(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). B...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Conductor's
Score)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For Conductor's Score.
Band Method; CD; DVD;
Method/Instruction;
Score; SmartMusic. Sound
Innovations Series for
Band. Early Intermediate.
404 pages. Published by
Alfred Music Publishing
(A Revolutionary Method for Early-Intermediate Musicians (Mallet Percussion)). B...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Mallet
Percussion)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For Mallet Percussion.
Band Method; Book; CD;
DVD; Method/Instruction.
Sound Innovations. Early
Intermediate. 48 pages.
Published by Alfred Music
Publishing
(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). B...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Conductor's
Score)). By Robert
Sheldon, Peter Boonshaft,
Dave Black, and Bob
Phillips. Concert Band.
For Conductor's Score.
Band Method;
Method/Instruction;
Score. Sound Innovations.
Early Intermediate. 400
pages. Published by
Alfred Music Publishing
(Conductor's Score). By Peter Boonshaft and Chris Bernotas. Concert Band. For Co...(+)
(Conductor's Score). By
Peter Boonshaft and Chris
Bernotas. Concert Band.
For Conductor's Score.
Band Method;
Method/Instruction;
Score. Sound Innovations
Series for Band. 568
pages. Published by
Alfred Music Publishing
Furioso Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Belwin
Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Part(s); Score. 126
pages. Belwin Music
#00-BDM01021. Published
by Belwin Music
Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Ti...(+)
Composed by Robert W.
Smith. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Score. 20 pages.
Belwin Music
#00-BDM01021C. Published
by Belwin Music
Arranged by Frank Erickson. Arr. Frank Erickson. For Concert Band. Concert Band....(+)
Arranged by Frank
Erickson. Arr. Frank
Erickson. For Concert
Band. Concert Band.
Alfred Concert Band.
Level: 3 (Medium) (grade
3). Conductor Score and
Parts. 1 pages. Published
by Alfred Publishing.
A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
Level 2: Moving Beyond
the B-flat Concert
Scale. Composed by
Hoefle. Young Concert
Band. RWS Developing Band
Series. Score and set of
parts. Composed 2020.
Duration 2 minutes, 45
seconds. RWS Music
Company #RWS-2044-00.
Published by RWS Music
Company (CL.RWS-2044-00).
Do you wish
your clarinets would
practice going over the
break? Do you want your
trumpets to practice lip
slurs and your flute
players to remember those
high note fingerings? Do
your percussionists
forget the rudiments? Are
you struggling to
introduce chromatic
fingerings in a
heterogeneous classroom
setting? Skill Stretchers
For Band II is a set of
exercises for group
practice of all these
concepts AT ONCE! A
follow-up to Skill
Stretchers For Band, this
invaluable teaching tool
will help your band move
beyond B flat concert
scale efficiently and
effectively. Prepare your
students for the next
performance level in just
minutes a day!
Level 2: Moving Beyond
the B-flat Concert
Scale. Composed by
Hoefle. Young Concert
Band. Extra full Score.
Composed 2020. RWS Music
Company #RWS-2044-01.
Published by RWS Music
Company (CL.RWS-2044-01).
Do you wish
your clarinets would
practice going over the
break? Do you want your
trumpets to practice lip
slurs and your flute
players to remember those
high note fingerings? Do
your percussionists
forget the rudiments? Are
you struggling to
introduce chromatic
fingerings in a
heterogeneous classroom
setting? Skill Stretchers
For Band II is a set of
exercises for group
practice of all these
concepts AT ONCE! A
follow-up to Skill
Stretchers For Band, this
invaluable teaching tool
will help your band move
beyond B flat concert
scale efficiently and
effectively. Prepare your
students for the next
performance level in just
minutes a day!
To a Friend Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1216293-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Score Only.
Composed 2021. 8 pages.
De Haske Publications
#DHP 1216293-140.
Published by De Haske
Publications
(BT.DHP-1216293-140).
English-German-French-
Dutch.
When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
To a Friend Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1216293-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216293-010. Published by
De Haske Publications
(BT.DHP-1216293-010).
English-German-French-
Dutch.
When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
Grade 3 SKU: CL.012-3462-00 What Child Is This and God Rest Ye Merry G...(+)
Grade 3
SKU:
CL.012-3462-00
What Child Is This and
God Rest Ye Merry
Gentlemen. Concert
Band. Heritage of the
March Series. Audio
recording available
separately (item
CL.WFR337). Holiday.
Score and set of parts.
Composed 2005. Duration 2
minutes, 34 seconds. Opus
III Wind Orchestra
Publications
#012-3462-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-3462-00).
This glorious
setting of two classic
carols, God Rest Ye Merry
Gentlemen and What Child
Is This? is destined to
be the work of choice
when searching for that
special holiday number.
Skillfully orchestrated
to produce a
full-sounding ensemble,
this arrangement is
highlighted by a
beautiful trumpet solo.
In addition, lush
harmonies, soaring horn
lines and limited
technical demands will
allow you the opportunity
to quickly create an
expressive performance
that will musically serve
to inspire one and all. A
guaranteed winner!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Grade 3 SKU: CL.012-3462-01 What Child Is This and God Rest Ye Merry G...(+)
Grade 3
SKU:
CL.012-3462-01
What Child Is This and
God Rest Ye Merry
Gentlemen. Concert
Band. Heritage of the
March Series. Audio
recording available
separately (item
CL.WFR337). Extra full
score. Composed 2005.
Duration 2 minutes, 34
seconds. Opus III Wind
Orchestra Publications
#012-3462-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3462-01).
This glorious
setting of two classic
carols, God Rest Ye Merry
Gentlemen and What Child
Is This? is destined to
be the work of choice
when searching for that
special holiday number.
Skillfully orchestrated
to produce a
full-sounding ensemble,
this arrangement is
highlighted by a
beautiful trumpet solo.
In addition, lush
harmonies, soaring horn
lines and limited
technical demands will
allow you the opportunity
to quickly create an
expressive performance
that will musically serve
to inspire one and all. A
guaranteed winner!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Fanfare for Freedom Orchestre d'harmonie - Intermédiaire/avancé Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-3435-01 Composed by Lloyd. Concert Band. Heritage of ...(+)
Grade 4
SKU:
CL.012-3435-01
Composed by Lloyd.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR334). Extra full
score. Composed 2005.
Duration 5 minutes, 37
seconds. Opus III Wind
Orchestra Publications
#012-3435-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3435-01).
An impressive
and demanding composition
for mature bands by a
talented Australian
composer and military
band conductor. Requires
good players in all
sections, but it is well
worth the effort. The
inspiring slow section
includes solos for oboe,
clarinet, horn, trumpet &
euphonium as well as some
challenging parts for the
mallet percussion
players. Every section of
the band has plenty to
keep them challenged and
involved. Will be a
superlative opener for
any concert!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Tha Mi Sgìth Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Strathspey and Reel. Arranged by Brian Beck. Concert Band; Performance Music...(+)
Strathspey and Reel.
Arranged
by Brian Beck. Concert
Band;
Performance Music
Ensemble;
Single Titles. Young
Symphonic. Folk;
Multicultural;
Traditional;
World. Score and Part(s).
Duration 4:05. Alfred
Music
#00-49977. Published by
Alfred
Music
The Stars and Stripes Forever Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Willow Blossom Music
March. Composed by John Philip Sousa (1854-1932). Arranged by Keith Brion and Lo...(+)
March. Composed by John
Philip Sousa (1854-1932).
Arranged by Keith Brion
and Loras Schissel.
Concert Band. Sousa
Centennial. Audio
recording available
separately (items
CL.WFR137 and CL.WFR343).
March, Patriotic. Score
and set of parts.
Composed 1996. Duration 3
minutes, 26 seconds.
Published by Willow
Blossom Music
By Andy Clark. Concert band. For concert band. Young Band. Command Series. Audio...(+)
By Andy Clark. Concert
band. For concert band.
Young Band. Command
Series. Audio recording
available separately
(item CL.WFR373). Grade
2.5. Score and set of
parts. Composed 2011.
Duration 3 minutes, 13
seconds. Published by
C.L. Barnhouse
(CL.011-4060-00
Composed by Victor Lopez. Concert Band; Performance Music Ensemble; Single Title...(+)
Composed by Victor Lopez.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Beginning
Band. Blues; Rock.
Part(s); Score. 144
pages. Duration 1:45.
Belwin Music #00-39506.
Published by Belwin Music
(AP.39506).
Hill Country Holiday Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Grade 3.5 SKU: CL.012-3123-01 Composed by Sheldon. Concert Band. Heritage...(+)
Grade 3.5
SKU:
CL.012-3123-01
Composed by Sheldon.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR316 & CL.WFR315).
Extra full score.
Composed 2001. Duration 6
minutes, 23 seconds. Opus
III Wind Orchestra
Publications
#012-3123-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3123-01).
A spirited
composition by popular
composer Robert Sheldon
which defines the essence
of Americana and the
Western frontier through
engaging melodies,
colorful orchestration
and interesting rhythms.
Perfect for concert or
festival programming, the
spirit and drive of this
exceptional piece will
make it a favorite for
performers and audiences
alike! Highly
Recommended!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Composed by Sheldon.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR316 & CL.WFR315).
Overture. Score and set
of parts. Composed 2001.
Duration 6 minutes, 23
seconds. Opus III Wind
Orchestra Publications
#012-3123-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-3123-00).
A spirited
composition by popular
composer Robert Sheldon
which defines the essence
of Americana and the
Western frontier through
engaging melodies,
colorful orchestration
and interesting rhythms.
Perfect for concert or
festival programming, the
spirit and drive of this
exceptional piece will
make it a favorite for
performers and audiences
alike! Highly
Recommended!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Concert Band - Grade 2 SKU: AP.45792S Intrada for Band. Composed b...(+)
Concert Band - Grade 2
SKU: AP.45792S
Intrada for Band.
Composed by Michael
Kamuf. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Score.
20 pages. Duration 2:15.
Belwin Music #00-45792S.
Published by Belwin Music
(AP.45792S).
UPC:
038081525495.
English.
This
exciting composition is a
perfect concert opener
for developing or more
advanced bands. All wind
instruments get a chance
to play one of the
themes, and a driving
percussion presence sets
the stage for an
energetic and powerful
musical statement. Your
students will love
practicing and performing
this spirited original
work! (2:15).
Concert Band - Grade 2 SKU: AP.45792 Intrada for Band. Composed by...(+)
Concert Band - Grade 2
SKU: AP.45792
Intrada for Band.
Composed by Michael
Kamuf. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Score
and Part(s). 254 pages.
Duration 2:15. Belwin
Music #00-45792.
Published by Belwin Music
(AP.45792).
UPC:
038081525488.
English.
First Sun
by Michael Kamuf is an
exciting composition and
a perfect concert opener
for developing or more
advanced bands. All wind
instruments get a chance
to play one of the
themes, and a driving
percussion presence sets
the stage for an
energetic and powerful
musical statement. Your
students will love
practicing and performing
this spirited original
work! (2:15).
Reptillia Orchestre d'harmonie - Facile RWS Music Company
Grade 2 SKU: CL.RWS-2337-00 (Slithering Sixteenths). Composed by H...(+)
Grade 2
SKU:
CL.RWS-2337-00
(Slithering
Sixteenths). Composed
by Hoefle. Young Concert
Band. Score and set of
parts. Composed 2023. RWS
Music Company
#RWS-2337-00. Published
by RWS Music Company
(CL.RWS-2337-00).
It may be a
creeping alligator, but
it’s not my
alligator! Provide your
students practice
performing sixteenth
notes at a moderate tempo
with this programmatic
piece. Reptillia is a
great piece to perform in
the middle of your
program. Hold on to your
quarter notes as the
alligator jaws snap in
the percussion
section!
