Composed by Randall D. Standridge. Concert Band. Concert Band; Part(s); Score. Alfred Debut Series. Grade 1.5. 138 pages. Published by Alfred Music

Concert Band - Grade 1.5

SKU: AP.41935S

Composed by Randall Standridge. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Debut Series. Score. 16 pages. Alfred Music #00-41935S. Published by Alfred Music (AP.41935S).

UPC: 038081480312. English.

This work for concert band is inspired by the inner strength that all artists must call on to devote themselves to their craft. The work uses the sounds of a beating heart combined with metallic accents in the mallet percussion, brake drum, and China crash to create a uniquely industrial sound. The melody races through life's obstacles (represented in an altered scale) before climaxing in a beautiful, triumphant fanfare. This title available in MakeMusic Cloud.

Composed by Gary Fagan. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Halloween. Part(s); Score. 120 pages. Alfred Music #00-46654. Published by Alfred Music (AP.46654).

Composed by Tyler Arcari. First Plus Performance Series. Score and part(s). With Standard notation. Duration 2 minutes, 23 seconds. Carl Fischer #FPS137. Published by Carl Fischer (CF.FPS137).

Concert Band - Grade 1.5

SKU: AP.48124

Composed by Rick Hirsch. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Debut Series. Light Concert. Score and Part(s). 124 pages. Duration 2:30. Alfred Music #00-48124. Published by Alfred Music (AP.48124).

UPC: 038081555089. English.

Imagine the Tin Man (from The Wizard of Oz) spending a day bopping around Pittsburgh back when that city's life centered around its busy steel mills and factories. The percussion section enhances the mechanical nature of this quirky, programmatic piece. (2:30) This title is available in MakeMusic Cloud.

Concert Band - Grade 1.5

SKU: AP.48124S

Composed by Rick Hirsch. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Debut Series. Light Concert. Score. 16 pages. Duration 2:30. Alfred Music #00-48124S. Published by Alfred Music (AP.48124S).

UPC: 038081555096. English.

Imagine the Tin Man (from The Wizard of Oz) spending a day bopping around Pittsburgh back when that city's life centered around its busy steel mills and factories. The percussion section enhances the mechanical nature of this quirky, programmatic piece. (2:30) This title available in MakeMusic Cloud.

By Scott Watson. Concert Band. Concert Band; Part(s); Score. Alfred Debut Series. Grade 1.5. 232 pages. Published by Alfred Music Publishing

By Scott Watson. Concert Band. Concert Band; Score. Alfred Debut Series. Grade 1.5. 20 pages. Published by Alfred Music Publishing

By Vince Gassi. For Concert Band. Concert Band. Alfred Concert Band. Level: 3.5 (Medium) (grade 3.5). Conductor Score and Parts. 274 pages. Published by Alfred Publishing.

By John O'reilly. By John O'Reilly. For Concert Band. Concert Band. Accent on Achievement. Level: Grade 1. Conductor Score & Parts. Duration 2:30:00. Published by Alfred Publishing.

Concert Band - Grade 1

SKU: AP.46654S

Composed by Gary Fagan. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Halloween. Score. 16 pages. Alfred Music #00-46654S. Published by Alfred Music (AP.46654S).

UPC: 038081533032. English.

Alchemy is an ancient philosophy that sought to turn iron into gold. The composer saw a parallel in music: taking the notes of a scale and turning them into music seems just as magical. The notes are like iron and the process of turning them into music makes them as precious as gold.

By Robert W. Smith. Concert Band. Concert Band. Belwin Symphonic Band. Grade 4. Conductor Score and Parts. 362 pages. Published by Belwin Music

Band - Grade 1.5

SKU: CF.FPS137F

Composed by Tyler Arcari. SWS. First Plus Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 23 seconds. Carl Fischer Music #FPS137F. Published by Carl Fischer Music (CF.FPS137F).

ISBN 9781491147917. UPC: 680160905416. 9 x 12 inches.

The term, stryker refers to an individual who assisted a blacksmith with his craft, wielding a hammer and shaping iron to their will. As the title suggests, Stryker is a dark and harsh piece full of percussive sounds depicting a Stryker as they assist a blacksmith. The break drum gives us a hammered-iron effect while the china cymbal mimics the steam of tempering steel. Students will enjoy this fast-paced and intense piece, great for opening a concert or providing an exciting finish.

The Spirit of the Sequoia (Grade 4 - Score and Parts). By Philip Sparke (1951-). For Concert Band. Anglo Music Concert Band. Grade 4. Anglo Music Press #AMP067. Published by Anglo Music Press

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115227-140

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Hymns & Chorals. Score Only. Composed 2012. 20 pages. De Haske Publications #DHP 1115227-140. Published by De Haske Publications (BT.DHP-1115227-140).

9x12 inches. English-German-French-Dut ch.

2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor at Fukushima only increased the misery: a black day in the country’s history…One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments. It will take a long time before the damage suffered is repaired—and it will take great effort to overcome thepsychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers for a simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This piece immediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!

2011 was een rampzalig jaar voor Japan: op 11 maart teisterde een hevige aardbeving het noordoosten van het land, bracht een enorme tsunami teweeg en veroorzaakte zeer grote schade aan mens en natuur. De daaruit voortvloeiende problemenmet de kernreactor van Fukushima maakten de ellende nog groter: een zwarte pagina in het bestaan van het land ... Dat in dergelijke dramatische omstandigheden ook (en vooral) het culturele bestel een flinke knauw krijgt, ishelaas een haast onvermijdelijke consequentie. Zo ook in Japan: verschillende high school bands in de getroffen regio verloren hun repetitieruimte en/of instrumenten: het zal lang duren voordat de geleden schade is hersteld - enhet zal ook moeite kosten om er mentaal weer bovenop te geraken. Met het oog op dat laatste aspect verzocht Yutaka Nishida (samensteller van het radioprogramma The Bandwagon) een paar componisten om een eenvoudig werkje te schrijvendat speelbaar is door een groot aantal orkesten. Als bij toeval kwam een dergelijk verzoek eveneens van de kant van de OSAKAN Philharmonic Winds, waarmee Jan Van der Roost op 25 september een concert dirigeerde, uitsluitend gewijdaan eigen werken. Daar werd Song of Hope dan ook ten doop gehouden en het werkje sloeg meteen aan bij uitvoerders en publiek: na een tamelijk donkere start in het lage register evolueert het tot een optimistischer en opener slot.Er is inderdaad hoop op betere tijden!

Am 11. März 2011 löste ein heftiges Erdbeben in Japan einen riesigen Tsunami mit desaströsen Folgen für Mensch, Natur auch das kulturelle Leben. Yutaka Nishida vom Radioprogramm The Bandwagon bat daher einige Komponisten, darunter Jan Van der Roost, ein einfaches, für viele Orchester spielbares Werk zu schreiben. Song of Hope beginnt düster im tiefen Register, um sich dann zu einem optimistischeren Schluss hin zu entwickeln. Es gibt sie, die Hoffnung auf bessere Zeiten... !

2011 fut une année tragique pour le Japon : le 11 mars, le nord-est du pays connut un violent tremblement de terre qui entraîna un gigantesque tsunami, occasionnant de nombreuses pertes humaines et de gros dég ts environnementaux. La catastrophe du réacteur nucléaire de Fukushima ajouta encore ces malheurs : une période bien sombre de l’histoire du pays…Des événements aussi dramatiques ont souvent un impact négatif sur les arts culturels. Ce fut le cas au Japon : plusieurs orchestres d’harmonie des collèges des régions affectées perdirent leurs locaux de répétition et/ou leurs instruments. Il faudra beaucoup de temps pour que les choses reviennent la normale - et pour estomperles cicatrices psychologiques. S’intéressant particulièrement celles-ci, Yutada Nishida (directeur du programme radiophonique The Bandwagon) demanda quelques compositeurs d’écrire une œuvre simple pouvant être interprétée par de nombreux orchestres.Il se trouva que l’Harmonie Philharmonique d’Osaka (que Jan Van der Roost avait dirigée lors d’un concert exclusivement composé de ses œuvres, le 25 septembre) avait eu la même idée. Ce concert vit la création mondiale de Song of Hope, qui interpella immédiatement les musiciens et l’auditoire. Cette pièce débute sombrement dans le registre grave avant d’évoluer vers une conclusion plus pétillante, plus optimiste. Il est assurément permis d’espérer des temps meilleurs !

Il 2011 è stato un anno tragico per il Giappone; al devastante terremoto e al non meno catastrofico tsunami dell’11 marzo, sono seguiti i gravi problemi al reattore nucleare di Fukushima. Il settore della cultura in generale, e quello della musica in particolare hanno sofferto immensamente a causa di questi nefasti eventi naturali. Song of Hope è un brano che ha profondamente commosso esecutori e pubblico.Song of Hope inizia nel registro acuto con suoni oscuri e melanconici, ma si sviluppa in un clima di ottimismo, come a voler simboleggiare un futuro più sereno.

By David R. Holsinger. For Concert Band. Grade 5 . Score and parts. Published by TRN Music Publisher

Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set

SKU: AP.36-A744690

Composed by Wolfgang Amadeus Mozart. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A744690. Published by LudwigMasters Publications (AP.36-A744690).

UPC: 659359882814. English.

It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219. The likely reason for the replacement is a complaint by Italian violinist Antonio Brunetti, recently brought to the Salzburg court orchestra by the Prince-Archbishop of Salzburg, Heironymus Colloredo, that the original movements was too artificial, according to a letter from Leopold Mozart. The Mozarts, finding Brunetti boorish and morally objectionable, also would have thought his complaint regarding the artificial second movement to confirm their worst opinions of Italian taste. Still, young Mozart wrote the replacement Adagio as requested, and its serene beauty in sonata form remains a fine example of his lyrical ability. Instrumentation: 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set

SKU: AP.36-A744601

Composed by Wolfgang Amadeus Mozart. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A744601. Published by LudwigMasters Publications (AP.36-A744601).

ISBN 9798888529805. UPC: 659359863653. English.

It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219. The likely reason for the replacement is a complaint by Italian violinist Antonio Brunetti, recently brought to the Salzburg court orchestra by the Prince-Archbishop of Salzburg, Heironymus Colloredo, that the original movements was too artificial, according to a letter from Leopold Mozart. The Mozarts, finding Brunetti boorish and morally objectionable, also would have thought his complaint regarding the artificial second movement to confirm their worst opinions of Italian taste. Still, young Mozart wrote the replacement Adagio as requested, and its serene beauty in sonata form remains a fine example of his lyrical ability. Instrumentation: 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set

SKU: AP.36-A744648

Composed by Wolfgang Amadeus Mozart. Full Orchestra, Solo Violin Part. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A744648. Published by LudwigMasters Publications (AP.36-A744648).

ISBN 9798888529812. UPC: 659359901379. English.

It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219. The likely reason for the replacement is a complaint by Italian violinist Antonio Brunetti, recently brought to the Salzburg court orchestra by the Prince-Archbishop of Salzburg, Heironymus Colloredo, that the original movements was too artificial, according to a letter from Leopold Mozart. The Mozarts, finding Brunetti boorish and morally objectionable, also would have thought his complaint regarding the artificial second movement to confirm their worst opinions of Italian taste. Still, young Mozart wrote the replacement Adagio as requested, and its serene beauty in sonata form remains a fine example of his lyrical ability. Instrumentation: 2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115227-010

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Hymns & Chorals. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1115227-010. Published by De Haske Publications (BT.DHP-1115227-010).

9x12 inches. English-German-French-Dut ch.

2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor atFukushima only increased the misery: a black day in the country's history...
One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments.It will take a long time before the damage suffered is repaired - and it will take great effort to overcome the psychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers fora simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This pieceimmediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!

2011 was een rampzalig jaar voor Japan: op 11 maart teisterde een hevige aardbeving het noordoosten van het land, bracht een enorme tsunami teweeg en veroorzaakte zeer grote schade aan mens en natuur. De daaruit voortvloeiende problemenmet dekernreactor van Fukushima maakten de ellende nog groter: een zwarte pagina in het bestaan van het land ...
Dat in dergelijke dramatische omstandigheden ook (en vooral) het culturele bestel een flinke knauw krijgt, ishelaas een haastonvermijdelijke consequentie. Zo ook in Japan: verschillende high school bands in de getroffen regio verloren hun repetitieruimte en/of instrumenten: het zal lang duren voordat de geleden schade is hersteld - enhet zal ook moeite kosten om er mentaalweer bovenop te geraken. Met het oog op dat laatste aspect verzocht Yutaka Nishida (samensteller van het radioprogramma The Bandwagon) een paar componisten om een eenvoudig werkje te schrijvendat speelbaar is door een groot aantal orkesten.
Alsbij toeval kwam een dergelijk verzoek eveneens van de kant van de OSAKAN Philharmonic Winds, waarmee Jan Van der Roost op 25 september een concert dirigeerde, uitsluitend gewijdaan eigen werken. Daar werd Song of Hope dan ook ten doop gehoudenen het werkje sloeg meteen aan bij uitvoerders en publiek: na een tamelijk donkere start in het lage register evolueert het tot een optimistischer en opener slot.Er is inderdaad hoop op betere tijden!

Am 11. März 2011 löste ein heftiges Erdbeben in Japan einen riesigen Tsunami mit desaströsen Folgen für Mensch, Natur auch das kulturelle Leben. Yutaka Nishida vom Radioprogramm The Bandwagon bat daher einige Komponisten, darunter Jan Van derRoost, ein einfaches, für viele Orchester spielbares Werk zu schreiben. Song of Hope beginnt düster im tiefen Register, um sich dann zu einem optimistischeren Schluss hin zu entwickeln. Es gibt sie, die Hoffnung auf bessere Zeiten... !

Le 11 mars 2011, un violent tremblement de terre secoua le Japon et déclencha un tsunami gigantesque, avec des conséquences désastreuses pour la population et l’environnement. Yutaka Nishida, animateur radio de lémission, The Bandwagon a doncdemandé plusieurs compositeurs, y compris Jan Van der Roost, d’écrire des pièces faciles interpréter, pour les orchestres locaux. Song of Hope (Chant de lespoir) s’ouvre par une ligne mélodique dans le registre grave, qui évoluera tout aulong de la pièce afin d’aboutir une conclusion pétillante d’optimisme. Des jours meilleurs se profilent l’horizon !

Il 2011 é stato un anno tragico per il Giappone, al devastante terremoto e al non meno catastrofico tsunami dell'11 marzo, sono seguiti i gravi problemi al reattore nucleare di Fukushima. Il settore della cultura in generale, e quellodella musica in particolare hanno sofferto immensamente a causa di questi nefasti eventi naturali. Song of Hope é un brano che ha profondamente commosso esecutori e pubblico.
Song of Hope inizia nel registro acuto con suoni oscuri e melanconici, ma si sviluppa in un clima di ottimismo, come a voler simboleggiare un futuro pié sereno.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1196181-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Hymns & Chorals. Score Only. Composed 2020. 11 pages. De Haske Publications #DHP 1196181-140. Published by De Haske Publications (BT.DHP-1196181-140).

English-German-French- Dutch.

Cittaslow is an international network of more than 220 towns in 30 countries. Its members are towns where people are still finding themselves reminiscing over the old times; towns that are rich in theatres, squares, cafés, restaurants and spiritual places; towns with untouched landscapes and charming craftsman where people are still able to recognize the slow course of the seasons, and respect their authentic products, true taste as well as their health. The Hymn of Cittaslow, which was commissioned by the organisation itself, is entirely inspired by their commitment to the preservation of the member towns. The tempo is naturally ‘slow', and the themes somehow soundfamiliar. On the one hand, the music emanates peace and quiet, but it also sounds grand in its lyricism, thereby reflecting the beauty of the Cittaslow towns.

Cittaslow is een internationaal netwerk van meer dan 220 gemeenten verspreid over 30 landen. De aangesloten plaatsen zijn gemeenten waar mensen nieuwsgierig zijn naar vroeger, waar een rijke schakering aan theaters, pleinen, cafés, restaurants en spirituele plekken te vinden is, met een ongerept landschap en innemende ambachtslieden, waar mensen de langzame tred van de seizoenen nog herkennen en hun authentieke producten, ware smaak en gezondheid eerbiedigen. De Hymn of Cittaslow, in opdracht van deze organisatie gecomponeerd, is helemaal ge nspireerd op deze gedachte. Het tempo is uiteraard 'slow' en de thema's zijn herkenbaar. De muziek ademt enerzijds rust, maarklinkt ook groots in haar lyriek, die de schoonheid van de Cittaslow-gemeenten weerspiegelt.

Cittaslow ist ein internationales Netzwerk, dem mehr als 220 Städte in 30 Ländern angehören. Zu den Mitgliedern gehören Städte, in denen die Vergangenheit noch sehr lebendig und spürbar ist: Städte, die reich an Theatern, Plätzen, Cafés, Restaurants und spirituellen Orten sind. Städte mit unberührten Landschaften und bezauberndem Handwerk, wo man immer noch den langsamen Lauf der Jahreszeiten wahrnehmen sowie authentische und gesunde Produkte mit ihrem ursprünglichen Geschmack genießen kann. Die Hymn of Cittaslow wurde von der Organisation selbst in Auftrag gegeben und ist ganz von dem Engagement ihrer Mitgliedsstädte inspiriert, die sich dafür einsetzen, dieVergangenheit zu bewahren. Das Tempo ist natürlich langsam“ und die Themen klingen irgendwie vertraut. Einerseits strahlt die Musik Ruhe und Frieden aus, andererseits klingt sie großartig lyrisch und spiegelt damit die Schönheit der Cittaslow-Städte wider.

Cittaslow est un réseau international de plus de 220 villes dans 30 pays. Ses membres sont des villes dont les habitants se souviennent encore de l’ancien temps ; des villes qui jouissent de nombreux thé tres, cafés, restaurants, esplanades et lieux spirituels ; des villes offrant des environnements intacts et des magasins d’artisanat attrayants, des villes où les gens sont encore conscients du lent changement des saisons et respectent des produits authentiques, des saveurs traditionnelles et l’importance d’une bonne santé. Commande de cette organisation, Hymn de Cittaslow s’inspire entièrement de son engagement préserver ses villes membres. Le tempo de cettepièce est lent et les thèmes ont un petit air familier. La musique dégage une sensation de paix et de tranquillité, mais son lyrisme lui confère un caractère grandiose qui reflète la beauté des villes de Cittaslow.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1196181-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Hymns & Chorals. Set (Score & Parts). Composed 2020. De Haske Publications #DHP 1196181-010. Published by De Haske Publications (BT.DHP-1196181-010).

English-German-French- Dutch.

Cittaslow is an international network of more than 220 towns in 30 countries. Its members are towns where people are still finding themselves reminiscing over the old times; towns that are rich in theatres, squares, cafés, restaurants and spiritual places; towns with untouched landscapes and charming craftsman where people are still able to recognize the slow course of the seasons, and respect their authentic products, true taste as well as their health. The Hymn of Cittaslow, which was commissioned by the organisation itself, is entirely inspired by their commitment to the preservation of the member towns. The tempo is naturally ‘slow', and the themes somehow soundfamiliar. On the one hand, the music emanates peace and quiet, but it also sounds grand in its lyricism, thereby reflecting the beauty of the Cittaslow towns.

Cittaslow is een internationaal netwerk van meer dan 220 gemeenten verspreid over 30 landen. De aangesloten plaatsen zijn gemeenten waar mensen nieuwsgierig zijn naar vroeger, waar een rijke schakering aan theaters, pleinen, cafés, restaurants en spirituele plekken te vinden is, met een ongerept landschap en innemende ambachtslieden, waar mensen de langzame tred van de seizoenen nog herkennen en hun authentieke producten, ware smaak en gezondheid eerbiedigen. De Hymn of Cittaslow, in opdracht van deze organisatie gecomponeerd, is helemaal ge nspireerd op deze gedachte. Het tempo is uiteraard 'slow' en de thema's zijn herkenbaar. De muziek ademt enerzijds rust, maarklinkt ook groots in haar lyriek, die de schoonheid van de Cittaslow-gemeenten weerspiegelt.

Cittaslow ist ein internationales Netzwerk, dem mehr als 220 Städte in 30 Ländern angehören. Zu den Mitgliedern gehören Städte, in denen die Vergangenheit noch sehr lebendig und spürbar ist: Städte, die reich an Theatern, Plätzen, Cafés, Restaurants und spirituellen Orten sind. Städte mit unberührten Landschaften und bezauberndem Handwerk, wo man immer noch den langsamen Lauf der Jahreszeiten wahrnehmen sowie authentische und gesunde Produkte mit ihrem ursprünglichen Geschmack genießen kann. Die Hymn of Cittaslow wurde von der Organisation selbst in Auftrag gegeben und ist ganz von dem Engagement ihrer Mitgliedsstädte inspiriert, die sich dafür einsetzen, dieVergangenheit zu bewahren. Das Tempo ist natürlich langsam“ und die Themen klingen irgendwie vertraut. Einerseits strahlt die Musik Ruhe und Frieden aus, andererseits klingt sie großartig lyrisch und spiegelt damit die Schönheit der Cittaslow-Städte wider.

Cittaslow est un réseau international de plus de 220 villes dans 30 pays. Ses membres sont des villes dont les habitants se souviennent encore de l’ancien temps ; des villes qui jouissent de nombreux thé tres, cafés, restaurants, esplanades et lieux spirituels ; des villes offrant des environnements intacts et des magasins d’artisanat attrayants, des villes où les gens sont encore conscients du lent changement des saisons et respectent des produits authentiques, des saveurs traditionnelles et l’importance d’une bonne santé. Commande de cette organisation, Hymn de Cittaslow s’inspire entièrement de son engagement préserver ses villes membres. Le tempo de cettepièce est lent et les thèmes ont un petit air familier. La musique dégage une sensation de paix et de tranquillité, mais son lyrisme lui confère un caractère grandiose qui reflète la beauté des villes de Cittaslow.

Concert Band - Grade 4

SKU: AP.BD9678C

Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Titles. Belwin Symphonic Band. Score. 40 pages. Duration 7:09. Belwin Music #00-BD9678C. Published by Belwin Music (AP.BD9678C).

ISBN 9780769299662. UPC: 029156220957. English.

High atop a red mountain overlooking the magnificent city of Birmingham, Alabama, stands an iron sentinel---a monument of Vulcan that keeps watch over the City of Steel. Through the Vulcan's Eye is comprised of four melodies, each aurally describing a view from the top of the mountain and inspired by the composer's childhood experiences in Alabama's largest metropolis. Broad brush strokes of sound blanket the work, enhanced by brilliant solo passages and total involvement from the percussion. A grand work on a grand scale! (7:09).

Grade 3

SKU: CL.012-3983-01

Composed by Robert W. Smith. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR367). Extra full score. Composed 2010. Duration 5 minutes, 48 seconds. Opus III Wind Orchestra Publications #012-3983-01. Published by Opus III Wind Orchestra Publications (CL.012-3983-01).

When the Roman emperor Hadrian first envisioned a huge wall across England in A.D. 122, he used stone, wood, and iron to shield Roman Britannia from the unconquered Celtic tribes. Hadrian's Wall by Robert W. Smith is based on the legend and lore of the great wall. Suitable for concert and festival performance, Hadrian's Wall is written well within the technical abilities of bands at the medium easy level. This powerful work will capture the imagination of the band while providing exceptional teaching opportunities. An excellent work that yields maximum musical results.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125251-010

Composed by Itaru Sakai. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1125251-010. Published by De Haske Publications (BT.DHP-1125251-010).

9x12 inches. English-German-French-Dut ch.

I Love the 207 was composed in February 2010 for a commission by Osumi Symphonic Band in Kyoto. It was first performed on 25 April 2010 by Osumi Symphonic Band, conducted by Masanori Ozaki. This piece begins with an introduction to present the instruments, followed by a light scherzo. The title is an affectionate reference to the commuter rail 207 series of the West Japan Railway Company. When the band started their activity, the 207 series trains began running through the fields next to the building where they practice. The composer hopes that the trains continue to run and bring smiles to people’s faces.

I Love the 207 is in februari 2010 gecomponeerd in opdracht van de Osumi Symphonic Band uit Kyoto, Japan. Dit orkest bracht op 25 april 2010 de première, onder leiding van dirigent Masanori Ozaki. Het werk begint met een inleidingwaarin de instrumenten worden gepresenteerd, gevolgd door een licht scherzo. De titel verwijst naar de forenzentrein van het type 207 van de West Japan Railway Company. Toen het orkest begon, begonnen ook de treinen uit de207-serie door de velden te rijden naast het gebouw waar wordt gerepeteerd. De componist hoopt dat de treinen zullen blijven rijden tot tevredenheid van de mensen die er gebruik van maken.

I Love the 207 wurde im Februar 2010 als Auftragswerk für die Osumi Symphonic Band in Kyoto (Japan) komponiert. Die Urraufführung fand am 25. April 2010 mit der Osumi Symphonic Band, unter der Leitung von Masanori Ozaki, statt. Das Stück beginnt einer Einleitung zur Vorstellung aller Instrumente; dann folgt ein leichtes Scherzo. Der Titel ist eine liebevolle Anspielung auf die Pendlerzüge der Serie 207 der West-Japanischen Eisenbahngesellschaft. Während der Anfangszeit des Blasorchesters begannen die Züge der 207er-Serie die Felder ganz in der Nähe des Proberaums zu durchqueren. Mit diesem Stück will der Komponist seiner Hoffnung Ausdruck verleihen, dass die Züge auchweiterhin fahren und ein Lächeln auf die Gesichter der Menschen zaubern mögen.

Cette pièce a été composée en février 2010 pour honorer une commande de l’Orchestre Vent d’Osumi, Kyoto (Japon). Elle a été créée le 25 avril 2010 par cet orchestre, sous la direction de Masanori Ozaki. I Love the 207 s’ouvre avec une présentation de chacun des pupitres, suivie d’un scherzo léger. Le titre fait affectueusement référence aux trains de banlieue de la série 207 de la West Japan Railway Company. En effet, les débuts de l’orchestre co ncidèrent avec l’introduction de ces trains sur la ligne qui traverse les champs avoisinant le b timent où se déroulent les répétitions. Le compositeur espère que les trains continueront de rouler et de faire sourire les gens.

Questo brano è stato commissionato a Itaru Sakai dall’orchestra di fiati di Osumi in Giappone. I Love the 207 inizia con la presentazione di ogni sezione della banda, seguita da un leggero scherzo. Il titolo si riferisce affettuosamente e con un tocco ironico ai treni della periferia della serie 207 della West Japan Railway Company. In effetti, la data di fondazione dell’orchestra di fiati che ha commissionato il brano coincide con la nascita di questi treni che attraversano le campagne e sfrecciano vicino alla sede della banda.