandot) en de
sopraanaria ‘Un bel
divedremo’
(Madama
Butterfly).
Pu
ccini war zweifellos
einer der erfolgreichsten
italienischen
Opernkomponisten aller
Zeiten. Viele seiner
Arien haben sich auch als
beliebte Konzertstücke
außerhalb ihres
eigentlichen Kontexts
bewährt. Für
Puccini Highlights
verwendete Wil van der
Beek musikalisches
Material aus der
Tenorarie E Lucevan le
Stelle aus
Tosca, der
Chorarie Gira la
Cote aus
Turandot sowie der
Sopranarie Un Bel di
Vedremo aus Madama
Butterfly.
Greatest Hits.
Arranged by Richard
Johnsen. DHP Pop, Film
and Show. Pop & Rock.
Score Only. Composed
2017. 24 pages. De Haske
Publications #DHP
1175836-140. Published by
De Haske Publications
(BT.DHP-1175836-140).
The iconic
American rock band
‘Red Hot Chili
Peppers’ were
founded in the early
80’s, and are to
this day one of a few
bands with such a long
and impressive record of
musical achievement.
Richard Johnsen made a
perfectly playable
arrangement,
withoutcutting out any
stylistic qualities of
the originals. The medley
consists of the songs
Californication,
Under the Bridge
and Snow (Hey Oh).
Rock your audience!
Die kultige
amerikanische Rockband
Red Hot Chili Peppers
wurde in den frühen
1980er Jahren
gegründet und ist
heute eine der wenigen
Bands, die schon so lange
unglaublich erfolgreich
ist. Richard Johnsen hat
ein gut spielbares
Arrangement erstellt,ohne
dabei die Songs
stilistisch zu
verändern. Dieses
Medley besteht aus den
Liedern
Californication,
Under the Bridge
und Snow (Hey Oh).
Bringen Sie Ihr Publikum
zum Rocken!
La leggendaria
band americana Red Hot
Chili Peppers è stata
fondata nei primi anni
‘80 ed è ancora
oggi uno dei pochi gruppi
che può vantare un
impressionante elenco di
riconoscimenti in ambito
musicale. Richard Johnson
ha realizzato un
arrangiamento
perfettamente eseguibile
nel rispetto della qualit
stilistica degli
originali. Il medley
contiene
Californication,
Under the Bridge e
Snow (Hey Oh).
Rock per il vostro
pubblico!
Greatest Hits.
Arranged by Richard
Johnsen. DHP Pop, Film
and Show. Pop & Rock. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175836-010. Published by
De Haske Publications
(BT.DHP-1175836-010).
The iconic
American rock band
‘Red Hot Chili
Peppers’ were
founded in the early
80’s, and are to
this day one of a few
bands with such a long
and impressive record of
musical achievement.
Richard Johnsen made a
perfectly playable
arrangement,
withoutcutting out any
stylistic qualities of
the originals. The medley
consists of the songs
Californication,
Under the Bridge
and Snow (Hey Oh).
Rock your audience!
Die kultige
amerikanische Rockband
Red Hot Chili Peppers
wurde in den frühen
1980er Jahren
gegründet und ist
heute eine der wenigen
Bands, die schon so lange
unglaublich erfolgreich
ist. Richard Johnsen hat
ein gut spielbares
Arrangement erstellt,ohne
dabei die Songs
stilistisch zu
verändern. Dieses
Medley besteht aus den
Liedern
Californication,
Under the Bridge
und Snow (Hey Oh).
Bringen Sie Ihr Publikum
zum Rocken!
La leggendaria
band americana Red Hot
Chili Peppers è stata
fondata nei primi anni
‘80 ed è ancora
oggi uno dei pochi gruppi
che può vantare un
impressionante elenco di
riconoscimenti in ambito
musicale. Richard Johnson
ha realizzato un
arrangiamento
perfettamente eseguibile
nel rispetto della qualit
stilistica degli
originali. Il medley
contiene
Californication,
Under the Bridge e
Snow (Hey Oh).
Rock per il vostro
pubblico!
Concert Band (Score & Parts) - Grade 5 SKU: HL.50600222 G. Schirmer Au...(+)
Concert Band (Score &
Parts) - Grade 5
SKU:
HL.50600222
G.
Schirmer Autograph
Edition. By
Thelonious Monk. By John
Harbison. Edited by Peter
Stanley Martin. G.
Schirmer Band/Orchestra.
Festival. Published by G.
Schirmer (HL.50600222).
ISBN 9781495019944.
UPC: 888680066260.
10.5x14
inches.
Composer
John Harbison writes:
“Rubies is a
version of Thelonious
Monk's Ruby, My
Dear, which he
composed while still in
his teens. When I was
invited by the Seattle
Symphony to make a short
piece reflecting my first
musical passions, my
thoughts were of Bach and
Monk. Since I had
recently made some
Bach-like chorale
preludes, I chose to make
a version of Monk's tune,
first in a
chamber-musical,
contrapuntal manner, then
in the grand orchestral
style I had always heard
lurking there.”
Duration:
5:30
(Recorded
live by the Rutgers
Symphony Band –
Peter Stanley Martin,
guest conductor).
Score Only Concert Band (Full Score) - Grade 5 SKU: HL.50600223 G. Sch...(+)
Score Only Concert Band
(Full Score) - Grade 5
SKU: HL.50600223
G. Schirmer Autograph
Edition. By
Thelonious Monk. By John
Harbison. Edited by Peter
Stanley Martin. G.
Schirmer Band/Orchestra.
Festival. 16 pages.
Duration 330 seconds.
Published by G. Schirmer
(HL.50600223).
ISBN
9781495019951. UPC:
888680066277.
10.5x14.0x0.062
inches.
Composer
John Harbison writes:
“Rubies is a
version of Thelonious
Monk's Ruby, My Dear,
which he composed while
still in his teens. When
I was invited by the
Seattle Symphony to make
a short piece reflecting
my first musical
passions, my thoughts
were of Bach and Monk.
Since I had recently made
some Bach-like chorale
preludes, I chose to make
a version of Monk's tune,
first in a
chamber-musical,
contrapuntal manner, then
in the grand orchestral
style I had always heard
lurking there.â€
Dur: 5:30.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155660-010 You Know Iâ??...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155660-010
You Know Iâ??m No
Good, Valerie, Love Is a
Losing Game, Back to
Black, Rehab.
Composed by Amy
Winehouse. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Concert
Piece. Set (Score and
Parts). Composed 2015. De
Haske Publications #DHP
1155660-010. Published by
De Haske Publications
(BT.DHP-1155660-010).
English-German-French-
Dutch.
On July 23
2011, the news of the
death of Amy Winehouse
shocked the entire world.
What could have been one
of the most impressive
careers in the history of
pop and modern soul, was
halted by a tragic event
which no one will forget.
The best way tohonour Amy
Winehouse now is through
her music. A Tribute
to Amy Winehouse
includes all of the songs
which earned her cult
status and made her
unforgettable You Know
Iâ??m No Good, Valerie,
Love Is a Losing Game,
Back to Black
andRehab.
Op 23 juli 2011
werd de wereld
opgeschrikt door het
nieuws over de dood van
Amy Winehouse. Aan wat
een van de meest
indrukwekkende
carrières in de
geschiedenis van de pop
en moderne soul had
kunnen worden, kwam op
tragische wijze een eind.
De bestemanier om Amy
Winehouse nu in ere te
houden, is door middel
van haar muziek. A
Tribute to Amy
Winehouse omvat alle
songs waarmee ze haar
cultstatus verwierf en
waardoor ze onvergetelijk
werd: You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black en
Rehab.
Die
Nachricht vom Tod Amy
Winehouses am 23. Juli
2011 schockierte die
ganze Welt. Was die
beeindruckendste Karriere
in der Geschichte der
Pop- und modernen
Soulmusik hätte werden
können, wurde durch
ein tragisches Ereignis
beendet, das
niemandvergessen wird.
Man kann Amy Winehouse am
besten mit ihrer Musik
ehren. A Tribute to
Amy Winehouse umfasst
alle Songs, durch die sie
Kultstatus erreicht hat
und die sie unvergesslich
machen You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black und
Rehab.
Il
23 luglio 2011
lâ??improvvisa scomparsa
di Amy Winehouse
sconvolse il mondo
intero. La sua morte ha
stroncato una delle
più promettenti
carriere della storia del
modern soul. Solo
attraverso la sua musica
è possibile tenere
viva la fiamma
creativadella popstar
britannica. Per questo
è stato pensato A
Tribute to Amy
Winehouse è un
medley che raccoglie le
canzoni che ne hanno reso
la breve quanto intensa
carriera indimenticabile:
You Know Iâ??m No
Good, Valerie,
Love Is aLosing
Game, Back to
Black and
Rehab.