(Featuring: I Saw Three Ships / Ding! Dong! Merrily on High / I Heard the Bells ...(+)
(Featuring: I Saw Three
Ships / Ding! Dong!
Merrily on High / I Heard
the Bells of Christmas
Day / Ukrainian Bell
Carol). Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Part(s); Score.
Belwin Concert Band.
Form: Medley. Christmas;
Sacred; Winter. Grade 3.
240 pages. Published by
Belwin Music
Contents: Finale from Symphony No. 5 (Beethoven) · Be Thou My Vision · And...(+)
Contents: Finale from
Symphony No. 5
(Beethoven) · Be Thou
My Vision · And the
Multitude with One Voice
Spoke · The Highlander
· Shalom Chaverim ·
Full Spectrum · The
Magical Mozart (from
Magic Flute) · The
Morning Trumpet
·Prelude, Hymn and
Fugue · Acclamation
· Trumpet Voluntary
· Fantasy on a
Canadian Folk Song ·
Rats, Bats and Spiders
· Bay Town Festival
· Allegria! Allegria!
· Go Ring Them Bells
Composed by Huckeby.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR341). Extra full
score. Composed 2006.
Duration 3 minutes, 55
seconds. Opus III Wind
Orchestra Publications
#012-3543-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3543-01).
This medley of
three traditional
Christmas carols is based
on the legend that at
midnight the evening
Jesus was born all the
bells on earth started to
sound of their own
accord. Included are
three bell carols, The
Bells of Bethlehem, Carol
of the Bells, and Ding
Dong! Merrily On High.
The bells and chime parts
add unique authenticity
to the musical concept
and holiday spirit of the
piece. Ring the Bells on
Christmas Day will be a
big hit on your holiday
season performances!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Hear Them Jingle Bells! Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
(Featuring: Hear Them Bells / Jingle Bells). Arranged by Michael Story and Micha...(+)
(Featuring: Hear Them
Bells / Jingle Bells).
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score.
Belwin Very Beginning
Band. Form: Medley.
Christmas; Winter. Grade
.5. 132 pages. Published
by Belwin Music
(Featuring: Hear Them Bells / Jingle Bells). Arranged by Michael Story and Micha...(+)
(Featuring: Hear Them
Bells / Jingle Bells).
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Score. Belwin Very
Beginning Band. Form:
Medley. Christmas;
Winter. Grade .5. 16
pages. Published by
Belwin Music
By James Lord Pierpont. Arranged by Timothy Loest. For concert band. FJH Beginni...(+)
By James Lord Pierpont.
Arranged by Timothy
Loest. For concert band.
FJH Beginning Band.
Christmas. Grade 1. Score
and set of parts.
Composed 2010. Published
by The FJH Music Company
Inc
Concert Band - Grade 3 SKU: AP.43130S Featuring: I Saw Three Ships / D...(+)
Concert Band - Grade 3
SKU: AP.43130S
Featuring: I Saw Three
Ships / Ding! Dong!
Merrily on High / I Heard
the Bells of Christmas
Day / Ukrainian Bell
Carol. Composed by
Various. Arranged by
Douglas E. Wagner.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Concert
Band. Form: Medley.
Christmas; Sacred;
Winter. Score. 20 pages.
Duration 3:30. Belwin
Music #00-43130S.
Published by Belwin Music
(AP.43130S).
UPC:
038081504605. English.
Various.
One of the
most anticipated
experiences of the
holiday season each year
is listening to the
sounds of bells, the
quintessential instrument
of Christmas
celebrations. Including;
I Saw Three Ships, Ding!
Dong! Merrily on High, I
Heard the Bells on
Christmas Day, and
Ukrainian Bell Carol, the
bells are all around us
in December, ringing from
church towers, in
shopping malls, and on
street corners, never
failing to bring smiles
and happy feelings.
(3:30).
Christmas In The Round Orchestre d'harmonie [Conducteur et Parties séparées + CD] - Intermédiaire Belwin
Christmas in the Round arranged by Robert W. Smith. Concert Band. Concert Band. ...(+)
Christmas in the Round
arranged by Robert W.
Smith. Concert Band.
Concert Band. Belwin
Concert Band. Form:
Medley. Christmas;
Contemporary; Winter.
Grade 3. Conductor Score
and Parts. 328 pages.
Published by Belwin
Publishing
By Bruce Pearson. Band. For concert band. Standard of Excellence in Concert. Gra...(+)
By Bruce Pearson. Band.
For concert band.
Standard of Excellence in
Concert. Grade 1.5. Score
and set of parts.
Published by Neil A. Kjos
Music Company
Christmas Bells Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053917-013 Arranged by Rol...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1053917-013
Arranged by Roland
Kernen. Christmas
Collection. Hymns and
Chorals. Set (Score and
Parts) with CD. Composed
2005. De Haske
Publications #DHP
1053917-013. Published by
De Haske Publications
(BT.DHP-1053917-013).
9x12 inches.
English-German-French-Dut
ch.
As the title
suggests in Christmas
Bells, bells play the
leading part. This medley
begins with bell chiming
on the CD (this comes
with the set), after
which the band come in
with a solid chord.
During the short
introduction, the bells
still sound in the
background. Following
this sparkling
introduction three
well-known Christmas
melodies are heard.
Roland Kernen chose Kling
Glöckchen
klingelingeling,
Sü�er die Glocken
nie klingen and, of
course, Jingle Bells! A
fantasic work to end any
Christmas
concert.
In
Christmas Bells
spelen klokken de
hoofdrol. Deze medley
begint met klokgelui op
de cd, waarna het orkest
inzet met een stevig
akkoord. Tijdens de korte
inleiding klinken de
klokken van de cd nog op
de achtergrond.
Daarnakomen drie bekende
kerstmelodieën
beurtelings naar voren.
Roland Kernen koos voor
Kling klokje,
klingelingeling,
Sü�er die Glocken
nie klingen en
natuurlijk Jingle
Bells!
Come
suggerisce il titolo, le
campane costituiscono
lâ??elemento centrale di
questo brano festivo. Il
medley si apre con un
carillon di campane di
chiesa (inciso sul CD
accluso al set per
banda). La banda entra su
un potente accordo per
poi sviluppare una breve
introduzione, mentre il
carillon risuona sullo
sfondo. Roland Kernen ha
deciso di raccogliere due
canti natalizi tedeschi
Kling Glöckchen
klingelingeling,
Süsser die Glocken nie
klingen e
lâ??immancabile Jingle
Bells.
Christmas Bells Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053917-010 Arranged by Rol...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1053917-010
Arranged by Roland
Kernen. Christmas
Collection. Christmas.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053917-010. Published by
De Haske Publications
(BT.DHP-1053917-010).
9x12 inches.
English-German-French-Dut
ch.
As the title
suggests in Christmas
Bells, bells play the
leading part. This medley
begins with bell chiming
on the CD (this comes
with the set), after
which the band come in
with a solid chord.
During the short
introduction, the bells
still sound in the
background. Following
this sparkling
introduction three
well-known Christmas
melodies are heard.
Roland Kernen chose Kling
Glöckchen
klingelingeling,
Süßer die Glocken
nie klingen and, of
course, Jingle Bells! A
fantasic work to end any
Christmas
concert.
In
Christmas Bells
spelen klokken de
hoofdrol. Deze medley
begint met klokgelui op
de cd, waarna het orkest
inzet met een stevig
akkoord. Tijdens de korte
inleiding klinken de
klokken van de cd nog op
de achtergrond.
Daarnakomen drie bekende
kerstmelodieën
beurtelings naar voren.
Roland Kernen koos voor
Kling klokje,
klingelingeling,
Süßer die
Glocken nie klingen
en natuurlijk Jingle
Bells!
Come
suggerisce il titolo, le
campane costituiscono
l’elemento
centrale di questo brano
festivo. Il medley si
apre con un carillon di
campane di chiesa (inciso
sul CD accluso al set per
banda). La banda entra su
un potente accordo per
poi sviluppare una breve
introduzione, mentre il
carillon risuona sullo
sfondo. Roland Kernen ha
deciso di raccogliere due
canti natalizi tedeschi
Kling Glöckchen
klingelingeling,
Süsser die Glocken nie
klingen e
l’immancabile
Jingle Bells.
Christmas Bells Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053917-140 Arranged by Rol...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1053917-140
Arranged by Roland
Kernen. Christmas
Collection. Hymns and
Chorals. Score Only.
Composed 2005. 28 pages.
De Haske Publications
#DHP 1053917-140.
Published by De Haske
Publications
(BT.DHP-1053917-140).
9x12 inches.
English-German-French-Dut
ch.
As the title
suggests in Christmas
Bells, bells play the
leading part. This medley
begins with bell chiming
on the CD (this comes
with the set), after
which the band come in
with a solid chord.
During the short
introduction, the bells
still sound in the
background. Following
this sparkling
introduction three
well-known Christmas
melodies are heard.
Roland Kernen chose Kling
Glöckchen
klingelingeling,
Sü�er die Glocken
nie klingen and, of
course, Jingle Bells! A
fantasic work to end any
Christmas
concert.
In
Christmas Bells
spelen klokken de
hoofdrol. Deze medley
begint met klokgelui op
de cd, waarna het orkest
inzet met een stevig
akkoord. Tijdens de korte
inleiding klinken de
klokken van de cd nog op
de achtergrond.
Daarnakomen drie bekende
kerstmelodieën
beurtelings naar voren.
Roland Kernen koos voor
Kling klokje,
klingelingeling,
Sü�er die Glocken
nie klingen en
natuurlijk Jingle
Bells!
Come
suggerisce il titolo, le
campane costituiscono
lâ??elemento centrale di
questo brano festivo. Il
medley si apre con un
carillon di campane di
chiesa (inciso sul CD
accluso al set per
banda). La banda entra su
un potente accordo per
poi sviluppare una breve
introduzione, mentre il
carillon risuona sullo
sfondo. Roland Kernen ha
deciso di raccogliere due
canti natalizi tedeschi
Kling Glöckchen
klingelingeling,
Süsser die Glocken nie
klingen e
lâ??immancabile Jingle
Bells.
Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225).
ISBN
9781491152515. UPC:
680160910014.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F).
ISBN
9781491153192. UPC:
680160910694.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Concert band - Grade 3 SKU: CL.026-4392-01 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.026-4392-01
Composed by Romeyn.
Concert Band.
Build-A-Band. Extra full
score. Composed 2015.
Duration 2 minutes, 54
seconds. C.L. Barnhouse
#026-4392-01. Published
by C.L. Barnhouse
(CL.026-4392-01).
Based on the
traditional carol Ding,
Dong, Merrily on High,
this festive arrangement
for bands with unique
instrumentation is the
perfect opening or
closing statement for
your holiday concert! The
sparkling introductory
theme is contrasted by
the dramatic middle
section of The Ukrainian
Bell Carol making this
selection musically
rewarding for a variety
of age groups. Sure to be
a favorite. Let the
holiday season begin!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115151-140 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115151-140
As performed by Chris
de Burgh. Arranged by
Simon Fahnholz. DHP Pop,
Film and Show. Pop &
Rock. Score Only.
Composed 2011. 12 pages.
De Haske Publications
#DHP 1115151-140.
Published by De Haske
Publications
(BT.DHP-1115151-140).
9x12 inches.
English-German-French-Dut
ch.
“The idea
behind this song is to
remind everyone, for all
those who have forgotten,
how colourful and
exciting Christmas was
during their childhood.
Christmas is a magical
time and, after all, no
matter how old we are, we
are all still children at
heart.†These words
were written by Chris de
Burgh about his 2009 hit,
The Bells of Christmas,
inspired by
Dickens’ A
Christmas Carol. Simon
Fahnholz has now made an
excellent version of this
Christmas hit for concert
band.
Voor
iedereen die vergeten is
hoe bont en levendig de
kerst in zijn jeugdjaren
was. Kerst is een
betoverend feest. Diep in
ons hart zijn we allemaal
nog kinderen, ook al zijn
we al lang
volwassenen.†Dit
zei Chris de Burgh over
zijnkersthit van 2009
waarin hij zich liet
inspireren door de
prachtige kerstverhalen
van Charles
Dickens.
Die Idee
dieses Songs ist, allen
die vergessen haben, wie
bunt und lebendig
Weihnachten in ihrer
Kinderzeit war, dies noch
einmal vor Augen zu
führen. Weihnachten
ist ein Zauber und wir
sind im tiefsten Herzen
doch alle große
Kinder, auch wenn wir
längst erwachsen
sind.“ Dies sind
Chris De Burghs Worte
über seinen
Weihnachts-Hit von 2009,
zu dem er sich von
Charles’ Dickens
Weihnachtsgeschichte
inspirieren ließ.
“Il
messaggio di questa
canzone è di ricordare
a coloro che
l’avessero
dimenticato,
com’era il Natale
quando erano bambini, una
festa vivace e calda.
Anche se siamo cresciuti
e divenuti adulti,
abbiamo mantenuto il
cuore di bambini, non
dimentichiamo allora che
il Natale è una festa
magicaâ€. Ecco un
estratto del testo della
ballata The Bells of
Christmas, divenuta un
grande successo del
Natale 2009 e cantata da
Chris de Burgh che si era
ispirato al celebre
romanzo di Charles
Dickens.
The Bells of Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115151-010 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115151-010
As performed by Chris
de Burgh. Arranged by
Simon Fahnholz. DHP Pop,
Film and Show. Christmas.
Set (Score & Parts).
Composed 2011. De Haske
Publications #DHP
1115151-010. Published by
De Haske Publications
(BT.DHP-1115151-010).
9x12 inches.
English-German-French-Dut
ch.
“The idea
behind this song is to
remind everyone, for all
those who have forgotten,
how colourful and
exciting Christmas was
during their childhood.
Christmas is a magical
time and, after all, no
matter how old we are, we
are all still children at
heart.†These words
were written by Chris de
Burgh about his 2009 hit,
The Bells of Christmas,
inspired by
Dickens’ A
Christmas Carol. Simon
Fahnholz has now made an
excellent version of this
Christmas hit for concert
band.
Voor
iedereen die vergeten is
hoe bont en levendig de
kerst in zijn jeugdjaren
was. Kerst is een
betoverend feest. Diep in
ons hart zijn we allemaal
nog kinderen, ook al zijn
we al lang
volwassenen.†Dit
zei Chris de Burgh over
zijnkersthit van 2009
waarin hij zich liet
inspireren door de
prachtige kerstverhalen
van Charles
Dickens.
Die Idee
dieses Songs ist, allen
die vergessen haben, wie
bunt und lebendig
Weihnachten in ihrer
Kinderzeit war, dies noch
einmal vor Augen zu
führen. Weihnachten
ist ein Zauber und wir
sind im tiefsten Herzen
doch alle große
Kinder, auch wenn wir
längst erwachsen
sind.“ Dies sind
Chris De Burghs Worte
über seinen
Weihnachts-Hit von 2009,
zu dem er sich von
Charles’ Dickens
Weihnachtsgeschichte
inspirieren ließ.
“Il
messaggio di questa
canzone è di ricordare
a coloro che
l’avessero
dimenticato,
com’era il Natale
quando erano bambini, una
festa vivace e calda.
Anche se siamo cresciuti
e divenuti adulti,
abbiamo mantenuto il
cuore di bambini, non
dimentichiamo allora che
il Natale è una festa
magicaâ€. Ecco un
estratto del testo della
ballata The Bells of
Christmas, divenuta un
grande successo del
Natale 2009 e cantata da
Chris de Burgh che si era
ispirato al celebre
romanzo di Charles
Dickens.
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Grade
0.5 - Score Only.
Composed by James Curnow.
Curnow Music Concert
Band. Christmas. 20
pages. Published by
Curnow Music
(HL.44010599).
UPC:
884088495336.
9.0x12.0x0.045
inches.
James
Curnow's clever
arrangement of Jingle
Bells masterfully keeps
the range and rhythm
demands at a pre-grade 1
level while assuring that
all the players have fun
in the preparation and
performance. Every
section is fully
involved, and the low
woodwinds and brass get a
little special time all
their own. Great step
dynamics are the perfect
opportunity to make sure
your players show a
significant difference at
each change. That's the
kind of preparation that
will pay off down the
road at festival time in
the spring. There's also
plenty to keep your
fledgling percussion
section busy. Cool!
The Ringing Isle Orchestre d'harmonie [Conducteur et Parties séparées] Faber Music Limited
By Jonathan Dove. Concert Band. For Wind Band. Masterworks; Part(s); Score; Wind...(+)
By Jonathan Dove. Concert
Band. For Wind Band.
Masterworks; Part(s);
Score; Wind Band. Faber
Edition: Faber Wind Band
Series. 20th Century;
Masterwork. Published by
Faber Music
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2
SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor.
Let the Bells Ring! Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
((Based on Ukrainian Bell Carol)). Composed by Robert Buckley. For Concert Band ...(+)
((Based on Ukrainian Bell
Carol)). Composed by
Robert Buckley. For
Concert Band (Score and
Parts). Hal Leonard
Concert Band Series.
Grade 4. Published by Hal
Leonard
Band Concert Band - Grade 2 SKU: CF.YPS200F Composed by Matthew R. Putnam...(+)
Band Concert Band - Grade
2
SKU: CF.YPS200F
Composed by Matthew R.
Putnam. Young Band (YPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS200F.
Published by Carl Fischer
Music (CF.YPS200F).
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Elephant Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127F Composed by Peter Sciaino. Sw...(+)
Band concert band - Grade
1
SKU: CF.BPS127F
Composed by Peter
Sciaino. Sws. Bps. Full
score. 12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127F. Published by
Carl Fischer Music
(CF.BPS127F).
ISBN
9781491156216. UPC:
680160914753. 9 x 12
inches.
Program
Notes Elephant is,
of course, inspired by
the incredible mammals of
the same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gate and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
By Rob Romeyn. For concert band. Young Band. Command Series. Grade 2.5. Score an...(+)
By Rob Romeyn. For
concert band. Young Band.
Command Series. Grade
2.5. Score and set of
parts. Duration 2
minutes, 45 seconds.
Published by C.L.
Barnhouse