Danceries by Kenneth Hesketh. Concert Band. For Wind Band. Part(s); Score; Wind ...(+)
Danceries by Kenneth
Hesketh. Concert Band.
For Wind Band. Part(s);
Score; Wind Band. Faber
Edition: Faber Wind Band
Series. 20th Century;
Masterwork. Published by
Faber Music
Arranged by Ludwig Minkus
and ed./arr. by William
McDermott/ Libretto by
Sergei Khudekov. Full
Orchestra, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A888801.
Published by
LudwigMasters
Publications
(AP.36-A888801).
ISBN
9798888529911. UPC:
659359989490.
English.
The ballet
La Bayadère (The
Temple Dancer or The
Temple Maiden) was
created in 1877 for famed
French choreographer
Marius Petipa to music by
Ludwig Minkus
(1826-1917). In four act
and seven tableaux, the
ballet tells the story of
the bayadère Nikiya
and the warrior Solor,
lovers who are beset by
jealous rivals, arranged
marriages beyond their
control, murder, an
opium-fueled
hallucination of the
afterlife, and a vengeful
god that destroys the
temple and everybody in
it as revenge for
Nikiya's murder. It was
first performed on
February 4, 1877, by the
Imperial Ballet in St.
Petersburg, Russia. It
was hailed as a success
and masterpiece
immediately after the
premiere, particularly
The Kingdom of the Shades
scene in Act II, an
excerpt which remains a
major standalone work for
the ballet repertoire.
Modern performances of La
Bayadère are almost
always derived from a
1941 version sated for
the Kirov/Mariinsky
Ballet by Vladimir
Ponomarev and Vakhtang
Chabukiani, which
incorporates additional
music by Minkus, Drigo,
and Pugni. Act II takes
place after Nikiya is
killed by a concealed
venomous snake. A
depressed Solor smokes
opium, resulting in a
vision of Nikiya's spirit
dwelling in the Kingdom
of the Shades, a nirvana
in the Himalayas. The two
lovers reconcile among
the shades of other
bayadères in a Pas de
deux, then Solor is
awakened just in time for
his arranged marriage to
another woman. This
orchestration of Act II
has been completed by
William McDermott.
Instrumentation: 2.2.2.2:
4.2.3.0: Timp.Perc(2):
Harp: Str (4-4-3-3-3 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Ralph Hultgren : Masada Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Brolga Music Publishing Company
By Ralph Hultgren. Concert Band. Brolga Music Symphonic Repertoire. Grade 5. Sco...(+)
By Ralph Hultgren.
Concert Band. Brolga
Music Symphonic
Repertoire. Grade 5.
Score and set of parts.
Duration 11:10. Published
by Brolga Music
Publishing Company
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
Concert Band - Grade 2.5 SKU: AP.43104 Composed by Roland Barrett. Concer...(+)
Concert Band - Grade 2.5
SKU: AP.43104
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Form:
Overture. Programmatic.
Score and Part(s). 278
pages. Duration 4:30.
Belwin Music #00-43104.
Published by Belwin Music
(AP.43104).
UPC:
038081504513.
English.
In the
final days of November,
as the nights grew longer
and the vicious North
winds began to pound the
embattled city, the
kingdom was rapidly
nearing its darkest hour.
As enemy forces
threatened from every
side, the exhausted
council gathered in the
great hall for one final
desperate meeting. With
all hope waning, with all
other options exhausted,
and with one last chance
to save his people, the
king summoned all
remaining forces and
invoked The Seventh
Resolution. A
contemporary bold work!
(4:30).
In Nomine Orchestre d'harmonie - Intermédiaire Hal Leonard
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.4008005 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.4008005
For
Concert Band, Grade 4
11:20 Score and
Parts. Composed by
Otto M. Schwarz. Concert.
Softcover. Duration 680
seconds. Hal Leonard
#SDP1022202. Published by
Hal Leonard (HL.4008005).
How often has
something been justified
by, declared to be, or
blessed as “in the
name of†some cause
or other? How can it be
that opposing armies and
the use of weapons are
ever “in the name
ofâ€...? This is a
common thread in the
history of different
faiths. Good was created
but evil was committed
and all “in the
name of...†This
thread is also found in
the history of the
Premonstratensian Abbey
at Wadgassen. The abbey
was built in the 12th
century on unfertile,
desolate moorland, which
later evolved into the
most powerful religious
community in the
Saarland. The history of
the abbey records quite
astounding achievements
under the motto desertum
florebit quasi lilium
(“the desert will
bloom like a
lilyâ€); but also
the harsh treatment of
delinquents. The order
had its own school, in
which children were
taught the seven liberal
arts (which included
music as well as
geography and astronomy),
but the poor were left to
starve outside the abbey
walls and were only
allowed to eat from the
members' on feast days.
The medieval witch trials
demanded their pound of
flesh, and one group that
fell victim were ecstatic
dancers who moved wildly
to music--which was
interpreted as the
devil's work. The result:
a show trial that
sentenced the dancers to
death by fire. All in the
name of... The year is
1789: Abbot Bordier is in
the tenth year of his
command. He does not yet
know that he is to be the
last abbot of an almost
700-year-tradition. Not
far from the abbey is the
French border, which has
long been making itself
felt with the sound of
gunfire, and the brothers
continue to keep a
nervous eye on it. The
first portents of the
French Revolution loom,
but no one wants to
believe it--that is,
until the French pound
the door down, storm the
abbey and come right into
the brothers' chambers.
In a blind fury, all the
pipes of the abbey organ
are torn out, icons
beheaded with swords and
brothers beaten death
while numerous buildings
are set on fire. The
abbey church is in
flames. A frantic and
desperate escape begins.
Abbot Bordier and a
handful of brothers make
their getaway via the
River Saar, adjacent to
the abbey, to the
neighbouring village of
Bous. They survive, but
their life--the
Premonstratensian
abbey--is destroyed.
While they flee towards
Prague and the sanctuary
of the Strahov Monastery,
the abbey at Wadgassen is
razed to the ground and
becomes a stone quarry.
The desert blooms once
more, however. A few
short decades later, a
glasswork arises from the
foundations of the abbey.
As peace returns to the
region, it brings jobs
and a new vision for its
people.
In Nomine Orchestre d'harmonie - Intermédiaire Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4008004 For Concert Band, Grade...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4008004
For
Concert Band, Grade 4
11:20 Score. Composed
by Otto M. Schwarz.
Concert. Softcover. 60
pages. Duration 680
seconds. Hal Leonard
#SDP1022201. Published by
Hal Leonard (HL.4008004).
How often has
something been justified
by, declared to be, or
blessed as “in the
name of†some cause
or other? How can it be
that opposing armies and
the use of weapons are
ever “in the name
ofâ€...? This is a
common thread in the
history of different
faiths. Good was created
but evil was committed
and all “in the
name of...†This
thread is also found in
the history of the
Premonstratensian Abbey
at Wadgassen. The abbey
was built in the 12th
century on unfertile,
desolate moorland, which
later evolved into the
most powerful religious
community in the
Saarland. The history of
the abbey records quite
astounding achievements
under the motto desertum
florebit quasi lilium
(“the desert will
bloom like a
lilyâ€); but also
the harsh treatment of
delinquents. The order
had its own school, in
which children were
taught the seven liberal
arts (which included
music as well as
geography and astronomy),
but the poor were left to
starve outside the abbey
walls and were only
allowed to eat from the
members' on feast days.
The medieval witch trials
demanded their pound of
flesh, and one group that
fell victim were ecstatic
dancers who moved wildly
to music--which was
interpreted as the
devil's work. The result:
a show trial that
sentenced the dancers to
death by fire. All in the
name of... The year is
1789: Abbot Bordier is in
the tenth year of his
command. He does not yet
know that he is to be the
last abbot of an almost
700-year-tradition. Not
far from the abbey is the
French border, which has
long been making itself
felt with the sound of
gunfire, and the brothers
continue to keep a
nervous eye on it. The
first portents of the
French Revolution loom,
but no one wants to
believe it--that is,
until the French pound
the door down, storm the
abbey and come right into
the brothers' chambers.
In a blind fury, all the
pipes of the abbey organ
are torn out, icons
beheaded with swords and
brothers beaten death
while numerous buildings
are set on fire. The
abbey church is in
flames. A frantic and
desperate escape begins.
Abbot Bordier and a
handful of brothers make
their getaway via the
River Saar, adjacent to
the abbey, to the
neighbouring village of
Bous. They survive, but
their life--the
Premonstratensian
abbey--is destroyed.
While they flee towards
Prague and the sanctuary
of the Strahov Monastery,
the abbey at Wadgassen is
razed to the ground and
becomes a stone quarry.
The desert blooms once
more, however. A few
short decades later, a
glasswork arises from the
foundations of the abbey.
As peace returns to the
region, it brings jobs
and a new vision for its
people.
Orchestre d'harmonie [Conducteur] Faber Music Limited
Composed by Kenneth Hesketh. 5 or More; Performance Music Ensemble; Solo Small E...(+)
Composed by Kenneth
Hesketh. 5 or More;
Performance Music
Ensemble; Solo Small
Ensembles; Wind Band.
Faber Edition: Faber Wind
Band Series. Form: Dance.
20th Century; Masterwork.
Score. Faber Music
#12-0571564704. Published
by Faber Music
Flowerdale Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie and Trumpet Solo - Grade 4 SKU: BT.AMP-049-140 F...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 4
SKU:
BT.AMP-049-140
From Hymn of the
Highlands - for Bb
Piccolo Trumpet (or Eb
Cornet/Trumpet) Solo.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Score Only.
Composed 2010. 16 pages.
Anglo Music Press #AMP
049-140. Published by
Anglo Music Press
(BT.AMP-049-140).
9x12
inches.
English-German-French-Dut
ch.
The
seven-movement suite for
brass band, Hymn of
the Highlands was
commissioned by David
King and the Yorkshire
Building Society Band and
provides a series of
themed movements which
can act as a half-concert
featuring a band’s
soloists.Flowerdale
is one of the solo
movements. This solo is
also available with piano
accompaniment, edition
no. AMP 285.
Die
siebensätzige Suite
für Blasorchester
Hymn of the
Highlands (Hymne der
Highlands“) wurde
von David King und der
Yorkshire Building
Society Band in Auftrag
gegeben. Mit einer Reihe
thematischer Sätze
bietet sie sich für
eine Konzerthälfte an,
in der ein Solist des
Orchesters hervorgehoben
werden soll.
Flowerdale ist
einer dieser
Solosätze, der auch
mit Klavierbegleitung
erhältlich ist.
(Editions-Nr. AMP 285).
La suite
in sette movimenti per
banda di ottoni, Hymn of
the Highlands (Inno delle
Highlands), è stata
commissionata da David
King e dalla Yorkshire
Building Society Band.
È composta da una
serie di movimenti a tema
che possono occupare la
prima parte di un
concerto, presentando i
solisti della banda.
Flowerdale è uno dei
movimenti solistici. Il
brano è anche
disponibile con
accompagnamento al
pianoforte (n. di
edizione AMP 285).
Thriller Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125275-140 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125275-140
As performed by
Michael Jackson.
Composed by Rod
Temperton. Arranged by
Miho Hazama. Pop & Rock.
Score Only. Composed
2012. 32 pages. De Haske
Publications #DHP
1125275-140. Published by
De Haske Publications
(BT.DHP-1125275-140).
9x12 inches.
As
with previous releases
from Thriller, the
seventh and last single
provided yet another top
ten hit in many countries
in 1984. With the most
ambitious and costliest
video to date, Jackson
set a new benchmark
worldwide and wrote
himself—and his
music—into the
annals of pop history. In
Miho Hazama’s
excellent arrangement, in
which the flute plays an
important role, the
music—and the
spirit—of
Thriller live on.
Ook met zijn
zevende en laatste single
van het album
Thriller kwam
Michael Jackson in 1984
in veel landen in de top
tien terecht. Zijn
videoclip - meer een
minifilm - was tot dan
toe de duurste aller
tijden en zorgde voor
nieuwemaatstaven op het
gebied van videoclips.
Maar droeg ongetwijfeld
bij aan de populariteit
van dit legendarische
nummer. Miho Hazama
smaakte er een
fantastisch arrangement
van.De fluit speelt hier
een belangrijke rol. Als
geenander weet dit
instrument zowel de
muziek als de sfeer van
Thriller feilloos
over te
brengen.
Auch mit
der siebten und letzten
Singleauskopplung aus dem
Jahrhundert-Album
Thriller schaffte
es Michael Jackson im
Jahr 1984 in vielen
Ländern in die
Top-Ten. Mit dem bis dato
aufwändigsten und
teuersten Video aller
Zeiten setzte Jackson
weltweit neue
Maßstäbe und trug
zur Unsterblichkeit des
Songs und seines
Mythos’ bei. Miho
Hazama gelang es seinem
ausgezeichneten
Arrangement, in dem die
Flöte eine wichtige
Rolle spielt, sowohl die
Musik als auch die
Stimmung von
Thriller zu
transportieren.
Thriller Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125275-010 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125275-010
As performed by
Michael Jackson.
Composed by Rod
Temperton. Arranged by
Miho Hazama. Pop and
Rock. Set (Score and
Parts). Composed 2012. De
Haske Publications #DHP
1125275-010. Published by
De Haske Publications
(BT.DHP-1125275-010).
9x12 inches.
As
with previous releases
from Thriller, the
seventh and last single
provided yet another top
ten hit in many countries
in 1984. With the most
ambitious and costliest
video to date, Jackson
set a new benchmark
worldwide and wrote
himself?and his
music?into the annals of
pop history. In Miho
Hazamaâ??s excellent
arrangement, in which the
flute plays an important
role, the music?and the
spirit?of Thriller
live on.
Ook met
zijn zevende en laatste
single van het album
Thriller kwam
Michael Jackson in 1984
in veel landen in de top
tien terecht. Zijn
videoclip - meer een
minifilm - was tot dan
toe de duurste aller
tijden en zorgde voor
nieuwemaatstaven op het
gebied van videoclips.
Maar droeg ongetwijfeld
bij aan de populariteit
van dit legendarische
nummer. Miho Hazama
smaakte er een
fantastisch arrangement
van.De fluit speelt hier
een belangrijke rol. Als
geenander weet dit
instrument zowel de
muziek als de sfeer van
Thriller feilloos
over te
brengen.
Auch mit
der siebten und letzten
Singleauskopplung aus dem
Jahrhundert-Album
Thriller schaffte
es Michael Jackson im
Jahr 1984 in vielen
Ländern in die
Top-Ten. Mit dem bis dato
aufwändigsten und
teuersten Video aller
Zeiten setzte Jackson
weltweit neue
Ma�stäbe und trug
zur Unsterblichkeit des
Songs und seines
Mythosâ?? bei. Miho
Hazama gelang es seinem
ausgezeichneten
Arrangement, in dem die
Flöte eine wichtige
Rolle spielt, sowohl die
Musik als auch die
Stimmung von
Thriller zu
transportieren.
A
nche con Thriller,
uscito nel 1984, Michael
Jackson riuscì a
entrare in molti paesi
nelle top ten degli album
più venduti. Con il
video più elaborato e
costoso mai messo in
commercio, Michael
Jackson introdusse nuovi
standard in tutto il
mondo e contribuì a
rendere immortali la sua
canzone e il suo mito. Il
riuscito arrangiamento di
Miho Hazama, nel quale il
flauto riveste un ruolo
importante, riesce a
trasmettere la musica e
lâ??atmosfera di
Thriller.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104965-010 Opus 470. ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104965-010
Opus 470. Composed
by Johann Strauss Jr.
Arranged by Wil van der
Beek. Great Classics.
March. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104965-010. Published by
De Haske Publications
(BT.DHP-1104965-010).
9x12
inches.
This march,
opus 470 in Johann
Strauss the
Younger’s oeuvre,
was dedicated to the
k.u.k. (Royal)
Infanterie-Regiment
‘Hoch und
Deutschmeister No.
4’ on the occasion
of its 200th anniversary.
In 1896 this joyful event
was celebrated with a
grand concert featuring
no less than seven
military bands, with more
than 350 musicians
performing.
Deze
mars, opus 470 in het
oeuvre van Johann Strauss
jr. is opgedragen aan het
k.u.k.
Niederösterreichisches
Infanterie-Regiment Hoch-
und Deutschmeister Nr. 4,
ter gelegenheid van het
tweehonderdjarig bestaan
van het gezelschap. In
1896 werd dit jubileum
gevierd met een groot
concert waaraan maar
liefst zeven militaire
orkesten en in totaal
ruim 350 muzikanten
meededen.
Dieser
Marsch, op. 470, von
Johann Strauß (Sohn)
wurde dem
kaiserlich-königlichen
Infanterie-Regiment Hoch-
und Deutschmeister Nr.
4“ aus Anlass
seines 200-jährigen
Bestehens gewidmet.
Dieses freudige Ereignis
wurde 1896 mit einem
großen Konzert
gefeiert, an dem nicht
weniger als sieben
Militärmusikkapellen
mit mehr als 350 Musikern
teilnahmen.
Questa marcia,
l’opus 470 nel
catalolgo di Johann
Strauss figlio, è
stata dedicata
all’Imperial Regio
Reggimento di Fanteria
‘Hoch und
Deutschmeister No.
4’ in occasione
dei suoi 200 anni. Questo
momento gioioso è
stato celebrato nel 1896
con un grande concerto e
la partecipazione di
sette bande militari,
composte in tutto da
oltre 350 musicisti.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104965-140 Opus 470. ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104965-140
Opus 470. Composed
by Johann Strauss Jr.
Arranged by Wil van der
Beek. Great Classics.
March. Score Only.
Composed 2010. 12 pages.
De Haske Publications
#DHP 1104965-140.
Published by De Haske
Publications
(BT.DHP-1104965-140).
9x12
inches.
This march,
opus 470 in Johann
Strauss the
Younger’s oeuvre,
was dedicated to the
k.u.k. (Royal)
Infanterie-Regiment
‘Hoch und
Deutschmeister No.
4’ on the occasion
of its 200th anniversary.
In 1896 this joyful event
was celebrated with a
grand concert featuring
no less than seven
military bands, with more
than 350 musicians
performing.
Deze
mars, opus 470 in het
oeuvre van Johann Strauss
jr. is opgedragen aan het
k.u.k.
Niederösterreichisches
Infanterie-Regiment Hoch-
und Deutschmeister Nr. 4,
ter gelegenheid van het
tweehonderdjarig bestaan
van het gezelschap. In
1896 werd dit jubileum
gevierd met een groot
concert waaraan maar
liefst zeven militaire
orkesten en in totaal
ruim 350 muzikanten
meededen.
Dieser
Marsch, op. 470, von
Johann Strauß (Sohn)
wurde dem
kaiserlich-königlichen
Infanterie-Regiment Hoch-
und Deutschmeister Nr.
4“ aus Anlass
seines 200-jährigen
Bestehens gewidmet.
Dieses freudige Ereignis
wurde 1896 mit einem
großen Konzert
gefeiert, an dem nicht
weniger als sieben
Militärmusikkapellen
mit mehr als 350 Musikern
teilnahmen.
Questa marcia,
l’opus 470 nel
catalolgo di Johann
Strauss figlio, è
stata dedicata
all’Imperial Regio
Reggimento di Fanteria
‘Hoch und
Deutschmeister No.
4’ in occasione
dei suoi 200 anni. Questo
momento gioioso è
stato celebrato nel 1896
con un grande concerto e
la partecipazione di
sette bande militari,
composte in tutto da
oltre 350 musicisti.
