Opus 2 no. 1.
Composed by Edward Elgar.
Arranged by Robert van
Beringen. Great Classics.
Classical. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094673-010. Published by
De Haske Publications
(BT.DHP-1094673-010).
9x12 inches.
English-German-French-Dut
ch.
Edward Elgar
(1857-1934) originally
composed this work in
1887, as a Pie Jesu, when
he was an organist in the
St George’s Church
in Worcester. Years
later, in 1902, he
transformed the Pie Jesu
into an Ave Verum for
soprano and tenor solo,
mixed choir and organ.
This excellent
arrangement was created
by Robert van Beringen
and skilfully retains the
wonderful atmosphere of
the original composition.
Oorspronkelijk
componeerde Edward Elgar
(1857-1934) dit werk in
1887 als een Pie
Jesu, toen hij
organist was in de St.
George’s Church in
Worcester. Hij schreef
het ter nagedachtenis aan
de advocaat William
Allen, voor wiehij had
gewerkt toen hij vijftien
jaar oud was. Het Pie
Jesu vormde het
eerste deel van opus 2
(de andere twee delen
waren het Ave
Maria en het Ave
Maris Stella). Een
aantal jaren later, in
1902, transformeerdehij
het Pie Jesu tot
een Ave Verum voor
sopraan- en tenorsolo,
gemengd koor en
orgel.Deze uitstekende
bewerking is van de hand
van Robert van Beringen,
die de sfeer van de
compositie op vakkundige
wijze intact
heeftgelaten.
Dies
e Musik schrieb Edward
Elgar im Jahre 1887,
während seiner Zeit
als Organist in
Worcester, unter dem
Titel Pie Jesu als
Teil seines Opus
2. Erst Jahre
später machte er
daraus ein Ave
Verum für Sopran-
und Tenorsolo, gemischten
Chor und Orgel. Robert
van Beringen schuf daraus
diese ausgezeichnete
Blasorchesterbearbeitung,
in der die Stimmung des
Originals sehr gut
wiedergegeben wird.
Opus 2 no. 1.
Composed by Edward Elgar.
Arranged by Robert van
Beringen. Great Classics.
Classical. Score Only.
Composed 2009. 8 pages.
De Haske Publications
#DHP 1094673-140.
Published by De Haske
Publications
(BT.DHP-1094673-140).
9x12 inches.
English-German-French-Dut
ch.
Oorspronkelijk
componeerde Edward Elgar
(1857-1934) dit werk in
1887 als een Pie
Jesu, toen hij
organist was in de St.
George’s Church in
Worcester. Hij schreef
het ter nagedachtenis aan
de advocaat William
Allen, voor wiehij had
gewerkt toen hij vijftien
jaar oud was. Het Pie
Jesu vormde het
eerste deel van opus 2
(de andere twee delen
waren het Ave
Maria en het Ave
Maris Stella). Een
aantal jaren later, in
1902, transformeerdehij
het Pie Jesu tot
een Ave Verum voor
sopraan- en tenorsolo,
gemengd koor en
orgel.Deze uitstekende
bewerking is van de hand
van Robert van Beringen,
die de sfeer van de
compositie op vakkundige
wijze intact
heeftgelaten.
Dies
e Musik schrieb Edward
Elgar im Jahre 1887,
während seiner Zeit
als Organist in
Worcester, unter dem
Titel Pie Jesu als
Teil seines Opus
2. Erst Jahre
später machte er
daraus ein Ave
Verum für Sopran-
und Tenorsolo, gemischten
Chor und Orgel. Robert
van Beringen schuf daraus
diese ausgezeichnete
Blasorchesterbearbeitung,
in der die Stimmung des
Originals sehr gut
wiedergegeben wird.
Concert band Piano And concert band - Grade 5 SKU: BF.BM397-SCORE Opus...(+)
Concert band Piano And
concert band - Grade 5
SKU:
BF.BM397-SCORE
Opus 10. Composed
by Sergei Prokofiev.
Arranged by Douglas
McLain. Baton Music
instrumental series. Opus
10. Full score. Duration
16:00. Baton Music
#BM397-SCORE. Published
by Baton Music
(BF.BM397-SCORE).
Prokofiev
composed his first piano
concerto while at the
Conservatory, in 1911 and
1912, and premiered it
himself on August 7,
1912. The concerto is a
single movement divided
into clearly marked
sections. Prokofiev could
in this way keep the
typical fast-slow-fast
structure of the usual
three-movement concerto,
yet use some of the same
thematic elements
throughout all of his
sections. Throughout the
work, Prokofiev
demonstrates his penchant
for bright, percussive
textures. The
glockenspiel takes on a
uniquely soloistic role,
often teaming up with the
piano to sparkle above
the orchestral fray. With
its bravura solos and
daring harmonies,
Prokofiev's first
'mature' composition
announces him as a
musical force to be
reckoned with.
For Band. Composed
by Vincent Persichetti.
Saddle. Classical. Score
and Set of Parts. With
Standard notation. Opus
105.
1+8+4+1+1+1+1+8+8+8+1+2+1
+2+2+2+2+3+3+3+1+1+1+1+1+
1+2+2+2+2+5+1+2+1+20+8
pages. Duration 4:30.
Theodore Presser Company
#165-00039. Published by
Theodore Presser Company
(PR.165000390).
ISBN
9781491113837. UPC:
680160038701. 8.5 x 11
inches.
Grade 1 SKU: CL.010-1865-01 Composed by Schaeffer. Young Concert Band. Di...(+)
Grade 1
SKU:
CL.010-1865-01
Composed by Schaeffer.
Young Concert Band.
Discovery Series. Extra
score. Composed 1986.
C.L. Barnhouse
#010-1865-01. Published
by C.L. Barnhouse
(CL.010-1865-01).
Tschaikowskyââ
‚¬â„¢s well known classic
from ``Songs for Young
People’’
opus 54, No. 5 is
carefully arranged to
suit the abilities of
beginning players. Both
clarinet parts are below
the break, and the
simplistic scoring and
harmonization are true to
the spirit of the
original work.
Grade 1 SKU: CL.010-1865-00 Composed by Schaeffer. Young Concert Band. Di...(+)
Grade 1
SKU:
CL.010-1865-00
Composed by Schaeffer.
Young Concert Band.
Discovery Series. Score
and set of parts.
Composed 1986. C.L.
Barnhouse #010-1865-00.
Published by C.L.
Barnhouse
(CL.010-1865-00).
Tschaikowskyââ
‚¬â„¢s well known classic
from ``Songs for Young
People’’
opus 54, No. 5 is
carefully arranged to
suit the abilities of
beginning players. Both
clarinet parts are below
the break, and the
simplistic scoring and
harmonization are true to
the spirit of the
original work.
Grade 3 SKU: CL.012-2607-75 Composed by Bob Hilliard. Concert Band. Herit...(+)
Grade 3
SKU:
CL.012-2607-75
Composed by Bob Hilliard.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR105). Oversized,
spiral-bound score.
Composed 1994. Duration 6
minutes, 1 second. Opus
III Wind Orchestra
Publications
#012-2607-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-2607-75).
Exciting music
based on a Nigerian folk
hymn, Quincy Hilliard's
setting is perfect for
contest or concert use.
Interesting harmonies,
beautiful tone colors and
driving polyrhythms all
combine to make this a
very appealing selection,
especially for groups
with large percussion
sections. Give your
students a glimpse of
music from another
culture rarely heard or
performed by wind bands.
Truly Exceptional!
Grade 3 SKU: CL.012-3105-75 Composed by Seitz. Arranged by Glover. Concer...(+)
Grade 3
SKU:
CL.012-3105-75
Composed by Seitz.
Arranged by Glover.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR325 & CL.WFR316).
Oversized, spiral-bound
score. Composed 2001.
Duration 2 minutes, 48
seconds. Opus III Wind
Orchestra Publications
#012-3105-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3105-75).
One of the most
distinctive marches ever
written, this stately
standard is a perfect
concert or festival
selection. Glover's
outstanding arrangement
is not simplified or
abridged in any way, but
does offer insightful
articulations, clear
dynamics and large
readable parts for the
modern concert band
instrumentation. The
nature of the opening
strains makes this a
wonderful vehicle for
teaching everyone in the
band chromatic scales.
Tremendous! Grade 3
1/2.
About
Heritage of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style