| Meeting at Tryon Palace Orchestre d'harmonie - Facile Hal Leonard
Score Only Concert Band (Score) - Grade 2 SKU: HL.4002868 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 2 SKU:
HL.4002868 Composed
by Richard L. Saucedo.
MusicWorks Grade 2.
Overture. Softcover. 28
pages. Duration 250
seconds. Published by Hal
Leonard (HL.4002868).
UPC: 884088353018.
9.0x12.0x0.096
inches. Described
by the composer as
“bombastic, but with a
groove” this work for
young players opens with
striking percussion
statements. The band
enters gradually, first
with unison figures along
with the percussion, and
then additional layers. A
contrasting slow section
with flowing lines and
minor harmonies sets the
stage for the dramatic
final section. A great
way to showcase your
percussion section. Dur:
4:10 (Grade 2). $10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Meeting at Tryon Palace Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Composed by Richard L. Saucedo. MusicWorks Grade 2. Overture. Score and parts (s...(+)
Composed by Richard L.
Saucedo. MusicWorks Grade
2. Overture. Score and
parts (softcover).
Published by Hal Leonard
$60.00 $57 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Butterfly That Stamped Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4 SKU:
BT.DHP-1084447-010
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084447-010. Published by
De Haske Publications
(BT.DHP-1084447-010).
9x12 inches.
English-German-French-Dut
ch. The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
Rudyard Kipling
(1865-1936) est
l’un des plus
célèbres
écrivains de langue
anglaise. Né Bombay en
Inde, ce journaliste,
poète et romancier
reçoit le prix Nobel
de littérature en
1907. On lui doit
notamment les
célèbres ouvrages
Le Livre de la
Jungle (1894),
Histoires comme
ça (1902) et
Kim (1901), entre
autres. Rudyard Kipling a
sillonné le monde,
glanant de-ci de-l des
mots et des merveilles
raconter aux petits et
aux grands.
Aujourd’hui encore
ses Histoires comme ça
enchantent par leur
drôlerie et leur
poésie ; de
délicieux récits
d’animaux entre
l’Inde et
l’Afrique
initialement écrits
pour sa fille,
Joséphine, qui mourut
en 1899 des suites
d’unegrippe.Le
Papillon qui tapait du
pied est un des douze
contes du recueil
Histoires comme
ça. Maxime Aulio
s’en est
inspiré pour créer
une œuvre qui
s’inscrit dans la
tradition de
l’impressionnisme
musical français. Le
saxophone baryton solo
incarne le Roi Salomon,
fils de David ; les fl
tes jouent le couple de
papillons ; une
clarinette est la Reine
Balkis - la Sage Balkis
de Saba - tandis que les
trompettes et les cornets
représentent les
Djinns. Les personnages
évoluent dans un
décor orchestral
merveilleux
l’image des
jardins et du palais du
Roi Salomon. / The
Butterfly That Stamped
(Le Papillon qui tapait
du pied) est une
œuvre de commande
pour la Fédération
Musicale
d’Auvergne
(France) avec le soutien
du Conseil Régional
d’Auvergne,
l’occasion du 10e
anniversaire de
l’Orchestre
Régional
d’Harmonie
École.
L’œuvre a
été donnée en
création le 30 avril
2006 au Thé tre
Municipal
d’Aurillac.
L’Orchestre
Régional
d’Harmonie
École
d’Auvergne
était placé sous la
direction de Claude
Kesmaecker, avec en
soliste, Alexandre Doisy,
saxophone baryton.
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia. $203.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Butterfly That Stamped Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4 SKU:
BT.DHP-1084447-140
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Score Only. Composed
2008. 24 pages. De Haske
Publications #DHP
1084447-140. Published by
De Haske Publications
(BT.DHP-1084447-140).
9x12 inches.
English-German-French-Dut
ch. The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
Rudyard Kipling
(1865-1936) est
l’un des plus
célèbres
écrivains de langue
anglaise. Né Bombay en
Inde, ce journaliste,
poète et romancier
reçoit le prix Nobel
de littérature en
1907. On lui doit
notamment les
célèbres ouvrages
Le Livre de la
Jungle (1894),
Histoires comme
ça (1902) et
Kim (1901), entre
autres. Rudyard Kipling a
sillonné le monde,
glanant de-ci de-l des
mots et des merveilles
raconter aux petits et
aux grands.
Aujourd’hui encore
ses Histoires comme ça
enchantent par leur
drôlerie et leur
poésie ; de
délicieux récits
d’animaux entre
l’Inde et
l’Afrique
initialement écrits
pour sa fille,
Joséphine, qui mourut
en 1899 des suites
d’unegrippe.Le
Papillon qui tapait du
pied est un des douze
contes du recueil
Histoires comme
ça. Maxime Aulio
s’en est
inspiré pour créer
une œuvre qui
s’inscrit dans la
tradition de
l’impressionnisme
musical français. Le
saxophone baryton solo
incarne le Roi Salomon,
fils de David ; les fl
tes jouent le couple de
papillons ; une
clarinette est la Reine
Balkis - la Sage Balkis
de Saba - tandis que les
trompettes et les cornets
représentent les
Djinns. Les personnages
évoluent dans un
décor orchestral
merveilleux
l’image des
jardins et du palais du
Roi Salomon. / The
Butterfly That Stamped
(Le Papillon qui tapait
du pied) est une
œuvre de commande
pour la Fédération
Musicale
d’Auvergne
(France) avec le soutien
du Conseil Régional
d’Auvergne,
l’occasion du 10e
anniversaire de
l’Orchestre
Régional
d’Harmonie
École.
L’œuvre a
été donnée en
création le 30 avril
2006 au Thé tre
Municipal
d’Aurillac.
L’Orchestre
Régional
d’Harmonie
École
d’Auvergne
était placé sous la
direction de Claude
Kesmaecker, avec en
soliste, Alexandre Doisy,
saxophone baryton.
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Odysseia Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-140 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1084443-140
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2008. 52
pages. De Haske
Publications #DHP
1084443-140. Published by
De Haske Publications
(BT.DHP-1084443-140).
9x12 inches.
English-German-French-Dut
ch. Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Odysseus,
die is aangespoeld op de
kust van de Phaeaken,
maakt kennis met koning
Alcinoüs. In het
paleis van de
laatstgenoemde vertelt
hij wat hij heeft
meegemaakt sinds zijn
vertrek uit Troje.
Odysseus en zijn
metgezellen legdeneerst
aan op het eiland van de
Ciconen, waar ze de stad
Ismarus plunderden. Toen
ze weer op zee waren,
brak een storm los, die
ze naar het land van de
gastvrije Lotophagen
bracht. Daarna zeilden ze
naar het eiland van de
Cyclopen.Odysseus en
twaalf van zijn
metgezellen kwamen
terecht in de grot van
Polyphemus. Deze verslond
een aantal van hen, maar
werd uiteindelijk door
Odysseus verslagen: hij
voerde de reus dronken,
waarna die in slaap viel.
Vervolgensstak hij een
gloeiende paal in zijn
ene oog om hem blind te
maken. Odysseus en zijn
mannen ontsnapten uit de
grot door ieder onder de
buik van een van
Polyphemus’
schapen te gaan hangen.
Eenmaal weer aan boord
riep Odysseusuitdagend
naar de cycloop en
onthulde zijn naam.
Woedend wierp Polyphemus
rotsblokken in de
richting van het schip in
een poging het te laten
zinken. Nadat ze het
Cyclopeneiland hadden
verlaten, arriveerden ze
bij Aeolus, heerservan de
winden. Aeolus gaf
Odysseus een zak met
daarin alle krachtige
winden behalve één
- die hem rechtstreeks
terug naar zijn
thuisbasis Ithaca zou
voeren. Toen het schip
Ithaca bijna had bereikt,
besloten de metgezellen,
die nieuwsgierigwaren
naar de inhoud, de zak te
openen. De winden
ontsnapten en er ontstond
een enorme storm.
Odysseus en zijn
bemanning kwamen terecht
in het land van de
kannibalistische
Laestrygonen, die alle
schepen lieten zinken,
opéén na. De
overlevenden vluchtten
naar Aeaea, het eiland
van de tovenares Circe,
die de metgezellen van
Odysseus in zwijnen
veranderde. Met de hulp
van een tegengif dat hij
had gekregen van Hermes,
lukte het Odysseus om
Circe te
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
U
lysse, épuisé par
la terrible tempête
qu’il a subie,
échoue sur le rivage
des Phéaciens. Reçu
au palais du roi
Alcinoos, Ulysse
entreprend le récit
des épreuves
passées depuis son
départ de Troie.
Arrivés dans
l’île des
Cicones, Ulysse et ses
compagnons mettent la
cité d’Ismaros
sac puis reprennent la
mer. Les vents les
emportent chez les
Lotophages, un peuple
paisible. Ulysse aborde
au pays des Cyclopes. Il
pénètre dans la
caverne de Polyphème
accompagné de douze
hommes. Après avoir vu
le Cyclope dévorer
deux de ses compagnons
chaque repas, Ulysse ruse
pour lui échapper. Il
l’enivre puis
embrase un épieu
taillé, qu’il
plante dans l'œil
unique du Cyclope
endormi,l’aveuglan
t définitivement. Les
survivants sortent
ensuite cachés sous le
ventre de ses brebis et
regagnent leurs bateaux.
Faisant preuve
d’orgueil, Ulysse
crie sa véritable
identité au risque de
faire sombrer son navire
sous une pluie de
rochers. Ulysse aborde
l’île
d’Eolie, au
royaume du maître des
vents. Eole offre Ulysse
un vent favorable pour
regagner Ithaque, et une
outre renfermant tous les
vents contraires.
Hélas, la curiosité
des marins
d’Ulysse aura
raison de cet heureux
dénouement car, en
ouvrant l’outre,
les vents contraires
s’échappent et
déchaînent une
nouvelle tempête.
Après avoir
dérivé plusieurs
jours, ils parviennent
chez les Lestrygons
cannibales qui
détruisent
l’escadre. Les
survivants reprennent la
mer avec un unique navire
et abordent dans
l’île
d’Aiaié,
séjour de la
magicienne Circé.
Ulysse envoie des
éclaireurs dans les
terres. Imprudemment
entrés dans la demeure
de la magicienne, ils
sont transformés en
pourceaux. Seul Ulysse
échappe au
sortilège gr ce
l’antidote que lui
indique Hermès.
Vaincue, Circé
s’offre au
héros et rend ses
compagnons leur forme
humaine. Avant de laisser
partir Ulysse, Circé
lui conseille
d’aller au pays
des morts consulter
l’ombre du devin
Tirésias. Après une
journée de navigation,
le bateau d’Ulysse
atteint le pays des
Cimmériens. Il
s’acquitte des
rites appropriés pour
pouvoir
s’entretenir avec
l’ me. $62.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Odysseia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1084443-010 Based on Homer...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1084443-010
Based on Homer-s
Odyssey. Composed by
Maxime Aulio. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2008.
De Haske Publications
#DHP 1084443-010.
Published by De Haske
Publications
(BT.DHP-1084443-010).
9x12 inches.
English-German-French-Dut
ch. Washed up on
the Phaeacian shore after
a shipwreck, Odysseus is
introduced to King
Alcinous. As he sits in
the palace, he tells the
Phaeacians of his
wanderings since leaving
Troy. Odysseus and his
men fi rst landed on the
island of the Cicones
wherethey sacked the city
of Ismarus. From there,
great storms swept them
to the land of the
hospitable Lotus Eaters.
Then they sailed to the
land of the Cyclopes.
Odysseus and twelve of
his men entered the cave
of Polyphemus. After the
single-eyed giantmade
handfuls of his men into
meals, Odysseus fi nally
defeated him. He got him
drunk and once he had
fallen asleep, he and his
men stabbed a glowing
spike into the
Cyclop’s single
eye, completely blinding
him. They escaped by
clinging to the belliesof
some sheep. Once aboard,
Odysseus taunted the
Cyclop by revealing him
his true identity.
Enraged, Polyphemus
hurled rocks at the ship,
trying to sink it. After
leaving the
Cyclopes’ island,
they arrived at the home
of Aeolus, ruler of the
winds.Aeolus off ered
Odysseus a bag trapping
all the strong winds
within except one - the
one which would take him
straight back to Ithaca.
As the ship came within
sight of Ithaca, the
crewmen, curious about
the bag, decided to open
it. The winds escapedand
stirred up a storm.
Odysseus and his crew
came to the land of the
cannibalistic
Laestrygonians, who sank
all but one of the ships.
The survivors went next
to Aeaea, the island of
the witch-goddess Circe.
Odysseus sent out a
scouting party butCirce
turned them into pigs.
With the help of an
antidote the god Hermes
had given him, Odysseus
managed to overpower the
goddess and forced her to
change his men back to
human form. When it was
time for Odysseus to
leave, Circe told him to
sail tothe realm of the
dead to speak with the
spirit of the seer
Tiresias. One
day’s sailing took
them to the land of the
Cimmerians. There, he
performed sacrifi ces to
attract the souls of the
dead. Tiresias told him
what would happen to him
next. He thengot to talk
with his mother,
Anticleia, and met the
spirits of Agamemnon,
Achilles, Patroclus,
Antilochus, Ajax and
others. He then saw the
souls of the damned
Tityos, Tantalus, and
Sisyphus. Odysseus soon
found himself mobbed by
souls. He
becamefrightened, ran
back to his ship, and
sailed away. While back
at Aeaea, Circe told him
about the dangers he
would have to face on his
way back home. She
advised him to avoid
hearing the song of the
Sirens; but if he really
felt he had to hear,
thenhe should be tied to
the mast of the ship,
which he did. Odysseus
then successfully steered
his crew past Charybdis
(a violent whirlpool) and
Scylla (a multiple-headed
monster), but Scylla
managed to devour six of
his men. Finally,
Odysseus and hissurviving
crew approached the
island where the Sun god
kept sacred cattle.
Odysseus wanted to sail
past, but the crewmen
persuaded him to let them
rest there. Odysseus
passed Circe’s
counsel on to his men.
Once he had fallen
asleep, his men
impiouslykilled and ate
some of the cattle. When
the Sun god found out, he
asked Zeus to punish
them. Shortly after they
set sail from the island,
Zeus destroyed the ship
and all the men died
except for Odysseus.
After ten days, Odysseus
was washed up on
theisland of the nymph
Calypso.
Odysseus,
die is aangespoeld op de
kust van de Phaeaken,
maakt kennis met koning
Alcinoüs. In het
paleis van de
laatstgenoemde vertelt
hij wat hij heeft
meegemaakt sinds zijn
vertrek uit Troje.
Odysseus en zijn
metgezellen legdeneerst
aan op het eiland van de
Ciconen, waar ze de stad
Ismarus plunderden. Toen
ze weer op zee waren,
brak een storm los, die
ze naar het land van de
gastvrije Lotophagen
bracht. Daarna zeilden ze
naar het eiland van de
Cyclopen.Odysseus en
twaalf van zijn
metgezellen kwamen
terecht in de grot van
Polyphemus. Deze verslond
een aantal van hen, maar
werd uiteindelijk door
Odysseus verslagen: hij
voerde de reus dronken,
waarna die in slaap viel.
Vervolgensstak hij een
gloeiende paal in zijn
ene oog om hem blind te
maken. Odysseus en zijn
mannen ontsnapten uit de
grot door ieder onder de
buik van een van
Polyphemus’
schapen te gaan hangen.
Eenmaal weer aan boord
riep Odysseusuitdagend
naar de cycloop en
onthulde zijn naam.
Woedend wierp Polyphemus
rotsblokken in de
richting van het schip in
een poging het te laten
zinken. Nadat ze het
Cyclopeneiland hadden
verlaten, arriveerden ze
bij Aeolus, heerservan de
winden. Aeolus gaf
Odysseus een zak met
daarin alle krachtige
winden behalve één
- die hem rechtstreeks
terug naar zijn
thuisbasis Ithaca zou
voeren. Toen het schip
Ithaca bijna had bereikt,
besloten de metgezellen,
die nieuwsgierigwaren
naar de inhoud, de zak te
openen. De winden
ontsnapten en er ontstond
een enorme storm.
Odysseus en zijn
bemanning kwamen terecht
in het land van de
kannibalistische
Laestrygonen, die alle
schepen lieten zinken,
opéén na. De
overlevenden vluchtten
naar Aeaea, het eiland
van de tovenares Circe,
die de metgezellen van
Odysseus in zwijnen
veranderde. Met de hulp
van een tegengif dat hij
had gekregen van Hermes,
lukte het Odysseus om
Circe te
Nachdem
er an die Küste der
Phäaker gespült
wurde, wird Odysseus dem
König Akinoos
vorgestellt. In dessen
Palast erzählt er den
Phäakern von den
Fahrten nach seiner
Abreise aus Troja.
Odysseus und seine
Männer landen
zunächst auf
denKikonen, einer
Inselgruppe, wo sie die
Stadt Ismaros einnehmen.
Von dort aus treiben sie
mächtige Stürme
zum Land der
gastfreundlichen
Lotophagen
(Lotos-Essern). Dann
segeln sie zum Land der
Kyklopen (Zyklopen).
Odysseus und seine
zwölf Mannenbetreten
die Höhle von
Poloyphem, dem Sohn
Poseidons. Nachdem dieser
einige der Männer
verspeist hat,
überwaÃ…Nltigt
ihn Odysseus, indem er
ihn betrunken macht und
dann mit einem
glühenden Spieß
in dessen einziges Auge
sticht und ihn
somitblendet. Odysseus
und die übrigen
Männer fl iehen an den
Bäuchen von Schafen
hängend. Wieder an
Bord, provoziert Odysseus
den Zyklopen, indem er
ihm seine wahre
Identität verrät.
Wütend bewirft
Polyphem das Schiff mit
Steinen undversucht, es
zu versenken. Nachdem sie
die Insel der Kyklopen
verlassen haben, kommen
Odysseus und seine Mannen
ins Reich von Aiolos, dem
Herr der Winde. Aiolos
schenkt ihm einen Beutel,
in dem alle Winde
eingesperrt sind,
außer dem, der ihn
direktzurück nach
Ithaka treiben soll. Als
das Schiff in Sichtweite
von Ithaka ist, öff
nen die neugierigen
Seemänner den
Windsack. Die Winde entfl
iehen und erzeugen einen
Sturm. Odysseus und seine
Mannschaft verschlägt
es ins Land
derkannibalischen
Laistrygonen, die alle
ihre Schiff e, bis auf
eines, versenken. Die
Ãœberlebenden reisen
weiter nach Aiaia, der
Insel der Zauberin Kirke.
Odysseus sendet einen
Spähtrupp aus, der von
Kirke aber in Schweine
verwandelt wird. Mit
Hilfeeines Gegenmittels
vom Götterboten Hermes
kann Odysseus Kirke
überwaÃ…Nltigen
und er zwingt sie, seinen
Gefährten wieder ihre
menschliche Gestalt
zurückzugeben. Als
er wieder aufbrechen
will, rät Kirke ihm,
den Seher Teiresias in
derUnterwelt aufzusuchen
und zu befragen. Eine
Tagesreise führt
sie dann ins Land der
Kimmerer, nahe dem
Eingang des Hades. Dort
bringt Odysseus Opfer, um
die Seelen der Toten
anzurufen. Teireisas sagt
ihm sein Schicksal
voraus. Dann darf
Odysseusmit seiner Mutter
Antikleia und den Seelen
von Agamemnon, Achilles,
Patroklos, Antilochus,
Ajax und anderen Toten
sprechen. Dann sieht er
die Seelen der Verdammten
Tityos, Tantalos und
Sisyphos. Bald wird
Odysseus selbst von den
Seelen gequält,
kehrtvoll Angst zu seinem
Schiff zurück und
segelt davon. In Aiaia
hatte Kirke ihn vor den
drohenden Gefahren der
Heimreise gewarnt. Sie
riet ihm, den Gesang der
Sirenen zu vermeiden,
wenn er aber unbedingt
zuhören müsse,
solle er sich an denMast
seines Schiff es bindet
lassen, was er dann auch
tut. Dann führt
Odysseus seine Mannschaft
erfolgreich durch die
Meerenge zwischen Skylla
und Charybdis, wobei
Skylla jedoch sechs
seiner Männer
verschlingt.
Schließlich erreichen
Odysseusund die
überlebende
Besatzung die Insel, auf
der der Sonnengott Helios
heiliges Vieh hält.
Odysseus will
weitersegeln, aber seine
Mannschaft
überredet ihn zu
einer Rast. Odysseus
erzählt ihnen von
Kirkes Warnung, aber
kaum, dass
ereingeschlafen ist,
töten die Männer in
gotteslästerlicher
Weise einige Rinder und
verspeisen sie. Als
Helios dies entdeckt,
bittet er Zeus, sie zu
bestrafen. Kurz nachdem
sie die Segel für
die Abreise von der Insel
gesetzt haben,
zerstört Zeusdas
Schiff und alle außer
Odysseus sterben. Nach
zehn Tagen wird Odysseus
an den Strand der Insel
der Nymphe Kalypso
angespült.
U
lysse, épuisé par
la terrible tempête
qu’il a subie,
échoue sur le rivage
des Phéaciens. Reçu
au palais du roi
Alcinoos, Ulysse
entreprend le récit
des épreuves
passées depuis son
départ de Troie.
Arrivés dans
l’île des
Cicones, Ulysse et ses
compagnons mettent la
cité d’Ismaros
sac puis reprennent la
mer. Les vents les
emportent chez les
Lotophages, un peuple
paisible. Ulysse aborde
au pays des Cyclopes. Il
pénètre dans la
caverne de Polyphème
accompagné de douze
hommes. Après avoir vu
le Cyclope dévorer
deux de ses compagnons
chaque repas, Ulysse ruse
pour lui échapper. Il
l’enivre puis
embrase un épieu
taillé, qu’il
plante dans l'œil
unique du Cyclope
endormi,l’aveuglan
t définitivement. Les
survivants sortent
ensuite cachés sous le
ventre de ses brebis et
regagnent leurs bateaux.
Faisant preuve
d’orgueil, Ulysse
crie sa véritable
identité au risque de
faire sombrer son navire
sous une pluie de
rochers. Ulysse aborde
l’île
d’Eolie, au
royaume du maître des
vents. Eole offre Ulysse
un vent favorable pour
regagner Ithaque, et une
outre renfermant tous les
vents contraires.
Hélas, la curiosité
des marins
d’Ulysse aura
raison de cet heureux
dénouement car, en
ouvrant l’outre,
les vents contraires
s’échappent et
déchaînent une
nouvelle tempête.
Après avoir
dérivé plusieurs
jours, ils parviennent
chez les Lestrygons
cannibales qui
détruisent
l’escadre. Les
survivants reprennent la
mer avec un unique navire
et abordent dans
l’île
d’Aiaié,
séjour de la
magicienne Circé.
Ulysse envoie des
éclaireurs dans les
terres. Imprudemment
entrés dans la demeure
de la magicienne, ils
sont transformés en
pourceaux. Seul Ulysse
échappe au
sortilège gr ce
l’antidote que lui
indique Hermès.
Vaincue, Circé
s’offre au
héros et rend ses
compagnons leur forme
humaine. Avant de laisser
partir Ulysse, Circé
lui conseille
d’aller au pays
des morts consulter
l’ombre du devin
Tirésias. Après une
journée de navigation,
le bateau d’Ulysse
atteint le pays des
Cimmériens. Il
s’acquitte des
rites appropriés pour
pouvoir
s’entretenir avec
l’ me. $327.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Forbidden City Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s)...(+)
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Belwin
Beginning Band. Folk.
Grade 1. 140 pages.
Published by Belwin Music
$52.00 $49.4 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nocturne Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 3 SKU: BT.DHP-0981110-010 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 3
SKU:
BT.DHP-0981110-010
Composed by Peter Ilyich
Tchaikovsky. Your
Favorite Classics. Set
(Score & Parts). Composed
1998. De Haske
Publications #DHP
0981110-010. Published by
De Haske Publications
(BT.DHP-0981110-010).
Tchaikovsky is
best known for his purely
instrumental
compositions. However, we
must not underestimate
him as a composer of
operas. Many of his
operas such as ¬Pique
Dame and Eugene Onegin
are still performed
regularly throughout the
world. Eugene Onegin
(also called Jevgeny
Onegin), composed in
1877-1878, was not called
an opera by Tchaikovsky
himself, but “lyric
scenesâ€. The work
is entirely dominated by
lyricism. However, there
are two moments that
contrast sharply with
this lyricism: two ball
scenes, for which
Tchaikovsky wrote a waltz
and a polonaise.After
opening with a less
well-known allegro
dansant, this arrangement
features the
aforementioned waltz,
which can beconsidered a
beautiful Russian
equivalent of the Faust
Waltz by Charles Gounod.
In the opera, this waltz
is actually played by a
military band. The
arrangement concludes
with the pompous
polonaise (also mentioned
above) which opens the
last act: the ideal music
to characterize high
aristocracy in the salon
of a palace in St.
Petersburg.
Rolf
Lovland, der Gründe
der Popgruppe Secret
Garden ist einer der
erfolgreichsten
Songschreiber in der Welt
der Popmusik. Mit der
romantischen Melodie von
Nocturne überzeugte
seine Gruppe nicht nur
Millionen Fans, sondern
auch die Jury des Grand
Prix d’Eurovision
im Jahre 1995, die das
Lied zum Siegertitel
kürte. Mit dem
gefühlvollen
Arrangement von Ron
Segbregts spielen Sie
sich in die Herzen Ihres
Publikums. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Puttin' on the Ritz Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094661-140 Composed by Irvin...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1094661-140
Composed by Irving
Berlin. Arranged by
Lorenzo Bocci. DHP Pop,
Film and Show.
TV-Film-Musical-Show.
Score Only. Composed
2009. 16 pages. De Haske
Publications #DHP
1094661-140. Published by
De Haske Publications
(BT.DHP-1094661-140).
9x12 inches.
English-German-French-Dut
ch. Puttin’
on the Ritz, dessen Titel
sich vom mondänen
Ritz- Hotel ableitet und
so viel bedeutet, wie
sich schick und modern
kleiden“, ist ein
Lied von Irving Berlin,
das erstmals im
gleichnamigen Musikfi lm
von 1930 erschien.
Seither wurde es oft
interpretiert, zum
Beispiel von Fred Astaire
oder in der
Top-Ten-Version aus den
80er-Jahren von Taco.
Lorenzo Bocci setzte das
rhythmisch sehr
interessante, swingende
Stück für
Blasorchester um.
“Putting on
the Ritz : c'est ainsi
que les Anglo-Saxons se
« mettent sur leur 31
», consacrant, au
passage, le mondialement
célèbre palace
comme éternel symbole
de du luxe et de la
perfection. Irving Berlin
célèbrera cet art
de vivre avec la chanson
Puttin’ on the
Ritz, reprise par de
nombreux artistes.
Lorenzo Bocci en a
réalisé un
arrangement absolument
“ritzy. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Onegin Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1012918-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1012918-010
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Wil van der Beek. The
Great Classics. Set
(Score & Parts). Composed
2001. De Haske
Publications #DHP
1012918-010. Published by
De Haske Publications
(BT.DHP-1012918-010).
Tchaikovsky is
best known for his purely
instrumental
compositions. However, we
must not underestimate
him as a composer of
operas. Many of his
operas such as ¬Pique
Dame and Eugene Onegin
are still performed
regularly throughout the
world. Eugene Onegin
(also called Jevgeny
Onegin), composed in
1877-1878, was not called
an opera by Tchaikovsky
himself, but “lyric
scenesâ€. The work
is entirely dominated by
lyricism. However, there
are two moments that
contrast sharply with
this lyricism: two ball
scenes, for which
Tchaikovsky wrote a waltz
and a polonaise.After
opening with a less
well-known allegro
dansant, this arrangement
features the
aforementioned waltz,
which can beconsidered a
beautiful Russian
equivalent of the Faust
Waltz by Charles Gounod.
In the opera, this waltz
is actually played by a
military band. The
arrangement concludes
with the pompous
polonaise (also mentioned
above) which opens the
last act: the ideal music
to characterize high
aristocracy in the salon
of a palace in St.
Petersburg.
Tchaikowsky ist
berühmt für seine
rein instrumentalen
Kompositionen. Er ist
jedoch auch als
Opernkomponist nicht zu
unterschätzen.Viele
seiner OPern werden
immoernoch
regelmäßig auf der
ganzen Welt
aufgeführt, wie zum
Beispiel Pique
Dame und Eugen
OneginEugen
Onegin wurde in den
Jahren 1877 bis 1878
komponiert und von
Tschaikowsky selbst
zunächst nicht als
Oper, sondern als
lyrische Szenen betitelt.
Der lyrische Charakter
ist im ganzen Werk
vorherrschend. Zwei
Stellen kontrastieren
jedoch deutlich mit
dieser Lyrik: zwei
Ballszenen ,für die
Tschaikowsky einen Walzer
uns eine Polonaise
schrieb.Nach einem
weniger bekannten Allegro
Dansant als
Eröffung,stellt dieses
Arrangement vor allem den
oben genannten Walzer in
den Vordergrund, welcher
guten Herzens als ein
schönes russisches
Gegenstück zu Charles
Gounods
Faustwalzer
bezeichnet werden kann.
In der Oper wird dieser
Walzer von einer
Militärkapelle
gespielt. Das Arrangement
schließt mit der
erwähnten pompösen
Polonaise, die den
letztzen Akt eröffnet:
die ideale Musik, um ein
Bild des Hochadels im
Salon eines Petersburger
Palastes zu zeichnen. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Puttin' on the Ritz Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094661-010 Composed by Irvin...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1094661-010
Composed by Irving
Berlin. Arranged by
Lorenzo Bocci. DHP Pop,
Film and Show.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094661-010. Published by
De Haske Publications
(BT.DHP-1094661-010).
9x12 inches.
English-German-French-Dut
ch. Puttin’
on the Ritz, dessen Titel
sich vom mondänen
Ritz- Hotel ableitet und
so viel bedeutet, wie
sich schick und modern
kleiden“, ist ein
Lied von Irving Berlin,
das erstmals im
gleichnamigen Musikfi lm
von 1930 erschien.
Seither wurde es oft
interpretiert, zum
Beispiel von Fred Astaire
oder in der
Top-Ten-Version aus den
80er-Jahren von Taco.
Lorenzo Bocci setzte das
rhythmisch sehr
interessante, swingende
Stück für
Blasorchester um.
“Putting on
the Ritz : c'est ainsi
que les Anglo-Saxons se
« mettent sur leur 31
», consacrant, au
passage, le mondialement
célèbre palace
comme éternel symbole
de du luxe et de la
perfection. Irving Berlin
célèbrera cet art
de vivre avec la chanson
Puttin’ on the
Ritz, reprise par de
nombreux artistes.
Lorenzo Bocci en a
réalisé un
arrangement absolument
“ritzy. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 91 in E-flat, Hob.I: 91 Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 1.2.0.2: 2.0.0.0: Str (4-4-3-2+2Vc Obligato-3 in set) (+)
Concert Band; Orchestra
1.2.0.2: 2.0.0.0: Str
(4-4-3-2+2Vc Obligato-3
in set) SKU:
AP.36-A706201
Arranged by Franz Joseph
Haydn and ed./arr. by
Howard Chandler Robbins
Landon. Full Orchestra,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A706201.
Published by
LudwigMasters
Publications
(AP.36-A706201). ISBN
9798892704045. UPC:
659359855344.
English. Count
d'Ogny commissioned Franz
Joseph Haydn (1732-1809)
to write three symphonies
for the Concert de la
Loge Olympique, which was
then recognized as one of
the finest orchestras in
Europe. He completed the
second of these, the
SYMPHONY No. 91 in E flat
major, Hob. I/91, in
1788. It received its
premiere the next year in
the Tuileries Palace
gardens, mere months
before King Louis XVI and
his royal family came to
live there under custody
of the French Revolution.
It is his last symphony
to exclude trumpets and
timpani, but stuffed with
delicacies that would
have appealed to its
Parisian audience. Its
graceful, ebullient
character offers no hints
of the hard misfortune
that would soon fall on
the aristocratic
listeners who first
enjoyed this charming
work. Instrumentation:
1.2.0.2: 2.0.0.0: Str
(4-4-3-2+2Vc Obligato-3
in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $40.00 - Voir plus => Acheter | | |
| Symphony No. 91 in E-flat, Hob.I: 91 Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 1.2.0.2: 2.0.0.0: Str (4-4-3-2+2Vc Obligato-3 in set) (+)
Concert Band; Orchestra
1.2.0.2: 2.0.0.0: Str
(4-4-3-2+2Vc Obligato-3
in set) SKU:
AP.36-A706202
Arranged by Franz Joseph
Haydn and ed./arr. by
Howard Chandler Robbins
Landon. Full Orchestra,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A706202.
Published by
LudwigMasters
Publications
(AP.36-A706202). UPC:
659359892394.
English. Count
d'Ogny commissioned Franz
Joseph Haydn (1732-1809)
to write three symphonies
for the Concert de la
Loge Olympique, which was
then recognized as one of
the finest orchestras in
Europe. He completed the
second of these, the
SYMPHONY No. 91 in E flat
major, Hob. I/91, in
1788. It received its
premiere the next year in
the Tuileries Palace
gardens, mere months
before King Louis XVI and
his royal family came to
live there under custody
of the French Revolution.
It is his last symphony
to exclude trumpets and
timpani, but stuffed with
delicacies that would
have appealed to its
Parisian audience. Its
graceful, ebullient
character offers no hints
of the hard misfortune
that would soon fall on
the aristocratic
listeners who first
enjoyed this charming
work. Instrumentation:
1.2.0.2: 2.0.0.0: Str
(4-4-3-3-3 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $135.00 - Voir plus => Acheter | | |
| Much Ado About Nothing: Three Pieces for Small Orchestra Orchestre d'harmonie LudwigMasters Publications
Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Timp.Perc(2): Harm: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929590
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A929590.
Published by
LudwigMasters
Publications
(AP.36-A929590). UPC:
735816239411.
English. When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $80.00 - Voir plus => Acheter | | |
| Much Ado About Nothing: Three Pieces for Small Orchestra Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra
1.1.2.1: 2.2.1.0:
Timp.Perc(2): Harm: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929501
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score.
LudwigMasters
Publications #36-A929501.
Published by
LudwigMasters
Publications
(AP.36-A929501). ISBN
9781638875192. UPC:
735816239497.
English. When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $30.00 - Voir plus => Acheter | | |
| Land of Pharaohs Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS103F Composed by Gene Milford. SWS...(+)
Band concert band - Grade
1 SKU: CF.BPS103F
Composed by Gene Milford.
SWS. Carl Fischer
Beginning Performance
Series. Full score. With
Standard notation. 16
pages. Carl Fischer Music
#BPS103F. Published by
Carl Fischer Music
(CF.BPS103F). ISBN
9781491147825. UPC:
680160905324. 9 x 12
inches. The mystery
and romance surrounding
Egypt's Nile river,
expansive deserts, mighty
pyramids, Valley of the
Kings, and legacy of art
and culture has inspired
generations of men and
women around the globe.
In ancient Egypt, the
word Pharaoh meant Great
House, referring first to
the royal palace itself
and later to the ruler in
power as an official
title of leadership. Land
of the Pharaohs is a
short, musical depiction
of the power that the
ancient Pharaohs once
held and the drama that
has captivated mankind
since the end of their
long reign. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Pleasure Dome of Kubla Khan, Op. 8 [original version, 1920] Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2)....(+)
Concert Band; Orchestra
3(3rd
dPicc).2+EH.2+BCl.3:
4.3.3.1: Timp.Perc(3):
Hp(2).Clst.Pno: Str
(9-8-7-6-5 in set)
SKU: AP.36-A296302
Arranged by Charles
Tomlinson Griffes and
ed./arr. by Gregory
Vaught. Full Orchestra,
Conductor Score & Parts.
Nieweg Performance
Editions. Score and
Part(s). LudwigMasters
Publications #36-A296302.
Published by
LudwigMasters
Publications
(AP.36-A296302). UPC:
659359760488.
English. A dream
inspired Charles
Tomlinson Griffes
(1884-1920) to compose
The Pleasure Dome of
Kubla Kahn, based on the
poem by Samuel Taylor
Coleridge. The composer
originally wrote it for
piano in 1912. Four years
later, at the
encouragement of
Ferruccio Busoni, he
expanded it into a
shimmering symphonic
poem. Following the first
performance in the autumn
of 1919 under the
direction of Pierre
Monteux, it achieved
great success and remains
one of his most
frequently-performed
works today. The work
reveals the influence of
French impressionism,
meandering through the
lush gardens of the
legendary palace. This
edition by Gregory Vaught
is part of the Nieweg
Performance Editions
series. Instrumentation:
3(3rd
dPicc).2+EH.2+BCl.3:
4.3.3.1: Timp.Perc(3):
Hp(2).Clst.Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $85.00 - Voir plus => Acheter | | |
| L'Italiana in Algeri; No. 4 -- Act I, Coro e Cavatina -- Quanto roba!; Cruda sorte! Amor tiranno! (contralto) Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Contralto...(+)
Concert Band; Orchestra
2.2.2.2: 2.2.0.0: Str
(4-4-3-3-3 in set): Solo
Contralto: Mixed Chorus
SKU: AP.36-A494401
Composed by Gioachino
Rossini/ Italian libretto
by Angelo Anelli. Serious
Opera, Orchestra
Accompaniment, Conductor
Score. Kalmus Opera
Library. Score.
LudwigMasters
Publications #36-A494401.
Published by
LudwigMasters
Publications
(AP.36-A494401). ISBN
9798892700726. UPC:
659359764028.
English. Premiering
on May 22, 1813, at the
Teatro San Benedetto in
Venice, L'italiana in
Algeri (The Italian Girl
in Algiers) by Gioachino
Rossini (1792-1868) was a
success, with subsequent
performances in Vicenza,
Milan, and Naples. It was
later performed at His
Majesty's Theatre in
London in 1819, and again
in New York in 1832.
Rossini's mixture of
opera seria and opera
buffa is notable —
L'italiana in Algeri
tells the tale of
Isabella, an Italian girl
who uses her wiles to
trick unwitting Mustafà,
the Bey of Algiers, into
freeing her and her
lover, Lindoro from his
palace. The opera itself
fell somewhat out of
favor in the 19th century
but has been revived
frequently since World
War II with many
successful productions.
The sorrowful cavatina
Cruda sorte! Amor
Tiranno! takes place in
Act I, and serves as the
introductory aria of
Isabella, who finds
herself shipwrecked in
Algiers. The aria is
preceded by the chorus
Quanto Roba!
Instrumentation: 2.2.2.2:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Contralto:
Mixed Chorus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $15.00 - Voir plus => Acheter | | |
| English Suite for Band Orchestre d'harmonie [Conducteur] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7093-01 Composed by Golemo. Concert Band. Extra full ...(+)
Grade 3 SKU:
CL.LDP-7093-01
Composed by Golemo.
Concert Band. Extra full
score. Composed 2008.
Duration 4 minutes, 51
seconds. Daehn
Publications
#LDP-7093-01. Published
by Daehn Publications
(CL.LDP-7093-01).
A charming
collection of contrasts:
royal pageantry, wistful
tranquility and raucous
fun! Your band and
audience will love this
jolly trip to London!
Movements: I. Buckingham
Palace (1:19) II. St.
Paul’s Cathedral (2:15)
III. Piccadilly Circus
(1:20). $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Onegin Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1012918-040 Composed by Peter Ilyich T...(+)
Concert Band - Grade 3
SKU:
BT.DHP-1012918-040
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Wil van der Beek. The
Great Classics. Set
(Score & Parts). Composed
2001. De Haske
Publications #DHP
1012918-040. Published by
De Haske Publications
(BT.DHP-1012918-040).
Tchaikovsky is
best known for his purely
instrumental
compositions. However, we
must not underestimate
him as a composer of
operas. Many of his
operas such as ¬Pique
Dame and Eugene Onegin
are still performed
regularly throughout the
world. Eugene Onegin
(also called Jevgeny
Onegin), composed in
1877-1878, was not called
an opera by Tchaikovsky
himself, but “lyric
scenesâ€. The work
is entirely dominated by
lyricism. However, there
are two moments that
contrast sharply with
this lyricism: two ball
scenes, for which
Tchaikovsky wrote a waltz
and a polonaise.After
opening with a less
well-known allegro
dansant, this arrangement
features the
aforementioned waltz,
which can beconsidered a
beautiful Russian
equivalent of the Faust
Waltz by Charles Gounod.
In the opera, this waltz
is actually played by a
military band. The
arrangement concludes
with the pompous
polonaise (also mentioned
above) which opens the
last act: the ideal music
to characterize high
aristocracy in the salon
of a palace in St.
Petersburg. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alexandra Palace Orchestre d'harmonie [Conducteur et Parties séparées] G and M Brand Music Publishers
Overture. Composed by Gordon Jacob (1895-1986). Band Music. Score and par...(+)
Overture. Composed
by Gordon Jacob
(1895-1986). Band Music.
Score and parts. Duration
6:30. Published by G & M
Brand Music Publishers
(CN.R10154).
$75.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Palace of Versailles Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
By Jerome Naulais. Concert Band. Swiss import. Young Band. Level: Grade 2+. Scor...(+)
By Jerome Naulais.
Concert Band. Swiss
import. Young Band.
Level: Grade 2+. Score
and parts. Published by
Editions Marc Reift. (EMR
10426)
$90.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| March to Buckingham Palace Orchestre d'harmonie [Conducteur et Parties séparées] FJH
Composed by Mekel Rogers. For concert band. FJH Developing Band. Level 1.5. Scor...(+)
Composed by Mekel Rogers.
For concert band. FJH
Developing Band. Level
1.5. Score and parts.
Published by The FJH
Music Company Inc
$50.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Land of Pharaohs Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
Composed by Gene Milford. Carl Fischer Beginning Performance Series. Score and p...(+)
Composed by Gene Milford.
Carl Fischer Beginning
Performance Series. Score
and part(s). With
Standard notation. Carl
Fischer #BPS103.
Published by Carl Fischer
(CF.BPS103).
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| March of the Palace Guards Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Composed by Jerry Williams. Concert band. Young Concert Band. Norman Lee Series....(+)
Composed by Jerry
Williams. Concert band.
Young Concert Band.
Norman Lee Series. Grade
1. Extra full score.
Composed 1989. Published
by C.L. Barnhouse
$7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy on Korean Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Composed by Johnnie Vinson. Arranged by Johnnie Vinson. MusicWorks Grade 2. Co...(+)
Composed by Johnnie
Vinson.
Arranged by Johnnie
Vinson.
MusicWorks Grade 2.
Concert.
Softcover. Published by
Hal
Leonard
$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| March of the Palace Guards Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.015-2190-00 Composed by J. Williams. Young Concert Band. ...(+)
Grade 1 SKU:
CL.015-2190-00
Composed by J. Williams.
Young Concert Band.
Norman Lee Series. March.
Score and set of parts.
Composed 1989. C.L.
Barnhouse #015-2190-00.
Published by C.L.
Barnhouse
(CL.015-2190-00).
A stirring, yet
very easy march with a
slightly British feel.
Well constructed and
appealing, it will be
play able by most bands
toward the end of their
first year. This is a
number you will continue
to use for years to
come. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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