Concert band - Grade 3

SKU: CL.012-4492-01

Composed by Edward Elgar. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR388). Extra full score. Composed 2016. Duration 3 minutes, 11 seconds. Opus III Wind Orchestra Publications #012-4492-01. Published by Opus III Wind Orchestra Publications (CL.012-4492-01).

Sir Edward Elgar’s beautiful Salut d’Amour has been skillfully arranged for the Barnhouse Spotlight series by Andrew Glover. Designed to feature your choice of solo instrument with concert band accompaniment, parts are included for solo flute/oboe/violin, clarinet/trumpet, alto saxophone, horn, or euphonium/cello. A great choice for a lyrical solo feature for your outstanding instrumentalist or guest soloist. Lovely music!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

Composed by Edward Elgar (1857-1934). Arranged by Andrew Glover. Spotlight Series. Score and parts. Duration 0:3:11. Published by C.L. Barnhouse (CL.012-4492-00).

Concert band - Grade 3

SKU: CL.012-4492-75

Composed by Edward Elgar. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR388). Oversized, spiral-bound score. Composed 2016. Duration 3 minutes, 11 seconds. Opus III Wind Orchestra Publications #012-4492-75. Published by Opus III Wind Orchestra Publications (CL.012-4492-75).

Sir Edward Elgar's beautiful Salut d'Amour has been skillfully arranged for the Barnhouse Spotlight series by Andrew Glover. Designed to feature your choice of solo instrument with concert band accompaniment, parts are included for solo flute/oboe/violin, clarinet/trumpet, alto saxophone, horn, or euphonium/cello. A great choice for a lyrical solo feature for your outstanding instrumentalist or guest soloist. Lovely music!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-470-140

Concert March. Composed by Philip Sparke. Ceremonial Series. Concert March. Score Only. Composed 2018. 28 pages. Anglo Music Press #AMP 470-140. Published by Anglo Music Press (BT.AMP-470-140).

English-German-French- Dutch.

Salutatio n was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to the home key and a return of the main theme, embellished with woodwinds.

Salu tation is geschreven in opdracht van de Japanse dirigent en radiopresentator Yutaka Nishida, een goede vriend van Philip Sparke. Het werk volgt een vrij conventionele marsvorm: een korte fanfare introduceert het hoofdthema, gespeeld door de klarinetten en saxofoons. Een bridgepassage, voornamelijk door het koper gespeeld, kondigt een modulatie en een legato gedeelte aan, aanvankelijk door de klarinetten gebracht en uitmondend in het conventionele triothema, dat daarna door het hele orkest wordt herhaald. Stukjes uit het legato gedeelte brengen ons terug naar de oorspronkelijke toonsoort en het hoofdthema, dat wordt versierd met motieven in het hout. Dan volgtnog een korte coda in het koper.

Salutation wurde von dem japanischen Dirigenten und Moderator Yutaka Nishida in Auftrag gegeben, der ein guter Freund des Komponisten Philip Sparke ist. Salutation folgt weitgehend der traditionellen Marschform. Eine kurze Fanfare leitet das Hauptthema ein, das von den Klarinetten und Saxophonen gespielt wird. Eine Überleitung, die in erster Linie von den Blechbläsern gespielt wird, kündigt einen Tonartwechsel sowie ein zweites Thema im Legato an, das anfangs wieder von den Klarinetten gespielt wird und zum traditionellen Trio führt, welches dann vom gesamten Orchester wiederholt wird. Teile des zweiten Themas führen in die Ausgangstonart zurück und das Hauptthema, dasvon den Holzbläsern verziert wird, kehrt wieder.

Salutation est une commande du chef d'orchestre et animateur radio japonais Yutaka Nishida, un ami du compositeur Philip Sparke. L’œuvre suit la forme assez conventionnelle de la marche : une courte fanfare introduit le thème principal, joué par les clarinettes et les saxophones. Un bref pont, principalement interprété par les cuivres, annonce un changement de tonalité et un second thème legato, joué encore une fois premièrement par les clarinettes, conduit au thème traditionnel du trio, qui est ensuite repris par l'orchestre complet. Des sections du deuxième thème ramènent la pièce sa tonalité d'origine et au thème principal, agrémenté cette fois par les bois.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-470-010

Concert March. Composed by Philip Sparke. Ceremonial Series. Concert March. Set (Score & Parts). Composed 2018. 28 pages. Anglo Music Press #AMP 470-010. Published by Anglo Music Press (BT.AMP-470-010).

English-German-French- Dutch.

Salutatio n was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to the home key and a return of the main theme, embellished with woodwinds.

Salu tation is geschreven in opdracht van de Japanse dirigent en radiopresentator Yutaka Nishida, een goede vriend van Philip Sparke. Het werk volgt een vrij conventionele marsvorm: een korte fanfare introduceert het hoofdthema, gespeeld door de klarinetten en saxofoons. Een bridgepassage, voornamelijk door het koper gespeeld, kondigt een modulatie en een legato gedeelte aan, aanvankelijk door de klarinetten gebracht en uitmondend in het conventionele triothema, dat daarna door het hele orkest wordt herhaald. Stukjes uit het legato gedeelte brengen ons terug naar de oorspronkelijke toonsoort en het hoofdthema, dat wordt versierd met motieven in het hout. Dan volgtnog een korte coda in het koper.

Salutation wurde von dem japanischen Dirigenten und Moderator Yutaka Nishida in Auftrag gegeben, der ein guter Freund des Komponisten Philip Sparke ist. Salutation folgt weitgehend der traditionellen Marschform. Eine kurze Fanfare leitet das Hauptthema ein, das von den Klarinetten und Saxophonen gespielt wird. Eine Überleitung, die in erster Linie von den Blechbläsern gespielt wird, kündigt einen Tonartwechsel sowie ein zweites Thema im Legato an, das anfangs wieder von den Klarinetten gespielt wird und zum traditionellen Trio führt, welches dann vom gesamten Orchester wiederholt wird. Teile des zweiten Themas führen in die Ausgangstonart zurück und das Hauptthema, dasvon den Holzbläsern verziert wird, kehrt wieder.

Salutation est une commande du chef d'orchestre et animateur radio japonais Yutaka Nishida, un ami du compositeur Philip Sparke. L’œuvre suit la forme assez conventionnelle de la marche : une courte fanfare introduit le thème principal, joué par les clarinettes et les saxophones. Un bref pont, principalement interprété par les cuivres, annonce un changement de tonalité et un second thème legato, joué encore une fois premièrement par les clarinettes, conduit au thème traditionnel du trio, qui est ensuite repris par l'orchestre complet. Des sections du deuxième thème ramènent la pièce sa tonalité d'origine et au thème principal, agrémenté cette fois par les bois.

Brass Band - Grade 3

SKU: HL.44010952

Brass Band - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Set (Score & Parts). Composed 2010. Anglo Music Press #AMP309030. Published by Anglo Music Press (HL.44010952).

UPC: 884088613068. 9.0x12.0x0.54 inches. English-German-French-Dut ch.

Just based on its title, this piece has to be celebratory and up-beat, which it is! It opens with a stately fanfare, first played on the low brass before the entire band joins in. This gives way to a contrasting lyrical theme which develops until it joins up with the fanfare to complete the opening section. A lively and heavily syncopated vivo follows, cast as a traditional march, complete with a 'bass strain' and trio. After the original march theme returns, a climax leads back to a reprise of the majestic opening, which brings the piece to an appropriately triumphant close.

Ein Stück namens Centennial Salute (Salut zur Jahrhundertfeier) ist schon per Definition festlich: Es beginnt mit einer prachtigen Fanfare im tiefen Blech, die dann vom gesamten Blasorchester aufgenommen wird. Diese macht einem kontrastiven lyrischen Thema Platz, das dann zusammen mit der Fanfare den ersten Teil beendet. Es folgt ein lebhaftes Vivo im traditionellen Marschstil, inklusive einem Trioteil. Nach der Rückkehr des ursprünglichen Marschthemas führt ein Hohepunkt zu einer Reprise der majestatischen Eroffnung, womit das Stück angemessen triumphal endet.

Centennial Salute debute avec une majestueuse fanfare enoncee aux cuivres graves, puis reprise en tutti. Une ligne melodique vient contraster par son expressivite, avant d'etre rejointe par le theme d'ouverture pour cheminer conjointement vers un vivo passionne (une marche), suivi d'un trio. Le theme de la marche revient ; la trame s'amplifi e et la musique atteint son apogee, alors qu'eclate le contenu solennel des mesures initiales offrant une apotheose triomphale.

Centen nial Salute, come indica il nome, e un brano festivo. La composizione inizia con una splendida fanfara negli ottoni gravi, poi ripresa dall'intero organico. Fa da contrasto un tema lirico che, assieme alla fanfara, chiude la prima parte del brano. Segue un brillante vivo nello stile tradizionale della marcia. Dopo il ritorno del tema della marcia, e riproposto il tema di apertura, che accompagna il brano al suo finale.

Concert Band (Score) - Grade 3

SKU: HL.44010951

Composed by Philip Sparke. Anglo Music Concert Band. Concert. Score Only. Composed 2010. Anglo Music Press #AMP309. Published by Anglo Music Press (HL.44010951).

UPC: 884088613051. 9x12 inches. English-German-French-Dut ch.

Just based on its title, this piece has to be celebratory and up-beat, which it is! It opens with a stately fanfare, first played on the low brass before the entire band joins in. This gives way to a contrasting lyrical theme which develops until it joins up with the fanfare to complete the opening section. A lively and heavily syncopated vivo follows, cast as a traditional march, complete with a 'bass strain' and trio. After the original march theme returns, a climax leads back to a reprise of the majestic opening, which brings the piece to an appropriately triumphant close.

Ein Stück namens Centennial Salute (Salut zur Jahrhundertfeier) ist schon per Defi nition festlich: Es beginnt mit einer prachtigen Fanfare im tiefen Blech, die dann vom gesamten Blasorchester aufgenommen wird. Diese macht einem kontrastiven lyrischen Thema Platz, das dann zusammen mit der Fanfare den ersten Teil beendet. Es folgt ein lebhaftes Vivo im traditionellen Marschstil, inklusive einem Trioteil. Nach der Rückkehr des ursprünglichen Marschthemas führt ein Hohepunkt zu einer Reprise der majestatischen Eroffnung, womit das Stück angemessen trium phal endet.

Centennial Salute debute avec une majestueuse fanfare enoncee aux cuivres graves, puis reprise en tutti. Une ligne melodique vient contraster par son expressivite, avant d'etre rejointe par le theme d'ouverture pour cheminer conjointement vers un vivo passionne (une marche), suivi d'un trio. Le theme de la marche revient ; la trame s'amplifi e et la musique atteint son apogee, alors qu'eclate le contenu solennel des mesures initiales offrant une apotheose triomphale.

Centen nial Salute, come indica il nome, e un brano festivo. La composizione inizia con una splendida fanfara negli ottoni gravi, poi ripresa dall'intero organico. Fa da contrasto un tema lirico che, assieme alla fanfara, chiude la prima parte del brano. Segue un brillante vivo nello stile tradizionale della marcia. Dopo il ritorno del tema della marcia, e riproposto il tema di apertura, che accompagna il brano al suo finale.

Concert Band - Grade 2.5

SKU: PE.EP68712

Arranged for Concert Band. Composed by Eriks Esenvalds. Arranged by Phillip Littlemore. Concert Band. Edition Peters. Living Composer. Score. 12 pages. Edition Peters #98-EP68712. Published by Edition Peters (PE.EP68712).

ISBN 9790300761725. 303x232 inches.

Salutation was originally composed for a cappella choir to a poem by Bengali poet and musician Rabindranath Tagore (1861-1941). The music takes up the spiritual message of the poem, that we live our lives in one salutation to God ending back in an eternal home. Phillip Littlemore's brilliant arrangement for concert band adds a work of great contemplative beauty to the repertoire.

Concert Band (Score) - Grade 4

SKU: HL.44013353

Concert Band Score. Composed by Philip Sparke. Anglo Music Concert Band. Classical. Softcover. Duration 280 seconds. Anglo Music Press #AMP470140. Published by Anglo Music Press (HL.44013353).

UPC: 888680923020.

Salut ation was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to thehome key and a return of the main theme, embellished with woodwinds.

Score and Parts Concert Band (Score & Parts) - Grade 4

SKU: HL.44013352

Concert Band Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Classical. Softcover. 28 pages. Duration 280 seconds. Anglo Music Press #AMP470010. Published by Anglo Music Press (HL.44013352).

Salutation was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to thehome key and a return of the main theme, embellished with woodwinds.

By Edward Elgar (1857-1934). Arranged by Willy Hautvast. For concert band. Recording available on CD #130620. Grade 3-4. Score and set of parts. Duration 03:55

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-440-140

Composed by Philip Sparke. Anglo Music Midway Series. Concert March. Score Only. Composed 2016. 24 pages. Anglo Music Press #AMP 440-140. Published by Anglo Music Press (BT.AMP-440-140).

English-German-French- Dutch.

Salute to the Victor is in traditional march form and contains, as a tribute to Victor Grieve who was a devotee of English music (in particular that of Sir Edward Elgar), a short quote from Elgar’s Sea Pictures in the trio. Salute tothe Victor was commissioned by Helen, Alex and James Grieve for the Golden Kangaroos (Hornsby Concert Band) from Sydney, Australia, in memory of their parents, Louise and Victor Grieve, Founder and Director.

Salut e to the Victor is een werk in traditionele marsvorm. Als eerbetoon aan Victor Grieve, een liefhebber van Engelse muziek (met name die van Sir Edward Elgar), bevat het in het trio een kort citaat uit Sea Pictures van die componist.Salute to the Victor is gecomponeerd in opdracht van Helen, Alex en James Grieve, voor de Golden Kangaroos (Hornsby Concert Band) uit Sydney, Australië, ter herinnering aan hun ouders, Louise en Victor Grieve de oprichtster en dirigent.

Salut e to the Victor ist in einer traditionellen Marschform komponiert. Das Stück enthält im Trio ein kurzes Zitat aus Elgars Sea Pictures als Tribut an Victor Grieve, der ein Verehrer der englischen Musik (insbesondere der Musik vonSir Edward Elgar), war. Salute to the Victor wurde von Helen, Alex und James Grieve für die Golden Kangaroos (Hornsby Concert Band) aus Sydney/Australien in Erinnerung an ihre Eltern Louise und Victor Grieve, den Gründer und ehemaliger Leiterder Golden Kangaroos, in Auftrag gegeben.

Salute to the Victor est en forme traditionnelle de marche et, en hommage Victor Grieve, un passionné de la musique anglaise (en particulier celle de Sir Edward Elgar), contient une courte citation de Sea Pictures de ce dernier dansle trio. Salute to the Victor fut commandé par Helen, Alex et James Grieve pour les Golden Kangaroos (Hornsby Concert Band) de Sydney, Australie, en mémoire de leurs parents, Louise et Victor Grieve, fondateur et directeur.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1135393-140

Composed by Giuseppe Verdi. Arranged by Wil van der Beek. Great Classics. Classical. Score Only. Composed 2012. 32 pages. De Haske Publications #DHP 1135393-140. Published by De Haske Publications (BT.DHP-1135393-140).

9x12 inches. English-German-French-Dut ch.

This work brings fragments from three of Giuseppe Verdi’s operas together in a single composition. Opening the work is the Triumphal March from Aida. Next come two notable motifs from La forza del destino, before the famous Anvil Chorus from Il Trovatore. Wil van der Beek’s arrangement for concert band is a rousing hit with opera melodies that everyone knows and loves.

In dit werk heeft Wil van der Beek een aantal beroemde fragmenten samengevoegd uit een drietal opera’s van deze Italiaanse componist. Hij start met de Triomfmars uit A da (maat 1-84). Daarna volgen een tweetal markante motieven uit La forza del destino (maat 85-140). Tenslotte weerklinkt het bekende Zigeunerkoor, ook wel Aambeeldkoor genoemd (maat 141-193) uit Il Trovatore. Verdi op zijn best!

In diesem Werk treffen Fragmente aus drei bekannten Opern von Giuseppe Verdi aufeinander. Den Auftakt macht der Triumphmarsch aus Aida. Danach folgen zwei markante Motive aus La forza del destino, bevor der berühmte Zigeunerchor aus Il trovatore erklingt. Wil van der Beeks Arrangement für Blasorchester ist ein stimmiges Wiederhören“ mit Opernmelodien, die jeder kennt und liebt.

Cette oeuvre rassemble trois fragments de trois célèbres opéras de Giuseppe Verdi. L’éclatante ouverture est donnée par la Marche triomphale extrait d’A da, suivie par deux motifs distincts de La force du destin, auxquels succèdent le célèbre refrain gitan du Trouvère. L’arrangement pour orchestre d’harmonie de Wil van der Beek est une scintillante reprise de cette incontournable musique d’opéra, connue et aimée de tous.

Questo brano raggruppa tre frammenti di altrettante celebri opere di Giuseppe Verdi. La spumeggiante apertura è assicurata dalla Marcia Trionfale estratta dall’Aida, seguita da due motivi distinti da La forza del destino che anticipa il celebre refrain del Coro dei Gitani da Il Trovatore. L’arrangiamento per banda di Wil van der Beek è una riuscita rivisitazione di questa intramontabile musica operistica, conosciuta e apprezzata da tutti.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1135393-010

Composed by Giuseppe Verdi. Arranged by Wil van der Beek. Great Classics. Classical. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1135393-010. Published by De Haske Publications (BT.DHP-1135393-010).

9x12 inches. English-German-French-Dut ch.

This work brings fragments from three of Giuseppe Verdi’s operas together in a single composition. Opening the work is the Triumphal March from Aida. Next come two notable motifs from La forza del destino, before the famous Anvil Chorus from Il Trovatore. Wil van der Beek’s arrangement for concert band is a rousing hit with opera melodies that everyone knows and loves.

In dit werk heeft Wil van der Beek een aantal beroemde fragmenten samengevoegd uit een drietal opera’s van deze Italiaanse componist. Hij start met de Triomfmars uit A da (maat 1-84). Daarna volgen een tweetal markante motieven uit La forza del destino (maat 85-140). Tenslotte weerklinkt het bekende Zigeunerkoor, ook wel Aambeeldkoor genoemd (maat 141-193) uit Il Trovatore. Verdi op zijn best!

In diesem Werk treffen Fragmente aus drei bekannten Opern von Giuseppe Verdi aufeinander. Den Auftakt macht der Triumphmarsch aus Aida. Danach folgen zwei markante Motive aus La forza del destino, bevor der berühmte Zigeunerchor aus Il trovatore erklingt. Wil van der Beeks Arrangement für Blasorchester ist ein stimmiges Wiederhören“ mit Opernmelodien, die jeder kennt und liebt.

Cette oeuvre rassemble trois fragments de trois célèbres opéras de Giuseppe Verdi. L’éclatante ouverture est donnée par la Marche triomphale extrait d’A da, suivie par deux motifs distincts de La force du destin, auxquels succèdent le célèbre refrain gitan du Trouvère. L’arrangement pour orchestre d’harmonie de Wil van der Beek est une scintillante reprise de cette incontournable musique d’opéra, connue et aimée de tous.

Questo brano raggruppa tre frammenti di altrettante celebri opere di Giuseppe Verdi. La spumeggiante apertura è assicurata dalla Marcia Trionfale estratta dall’Aida, seguita da due motivi distinti da La forza del destino che anticipa il celebre refrain del Coro dei Gitani da Il Trovatore. L’arrangiamento per banda di Wil van der Beek è una riuscita rivisitazione di questa intramontabile musica operistica, conosciuta e apprezzata da tutti.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.DHP-1094698-015

Composed by Ludwig van Beethoven and Marc-Antoine Charpentier. Arranged by Jan de Haan. Flexible 4 Series. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094698-015. Published by De Haske Publications (BT.DHP-1094698-015).

9x12 inches. English-German-French-Dut ch.

Voor dit feestelijke werk liet de componist Jan de Haan zich inspireren door het beroemde Te Deum van Marc-Antoine Charpentier (1634-1704). In dit arrangement laat de componist de registers van het orkest op unieke wijze metelkaar communiceren. Zijn “groet aan Europa” is direct en krachtig, maar met zachte, elegante en melodische passages. Een schitterend werk voor een vierstemmig variabele bezetting.

Zu diesem festlichen Werk ließ sich Jan de Haan vom berühmten Te Deum von Marc-Antoine Charpentier (1634 - 1704) inspirieren. In brillanten Passagen lässt er die Register des Blasorchesters in Dialoge treten. Sein Gruß an Europa“ ist direkt und kraftvoll mit zarten, eleganten melodischen Abschnitten. Ein spritziges Werk für eine vierstimmig variable Bläserbesetzung!

Pour composer cette œuvre festive, Jan de Haan s’est inspiré du Te Deum de Marc-Antoine Charpentier (1634-1704) et de l'Ode la Joie extraite de la Symphonie n° 9 de Beethoven (1770-1827). Les différents pupitres de l’orchestre conversent dans des passages brillants. Le style est direct et vigoureux, les passages mélodiques sont délicats et élégants. Une œuvre pétillante quatre voix pour ensemble instrumentation variable.

Concert Band/Harmonie - Grade 2

SKU: BT.CMP-0784-04-010

Composed by Douglas Court. National Heritage Series. Set (Score & Parts). Composed 2004. Curnow Music #CMP 0784-04-010. Published by Curnow Music (BT.CMP-0784-04-010).

Imaginative thematic interplay threads its way throughout this dynamic new concert piece. Your Grade 2 ensemble will enjoy finding several traditional armed forces songs hiding in the fabric of this piece as neatly as if Betsy Ross herself had stitched them together. The parade-like atmosphere is uplifting and energizing. The stars and stripes fly high with Yankee Doodle Salute!Spirited!

Concert Band - Grade 4

SKU: AP.BD9911C

Composed by James D. Ployhar. Concert Band; Performance Music Ensemble; Single Titles. Belwin Symphonic Band. 4th of July; Patriotic; Summer. Score. 36 pages. Duration 5:20. Belwin Music #00-BD9911C. Published by Belwin Music (AP.BD9911C).

UPC: 029156959604. English.

Salute to the Patriots is a musical tribute to the men and women who struggled to chart the course for these United States, with songs that depict our national history. This spirited medley will fill your audience with patriotic pride in our great nation. (5:20).

By Larry Neeck. Concert band. Young Band. Rising Band Series for Developing Bands!. Audio recording available separately (item CL.WFR374). Grade 1.5. Score and set of parts. Composed 2011. Duration 2 minutes, 18 seconds. Published by C.L. Barnhouse

For Concert Band (Score/Parts). Composed by Philip Sparke (1951-). Anglo Music Concert Band. Softcover. Anglo Music Press #AMP440010. Published by Anglo Music Press

Grade 1

SKU: CL.024-4021-01

Composed by Neeck. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR374). Extra full score. Composed 2011. Duration 2 minutes, 18 seconds. C.L. Barnhouse #024-4021-01. Published by C.L. Barnhouse (CL.024-4021-01).

From the opening fanfare, American Patriot Salute is an emotionally powerful, but easily playable, patriotic overture for your young musicians. In this skillful arrangement of America and Yankee Doodle, bold statements contrast with flowing melodic lines, providing a rich musical experience for your band. Dedicated to the men and women serving in our Armed Forces, American Patriot Salute provides a fitting patriotic tribute for your next concert.

By Morton Gould. Arranged by Philip J. Lang. By Morton Gould / arr. Philip J. Lang. For Concert Band. Concert Band. Belwin Classic Band. Patriotic. Level: Medium (grade IV 1/2). Conductor Score and Parts. 1 pages. Duration 4:31. Published by Alfred Publishing.

By Morton Gould. Arranged by Philip J. Lang. By Morton Gould / arr. Philip J. Lang. For Concert Band. Concert Band. Belwin Classic Band. Folk Song; Patriotic. Conductor Score and Parts. 1 pages. Duration 4:31. Published by Alfred Publishing.
Level: 4.5 (Medium to Medium Advanced) (grade 4.5).

Concert Band Snare Drum; Other Percussion; Orchestral Percussion

SKU: FJ.BB205AP

Composed by Deborah A. Sheldon and Robert Sheldon. Band Supplement; Collections; Method/Instruction. Lessons in Performance. Book. The FJH Music Company Inc #98-BB205AP. Published by The FJH Music Company Inc (FJ.BB205AP).

UPC: 674398213214. English.

Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance.

Concert Band/Harmonie and Euphonium Solo - Grade 2.5

SKU: BT.DHP-1135392-140

From Faust. Composed by Charles Francois Gounod. Arranged by Wil van der Beek. Solo Spectrum. Solo & Concerto. Score Only. Composed 2013. 16 pages. De Haske Publications #DHP 1135392-140. Published by De Haske Publications (BT.DHP-1135392-140).

9x12 inches. English-German-French-Dut ch.

Goethe’s Faust has already been set to music by various renowned musicians, such as Berlioz, Busoni and Spohr, and indeed Charles Gounod, who built his eponymous opera around the tale. Gounod’s Faust is primarily known for its lovely melodies and its beautifully expressive vocal parts and subtle orchestrations. One of the high points of this opera is doubtless this impressive Cavatina (“Salut, demeure chaste et pure”). Wil van der Beek has arranged the Cavatina with the euphonium as solo instrument.

Goethe s Faust is in het verleden al door verschillende componisten - waaronder Berlioz en Spohr - op muziek gezet. Ook Charles Gounod gebruikte Faust voor zijn gelijknamige opera. Zijn versie staat bol van prachtige melodieën en uiterst expressieve zangpartijen in een gera_x001C_ffineerde orkestratie. Een van deze hoogtepunten is zeker zijn Cavatina (“Salut, demeure chaste et pure”), in deze versie van Wil van der Beek bewerkt voor euphonium en orkest.

Goethes Faust wurde schon mehrfach von namhaften Komponisten vertont - darunter Berlioz, Busoni, Spohr und eben auch Charles Gounod, der aus dem Stoff_x001F_ die gleichnamige Oper komponierte. Sein Faust ist vor allem für herrliche Melodien sowie schöne, ausdrucksvolle Vokalpartien und feinsinnige Orchestrierungen bekannt. Einer der Höhepunkte dieser Oper ist zweifellos diese eindrucksvolle Cavatina (Salut, demeure chaste et pure“). Wil van der Beek wählte für seine Bearbeitung das Euphonium als Soloinstrument.

Faust, de Goethe a été plusieurs fois mis en musique par des compositeurs célèbres - dont Berlioz, Busoni et Spohr. En s’inspirant de la pièce de Goethe, Charles Gounod composa un opéra connu pour ses belles mélodies, ses chants expressifs et ses orchestrations subtiles. Un des points forts de cet opéra est sans aucun doute cette impressionnante Cavatine intitulée Salut ! Demeure chaste et pure. Wil van der Beek a choisi, pour son arrangement, de confi_x001C_er la partie solo l’euphonium. Un choix judicieux, qui placera votre soliste sous les feux de la rampe gr ce cette cavatine vibrante d’émotion et de sensibilité.

Il Faust di Goethe fu più volte messo in musica da compositori famosi quali Berlioz, Busoni, Spohr e Charles Gounod che compose l’opera omonima. Il suo Faust è noto per le belle melodie, le parti vocali particolarmente espressive e la ra_x001F_nata orchestrazione. Uno dei punti di forza di questa opera è senza dubbio l’imponente Cavatina (Salut, demeure chaste et pure). Wil van der Beek ha scelto di arrangiare la sua Cavatina per eufonio solo e banda.