By Tim Fisher. For concert band. Brolga Music Concert Band Series. Grade 3. Score and set of parts. Duration 3:55. Published by Brolga Music Publishing Company

By Vince Gassi. Concert Band. Concert Band; Part(s); Score. Challenger Band Series. Grade 1.5. 126 pages. Published by Alfred Music Publishing

Grade 3 - Score and Parts. Composed by Philip Sparke (1951-). Anglo Music Concert Band. Anglo Music Press #AMP317010. Published by Anglo Music Press (HL.44011004).

Composed by Bruce Broughton (1945-). Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Form: Overture. Grade 5. 308 pages. Published by Alfred Music

By Alfred Reed (1921-2005). For concert band. Concert Band. Grade 3.5. Score and set of parts. Composed 1989. Duration 2 minutes, 48 seconds. Published by C.L. Barnhouse

By Scott Director. For Concert Band. Concert Band. Belwin Concert Band. Level: 3 (Medium Easy) (grade 3). Conductor Score and Parts. 274 pages. Published by Alfred Publishing.

For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Score and parts. Duration 3:32. Published by Carl Fischer

Concert Band (Full Score) - Grade 4

SKU: HL.44012729

Composed by James Horner. Arranged by Takashi Hoshide. De Haske Concert Band. TV-Film-Musical-Show. Softcover. Composed 2000. De Haske Publications #1001988140. Published by De Haske Publications (HL.44012729).

Takashi Hoshide's arrangement of the highlights from the soundtrack to the blockbuster film Titanic brings all the atmosphere and emotion of the grandiose musical score to life once again.

Op 15 april 2012 was het precies 100 jaar geleden dat de Titanic zonk. Takashi Hoshide maakte een prachtige medley van de hoogtepunten uit de Titanic.

Ta kahashi Hoshides Arrangement aus den Hohepunkten des Soundtracks zum Jahrhundertfilm Titanic lasst die Stimmungen und Emotionen der grandiosen Filmmusik wieder aufleben.

L'arrangement de Takashi Hoshide evoque les points culminants de la bande originale du film culte Titanic. Les differentes ambiances et les emotions de ce film grandiose se retrouvent dans ce medley.

L'arrangiamento di Takashi Hoshide degli highlight della colonna sonora del film Titanic fa rivivere le emozioni di questo straordinario film accompagnato da una superlativa colonna sonora.

Concert Band (Score & Parts) - Grade 4

SKU: HL.44012728

Composed by James Horner. Arranged by Takashi Hoshide. De Haske Concert Band. TV-Film-Musical-Show. Softcover. Composed 2000. De Haske Publications #1001988010. Published by De Haske Publications (HL.44012728).

Takashi Hoshide's arrangement of the highlights from the soundtrack to the blockbuster film Titanic brings all the atmosphere and emotion of the grandiose musical score to life once again.

Op 15 april 2012 was het precies 100 jaar geleden dat de Titanic zonk. Takashi Hoshide maakte een prachtige medley van de hoogtepunten uit de Titanic.

Ta kahashi Hoshides Arrangement aus den Hohepunkten des Soundtracks zum Jahrhundertfilm Titanic lasst die Stimmungen und Emotionen der grandiosen Filmmusik wieder aufleben.

L'arrangement de Takashi Hoshide evoque les points culminants de la bande originale du film culte Titanic. Les differentes ambiances et les emotions de ce film grandiose se retrouvent dans ce medley.

L'arrangiamento di Takashi Hoshide degli highlight della colonna sonora del film Titanic fa rivivere le emozioni di questo straordinario film accompagnato da una superlativa colonna sonora.

Composed by Bruce Broughton (1945-). Concert Band; Score. Alfred Concert Band. Form: Overture. 28 pages. Published by Alfred Music (AP.44202S).

By Robert Jager. By Robert Jager. For Concert Band. Concert Band. Belwin Classic Band. Level: Medium (grade IV 1/2). Conductor Score and Parts. 316 pages. Duration 9:23. Published by Alfred Publishing.

By Todd Stalter. Music by Todd Stalter. For Concert Band. Concert Band. Alfred Debut Series. Conductor Score & Parts. 1 pages. Published by Alfred Publishing.

Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR368). Score and parts. Composed 2010. Duration 14 minutes, 53 seconds. Published by Opus III Wind Orchestra Publications

By Robert Sheldon. Music by Robert Sheldon. For Concert Band. Concert Band. Challenger Band Series. Level: Grade 1.5. Conductor Score & Parts. Published by Alfred Publishing.

Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR368). Oversized spiral-bound score. Composed 2010. Duration 14 minutes, 53 seconds. Published by Opus III Wind Orchestra Publications

By James Swearingen. Young Band. FJH Young Band. Full set (score and parts). Score only also available: S. Concert Band. Level: Grade 2. Score and Set of Parts. Composed 2006. Published by The FJH Music Company Inc.

By Brian Balmages. Arranged by Brian Balmages. FJH Starter Series. Score for this title: B1269S. Extra part for this title: B1269P. Concert Band. Level: 0.5. Score and Set of Parts. Published by The FJH Music Company Inc.

Short Symphony for Wind Ensemble - Full Score and Parts. By David Maslanka. Concert band/stage band. Score and parts. 80 pages. Published by Carl Fischer.

Score Only Concert Band (Score) - Grade 2

SKU: HL.4005417

By Charlie Puth and Wiz Khalifa. Arranged by Johnnie Vinson. Discovery Plus Concert Band. Movies. Softcover. Published by Boosey & Hawkes (HL.4005417).

UPC: 888680724122. 9.0x12.0x0.02 inches.

Featured in the hit movie Furious 7 and recorded by Wiz Khalifa featuring Charlie Puth, this rock ballad has a memorable melody and nice rhythmic feel. Here is a very effective setting for young band by Johnnie Vinson.

(Grade 3 - Score Only). By Philip Sparke (1951-). For Concert Band. Anglo Music Concert Band. Grade 3. 16 pages. Anglo Music Press #AMP337040. Published by Anglo Music Press

(Anglo Music Press CD). By Philip Sparke (1951-). For Concert Band. Anglo Music Concert Band CD. Anglo Music Press #AR0273. Published by Anglo Music Press

By Charlie Puth and Wiz Khalifa. Arranged by Johnnie Vinson. Discovery Plus Concert Band. Movies. Softcover. Published by Hal Leonard

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*) - grade 5

SKU: CN.R10004

Composed by John Ireland. Band Music. Score and parts. Duration 10:30. Published by G & M Brand Music Publishers (CN.R10004).

A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.

Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

For Concert Band (Score/Parts). Composed by Bert Appermont. Beriato Music Concert Band Set. Softcover. Beriato Music #BMP17011667. Published by Beriato Music

Concert Band - Grade 4

SKU: ML.013756070

Composed by Michael Geisler. Full set. Molenaar Edition #013756070. Published by Molenaar Edition (ML.013756070).

Symphonic concert work, dedicated to the Bauernkapelle St. Georgen, conductor Johannes Biegler. The concert work La Cittá, which translates as The City, is a tribute to the district of St. Georgen near Eisenstadt in Austria.The work begins with a majestic introduction in which the main theme is presented. The following Allegro con Spirito. Is intended to symbolize the occupation of the Romans after the birth of Christ. The St. George's Song, a folk tune arranged in various registers, is heard. Another fast section reminds us once again of the Romans. After a reprise of the opening theme with various solos, the work ends in a grandiose finale with the whole orchestra.

Symfoni sch concertwerk, opgedragen aan de Bauernkapelle St. Georgen, dirigent Johannes Biegler. Het concertwerk La Cittá, wat vertaald De Stad betekent, is een eerbetoon aan het district St. Georgen in de buurt van Eisenstadt in Oostenrijk.Het werk begint met een majestueuze inleiding waarin het hoofdthema wordt gepresenteerd. Het daarop volgende Allegro con Spirito. is bedoeld om de bezetting van de Romeinen na de geboorte van Christus te symboliseren. We horen het Sint Jorislied, een volksdeuntje bewerkt in verschillende registers. Een ander snel deel herinnert ons weer aan de Romeinen. Na een reprise van het openingsthema met verschillende solo's eindigt het werk in een grandioze finale met het hele orkest.

Œuvre symphonique de concert dédiée à la Bauernkapelle St. Georgen, Kapellmeister Johannes Biegler. L'œuvre de concert La Cittá, qui se traduit par La ville, est un hommage à la municipalité de St. Georgen près d'Eisenstadt en Autriche.L'œuvre commence par une introduction majestueuse qui présente le thème principal. L'Allegro con Spirito qui suit. Est censé symboliser l'occupation des Romains après la naissance du Christ. Le Chant de Saint-Georges, une mélodie populaire traitée dans différents registres, retentit. Une nouvelle partie rapide évoque encore une fois les Romains. Après une reprise du thème initial avec différents solos, l'œuvre se termine par un final grandiose dans tout l'orchestre.

Symph onisches Konzertwerk, gewidmet der Bauernkapelle St. Georgen, Kapellmeister Johannes Biegler. Das Konzertwerk „La Cittá, was übersetzt „Die Stadt bedeutet, ist eine Hommage an den Stadtbezirk St. Georgen bei Eisenstadt in Österreich.Das Werk beginnt mit einer majestätischen Einleitung, in der das Hauptthema vorgestellt wird. Das folgende Allegro con Spirito. Soll die Besetzung der Römer nach Geburt Christi symbolisieren. Das „St. Georgs Lied, eine Volksweise verarbeitet in verschiedenen Registern erklingt. Ein erneuter schneller Teil lässt noch einmal an die Römer erinnern. Nach einer Reprise des Anfangsthemas mit verschiedenen Soli endet das Werk in einem grandiosen Finale im ganzen Orchester.

(Grade 3 - Score Only). By James L Hosay. For Concert Band. Curnow Music Concert Band. Grade 3. 40 pages. Curnow Music #063102. Published by Curnow Music

Composed by Robert W. Smith. Young Concert Band. RWS Very Beginning Band Series. Composed 2020. Duration 1 minute, 58 seconds. Published by C.L. Barnhouse

Score and Parts. By James Hosay. Curnow Concert Band Full Set. Book only. Published by Curnow Music.

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Concert Band - Grade 5

SKU: HL.44010826

Grade 5 - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Set (Score & Parts). Composed 2010. Duration 960 seconds. Anglo Music Press #AMP295010. Published by Anglo Music Press (HL.44010826).

UPC: 884088555818. 9.0x12.0x1.738 inches. English-German-French-Dut ch.

Atlantic Odyssey was commissioned by the band program at Oakton High School in Vienna, VA, and its director, Dr. Cheryl Newton. The piece is in two extended movements and seeks to portray an imaginary yacht journey off the eastern seaboard of the USA. The first movement, Sunrise at Sea and the Ocean Awakes, opens with an atmospheric depiction of dawn at sea. Floating woodwinds soar above surging brass until a climax heralds the rising sun. Daylight reveals distant horizons and the prospect of a calm voyage, but the sea is never tamed and a light breeze whips up spray around the boat until a couple of high waves rock the boat alarmingly. But the sea soon calms again and the journey continues serenely. The second movement, Homeward Bound and Spindrift, sees us turn for home, the boat scything calmly through the gentle waves in perfect sailing conditions. But once again conditions change, a stiff breeze tugs at the sails and for a moment we are once again at the mercy of the wind and waves. A moment of calm returns but we are suddenly sprayed by spindrift as a gale picks up. The boat is in danger of overturning but we manage to trim the sail and take advantage of the strong winds to enjoy and exhilarating journey home.