Concert Band/Harmonie - Grade 2.5

SKU: BT.GOB-000956-140

Composed by Peter Martin. Arranged by Menno Haantjes. Score Only. Gobelin Music Publications #GOB 000956-140. Published by Gobelin Music Publications (BT.GOB-000956-140).

Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding.

I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is Cock O' the North a nickname of a famous Duke. (The 4th Duke of Gordon).
In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text.

Auntie Mary, had a canary,
Up the leg of her trousers
While she was sleeping Iwas peeping
Up the leg of her trousers.

II. The Bonnie Bank's O'Loch Lomond is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go.

You'll take the high road
And I'll take the low road
And I'll be in Scotland afore ye
But me and my true love will never meet again
On the Bonnie Bonnie Banks of Loch Lomond

III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as Marie's Wedding '.
Mid dance we go back to the church, where a lovely song in honor of the couple sounds.
Marie's Wedding has been recorded by Van Morrison (among many others).

Step we gaely, on we go, heel for heel and toe for toe
Arm and arm and on we go, all for Marie's wedding

Scottish Dances is gebaseerd op drie Schotse traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond en Marie's Wedding.

I. De naam Cock of the North wordt voor meerdere dingen of evenementen gebruikt. Van een beroemdelocomotief tot een, naar het schijnt, een heerlijke likeur, en van rally's tot snowboard wedstrijden. Bovendien was 'Cock O' the North' een bijnaam van een bekende hertog. (the 4th Duke of Gordon)
Het in deze compositiegebruikte Cock of the North (een Jig) is een traditioneel Schotse bagpipe tune (doedelzak liedje) wat regelmatig gespeeld wordt op taptoes door Pipebands. Niet zelden zingen de slagwerkers de tekst mee.

Auntie Mary, had acanary,
Up the leg of her trousers
While she was sleeping I was peeping
Up the leg of her trousers.

II. 'The Bonnie Bank's O'Loch Lomond', gaat over een triest verhaal dat zich afspeelde tijdens een opstand tegende Engelsen. In 1745 moest Bonnie Prince Charlie zich terugtrekken. Twee van zijn mannen werden gevangen genomen. Eén van hen werd veroordeeld en geexecuteerd, terwijl de ander vrijgelaten werd. De geest van de geexecuteerde soldaatzou via de 'low road' (onderwereld) eerder in Schotland aankomen dan zijn kameraad, die nog een lange ruige weg te gaan had.

You'll take the high road
And I'll take the low road
And I'll be in Scotland aforeye
But me and my true love will never meet again
On the Bonnie Bonnie Banks of Loch Lomond

III. Bij een Schotse bruiloft wordt na de officiele plechtigheden vaak gedanst. Dit noemt men een ceilidh. Hiervoor gebruiktmen traditionele Schotse muziek zoals bijv. 'Marie's Wedding'.
Halverwege de dans gaan we nog even terug naar de kerk, waar een lieflijk lied ter ere van het bruidspaar klinkt.
Marie's Wedding is o.a. door Van Morrison opgenomen.

Concert Band

SKU: AP.26730S

Composed by Traditional. Arranged by Douglas E. Wagner. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Young Band. Traditional. Score. 12 pages. Belwin Music #00-26730S. Published by Belwin Music (AP.26730S).

UPC: 038081299815. English. Traditional.

Dougla s E. Wagner has scored this traditional Scottish folk song, also known as Turn Ye to Me, for young band. The full, rich phrases combined with tasteful dynamic contrasts will ensure this is an arrangement that can be programmed again and again. A charming work. This title is available in MakeMusic Cloud.

Arranged by Robert Sheldon. Arr. Robert Sheldon. For Concert Band. Concert Band. Young Symphonic. Conductor Score & Parts. Published by Alfred Publishing.

Concert Band - Grade 1

SKU: AP.50322

(I Know Where I'm Going). Arranged by Patrick Roszell. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Multicultural; Sacred; Traditional. Score and Part(s). Duration 1:55. Belwin Music #00-50322. Published by Belwin Music (AP.50322).

ISBN 9781470659080. UPC: 038081576343. English.

Based on the folk song I Know Where I'm Going, A Scottish Hymn, by Patrick Roszell, is a lush ballad setting that is perfect for teaching lyrical playing to younger musicians. This setting provides numerous teaching opportunities for slurring, legato tonguing, phrasing, intonation, and dynamic shaping. The perfect selection for your next concert or contest! (1:55).

Composed by Scottish Folk Song. Arranged by Michael Story and Mike Story. Concert Band; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Beginning Band. Form: Fanfare. Folk. Part(s); Score. 162 pages. Belwin Music #00-BDM01045. Published by Belwin Music

Concert Band - Grade 1

SKU: AP.50322S

(I Know Where I'm Going). Arranged by Patrick Roszell. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Multicultural; Sacred; Traditional. Score. Duration 1:55. Belwin Music #00-50322S. Published by Belwin Music (AP.50322S).

ISBN 9781470659097. UPC: 038081576380. English.

Based on the folk song I Know Where I'm Going, A Scottish Hymn, by Patrick Roszell, is a lush ballad setting that is perfect for teaching lyrical playing to younger musicians. This setting provides numerous teaching opportunities for slurring, legato tonguing, phrasing, intonation, and dynamic shaping. The perfect selection for your next concert or contest! (1:55).

Concert band - Pre 1

SKU: CL.023-4292-01

Arranged by Robert W. Smith. Young Concert Band. Sound Foundations Series. Audio recording available separately (item CL.WFR383). Extra full score. Composed 2014. Duration 2 minutes, 43 seconds. C.L. Barnhouse #023-4292-01. Published by C.L. Barnhouse (CL.023-4292-01).

Based on the folk song I Know Where I'm Going, this setting of Scottish Lullaby by Robert W. Smith is an excellent choice for concert or contest. Dramatic and poignant, this is written in a British band tradition and will be an excellent addition to your regular concert repertoire. Very musical!

Concert Band Concert Band - Grade 3

SKU: FJ.B1323S

Score Only. Composed by William Owens. Concert Band. FJH Concert Band. Multicultural. Score. Duration 4:15. The FJH Music Company Inc #98-B1323S. Published by The FJH Music Company Inc (FJ.B1323S).

English.

This short three-movement work paints a picture of one of the most beautiful and historically rich countries in the world. The first movement, This Proud People, quotes bits of Scotland the Brave, the unofficial anthem of Scotland, before introducing the sounds of a traditional pipe and drum band. The second movement, The South of Skye, pays tribute to countless quiet sandy beaches and small islands. The final movement, Glasgow, the West End, salutes this culturally rich area with a wild fiery jig that continues to accelerate to a powerful conclusion. Fantastic writing!

Arranged by Douglas E. Wagner. Traditional. For Concert Band. Concert Band. Belwin Young Band. Conductor Score & Parts. 61 pages. Published by Alfred Publishing.

Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 2

SKU: HL.44001742

Composed by Traditional. Arranged by Herman Oldenstijl. De Haske Concert Band. Festive and Solemn Music. Score Only. Composed 1991. Hal Leonard #910325. Published by Hal Leonard (HL.44001742).

UPC: 073999138429. 6.75x10.5 inches.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Falschlicherweise zunachst einem Geschaftsmann und Amateurmusiker zugeschrieben, stellte sich spater heraus, dass die Musik tatsachlich von Jessie Irvine, der Tochter eines Kusters, komponiert worden war. Die schone Melodie der sonst unbekannten Komponistin gelangte 1929 schliesslich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 2

SKU: CF.YPS214F

Composed by George Sweet. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS214F. Published by Carl Fischer Music (CF.YPS214F).

ISBN 9781491153017. UPC: 680160910519.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 2

SKU: CF.YPS214

Composed by George Sweet. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+3+1+1+1+2+3+16+2 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #YPS214. Published by Carl Fischer Music (CF.YPS214).

ISBN 9781491152331. UPC: 680160909834. Key: Bb major.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

Concert Band - Grade 1

SKU: AP.42137

Arranged by Douglas E. Wagner. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Folk; Traditional. Score and Part(s). 134 pages. Duration 2:15. Belwin Music #00-42137. Published by Belwin Music (AP.42137).

UPC: 038081471389. English. Traditional Scottish Folk Tune.

This setting provides a rich tapestry of sound with the ability for your beginners to make real music. The traditional Scottish folk tune is scored in 3/4 time and should not pose any technical challenges for any beginning band. This charming ballad presents multiple teaching opportunities for dynamic contrasts, full value notes, and subtle tempo nuances. Most musical! (2:15) This title is available in MakeMusic Cloud.

Concert Band - Grade 1

SKU: AP.42137S

Arranged by Douglas E. Wagner. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Folk; Traditional. Score. 12 pages. Belwin Music #00-42137S. Published by Belwin Music (AP.42137S).

UPC: 038081471396. English. Traditional Scottish Folk Tune.

This setting provides a rich tapestry of sound with the ability for your beginners to make real music. The traditional Scottish folk tune is scored in 3/4 time and should not pose any technical challenges for any beginning band. This charming ballad presents multiple teaching opportunities for dynamic contrasts, full value notes, and subtle tempo nuances. Most musical! (2:15) This title is available in MakeMusic Cloud.

Concert Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Trumpet 3 and more. - Grade 3-3.5

SKU: CF.CPS62

Traditional Scottish Folk Song - Full Score and Parts. Composed by Anonymous. Arranged by Carl Strommen. FS-SWS. Carl Fischer Concert Performance Series. Score and Set of Parts. With Standard notation. 3+16 pages. Carl Fischer Music #CPS62. Published by Carl Fischer Music (CF.CPS62).

ISBN 9780825861659. UPC: 798408061654. 9 X 12 inches. Key: Eb major. Text: Scottish Folk Song.

The song Annie Laurie was written to her by William Douglas, and amended by Lady John Scott. This song was a favorite with Scottish soldiers during the Crimean War. Composer Carl Strommen gives us a wonderful new setting of this popular folk song that explores all of the glorious colors of the modern concert band. A great change of pace piece for any concert and a great way to improve the musicianship of your students.

(A Heritage in Song). Arranged by Jack Bullock. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Concert Band. Form: Medley. Folk; Multicultural. Grade 3. 236 pages. Published by Belwin Music

Concert Band/Harmonie/Fanfare/Bra ss Band (Score) - Grade 2

SKU: HL.44001743

Composed by Traditional. Arranged by Herman Oldenstijl. De Haske Concert Band. Festive and Solemn Music. Score Only. Composed 1991. De Haske Publications #910325. Published by De Haske Publications (HL.44001743).

UPC: 073999257281. 6.75x10.5 inches.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Falschlicherweise zunachst einem Geschaftsmann und Amateurmusiker zugeschrieben, stellte sich spater heraus, dass die Musik tatsachlich von Jessie Irvine, der Tochter eines Kusters, komponiert worden war. Die schone Melodie der sonst unbekannten Komponistin gelangte 1929 schliesslich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-0910325-216

Composed by Traditional. Arranged by Herman Oldenstijl. Musica Sacra. Festive and Solemn Music. Score Only. Composed 1991. De Haske Publications #DHP 0910325-216. Published by De Haske Publications (BT.DHP-0910325-216).

This lovely Scottish hymn, also known as The Lord’s My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Fälschlicherweise zunächst einem Geschäftsmann und Amateurmusiker zugeschrieben, stellte sich später heraus, dass die Musik tatsächlich von Jessie Irvine, der Tochter eines Küsters, komponiert worden war. Die schöne Melodie der sonst unbekannten Komponistin gelangte 1929 schließlich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

(Featuring: Loch Lomond / The Blue Bells of Scotland / Annie Laurie). Arranged by James D. Ployhar. Concert Band. Concert Band. Belwin Beginning Band. Contemporary. Grade 1. Conductor Score and Parts. 142 pages. Duration 1:46:00. Published by Alfred Music Publishing

Band Concert Band - Grade 2

SKU: CF.YPS114

Composed by Gene Milford. SWS FS. Young Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8 +12+4+6+6+1+1+4+2+20 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #YPS114. Published by Carl Fischer Music (CF.YPS114).

ISBN 9780825888007. UPC: 798408088002. 9x12 inches. Key: Eb major.

This fresh new setting of two traditional Scottish folk songs, Will Ye No Come Back Again and Keel Row, was written in honor of its namesake, the Scottish village Castlebay. Composer Gene Milford has crafted a well-scored offering for contest/festival performance that is reminiscent of English-style band pieces. After the striking opening, the piece moves to the more fiddle-like Keel Row in a lilting 6/8. All of the sections of the ensemble get to shine and the band will sound formidable with this piece.

Concert Band - Grade 3

SKU: FJ.B1877S

Composed by Robert Sheldon. Concert Band. FJH Concert Band. Multicultural. Score. The FJH Music Company Inc #98-B1877S. Published by The FJH Music Company Inc (FJ.B1877S).

English.

Inspire d by the music of Scotland, this stellar original opens with a strathsprey, written in a bold and majestic manner. A brief transition introduces the beautiful Scottish carol Christ Child's Lullaby, before a percussion interlude gives a nod to the music of the traditional Scottish military tattoo. The work culminates in an energetic cut-time reel, which brings the piece to a rousing conclusion. Incredible writing!

About FJH Concert Band

Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

Band Concert Band - Grade 2

SKU: CF.YPS114F

Composed by Gene Milford. SWS. Young Performance Series. Full score. With Standard notation. 20 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #YPS114F. Published by Carl Fischer Music (CF.YPS114F).

ISBN 9780825888014. UPC: 798408088019. 9x12 inches.

This fresh new setting of two traditional Scottish folk songs, Will Ye No Come Back Again and Keel Row, was written in honor of its namesake, the Scottish village Castlebay. Composer Gene Milford has crafted a well-scored offering for contest/festival performance that is reminiscent of English-style band pieces. After the striking opening, the piece moves to the more fiddle-like Keel Row in a lilting 6/8. All of the sections of the ensemble get to shine and the band will sound formidable with this piece.

Concert Band Concert Band - Grade 3.5

SKU: XC.RCB1902FS

Composed by Tyler Arcari. Rhapsody Band Series. Concert and Contest. Classical, Acoustic. Score. Excelcia Music Publishing #RCB1902FS. Published by Excelcia Music Publishing (XC.RCB1902FS).

UPC: 812598031492. 9 x 12 inches.

Powerful and cinematic, this composition will have musicians and audiences picturing the awe-inspiring Scottish Highlands. Intentionally not drawing on traditional Scottish sounds Highlander brings a fresh harmonic and melodic perspective from composer Tyler Arcari.

Concert Band - Grade 3

SKU: FJ.B1877

Composed by Robert Sheldon. Concert Band; MakeMusic Cloud. FJH Concert Band. Multicultural. Score and Part(s). The FJH Music Company Inc #98-B1877. Published by The FJH Music Company Inc (FJ.B1877).

English.

Inspire d by the music of Scotland, this stellar original opens with a strathsprey, written in a bold and majestic manner. A brief transition introduces the beautiful Scottish carol Christ Child's Lullaby, before a percussion interlude gives a nod to the music of the traditional Scottish military tattoo. The work culminates in an energetic cut-time reel, which brings the piece to a rousing conclusion. Incredible writing!

About FJH Concert Band

Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

Concert Band Concert Band - Grade 3.5

SKU: XC.RCB1902

Composed by Tyler Arcari. Rhapsody Band Series. Concert and Contest. Classical, Acoustic. Set of parts. Excelcia Music Publishing #RCB1902. Published by Excelcia Music Publishing (XC.RCB1902).

UPC: 812598032116. 9 x 12 inches.

Powerful and cinematic, this composition will have musicians and audiences picturing the awe-inspiring Scottish Highlands. Intentionally not drawing on traditional Scottish sounds Highlander brings a fresh harmonic and melodic perspective from composer Tyler Arcari.

Concert Band (Score) - Grade 1

SKU: HL.4004211

A Scottish Legend. Composed by Johnnie Vinson. MusicWorks Grade 1. Festival. 16 pages. Published by Hal Leonard (HL.4004211).

UPC: 888680063061. 9x12 inches.

In Celtic folklore a “selkie” is a mythical creature appearing as a seal in water, but taking human form on land. In this striking setting for second year players the first movement, in a lyric and melancholy style, portrays the selkie as a baby seal. The second movement depicts a young boy on land, and employs a number of characteristics of traditional Scottish folk tunes. This marvelous work provides opportunities for musical and cross-curricular exploration. Duration: 3:50.

Full Score Concert Band - Grade 2

SKU: HL.1455820

For Concert Band. Composed by Traditional. Arranged by Brian Monroe. Southern Music. Traditional. Softcover. Duration 180 seconds. Southern Music Company #S1056FS. Published by Southern Music Company (HL.1455820).

ISBN 9798892702959. UPC: 196288209812. 9.0x12.0x0.22 inches.

LOCH LOMOND is a traditional Scottish folk song of remarkable flexibility. This treatment is that of a ballad, so beautiful tone, good intonation, and polished phrasing are of key importance. It is an outstanding work for training the young concert band.