Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5
SKU: ML.013780090
Composed by Valdemar
Gomes. Full set. Molenaar
Edition #013780090.
Published by Molenaar
Edition (ML.013780090).
The Spanish war
galleon with 64 cannons,
built in Cuba between
1770 and 1771 for an
English shipowner in the
service of the King of
Spain left Peru for Cadiz
in 1784 with a huge cargo
of copper, gold, silver
and other valuables on
board. There were also
more than 400 people on
board, including
passengers, crew and Inca
prisoners after a revolt.
The Atlantic crossing
went smoothly, passing
Portugal to take
advantage of favourable
winds. The shipwreck off
Peniche was the result of
human error, apparently
due to French maps with
dramatic errors in the
position of the islands
of Berlengas and
neighbouring islets. On 2
February 1786, the sea
was calm and the night
clear, but they hit the
rock formation Papoa and
the hull immediately
broke in two. The bottom
sank quickly, while the
deck remained afloat for
some time. 128 people
lost their lives,
including many Indians
who were trapped in the
basement. This shipwreck
is considered one of the
most important in
maritime
history.
What the
composer wants to convey,
and what can be felt as
one listens, is first of
all the sound of power,
of hope, of the glory of
conquest, of the
splendour of wealth. This
is followed by the
perception of the
maritime environment, the
harmony with the softness
of the ocean, the gliding
of the hull in the foam
of the sea on sunny, blue
days. But along with this
tranquillity, you soon
hear a rhythmic chain
that makes you feel a
representation of the
hustle and bustle, of the
busy crew, of the hard
work of a sailor, of the
desperation of an exotic
people imprisoned in a
dark, damp cellar. A
distinct rhythm that
reminds us of the salero
of Andalusia, with its
Arab influences and its
people, the soothing of
the resignation of others
who are forced to submit.
Then we clearly hear a
crescendo that makes us
imagine the agony of the
collision that precedes
the shipwreck. The
breaking of the hull, the
water flooding
everything, the despair,
the clash of bodies on
the rocks, the tragedy to
come. Before the grand
finale, in which the
return of musical
softness reminds us that
the story is over. The
supremacy of nature over
human greed. The waves,
though gentle, sweep the
wreckage, the lives and
the treasures of the New
World to the bottom of
the sea.
Het
Spaans oorlogsgaljoen met
64 kanonnen, gebouwd in
Cuba tussen 1770 en 1771
voor een Engelse reder in
dienst van de koning van
Spanje vertrok in 1784
vanuit Peru naar Cádiz
met een enorme lading
koper, goud, zilver en
andere kostbaarheden aan
boord. Er waren ook meer
dan 400 mensen aan boord,
waaronder passagiers,
bemanning en Inca
gevangenen na een
opstand. De oversteek van
de Atlantische Oceaan
verliep vlot, waarbij
Portugal werd gepasseerd
om te profiteren van
gunstige winden. De
schipbreuk bij Peniche
was het resultaat van een
menselijke fout,
blijkbaar te wijten aan
Franse kaarten met
dramatische fouten in de
positie van de eilanden
Berlengas en naburige
eilandjes. Op 2 februari
1786 was de zee kalm en
de nacht helder, maar ze
raakten de rotsformatie
Papoa en de romp brak
onmiddellijk in tweeën.
De bodem zonk snel,
terwijl het dek nog enige
tijd bleef drijven. 128
mensen verloren het
leven, waaronder veel
indianen die vastzaten in
de kelder. Dit
scheepswrak wordt
beschouwd als een van de
belangrijkste in de
maritieme
geschiedenis.
Wat
de componist wil
overbrengen, en wat men
kan voelen als men
luistert, is allereerst
het geluid van macht, van
hoop, van de glorie van
verovering, van de pracht
van rijkdom. Dit wordt
gevolgd door de perceptie
van de maritieme
omgeving, de harmonie met
de zachtheid van de
oceaan, het glijden van
de romp in het schuim van
de zee op zonnige, blauwe
dagen. Maar samen met
deze rust hoor je al snel
een ritmische ketting die
je een voorstelling geeft
van de drukte, van de
drukke bemanning, van het
harde werk van een
zeeman, van de wanhoop
van een exotisch volk dat
gevangen zit in een
donkere, vochtige kelder.
Een duidelijk ritme dat
ons doet denken aan de
salero van Andalusië,
met zijn Arabische
invloeden en zijn mensen,
het sussen van de
berusting van anderen die
gedwongen worden zich te
onderwerpen. Dan horen we
duidelijk een crescendo
dat ons de lijdensweg
doet voorstellen van de
aanvaring die voorafgaat
aan de schipbreuk. Het
breken van de romp, het
water dat alles
overspoelt, de wanhoop,
het botsen van lichamen
op de rotsen, de tragedie
die komen gaat. Vóór de
grote finale, waarin de
terugkeer van de muzikale
zachtheid ons eraan
herinnert dat het verhaal
voorbij is. De overmacht
van de natuur over de
hebzucht van de mens. De
golven, hoewel zacht,
vegen het wrak, de levens
en de schatten van de
Nieuwe Wereld naar de
bodem van de
zee.
Le galion de
guerre espagnol de 64
canons, construit à Cuba
entre 1770 et 1771 pour
un armateur anglais au
service du roi d'Espagne,
a quitté le Pérou pour
Cadix en 1784 avec à son
bord une énorme
cargaison de cuivre,
d'or, d'argent et
d'autres objets de
valeur. Il y avait
également plus de 400
personnes à bord, dont
des passagers, des
membres d'équipage et
des prisonniers incas à
la suite d'une révolte.
La traversée de
l'Atlantique s'est
déroulée sans encombre,
en passant par le
Portugal pour profiter
des vents favorables. Le
naufrage au large de
Peniche est le résultat
d'une erreur humaine,
apparemment due à des
cartes françaises
comportant des erreurs
dramatiques dans la
position des îles de
Berlengas et des îlots
voisins. Le 2 février
1786, alors que la mer
est calme et la nuit
claire, le navire heurte
la formation rocheuse de
Papoa et la coque se
brise immédiatement en
deux. Le fond coule
rapidement, tandis que le
pont reste à flot
pendant un certain temps.
128 personnes ont perdu
la vie, dont de nombreux
Indiens qui étaient
coincés dans les
sous-sols. Ce naufrage
est considéré comme
l'un des plus importants
de l'histoire
maritime.
Ce que
le compositeur veut
transmettre, et ce que
l'on ressent à
l'écoute, c'est d'abord
le son de la puissance,
de l'espoir, de la gloire
de la conquête, de la
splendeur de la richesse.
C'est ensuite la
perception de
l'environnement maritime,
l'harmonie avec la
douceur de l'océan, le
glissement de la coque
dans l'écume de la mer
par des journées bleues
et ensoleillées. Mais à
côté de cette
tranquillité, on entend
bientôt une chaîne
rythmique qui nous fait
ressentir une
représentation de
l'agitation, de
l'équipage affairé, du
dur labeur d'un marin, du
désespoir d'un peuple
exotique emprisonné dans
une cave sombre et
humide. Un rythme
distinct qui nous
rappelle le salero
d'Andalousie, avec ses
influences arabes et son
peuple, l'apaisement de
la résignation des
autres qui sont obligés
de se soumettre. Puis on
entend clairement un
crescendo qui nous fait
imaginer l'agonie de la
collision qui précède
le naufrage. La rupture
de la coque, l'eau qui
envahit tout, le
désespoir, le choc des
corps sur les rochers, la
tragédie à venir. Avant
le grand final, où le
retour de la douceur
musicale nous rappelle
que l'histoire est
terminée. La suprématie
de la nature sur la
cupidité humaine. Les
vagues, bien que douces,
emportent les épaves,
les vies et les trésors
du Nouveau Monde au fond
de la mer.
Die
spanische Kriegsgaleone
mit 64 Kanonen, die
zwischen 1770 und 1771
auf Kuba für einen
englischen Reeder im
Dienste des spanischen
Königs gebaut wurde,
verließ Peru 1784 in
Richtung Cádiz mit einer
riesigen Ladung Kupfer,
Gold, Silber und anderen
Wertgegenständen an
Bord. An Bord befanden
sich auch mehr als 400
Menschen, darunter
Passagiere,
Besatzungsmitglieder und
Inka-Gefangene nach einem
Aufstand. Die
Atlantiküberquerung
verlief reibungslos,
wobei Portugal passiert
wurde, um die günstigen
Winde zu nutzen. Der
Schiffbruch vor Peniche
war das Ergebnis
menschlichen Versagens,
das offenbar auf
französische Karten
zurückzuführen war, die
in Bezug auf die Position
der Inseln Berlengas und
der benachbarten Eilande
dramatische Fehler
enthielten. Am 2. Februar
1786 stießen sie bei
ruhiger See und klarer
Nacht auf die
Felsformation Papoa und
der Rumpf brach sofort
entzwei. Der Boden sank
schnell, während das
Deck noch einige Zeit
über Wasser blieb. 128
Menschen kamen ums Leben,
darunter viele Indianer,
die im Keller
eingeschlossen waren.
Dieses Schiffswrack gilt
als eines der
bedeutendsten
Was
der Komponist vermitteln
will und was man beim
Zuhören spürt, ist
zunächst der Klang der
Macht, der Hoffnung, des
Ruhms der Eroberung, des
Glanzes des Reichtums. Es
folgt die Wahrnehmung der
maritimen Umgebung, die
Harmonie mit der
Sanftheit des Meeres, das
Gleiten des
Schiffsrumpfes im Schaum
des Meeres an sonnigen,
blauen Tagen. Doch neben
dieser Ruhe hört man
bald eine rhythmische
Kette, die die Hektik,
die geschäftige
Mannschaft, die harte
Arbeit eines Seemanns,
die Verzweiflung eines
exotischen Volkes, das in
einem dunklen, feuchten
Keller gefangen ist,
wiedergibt. Ein
ausgeprägter Rhythmus,
der an den Salero
Andalusiens erinnert, mit
seinen arabischen
Einflüssen und seinen
Menschen, der die
Resignation der anderen
besänftigt, die
gezwungen sind, sich zu
fügen. Dann hören wir
deutlich ein Crescendo,
das uns die Qualen des
Zusammenstoßes, der dem
Schiffbruch vorausgeht,
erahnen lässt. Das
Zerbrechen des Rumpfes,
das Wasser, das alles
überflutet, die
Verzweiflung, das
Aufeinanderprallen der
Körper auf den Felsen,
die bevorstehende
Tragödie. Vor dem
großen Finale, in dem
die Rückkehr der
musikalischen Sanftheit
uns daran erinnert, dass
die Geschichte zu Ende
ist. Die Vorherrschaft
der Natur über die
menschliche Gier. Die
Wellen, so sanft sie auch
sein mögen, spülen die
Trümmer, das Leben und
die Schätze der Neuen
Welt auf den Grund des
Meeres.
Allegro Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-010(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 4-5
SKU:
BT.DHP-1053790-010
From the Clarinet
Concerto in Eb Major, Op.
36. Composed by Franz
Krommer. Arranged by
Timothy Topolewski. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053790-010. Published by
De Haske Publications
(BT.DHP-1053790-010).
9x12 inches.
English-German-French-Dut
ch.
Der erste Satz
des Klarinettenkonzerts,
das Allegro, ist
kühn und brilliant in
seinen technischen
Anforderungen in den
schnellen Passagen und
flüssig und
ausdrucksvoll in den
lyrischen Abschnitten. Er
ist eine spannende
Herausforderung für
Klarinettisten von heut
und war sehr
wahrscheinlich ein
virtuoses Stück für
Klarinettisten im
frühen 19.
Jahrhundert.Wie so viele
Komponisten der Klassik,
beschrieb Krommer die
Aritkulation von kaum
mehr als ein paar Phrasen
seiner Soli für
Bläser. Infolgedessen
nahmen sich die einzelnen
Spieler viel Freiheiten,
wo und wann sie
angestoßen oder
gebunden spielten.
Artikulation für
Bläser, genau wie
Bogenbewegung für
Streicher, mussflexibel
in ihrer Auslegung und
Durchführung sein. Die
richtige Spielweise
ergibt aus dem
technischen Können und
der Ausdrucksstärke
des jeweiligen Spielers.
Der Dirigent sollte dies
zusammen mit seinem
Solisten erarbeiten.
Allegro Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053790-140 From the Clari...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053790-140
From the Clarinet
Concerto in Eb Major, Op.
36. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2005. 64
pages. De Haske
Publications #DHP
1053790-140. Published by
De Haske Publications
(BT.DHP-1053790-140).
9x12 inches.
English-German-French-Dut
ch.
Der erste Satz
des Klarinettenkonzerts,
das Allegro, ist
kühn und brilliant in
seinen technischen
Anforderungen in den
schnellen Passagen und
flüssig und
ausdrucksvoll in den
lyrischen Abschnitten. Er
ist eine spannende
Herausforderung für
Klarinettisten von heut
und war sehr
wahrscheinlich ein
virtuoses Stück für
Klarinettisten im
frühen 19.
Jahrhundert.Wie so viele
Komponisten der Klassik,
beschrieb Krommer die
Aritkulation von kaum
mehr als ein paar Phrasen
seiner Soli für
Bläser. Infolgedessen
nahmen sich die einzelnen
Spieler viel Freiheiten,
wo und wann sie
angestoßen oder
gebunden spielten.
Artikulation für
Bläser, genau wie
Bogenbewegung für
Streicher, mussflexibel
in ihrer Auslegung und
Durchführung sein. Die
richtige Spielweise
ergibt aus dem
technischen Können und
der Ausdrucksstärke
des jeweiligen Spielers.
Der Dirigent sollte dies
zusammen mit seinem
Solisten erarbeiten.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Allegro Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band and Clarinet Solo - Grade 4-5 SKU: BT.DHP-1053790-040 Fro...(+)
Concert Band and Clarinet
Solo - Grade 4-5
SKU:
BT.DHP-1053790-040
From the Clarinet
Concerto in Eb Major, Op.
36. Composed by Franz
Krommer. Arranged by
Timothy Topolewski. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053790-040. Published by
De Haske Publications
(BT.DHP-1053790-040).
Friedensmarsch Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064021-140 From Rienzi(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064021-140
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Score Only. Composed
2006. De Haske
Publications #DHP
1064021-140. Published by
De Haske Publications
(BT.DHP-1064021-140).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Entdecken Sie
Wagner neu mit Rienzi,
der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
Friedensmarsch Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064021-010 From Rienzi(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064021-010
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064021-010. Published by
De Haske Publications
(BT.DHP-1064021-010).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Rienzi is
een vroeg werk van
Wagner: deze opera
behoort zeker niet tot
zijn bekendste werken.
Rienzi, der Letzte der
Tribunen - zoals de
volledige titel luidt -
werd door tijdgenoten
enthousiast ontvangen. Er
zijn inde partituur
voldoende elementen te
vinden die dit kunnen
verklaren: processies,
marsen, gevechten,
lofzangen, goed in het
gehoor liggende
ensembles, een
grootschalig ballet,
klokgelui, veelvuldige
trompetsignalen,
enzovoort.
DeFriedensmarsch uit de
vierde akte (scène 2)
van Rienzi is
ingetogen, statig en
gedragen van karakter:
Rienzi schrijdt op de
klanken van deze mars
naar een plechtige dienst
in de
kerk.
Entdecken
Sie Wagner neu mit
Rienzi, der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
Concert Band/Harmonie - Grade 4 SKU: HL.44001680 Composed by George Fride...(+)
Concert Band/Harmonie -
Grade 4
SKU:
HL.44001680
Composed
by George Frideric
Handel. Arranged by Frans
E. Hendrikx. De Haske
Concert Band. Opening
Pieces. Score Only.
Composed 1991. De Haske
Publications #910268.
Published by De Haske
Publications
(HL.44001680).
UPC:
073999361414. 6.75x10.5
inches.
Im April
2009 jahrt sich der
Todestag von Georg
Friedrich Handel zum 250.
Mal. Ein guter Grund,
seinen Werken in diesem
Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouverture in
d-Moll beginnen
konnte.
De 1717 a
1720, Haendel est au
service du duc de Chandos
a Cannons. De cette
epoque datent les
magnifiques Chandos
Anthems (grands
motets pour choeur, voix
de solistes, orgue et
orchestre) qui refletent
merveilleusement la
capacite du compositeur a
creer des sonorites
magnifiques avec une
formation musicale
modeste. L'Ouverture
en Re mineur est
extraite du Chandos
Anthem ndeg 2 (HWV
247) In the Lord put I
my trust qui
constitue une des plus
belles pages de musique
religieuse du
compositeur.
Overture in D-Minor Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0910268-010 Composed by Georg...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0910268-010
Composed by George
Frideric Handel. Arranged
by Frans E. Hendrikx. The
Great Classics. Opening
Pieces. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910268-010. Published by
De Haske Publications
(BT.DHP-0910268-010).
Im April 2009
jährt sich der
Todestag von Georg
Friedrich Händel zum
250. Mal. Ein guter
Grund, seinen Werken in
diesem Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouvertüre in
d-Moll beginnen
könnte.
Overture in D-Minor Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0910268-140 Composed by Georg...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0910268-140
Composed by George
Frideric Handel. Arranged
by Frans E. Hendrikx. The
Great Classics. Opening
Pieces. Score Only.
Composed 1991. De Haske
Publications #DHP
0910268-140. Published by
De Haske Publications
(BT.DHP-0910268-140).
Im April 2009
jährt sich der
Todestag von Georg
Friedrich Händel zum
250. Mal. Ein guter
Grund, seinen Werken in
diesem Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouvertüre in
d-Moll beginnen
könnte.
Guardians of Peace Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-0259-99-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.CMP-0259-99-010
Composed by James Hosay.
Prestige Series. Set
(Score & Parts). Composed
1999. Curnow Music #CMP
0259-99-010. Published by
Curnow Music
(BT.CMP-0259-99-010).
GUARDIANS OF
PEACE is dedicated to the
United States Atlantic
Fleet. From their
homeport of Norfolk,
Virginia, they are ready
and able to deploy to any
region of the world at a
moment’s notice,
to help maintain peace
and stability throughout
the world. They have a
long, proud history of
service and dedication,
and played a major role
in the success of
Operations Desert Shield
and Desert Storm. The
level of dedication and
self-sacrifice required
by this type of service
is the highest in all the
military, as individuals
must be separated from
families and loved ones
for long periods of time,
while placing their lives
and well-being in grave
danger.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-140 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-140
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
145-140. Published by
Anglo Music Press
(BT.AMP-145-140).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV
208),welche die
berühmte Arie
Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Sheep May Safely Graze Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-010 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-010
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
145-010. Published by
Anglo Music Press
(BT.AMP-145-010).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV 208),
welche die berühmte
Arie Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Friedensmarsch Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1064021-040 From Rienzi. Compos...(+)
Concert Band - Grade 3
SKU:
BT.DHP-1064021-040
From Rienzi.
Composed by Richard
Wagner. Arranged by Wil
van der Beek. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064021-040. Published by
De Haske Publications
(BT.DHP-1064021-040).
9x12 inches.
English-German-French-Dut
ch.
Rienzi remains
one of the most popular
works from the ?master of
romantic opera?, Richard
Wagner. The
Friedensmarsch from the
fourth act (scene 2) of
Rienzi is subdued and
solemn in character: in
the sounds of this march,
Rienzi strides to a
stately church service.
This is sure to be a very
popular addition to any
performance and is one
not to be missed.
Entdecken Sie
Wagner neu mit Rienzi,
der Letzte der
Tribunen, einer Oper,
die heute nicht mehr zu
den bekanntesten Werken
Richard Wagners zählt,
aber seinerzeit sehr gut
beim Publikum ankam. Das
war auf zahlreiche
Elemente des Werkes
zurückzuführen:
Prozessionen, Märsche,
Schlachten, Hymnen, ein
großes Ballett,
Glockengeläut,
Trompetensignale und
vieles mehr. Wil van der
Beek wählte sich den
eher gedämpften,
ruhigen
Friedensmarsch aus
dem vierten Akt von
Rienzi für
diese attraktive
Blasorchesterbearbeitung
aus.
Richard Wagner è un
compositore unico:
arricchisce
l’armonia di
aggregazioni fino ad
allora non utilizzate, le
sue orchestrazioni sono
diverse da quelle dei
suoi contemporanei, le
sue melodie sembrano
infinite, i leitmotif
nascono con fluidit e i
temi delle sue opere sono
in rottura con le
correnti
dell’epoca.
Rienzi (1840) è
un’opera che
contiene tutti questi
elementi innovatori.
Friedensmarsch
è una marcia cupa, ma
allo stesso tempo
maestosa, estratta
dall’Atto IV,
scena 2
dell’opera.
Prince of Denmark's March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-027-010 (The Trumpet Vol...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-027-010
(The Trumpet
Voluntary). Composed
by Jeremiah Clarke.
Arranged by Philip
Sparke. Debut Series
(Anglo). Set (Score &
Parts). Composed 2001.
Anglo Music Press #AMP
027-010. Published by
Anglo Music Press
(BT.AMP-027-010).
Jeremiah Clarke
(c. 1674-1707) belongs to
the generation of English
composers following that
of Henry Purcell. Not
much is known about his
early life, but by 1685
he was a chorister of the
Chapel Royal, a group of
liturgical musicians
attached to the court. He
held the post of organist
at Winchester College
from 1692 but later
returned to London as
Master of the Choristers
at St Paul’s
Cathedral. The Prince of
Denmark’s March is
perhaps his best-known
work and was originally
written for harpsichord,
although Clarke later
included it in a
collection of pieces for
wind
instruments.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-027-140 (The Trumpet Vol...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-027-140
(The Trumpet
Voluntary). Composed
by Jeremiah Clarke.
Arranged by Philip
Sparke. Debut Series
(Anglo). Score Only.
Composed 2001. 20 pages.
Anglo Music Press #AMP
027-140. Published by
Anglo Music Press
(BT.AMP-027-140).
Jeremiah Clarke
(c. 1674-1707) belongs to
the generation of English
composers following that
of Henry Purcell. Not
much is known about his
early life, but by 1685
he was a chorister of the
Chapel Royal, a group of
liturgical musicians
attached to the court. He
held the post of organist
at Winchester College
from 1692 but later
returned to London as
Master of the Choristers
at St Paul’s
Cathedral. The Prince of
Denmark’s March is
perhaps his best-known
work and was originally
written for harpsichord,
although Clarke later
included it in a
collection of pieces for
wind
instruments.
Some Kind of Déjà Vu Orchestre d'harmonie [Conducteur et Parties séparées] Norsk Musikforlag
Concert Band SKU: BT.NNS9790065175911 Composed by Fredrick Schjelderup. S...(+)
Concert Band
SKU:
BT.NNS9790065175911
Composed by Fredrick
Schjelderup. Set (Score &
Parts). Composed 2024.
Norsk Noteservice
#NNS9790065175911.
Published by Norsk
Noteservice
(BT.NNS9790065175911).
Old Hundredth Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-140 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-238-140
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Score
Only. Composed 2007. 16
pages. Anglo Music Press
#AMP 238-140. Published
by Anglo Music Press
(BT.AMP-238-140).
9x12
inches.
English-German-French-Dut
ch.
The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie. Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
Overture in D-Minor Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-0910268-040 Composed by George Frideri...(+)
Concert Band - Grade 4
SKU:
BT.DHP-0910268-040
Composed by George
Frideric Handel. Arranged
by Frans E. Hendrikx. The
Great Classics. Opening
Pieces. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910268-040. Published by
De Haske Publications
(BT.DHP-0910268-040).
Im April 2009
jährt sich der
Todestag von Georg
Friedrich Händel zum
250. Mal. Ein guter
Grund, seinen Werken in
diesem Jahr besondere
Aufmerksamkeit zu
schenken. Zum Beispiel
mit einem thematischen
Konzertprogramm, das mit
dieser Bearbeitung der
Ouvertüre in
d-Moll beginnen
könnte.
Concert band (Piccolo,
Flute 1/2, Oboe 1/2,
Bassoon 1/2, Eb Clarinet,
Bb Clarinet 1, Bb
Clarinet 2/3, Bb Bass
Clarinet, Eb Contrabass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1 (w/ Solo
Cornet), Trumpet in Bb
2/3, Horn in F 1/2, ) -
grade 4.5
SKU:
CN.15171
And are
now at rest. Composed
by Warner Hutchinson.
Band Music. Score only.
Duration 8:15. Published
by C. Alan Publications
(CN.15171).
They Flew Away
(and are now at rest) is
an elegy dedicated to the
many brave pilots who
lost their lives in
service to our country.
The mournful tones of the
solo trumpet speak not
only of the sorrow at
their loss, but the
nobility and courage they
displayed as the most
famous fighting power in
military
history.
They Flew
Away (and are now at
rest) is an elegy
dedicated to the many
brave pilots who lost
their lives in service to
our country. The mournful
tones of the solo trumpet
speak not only of the
sorrow at their loss, but
the nobility and courage
they displayed as the
most famous fighting
power in military
history. This work is
recorded by the USAF
Heritage of America Band
on an album titled
'Portraits,' Maj. Larry
H. Lang, conductor, and
also on an album by the
Augustana College Band,
Dr. Bruce T. Ammann,
conductor.
My Lord, What A
Mornin' - Full Score.
Composed by Carl
Strommen. Arranged by
Carl Strommen. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CPS13F.
Published by Carl Fischer
Music (CF.CPS13F).
ISBN 9780825843617.
UPC: 798408043612. 9 X 12
inches.
Commissione
d by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC. Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer. She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization's Hall of
Fame. Other honors
include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South Carolina.
It is to this legacy that
the Phi Beta Mu
fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris' love of
the hymn song that
prompted this arrangement
of My Lord, What a
Momin'. Commissioned
by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC.Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer.She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization’s
Hall of Fame. Other
honors include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South
Carolina.It is to this
legacy that the Phi Beta
Mu fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris’
love of the hymn song
that prompted this
arrangement of My Lord,
What a Momin’.
Pennsylvania 6-5000 Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1063973-140 Arranged by Masat...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1063973-140
Arranged by Masato
Myokoin. New Sounds for
Concert Band. Original
Light Music. Score Only.
Composed 2006. 28 pages.
De Haske Publications
#DHP 1063973-140.
Published by De Haske
Publications
(BT.DHP-1063973-140).
9x12 inches.
English-German-French-Dut
ch.
In 1942 Glenn
Miller voluntarily joined
the army and founded the
Glenn Miller Army Air
Force Band and with his
music he kept up the
morale of the troops. In
December 1944 he boarded
an aircraft in England
that would never reach
its destination (France)
- the plane was never
found. The patriotic
legend of this great
composer however lives on
in his music.
Pennsylvania 6-5000 was
one of the greatest
successes of his famous
band and is as popular
today as it was in the
1940s.
In 1942
meldde Glenn Miller zich
aan voor het Amerikaanse
leger en richtte hij de
Glenn Miller Army Air
Force Band op. Met zijn
muziek hield hij de
moraal van de troepen
hoog. In december 1944
ging hij in Engeland aan
boord van eenvliegtuig
dat zijn bestemming
(Frankrijk) niet zou
bereiken - het toestel
werd nooit gevonden. De
patriottische legende van
zijn persoon leeft echter
voort in zijn muziek.
Pennsylvania
6-5000 is nog altijd
een van de
grootstesuccessen van
zijn vermaarde
orkest.
Das Thema
des bekannten
Swing-Standards
Pennsylvania
6-5000 entstand im
Jahr 1940 während
eines dreimonatigen
Engagements des
Glenn-Miller-Orchesters
im New Yorker Hotel
Pennsylvania. Bei diesem
Thema handelte es sich um
nichts anderes als die
Vertonung der
Telefonnummer des Hotels.
Kurz nach dem Aufenthalt
im Hotel wurde die
Aufnahme des Stückes
gemacht, das sich bis
heute als absoluter
Dauerbrenner erwiesen
hat. Masato Myokoin
arrangierte die flotte
Swingnummer für
Blasorchester.
Nel 1942, Glenn
Miller si mette al
servizio delle forze
armate americane e fonda
la Glenn Miller Air Force
Band. Parte per
l’Europa per
sostenere moralmente le
truppe e, due anni dopo,
scompare misteriosamente
nel Canale della Manica.
Glenn Miller resta una
vera leggenda e le sue
arie sono celebri in
tutto il mondo.
Pennsylvania
6-5000 è uno dei
più grandi successi di
questa mitica
orchestra.
Te Deum Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094669-140 Variations on ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094669-140
Variations on
Großer Gott, wir loben
Dich. Composed by Jan
de Haan. Musica Sacra.
Concert Piece. Score
Only. Composed 2009. 36
pages. De Haske
Publications #DHP
1094669-140. Published by
De Haske Publications
(BT.DHP-1094669-140).
9x12 inches.
English-German-French-Dut
ch.
Großer
Gott, wir loben dich
is a well-known German
hymn, written by Ignaz
Franz in the 18th century
but based on the 4th
century Te Deum
laudamus. After a
radiant introduction by
the brass section, the
first variation on the
chorale appears.
Subsequently, the song is
rendered in its original
form. Then three more
variations follow. The
result is a solemn work
that is very fitting
within the context of a
church service, but is
also suitable for many
other
occasions.
Gros
ser Gott, wir loben
dich is een bekende
traditionele Duitse
lofzang die in de 18e
eeuw werd geschreven door
Ignaz Franz, op basis van
het 4e-eeuwse Te Deum
laudamus van -
waarschijnlijk - Nicetas
von Remesiana. Demooie
melodie ligt goed in het
gehoor. Het is een
plechtig werk dat in de
context van een
kerkdienst goed tot zijn
recht komt, maar ook voor
diverse andere
gelegenheden geschikt
is.
Nach einer
strahlenden Einleitung
der Blechbläser setzt
die erste Variation
über das bekannte
Kirchenlied ein. Danach
erscheint das Lied in
seiner ursprünglichen
Form, gefolgt von drei
weiteren Variationen. Das
Ganze fügt sich zu
einem feierlichen Werk,
das sehr gut in einen
Gottesdienst passt, sich
aber auch für
zahlreiche andere
Anlässe eignet.
GroÃ
er Gott, wir loben
dich è un celebre
cantico tedesco composto
nel XVIII secolo da Ignaz
Franz. La sua melodia
è direttamente
ispirata dal Te Deum
laudamus (IV secolo)
attribuito a Niceta,
vescovo di Remesiana.
Dopo
un’introduzione
brillante, appare la
prima variazione. In
seguito, la melodia del
cantico è interpretata
nella versione originale
seguita da tre altre
variazioni. Il brano è
solenne e si presta ad
una interpretazione in un
contesto religioso e in
tutte le occasioni
festive.
Te Deum Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094669-010 Variations on ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094669-010
Variations on
Großer Gott, wir loben
Dich. Composed by Jan
de Haan. Musica Sacra.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094669-010.
Published by De Haske
Publications
(BT.DHP-1094669-010).
9x12 inches.
English-German-French-Dut
ch.
Großer
Gott, wir loben dich
is a well-known German
hymn, written by Ignaz
Franz in the 18th century
but based on the 4th
century Te Deum
laudamus. After a
radiant introduction by
the brass section, the
first variation on the
chorale appears.
Subsequently, the song is
rendered in its original
form. Then three more
variations follow. The
result is a solemn work
that is very fitting
within the context of a
church service, but is
also suitable for many
other
occasions.
Gros
ser Gott, wir loben
dich is een bekende
traditionele Duitse
lofzang die in de 18e
eeuw werd geschreven door
Ignaz Franz, op basis van
het 4e-eeuwse Te Deum
laudamus van -
waarschijnlijk - Nicetas
von Remesiana. Demooie
melodie ligt goed in het
gehoor. Het is een
plechtig werk dat in de
context van een
kerkdienst goed tot zijn
recht komt, maar ook voor
diverse andere
gelegenheden geschikt
is.
Nach einer
strahlenden Einleitung
der Blechbläser setzt
die erste Variation
über das bekannte
Kirchenlied ein. Danach
erscheint das Lied in
seiner ursprünglichen
Form, gefolgt von drei
weiteren Variationen. Das
Ganze fügt sich zu
einem feierlichen Werk,
das sehr gut in einen
Gottesdienst passt, sich
aber auch für
zahlreiche andere
Anlässe eignet.
GroÃ
er Gott, wir loben
dich è un celebre
cantico tedesco composto
nel XVIII secolo da Ignaz
Franz. La sua melodia
è direttamente
ispirata dal Te Deum
laudamus (IV secolo)
attribuito a Niceta,
vescovo di Remesiana.
Dopo
un’introduzione
brillante, appare la
prima variazione. In
seguito, la melodia del
cantico è interpretata
nella versione originale
seguita da tre altre
variazioni. Il brano è
solenne e si presta ad
una interpretazione in un
contesto religioso e in
tutte le occasioni
festive.
Himlen i min famn Orchestre d'harmonie [Conducteur et Parties séparées] Norsk Musikforlag
Concert Band SKU: BT.NNS9790261723268 Heaven in My Arms. Composed ...(+)
Concert Band
SKU:
BT.NNS9790261723268
Heaven in My Arms.
Composed by Carola
Häggkvist. Arranged by
Reid Gilje. Set (Score &
Parts). Composed 2024.
Norsk Noteservice
#NNS9790261723268.
Published by Norsk
Noteservice
(BT.NNS9790261723268).
Our Last Summer Orchestre d'harmonie [Conducteur et Parties séparées] Norsk Musikforlag
Concert Band SKU: BT.NNS9790065176338 Composed by Benny Andersson, Björn...(+)
Concert Band
SKU:
BT.NNS9790065176338
Composed by Benny
Andersson, Björn
Ulvaeus. Arranged by
Bjørn Morten Kjærnes.
Set (Score & Parts).
Composed 2024. Norsk
Noteservice
#NNS9790065176338.
Published by Norsk
Noteservice
(BT.NNS9790065176338).
Kanskje kommer Kongen Orchestre d'harmonie [Conducteur et Parties séparées] Norsk Musikforlag
Concert Band SKU: BT.NNS9790261723350 Perhaps the King is Coming. ...(+)
Concert Band
SKU:
BT.NNS9790261723350
Perhaps the King is
Coming. Composed by
Øystein Dolmen. Arranged
by Reid Gilje. Set (Score
& Parts). Composed 2024.
Norsk Noteservice
#NNS9790261723350.
Published by Norsk
Noteservice
(BT.NNS9790261723350).