The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0991667-215 Arra...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0991667-215
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Score Only.
Composed 1999. De Haske
Publications #DHP
0991667-215. Published by
De Haske Publications
(BT.DHP-0991667-215).
De muzikale
ontwikkeling van Stevie
Wonder begon op jonge
leeftijd. Vanwege zijn
blindheid liet zijn
moeder hem niet graag
buiten spelen. Stevie
luisterde zodoende veel
naar muziek, terwijl hij
met lepels en pannen het
ritme mee drumde.Op zijn
twaalfde, nadat hij zich
op echte instrumenten had
bekwaamd, werd hij
ontdekt door Berry Gordy,
de grondlegger van
Motown. Zijn roem nam in
de jaren zeventig een
hoge vlucht met de hits
Superwoman,
Superstitionen
You Are the Sunshine
of My Life, een song
die Naohiro Iwai bewerkte
tot een sprankelende hit
voor
blaasorkest.
Stevi
e Wonders musikalische
Karriere begann schon
sehr früh. Wegen
seiner Blindheit konnte
er nicht wie die anderen
Kinder draußen
spielen. So hörte er
viel Musik und spielte
dazu auf Schüsseln und
Töpfen Schlagzeug. Als
er zwölf Jahre alt war
und schon auf echten
Instrumenten spielen
konnte, entdeckte ihn der
Motown-Pionier Barry
Gordy. In den siebziger
Jahren wurde er durch
Hits wie Superwoman,
Superstition und eben
das hier in einer
Bearbeitung von Naohiro
Iwai vorliegende You
Are the Sunshine of My
Life berühmt.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0991667-010 Arranged by Naohi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0991667-010
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Set (Score &
Parts). Composed 1999. De
Haske Publications #DHP
0991667-010. Published by
De Haske Publications
(BT.DHP-0991667-010).
De muzikale
ontwikkeling van Stevie
Wonder begon op jonge
leeftijd. Vanwege zijn
blindheid liet zijn
moeder hem niet graag
buiten spelen. Stevie
luisterde zodoende veel
naar muziek, terwijl hij
met lepels en pannen het
ritme mee drumde.Op zijn
twaalfde, nadat hij zich
op echte instrumenten had
bekwaamd, werd hij
ontdekt door Berry Gordy,
de grondlegger van
Motown. Zijn roem nam in
de jaren zeventig een
hoge vlucht met de hits
Superwoman,
Superstitionen
You Are the Sunshine
of My Life, een song
die Naohiro Iwai bewerkte
tot een sprankelende hit
voor
blaasorkest.
Stevi
e Wonders musikalische
Karriere begann schon
sehr früh. Wegen
seiner Blindheit konnte
er nicht wie die anderen
Kinder draußen
spielen. So hörte er
viel Musik und spielte
dazu auf Schüsseln und
Töpfen Schlagzeug. Als
er zwölf Jahre alt war
und schon auf echten
Instrumenten spielen
konnte, entdeckte ihn der
Motown-Pionier Barry
Gordy. In den siebziger
Jahren wurde er durch
Hits wie Superwoman,
Superstition und eben
das hier in einer
Bearbeitung von Naohiro
Iwai vorliegende You
Are the Sunshine of My
Life berühmt.
Fanfare Band - Grade 3 SKU: BT.DHP-0991667-020 Arranged by Naohiro Iwai. ...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0991667-020
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Set (Score &
Parts). Composed 1999. De
Haske Publications #DHP
0991667-020. Published by
De Haske Publications
(BT.DHP-0991667-020).
De muzikale
ontwikkeling van Stevie
Wonder begon op jonge
leeftijd. Vanwege zijn
blindheid liet zijn
moeder hem niet graag
buiten spelen. Stevie
luisterde zodoende veel
naar muziek, terwijl hij
met lepels en pannen het
ritme mee drumde.Op zijn
twaalfde, nadat hij zich
op echte instrumenten had
bekwaamd, werd hij
ontdekt door Berry Gordy,
de grondlegger van
Motown. Zijn roem nam in
de jaren zeventig een
hoge vlucht met de hits
Superwoman,
Superstitionen
You Are the Sunshine
of My Life, een song
die Naohiro Iwai bewerkte
tot een sprankelende hit
voor
blaasorkest.
Stevi
e Wonders musikalische
Karriere begann schon
sehr früh. Wegen
seiner Blindheit konnte
er nicht wie die anderen
Kinder draußen
spielen. So hörte er
viel Musik und spielte
dazu auf Schüsseln und
Töpfen Schlagzeug. Als
er zwölf Jahre alt war
und schon auf echten
Instrumenten spielen
konnte, entdeckte ihn der
Motown-Pionier Barry
Gordy. In den siebziger
Jahren wurde er durch
Hits wie Superwoman,
Superstition und eben
das hier in einer
Bearbeitung von Naohiro
Iwai vorliegende You
Are the Sunshine of My
Life berühmt.
Concert Band; Orchestra
2+Picc.2.2.2: 4.2.3.0:
Timp: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A001401
Arranged by Peter Ilyich
Tchaikovsky and ed./arr.
by William Ryden. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A001401.
Published by
LudwigMasters
Publications
(AP.36-A001401).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2.2.2: 4.2.3.0:
Timp: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A001490
Arranged by Peter Ilyich
Tchaikovsky and ed./arr.
by William Ryden. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A001490.
Published by
LudwigMasters
Publications
(AP.36-A001490).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Shania! Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Performed by Shania Twain. Arranged by Ted Ricketts. Score and full set of parts...(+)
Performed by Shania
Twain. Arranged by Ted
Ricketts. Score and full
set of parts. Young Band
(Concert Band). Grade 3.
Size 9x12 inches.
Published by Hal Leonard.
Bess you is my woman Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from the Opera Porgy and Bess). By George Gershwin (1898-1937). Arranged by Rog...(+)
(from the Opera Porgy and
Bess). By George Gershwin
(1898-1937). Arranged by
Roger Niese. For Soprano,
Bass-Baritone and Concert
Band. Grade 3. Full score
and set of parts.
Duration 6:00
Featuring "Honky Tonk
Woman," "(I Can't Get No)
Satisfaction," "Ruby
Tuesday," and "Brown
Sugar". By The Rolling
Stones. Arranged by
Victor Lopez. By Mick
Jagger and Keith Richards
/ arr. Victor Lopez. For
Concert Band. Concert
Band. Pop Concert Band.
Pop/Rock. Level: 3
(Medium Easy) (grade 3).
Conductor Score and
Parts. Published by
Alfred Publishing.
Yin Yang Serenade Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053824-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053824-140
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Score
Only. Composed 2005. 16
pages. De Haske
Publications #DHP
1053824-140. Published by
De Haske Publications
(BT.DHP-1053824-140).
The Chinese
conceptions yin and yang
represent the two
contradicting principles
of an object or
phenomenon, such as day
and night, light and
dark, man and woman.
In Yin Yang
Serenade this can be
found in the musical
opposites,
legato-staccato and
minor-major, creating an
work with great
atmospheric contrast.
De Chinese
begrippen yin en yang
vertegenwoordigen de twee
tegenovergestelde
principes van een
voorwerp of verschijnsel,
zoals dag en nacht, licht
en donker, man en vrouw,
enz. In Yin Yang
Serenade is dit onder
andere terugte vinden in
de tegenstellingen
legato-staccato en
mineur-majeur - waardoor
een mooi sfeercontrast
ontstaat.
Die
chinesischen Symbole Yin
und Yang stehen für
zwei gegensätzliche
Prinzipien eines Objekts
oder Phänomens, wie
zum Beispiel Tag und
Nacht, Licht und Dunkel
oder Mann und Frau. In
Jacob de Haans Yin
Yang Serenade
bestehen die Prinzipien
in den musikalischen
Gegensätzen legato und
staccato sowie Moll und
Dur. Diese Paare kreieren
einen stimmungsvollen
Kontrast, der die Yin
Yang Serenade zu
einem besonderen Erlebnis
für Musiker und
Publikum macht.
La
filosofia cinese si
appoggia alle nozioni di
Yin e di Yang, due
principi naturali opposti
e complementari che
determinano ogni
individuo e ogni
fenomeno. Il Yin e il
Yang sono il maschile ed
il femminile, il giorno e
la notte,
l’oscurit e la
luce…. In Yin
Yang Serenade, Jacob
de Haan applica questo
concetto alla musica,
opponendo il gioco in
legato a quello in
staccato, la tonalit
maggiore a quella minore,
dando così vita a
contrasti eterei e
fluidi.
Yin Yang Serenade Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053824-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053824-010
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053824-010.
Published by De Haske
Publications
(BT.DHP-1053824-010).
The Chinese
conceptions yin and yang
represent the two
contradicting principles
of an object or
phenomenon, such as day
and night, light and
dark, man and woman.
In Yin Yang
Serenade this can be
found in the musical
opposites,
legato-staccato and
minor-major, creating an
work with great
atmospheric contrast.
De Chinese
begrippen yin en yang
vertegenwoordigen de twee
tegenovergestelde
principes van een
voorwerp of verschijnsel,
zoals dag en nacht, licht
en donker, man en vrouw,
enz. In Yin Yang
Serenade is dit onder
andere terugte vinden in
de tegenstellingen
legato-staccato en
mineur-majeur - waardoor
een mooi sfeercontrast
ontstaat.
Die
chinesischen Symbole Yin
und Yang stehen für
zwei gegensätzliche
Prinzipien eines Objekts
oder Phänomens, wie
zum Beispiel Tag und
Nacht, Licht und Dunkel
oder Mann und Frau. In
Jacob de Haans Yin
Yang Serenade
bestehen die Prinzipien
in den musikalischen
Gegensätzen legato und
staccato sowie Moll und
Dur. Diese Paare kreieren
einen stimmungsvollen
Kontrast, der die Yin
Yang Serenade zu
einem besonderen Erlebnis
für Musiker und
Publikum macht.
La
filosofia cinese si
appoggia alle nozioni di
Yin e di Yang, due
principi naturali opposti
e complementari che
determinano ogni
individuo e ogni
fenomeno. Il Yin e il
Yang sono il maschile ed
il femminile, il giorno e
la notte,
l’oscurit e la
luce…. In Yin
Yang Serenade, Jacob
de Haan applica questo
concetto alla musica,
opponendo il gioco in
legato a quello in
staccato, la tonalit
maggiore a quella minore,
dando così vita a
contrasti eterei e
fluidi.
I Say A Little Prayer Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1206249-010 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1206249-010
As performed by Burt
Bacharach. Composed
by Burt Bacharach.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2020. De Haske
Publications #DHP
1206249-010. Published by
De Haske Publications
(BT.DHP-1206249-010).
This
bittersweet song from
1967 is a real classic,
partly due to the
rendition by two queens
of soul, Dionne Warwick
and later also Aretha
Franklin. The theme was
very topical at the time:
A woman is concerned
about her husband
fighting in the Vietnam
War, and thinks about him
during her day-to-day
worries. Top arranger
Peter Kleine Schaars
created a tasteful and
carefully orchestrated
version. His arrangement
stays true to the
original colour and feel
of the song, and, as a
grade 3 piece, is still
perfectly playable for
most bands.
Deze
bitterzoete song uit 1967
is een echte klassieker,
mede doordat het door
twee soulkoninginnen,
Dionne Warwick en later
ook Aretha Franklin, werd
vertolkt. De thematiek
was destijds erg actueel:
een vrouw maakt zich
tijdens haar dagelijkse
beslommeringen zorgen om
haar man, die in de
Vietnamoorlog vecht.
Toparrangeur Peter Kleine
Schaars maakte er een
smaakvolle en zorgvuldig
georkestreerde versie
van. Zijn arrangement
blijft trouw aan de
originele kleur en feel
van de song, en is in
graad 3 toch voor de
meeste harmonieorkesten
probleemloos
speelbaar.
Dieses
bittersüße Lied aus
dem Jahr 1967 ist ein
echter Klassiker, was
teilweise auf die
Interpretationen der
beiden Queens of
Soul“ Dionne
Warwick und später
auch Aretha Franklin
zurückzuführen ist.
Das Thema war zu der
damaligen Zeit sehr
aktuell: Eine Frau macht
sich Sorgen um ihren
Mann, der im Vietnamkrieg
kämpft und denkt
während ihrer
Alltagssorgen an ihn.
Top-Arrangeur Peter
Kleine Schaars schuf eine
stilvolle und
sorgfältig
orchestrierte Version.
Sein Arrangement im
Schwierigkeitsgrad 3 hat
die ursprüngliche
Klangfarbe und Stimmung
des Liedes beibehalten
und ist für die
meisten Blasorchester gut
spielbar.
I Say A Little Prayer Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1206249-140 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1206249-140
As performed by Burt
Bacharach. Composed
by Burt Bacharach.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2020. 14 pages. De Haske
Publications #DHP
1206249-140. Published by
De Haske Publications
(BT.DHP-1206249-140).
This
bittersweet song from
1967 is a real classic,
partly due to the
rendition by two queens
of soul, Dionne Warwick
and later also Aretha
Franklin. The theme was
very topical at the time:
A woman is concerned
about her husband
fighting in the Vietnam
War, and thinks about him
during her day-to-day
worries. Top arranger
Peter Kleine Schaars
created a tasteful and
carefully orchestrated
version. His arrangement
stays true to the
original colour and feel
of the song, and, as a
grade 3 piece, is still
perfectly playable for
most bands.
Deze
bitterzoete song uit 1967
is een echte klassieker,
mede doordat het door
twee soulkoninginnen,
Dionne Warwick en later
ook Aretha Franklin, werd
vertolkt. De thematiek
was destijds erg actueel:
een vrouw maakt zich
tijdens haar dagelijkse
beslommeringen zorgen om
haar man, die in de
Vietnamoorlog vecht.
Toparrangeur Peter Kleine
Schaars maakte er een
smaakvolle en zorgvuldig
georkestreerde versie
van. Zijn arrangement
blijft trouw aan de
originele kleur en feel
van de song, en is in
graad 3 toch voor de
meeste harmonieorkesten
probleemloos
speelbaar.
Dieses
bittersüße Lied aus
dem Jahr 1967 ist ein
echter Klassiker, was
teilweise auf die
Interpretationen der
beiden Queens of
Soul“ Dionne
Warwick und später
auch Aretha Franklin
zurückzuführen ist.
Das Thema war zu der
damaligen Zeit sehr
aktuell: Eine Frau macht
sich Sorgen um ihren
Mann, der im Vietnamkrieg
kämpft und denkt
während ihrer
Alltagssorgen an ihn.
Top-Arrangeur Peter
Kleine Schaars schuf eine
stilvolle und
sorgfältig
orchestrierte Version.
Sein Arrangement im
Schwierigkeitsgrad 3 hat
die ursprüngliche
Klangfarbe und Stimmung
des Liedes beibehalten
und ist für die
meisten Blasorchester gut
spielbar.
Concert Band - Grade 4 SKU: ML.013773070 Greatest hits by Whitney Hous...(+)
Concert Band - Grade 4
SKU: ML.013773070
Greatest hits by
Whitney Houston.
Composed by G. Merrill/N.
Ashford/V. Simpson/M.
Walden/S. Rubicam.
Arranged by Lorenzo
Bocci. Full set. Molenaar
Edition #013773070.
Published by Molenaar
Edition (ML.013773070).
Whitney
Elizabeth Houston
(Newark, 9 August 1963 -
Beverly Hills, 11
February 2012) was an
American singer, model
and actress. According to
Guiness World Records,
Houston is the singer
with the most awards of
all time and is one of
the best-selling artists
ever with 220 million
records sold worldwide.
In this medley: I'm Every
Woman, How will I Know
and I Wanna Dance with
Somebody.
Whitney
Elizabeth Houston
(Newark, 9 augustus 1963
– Beverly Hills, 11
februari 2012) was een
Amerikaans zangeres,
model en actrice. Houston
is volgens Guiness World
Records de zangeres met
de meeste prijzen aller
tijden en is een van de
bestverkopende artiesten
ooit met 220 miljoen
verkochte platen
wereldwijd. In deze
medley: I'm Every Woman,
How will I Know en I
Wanna Dance with
Somebody.
Whitney
Elizabeth Houston
(Newark, 9 août 1963 -
Beverly Hills, 11
février 2012) était une
chanteuse, mannequin et
actrice américaine.
Selon le Guiness World
Records, Houston est la
chanteuse la plus
récompensée de tous les
temps et l'une des
artistes ayant vendu le
plus de disques, avec 220
millions de disques
vendus dans le monde.
Dans ce medley : I'm
Every Woman, How will I
Know et I Wanna Dance
with
Somebody.
Whitney
Elizabeth Houston
(Newark, 9. August 1963 -
Beverly Hills, 11.
Februar 2012) war eine
amerikanische Sängerin,
Model und Schauspielerin.
Laut Guiness World
Records ist Houston die
Sängerin mit den meisten
Auszeichnungen aller
Zeiten und mit weltweit
220 Millionen verkauften
Tonträgern eine der
meistverkauften
Künstlerinnen aller
Zeiten. In diesem Medley:
I'm Every Woman, How will
I Know und I Wanna Dance
with Somebody.
Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Themyscira Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.49159S From the Wonder Woman 1984 Sound...(+)
Concert Band - Grade 3
SKU: AP.49159S
From the Wonder Woman
1984 Soundtrack.
Composed by Hans Zimmer.
Arranged by Victor Lopez.
Concert Band; Performance
Music Ensemble; Single
Titles. Pop Concert Band.
Movie. Score. 36 pages.
Alfred Music #00-49159S.
Published by Alfred Music
(AP.49159S).
ISBN
9781470647025. UPC:
038081566252.
English.
The
exciting main theme from
Wonder Woman 1984
arranged by Victor
López captures the
essence of the original
soundtrack. The
impassioned melody and
explosive rhythmic
sections are evident from
beginning to end. Take
your audience and
students on an
exploratory trip to
Themyscira, and let them
experience Wonder Woman's
paradise island.
Concert Band - Grade 3 SKU: AP.49159 From the Wonder Woman 1984 Soundt...(+)
Concert Band - Grade 3
SKU: AP.49159
From the Wonder Woman
1984 Soundtrack.
Composed by Hans Zimmer.
Arranged by Victor Lopez.
Concert Band; Performance
Music Ensemble; Single
Titles. Pop Concert Band.
Movie. Score and Part(s).
227 pages. Belwin Music
#00-49159. Published by
Belwin Music (AP.49159).
ISBN 9781470647018.
UPC: 038081566245.
English.
The
exciting main theme from
Wonder Woman 1984
arranged by Victor
López captures the
essence of the original
soundtrack. The
impassioned melody and
explosive rhythmic
sections are evident from
beginning to end. Take
your audience and
students on an
exploratory trip to
Themyscira, and let them
experience Wonder Woman's
paradise island.
Achnaton Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-140
Composed by Jan Bosveld.
Score Only. 40 pages.
Gobelin Music
Publications #GOB
000712-140. Published by
Gobelin Music
Publications
(BT.GOB-000712-140).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
Achnaton Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-010
Composed by Jan Bosveld.
Set (Score & Parts). 38
pages. Gobelin Music
Publications #GOB
000712-010. Published by
Gobelin Music
Publications
(BT.GOB-000712-010).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
Arranged by Ludwig Minkus
and ed./arr. by William
McDermott/ Libretto by
Sergei Khudekov. Full
Orchestra, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A888801.
Published by
LudwigMasters
Publications
(AP.36-A888801).
ISBN
9798888529911. UPC:
659359989490.
English.
The ballet
La Bayadère (The
Temple Dancer or The
Temple Maiden) was
created in 1877 for famed
French choreographer
Marius Petipa to music by
Ludwig Minkus
(1826-1917). In four act
and seven tableaux, the
ballet tells the story of
the bayadère Nikiya
and the warrior Solor,
lovers who are beset by
jealous rivals, arranged
marriages beyond their
control, murder, an
opium-fueled
hallucination of the
afterlife, and a vengeful
god that destroys the
temple and everybody in
it as revenge for
Nikiya's murder. It was
first performed on
February 4, 1877, by the
Imperial Ballet in St.
Petersburg, Russia. It
was hailed as a success
and masterpiece
immediately after the
premiere, particularly
The Kingdom of the Shades
scene in Act II, an
excerpt which remains a
major standalone work for
the ballet repertoire.
Modern performances of La
Bayadère are almost
always derived from a
1941 version sated for
the Kirov/Mariinsky
Ballet by Vladimir
Ponomarev and Vakhtang
Chabukiani, which
incorporates additional
music by Minkus, Drigo,
and Pugni. Act II takes
place after Nikiya is
killed by a concealed
venomous snake. A
depressed Solor smokes
opium, resulting in a
vision of Nikiya's spirit
dwelling in the Kingdom
of the Shades, a nirvana
in the Himalayas. The two
lovers reconcile among
the shades of other
bayadères in a Pas de
deux, then Solor is
awakened just in time for
his arranged marriage to
another woman. This
orchestration of Act II
has been completed by
William McDermott.
Instrumentation: 2.2.2.2:
4.2.3.0: Timp.Perc(2):
Harp: Str (4-4-3-3-3 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
By Mick Jagger And Keith Richards. Arranged by Victor Lopez. By Mick Jagger and ...(+)
By Mick Jagger And Keith
Richards. Arranged by
Victor Lopez. By Mick
Jagger and Keith Richards
/ arr. Victor Lopez. For
Concert Band. Concert
Band. Pop Concert Band.
Pop/Rock. Conductor
Score. 36 pages.
Published by Alfred
Publishing. Level: 3
(Medium Easy) (grade 3).
Dreamcatcher Orchestre d'harmonie - Facile De Haske Publications
Score Only Concert Band (Score) - Level 2.5 SKU: HL.44013197 Composed by ...(+)
Score Only Concert Band
(Score) - Level 2.5
SKU: HL.44013197
Composed by Otto M.
Schwarz. Mitropa Music
Concert Band. Concert,
Festival. Softcover.
Duration 460 seconds. De
Haske Publications
#211217140M. Published by
De Haske Publications
(HL.44013197).
UPC:
888680793463.
Once
upon a time in North
America, there lived a
mother and her small
daughter who were part of
a community of Ojibwa
people. The girl suffered
from severe nightmares.
The mother sought help
from Spider Woman also
known as asibikaashi, who
protected people by
weaving a magical web.
This dreamcatcher.
decorated with sacred
feathers, only let good
dreams through, and the
bad dreams were burnt by
the morning sunbeams.
During this fascinating
programmatic work, one
can follow the story
meticulously, making it a
true phantasmal concert
experience! (Grade 2.5)
Dur: 8:10 (Mitropa).
Dreamcatcher Orchestre d'harmonie - Facile De Haske Publications
Score and Parts Concert Band (Score & Parts) - Level 2.5 SKU: HL.44013196 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 2.5
SKU:
HL.44013196
Composed
by Otto M. Schwarz.
Mitropa Music Concert
Band. Concert, Festival.
Softcover. Duration 460
seconds. De Haske
Publications #211217010M.
Published by De Haske
Publications
(HL.44013196).
UPC:
888680793456.
Once
upon a time in North
America, there lived a
mother and her small
daughter who were part of
a community of Ojibwa
people. The girl suffered
from severe nightmares.
The mother sought help
from Spider Woman also
known as asibikaashi, who
protected people by
weaving a magical web.
This dreamcatcher.
decorated with sacred
feathers, only let good
dreams through, and the
bad dreams were burnt by
the morning sunbeams.
During this fascinating
programmatic work, one
can follow the story
meticulously, making it a
true phantasmal concert
experience! (Grade 2.5)
Dur: 8:10 (Mitropa).
The Angels Call Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Excelcia Music Publishing
Concert Band Concert Band - Grade 3.5 SKU: XC.RCB2103 Composed by Tyler A...(+)
Concert Band Concert Band
- Grade 3.5
SKU:
XC.RCB2103
Composed
by Tyler Arcari. Rhapsody
Concert Band Series.
Concert and Contest.
Concert and Contest.
Score and Parts. Excelcia
Music Publishing
#RCB2103. Published by
Excelcia Music Publishing
(XC.RCB2103).
UPC:
812598036985. 9 x 12
inches.
Written to
commemorate the life of a
young woman tragically
taken too soon, The
Angels Call is inspired
by the 3-note Ship bell
figure played at football
games. Using original
music as well as the
well-known hymn It is
Well With My Soul and
folk song Loch Lomond,
this one will tug at the
heartstrings.
The Angels Call Orchestre d'harmonie [Conducteur] - Intermédiaire Excelcia Music Publishing
Concert Band - Grade 3.5 SKU: XC.RCB2103FS Composed by Tyler Arcari. Rhap...(+)
Concert Band - Grade 3.5
SKU: XC.RCB2103FS
Composed by Tyler Arcari.
Rhapsody Concert Band
Series. Concert and
Contest. Concert and
Contest. Score Only.
Excelcia Music Publishing
#RCB2103FS. Published by
Excelcia Music Publishing
(XC.RCB2103FS).
UPC:
812598036442. 9 x 12
inches.
Written to
commemorate the life of a
young woman tragically
taken too soon, The
Angels Call is inspired
by the 3-note Ship bell
figure played at football
games. Using original
music as well as the
well-known hymn It is
Well With My Soul and
folk song Loch Lomond,
this one will tug at the
heartstrings.