By Leslie Bricusse and Anthony Newley. Arranged by Douglas E. Wagner. Concert Ba...(+)
By Leslie Bricusse and
Anthony Newley. Arranged
by Douglas E. Wagner.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Pop Young
Band. Form: Ballade.
Movie; Pop. Grade 2. 120
pages. Published by
Alfred Music
Score and Parts Concert Band (Score & Parts) SKU: HL.4005858 Flexible ...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.4005858
Flexible Concert Band,
Grade 2.5 Score and
Parts. By Andrea
Bocelli. Arranged by Eric
J. Hovi. De Haske Concert
Band. Classical.
Softcover. Duration 220
seconds. De Haske
Publications
#DHP1196075015. Published
by De Haske Publications
(HL.4005858).
UPC:
888680932480. 9.0x12.0
inches.
Who doesn't
know the Italian tenor
Andrea Bocelli and his
signature song Con te
Partiro that made him
world famous? This
colourfulversion is
accessible for smaller,
mixed-ability ensembles,
and provides an enjoyable
part for all players.
This arrangement will
bring colour to your
concert and is great fun
to play!
Score and Parts Flute Quartet (Score & Parts) SKU: HL.4005859 Flute Qu...(+)
Score and Parts Flute
Quartet (Score & Parts)
SKU: HL.4005859
Flute Quartet, Grade
2.5, 3:35 Score and
Parts. By Andrea
Bocelli. Arranged by Eric
J. Hovi. De Haske
Ensemble. Classical.
Softcover. Duration 215
seconds. De Haske
Publications
#DHP1196076070. Published
by De Haske Publications
(HL.4005859).
UPC:
888680932503. 9.0x12.0
inches.
Who doesn't
know the Italian tenor
Andrea Bocelli and his
signature song “Con
te Partirò†that
made him world famous?
This colourfulversion is
accessible for smaller,
mixed-ability ensembles,
and provides an enjoyable
part for all players.
This arrangement will
bring colour to your
concert and is great fun
to play!
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
A Song for Peace Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
By James Swearingen. For concert band. Young Band. Sound Foundations Series. Gra...(+)
By James Swearingen. For
concert band. Young Band.
Sound Foundations Series.
Grade 0.5. Score and set
of parts. Duration 2
minutes, 21 seconds.
Published by C.L.
Barnhouse
Drive Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Mark Williams. For Concert Band. Concert Band. Challenger Band Series. Novelt...(+)
By Mark Williams. For
Concert Band. Concert
Band. Challenger Band
Series. Novelty. Level:
1.5 (Easy) (grade 1.5).
Conductor Score and
Parts. 122 pages.
Published by Alfred
Publishing.
By Mark Williams. Concert Band. For Concert Band. Concert Band. Challenger Band ...(+)
By Mark Williams. Concert
Band. For Concert Band.
Concert Band. Challenger
Band Series. Novelty. 1.5
(Easy) (grade 1.5).
Conductor's Score. 8
pages. Published by
Alfred Music Publishing
Operatica Orchestre d'harmonie - Intermédiaire Curnow Music
Concert Band/Harmonie - Grade 3 SKU: BT.CMP-0905-05-140 Composed by James...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.CMP-0905-05-140
Composed by James Hosay.
Concert Band. Concert
Piece. Score Only.
Composed 2005. 40 pages.
Curnow Music #CMP
0905-05-140. Published by
Curnow Music
(BT.CMP-0905-05-140).
English.
If you
seek truly dramatic
music, look to opera.
Opera has been enormously
influential on Classical,
Popular, and Film and
Television music over the
years. James L.
Hosay’s new
intermediate level piece,
Operatica, incorporates
the important elements of
Opera and Classical music
to bring exhilarating
drama to the concert band
stage. Style and
technical considerations
make this a rich learning
experience for the band.
Add in the dimension of
music history by studying
Opera and Classical
music, and you have a
wonderful teaching tool!
The grand theme explores
a multitude of colours as
it twists and turns its
way through opera-style
development and
variation. Whether for
formal,festival, or just
concert use, you will
find this to be a
thrilling addition to
your library.
Opera heeft in de
loop der jaren enorm veel
invloed gehad op
klassieke, populaire,
film- en televisiemuziek.
In Operatica zijn
belangrijke elementen
(drama, spanning en
passie) uit de
operamuziek van de
achttiende en
negentiendeeeuw verwerkt.
Deze ouverture,
voornamelijk in de
stijlen van Wagner en
Mozart geschreven, is
meeslepend en geeft uw
muzikanten tevens de
mogelijkheid om
belangrijke aspecten uit
de klassieke muziek te
leren kennen. Het
hoofdthemaomvat een
veelvoud van kleuren
terwijl het zijn weg
vindt in opera-achtige
variaties.
Operatica: een
aanwinst voor uw
repertoire!
Sind
Sie auf der Suche nach
wahrhaft dramatischer
Musik? Denken Sie an die
Oper. James L. Hosays
Komposition verbindet
wichtige Elemente von
Oper und klassischer
Musik miteinander und
bringt somit ganz
große Dramatik auf
Ihre Konzertbühne. Das
großartige Thema von
Operatica
entwickelt eine Fülle
an Klangfarben,
während es sich durch
zahlreiche Variationen im
Stil der Oper
schlängelt. Eine
wunderbare neue Erfahrung
für die Musiker und
ein Erlebnis für das
Publikum!
Moyses Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Scomegna Edizioni Musicali
(Biblical Poem). By Federico Agnello. For concert band. Grade 4.5. Score and...(+)
(Biblical Poem). By
Federico
Agnello. For concert
band.
Grade 4.5. Score and full
set
of parts. Duration 16
minutes.
Published by Scomegna
Edizioni
Musical srl
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Grade 1.5 SKU: CL.011-2382-01 Composed by J. Williams. Young Concert Band...(+)
Grade 1.5
SKU:
CL.011-2382-01
Composed by J. Williams.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR130). Extra full
score. Composed 1991.
C.L. Barnhouse
#011-2382-01. Published
by C.L. Barnhouse
(CL.011-2382-01).
A very clever
use of the rap music
idiom that allows each
section of the band to
shine. Besides being an
wonderful performance
piece and lots of fun,
the spoken rap sections
are great rhythm teaching
tools. This unique piece
is sure to be an audience
favorite and needless to
say, it will be the
favorite of the band
members. A Guaranteed
Winner!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0993-06-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.CMP-0993-06-010
Composed by James Hosay.
Young Band. Set (Score
and Parts). Composed
2006. Curnow Music #CMP
0993-06-010. Published by
Curnow Music
(BT.CMP-0993-06-010).
9x12 inches.
English.
Lush
harmonies and flowing
melodies make this an
excellent â??change of
paceâ? selection that
will bring a touch of
elegance to any concert
or school function.
Itâ??s also a great
opportunity to work on
accidentals, intonation,
articulations, balance,
and that smooth, relaxed
Brazilian style.
Interesting Percussion
writing fits the style
perfectly and provides a
subtle but animated
foundation for the
expressive Winds.
Tantalizing!
De zwoele bries
aan de kust van het
exotische Brazilië
komt dichterbij als uw
orkest deze lichte ballad
in latin-stijl speelt. U
kunt uw slagwerksectie
vooraan in het midden
plaatsen om een visueel
en muzikaal effect te
creëren.
Weelderigeharmonieën
en vloeiende melodieën
zorgen voor een
sfeervolle, elegante
afwisseling in uw
concert. Bossa Nova
Breeze is uitstekend
geschikt voor de
ontwikkeling van het
gevoel voor een
muziekstijl die
wereldwijd enormpopulair
is.
Mit den
leichten, flieÃ?enden
Klängen dieser Ballade
im lateinamerikanischen
Stil aus der Feder des
Amerikaners James L.
Hosay weht eine Brise
Bossa Nova von der
sonnigen Küste
Brasiliens direkt in Ihr
Konzert! Eine mögliche
Aufführungsvariante,
bei der das Schlagzeug
ganz nach vorne auf die
Bühne geholt wird,
bringt zusätzlich
visuelle und musikalische
Abwechslung in Ihr
Programm.
La bossa-nova
è uno stile musicale
nato in Brasile alla fine
degli anno 1950.
Compositori quali Carlos
Jobim, Luis Bonfa e
numerosi musicisti quali
Stan Getz, Charly Bird,
Baden Powell, Joao
Gilberto hanno
contribuito alla
diffusione di questo
nuovo ritmo. Con Bossa
Nova Breeze, il sole
del Brasile entra nelle
sale da concerto.
By Oscar Hammerstein, Richard Rodgers. Arranged by John Moss. Score and full set...(+)
By Oscar Hammerstein,
Richard Rodgers. Arranged
by John Moss. Score and
full set of parts. Young
Band (Concert Band).
Grade 3. Size 9x12
inches. Published by Hal
Leonard.
(Grade 3 - Score Only). By James L Hosay. For Concert Band. Curnow Music Concert...(+)
(Grade 3 - Score Only).
By James L Hosay. For
Concert Band. Curnow
Music Concert Band. Grade
3. 40 pages. Curnow Music
#063102. Published by
Curnow Music
Saxsational! Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3866-01 Composed by Huckeby. Young Concert Band. Comm...(+)
Grade 2
SKU:
CL.011-3866-01
Composed by Huckeby.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR363). Extra full
score. Composed 2009.
Duration 1 minute, 57
seconds. C.L. Barnhouse
#011-3866-01. Published
by C.L. Barnhouse
(CL.011-3866-01).
Wow! That's
what your audiences will
say when your saxophone
section, sax quartet, or
even your best alto
soloist show off with
this appealing new sax
feature. With clever
syncopations and creative
use of the saxophone's
most effective range,
this piece provides a
toe-tapping opportunity
for your audiences to
really have fun at your
concert - and your saxes
will absolutely love you
for giving them a chance
to shine!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
All the While Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198F Composed by Tyler Arcari. You...(+)
Band Concert Band - Grade
2
SKU: CF.YPS198F
Composed by Tyler Arcari.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS198F.
Published by Carl Fischer
Music (CF.YPS198F).
ISBN 9781491152867.
UPC:
680160910366.
All
the While was inspired
by a very special person
in Tyler Arcari's life.
Director's will be happy
to find many
opportunities for
emotional and passionate
playing with plenty of
fun in the middle for
young bands. All the
While gives students a
number of chances to
work on expressive
playing during the
beginning and ending
sections, and offers a
light rhythmic middle
section for
contrast. Program
Notes:All the While is a
bit of a personal piece
for me. I was inspired to
write it by a very
special person in my
life. It might be a
young-band piece but I
feel that it has the
capacity for great
emotion and passionate
playing as well as a
little fun in the middle.
Sometimes it is difficult
to tell people how you
feel, even if you have
known them for a long
time. I think sometimes
we say in our heads that
“I have felt this
way for a long
time,†and all the
while never being able to
put it to words.About the
work:The piece opens with
a flute and alto
saxophone duet. This
melody trades off at m.
10 with the addition of
new voices and harmonies
building in intensity all
the way to m. 28. I
personally like to use
extended phrases in this
section, though it looks
like it would just
utilize four-measure
phrases. I feel this adds
to the momentum building
in dynamic intensity.
Measure 28 is a subito
change beginning with a
prominent Timpani solo.
The following section
should be played as
lightly as possible to
avoid a lumbering feel.
In mm. 68- 70, the agogic
accents should not be
very heavy, but more
pointed in their momentum
to m. 70.Measures
70–76 should be
taken with metric liberty
bringing out all of the
moving parts in the low
brass. The low brass
really adds the
foundation of momentum
for the rest of the band
here. Measure 76 to the
end, though a repetition
of material from the
beginning, should be
played as the high point
of the piece and familiar
conclusion.
All the While Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198 Composed by Tyler Arcari. Youn...(+)
Band Concert Band - Grade
2
SKU: CF.YPS198
Composed by Tyler Arcari.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
8+2+8+8+2+4+10+4+2+4+4+8+
12+6+3+1+1+4+2+16+4
pages. Duration 2
minutes, 14 seconds. Carl
Fischer Music #YPS198.
Published by Carl Fischer
Music (CF.YPS198).
ISBN 9781491152188.
UPC: 680160909681. Key: C
minor.
All the
While was inspired by
a very special person in
Tyler Arcari's life.
Directors will be happy
to find many
opportunities for
emotional and passionate
playing with plenty of
fun in the middle for
young bands. All the
While gives students a
number of chances to
work on expressive
playing during the
beginning and ending
sections, and offers a
light rhythmic middle
section for
contrast. Program
Notes:All the While is a
bit of a personal piece
for me. I was inspired to
write it by a very
special person in my
life. It might be a
young-band piece but I
feel that it has the
capacity for great
emotion and passionate
playing as well as a
little fun in the middle.
Sometimes it is difficult
to tell people how you
feel, even if you have
known them for a long
time. I think sometimes
we say in our heads that
“I have felt this
way for a long
time,†and all the
while never being able to
put it to words.About the
work:The piece opens with
a flute and alto
saxophone duet. This
melody trades off at m.
10 with the addition of
new voices and harmonies
building in intensity all
the way to m. 28. I
personally like to use
extended phrases in this
section, though it looks
like it would just
utilize four-measure
phrases. I feel this adds
to the momentum building
in dynamic intensity.
Measure 28 is a subito
change beginning with a
prominent Timpani solo.
The following section
should be played as
lightly as possible to
avoid a lumbering feel.
In mm. 68- 70, the agogic
accents should not be
very heavy, but more
pointed in their momentum
to m. 70.Measures
70–76 should be
taken with metric liberty
bringing out all of the
moving parts in the low
brass. The low brass
really adds the
foundation of momentum
for the rest of the band
here. Measure 76 to the
end, though a repetition
of material from the
beginning, should be
played as the high point
of the piece and familiar
conclusion.
Stayin' Alive Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1023203-010 Composed by Barry...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1023203-010
Composed by Barry Gibb.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Set (Score &
Parts). Composed 2002. De
Haske Publications #DHP
1023203-010. Published by
De Haske Publications
(BT.DHP-1023203-010).
The hit of the
seventies! When you say
disco, you immediately
think of the Bee Gees.
Their hit song
Stayin’ Alive has
become an evergreen
partly due to the
fabulous dancing of John
Travolta in the film
Saturday Night Fever.
This arrangement for
concert band will make a
great encore at your next
concert!
Die Bee
Gees zählen neben den
Beatles, Paul McCartney,
Elvis Presley und Michael
Jackson zu den fünf
erfolgreichsten
Solointerpreten und
Gruppen der
Popgeschichte.
Unsterblich wurden die
drei Brüder vor allem
durch die Musik zum Film
Saturday Night
Fever, der wie kein
anderer das Discofieber
der 70er-Jahre
beschreibt. Stayin'
Alive wurde zum
meistverkauften
Soundtrack der
Musikgeschichte. Mit
dieser Bearbeitung
können Sie mit Ihrem
Blasorchester für
Discofeeling und Stimmung
sorgen.
Fiesta-Val Orchestre d'harmonie - Intermédiaire/avancé Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-0912-04-140 Composed by James...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.CMP-0912-04-140
Composed by James Hosay.
Prestige Series. Concert
Piece. Score Only.
Composed 2004. 40 pages.
Curnow Music #CMP
0912-04-140. Published by
Curnow Music
(BT.CMP-0912-04-140).
Soaring themes
intertwine with
compelling rhythms and
inventive harmonies to
render an unforgettable
musical experience
through acclaimed
composer James L.
Hosay’s impressive
new overture. This one
may well be the
“signatureâ€
piece for your band this
year. Every section will
be challenging and
rewarding as you prepare
this magnificent
offering. The expressive
Andante Cantabile
Trumpet solo acts as a
perfect foil for the
thrilling opening and the
stirring finale.
Exquisite counterpoint,
both melodic and
rhythmic, captivates the
listener in a way that
few compositions can. and
rhythmic, captivates the
listener in a way that
few compositions can.
Breath-taking!
Spr
ekende thema’s
verweven zich met
meeslepende ritmes en
inventieve harmonieën
in deze indrukwekkende
ouverture van componist
James L. Hosay. Elke
sectie speelt een
waardevolle rol. De
expressieve, zangerige
trompetsolo vormt
eenperfect contrast met
de temperamentvolle
opening en de opwindende
finale. Verfijnd
contrapunt, zowel
melodisch als ritmisch,
houdt de luisteraar zeker
geboeid.
Aufsteige
nde Themen, im Wechsel
mit bestechenden Rhythmen
und erfinderischen
Harmonien, machen diese
Ouvertüre von James L.
Hosay zu einer
unvergesslichen
musikalischen Erfahrung.
Das ausdrucksvolle
Andantecantabile- Solo
für Trompete bildet
die ideale Basis für
eine bewegende Einleitung
und ein ebenso spannendes
Finale. Dazwischen spielt
jedes Register eine
wichtige Rolle.
Ausgezeichnetes, sowohl
melodisches als auch
rhythmisches
kontrapunktisches Spiel
hält das Publikum in
Atem wie kaum ein anderes
Werk.
Grade 1 SKU: CL.015-2411-00 Composed by A. Clark. Young Concert Band. Com...(+)
Grade 1
SKU:
CL.015-2411-00
Composed by A. Clark.
Young Concert Band.
Command Performance Plus
Series. Audio recording
available separately
(item CL.074-2351-97).
Score and set of parts.
Composed 1991. C.L.
Barnhouse #015-2411-00.
Published by C.L.
Barnhouse
(CL.015-2411-00).
Rock
Til’ Ya Drop says
it all! This great piece
includes an awesome hot
contemporary rock
background accompaniment
that provides the
rhythmic excitement you
and your students will
love!
About C.L.
Barnhouse Command
Performance
Plus
Compl
ete band arrangements
with a recorded
accompaniment designed to
enhance the performance
of your young band, not
replace it. These
publications fit a
variety of programming
and educational needs,
and are ideal for getting
young players excited
about band!