Concert Band - Grade 5 SKU: HL.4002918 Deluxe Score. Composed by J...(+)
Concert Band - Grade 5
SKU: HL.4002918
Deluxe Score.
Composed by John
Williams. Arranged by Jay
Bocook. John Williams
Signature Edition.
Movies. 24 pages.
Published by Hal Leonard
(HL.4002918).
UPC:
884088453671. 10.5x14
inches. John
Williams/trans. Jay
Bocook.
Referring
to the 1975 blockbuster
Jaws, director
Steven Spielberg states
that John Williams' music
“was clearly
responsible for half the
success of the
movie.” This suite
features two of the
signature musical
sequences. In “Out
to Sea,” the trio
of shark hunters led by
police chief Martin Brody
(played by Roy Scheider)
heads into open water to
find the menacing beast.
This is followed by the
“Shark Cage
Fugue,” a
classically inspired and
sophisticated
accompaniment to a tense
underwater scene in which
Hooper (portrayed by
Richard Dreyfuss) comes
face-to-face with the
great white in an
all-too-fragile suspended
cage.
Concert Band - Grade 1 SKU: AP.47379 Composed by Douglas E. Wagner. Conce...(+)
Concert Band - Grade 1
SKU: AP.47379
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Novelty. Score and
Part(s). 136 pages.
Duration 2:00. Belwin
Music #00-47379.
Published by Belwin Music
(AP.47379).
UPC:
038081541891.
English.
A
charismatic,
easy-to-prepare piece for
your beginners becomes
pure entertainment for
your audience,
incorporating some
naughty yet prominent
guest soloists. Share our
recording with your
prospective sharpening
artists to build their
confidence. We can't wait
to see the performance
variations of this
delightfully entertaining
piece. A sure winner!
(2:00).
Concert Band - Grade 1 SKU: AP.47379S Composed by Douglas E. Wagner. Conc...(+)
Concert Band - Grade 1
SKU: AP.47379S
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Novelty. Score. 20 pages.
Duration 2:00. Belwin
Music #00-47379S.
Published by Belwin Music
(AP.47379S).
UPC:
038081541914.
English.
A
charismatic,
easy-to-prepare piece for
your beginners becomes
pure entertainment for
your audience,
incorporating some
naughty yet prominent
guest soloists. Share our
recording with your
prospective sharpening
artists to build their
confidence. We can't wait
to see the performance
variations of this
delightfully entertaining
piece. A sure winner!
(2:00).
By Chris Sharp. Arranged by Chris Sharp. Concert Band/Wind Ensemble. FJH Concert...(+)
By Chris Sharp. Arranged
by Chris Sharp. Concert
Band/Wind Ensemble. FJH
Concert Band. Full set
(score and parts). Score
only also available: S.
Concert Band. Score and
Set of Parts. Composed
2001. Published by The
FJH Music Company Inc.
Level: Grade 4.
A Showstoppin' Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Chris Sharp. Arranged by Chris Sharp. Concert Band/Wind Ensemble. FJH Concert...(+)
By Chris Sharp. Arranged
by Chris Sharp. Concert
Band/Wind Ensemble. FJH
Concert Band. Score for
this title: B1274S. Extra
part for this title:
B1274P. Concert Band.
Level: Grade 3. Score and
Set of Parts. Published
by The FJH Music Company
Inc.
Shark Eyes Orchestre d'harmonie [Conducteur] - Facile RWS Music Company
Grade 2 SKU: CL.RWS-2229-01 (Mvt. 2 from Water Tales: A Suite for Band...(+)
Grade 2
SKU:
CL.RWS-2229-01
(Mvt. 2 from Water
Tales: A Suite for
Band). Composed by
Hoefle. Young Concert
Band. Extra full score.
Composed 2022. RWS Music
Company #RWS-2229-01.
Published by RWS Music
Company (CL.RWS-2229-01).
Wait until your
students sink their teeth
into this one! Shark Eyes
can stand alone, or as
the closer of the Water
Tales: A Suite for Band
which includes Jellyfish,
Mama Sea Turtle, and
Axolotl Dance. Not only
is it fun to play, but it
is also an excellent tool
for teaching dotted
quarter notes!
Shark Eyes Orchestre d'harmonie [Conducteur et Parties séparées] - Facile RWS Music Company
Grade 2 SKU: CL.RWS-2229-00 (Mvt. 2 from Water Tales: A Suite for Band...(+)
Grade 2
SKU:
CL.RWS-2229-00
(Mvt. 2 from Water
Tales: A Suite for
Band). Composed by
Hoefle. Young Concert
Band. Score and set of
parts. Composed 2022. RWS
Music Company
#RWS-2229-00. Published
by RWS Music Company
(CL.RWS-2229-00).
Wait until your
students sink their teeth
into this one! Shark Eyes
can stand alone, or as
the closer of the Water
Tales: A Suite for Band
which includes Jellyfish,
Mama Sea Turtle, and
Axolotl Dance. Not only
is it fun to play, but it
is also an excellent tool
for teaching dotted
quarter notes!
Baby Shark Orchestre d'harmonie [Conducteur] - Facile Hal Leonard
Concert Band (Score) - Level 1.5 SKU: HL.4007377 Arranged by Johnnie Vins...(+)
Concert Band (Score) -
Level 1.5
SKU:
HL.4007377
Arranged
by Johnnie Vinson.
Discovery Concert Band.
Children, Pop, Tv.
Softcover. Duration 120
seconds. Published by Hal
Leonard (HL.4007377).
UPC: 196288019008.
0.23
inches.
Carefully
arranged for second year
players using just
quarter notes and
eighths, here's an easy
version of this catchy
hit sure to be enjoyed by
your students and
audience alike.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score and Parts).
Composed 2013. Anglo
Music Press #AMP 377-010.
Published by Anglo Music
Press (BT.AMP-377-010).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-377-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-377-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Score Only. Composed
2013. 40 pages. Anglo
Music Press #AMP 377-140.
Published by Anglo Music
Press (BT.AMP-377-140).
9x12 inches.
English-German-French-Dut
ch.
England enjoys
a rich folk song
tradition. Composers such
as Cecil Sharp and
Vaughan Williams
rekindled an interest in
this heritage at the
beginning of the 20th
century by arranging
numerous songs, some of
which were transcribed
for the _x001F_first
time. Philip Sparke
selected three songs from
the 18th and 19 century
for his Three Folk
Song Miniatures: the
_x001F_shermanâ??s song
Dance to Your
Daddy, the love song
O Waly, Waly and
Bobby Shafto, a
song from the northwest
of
England.
Engeland
heeft een rijke traditie
op het gebied van
volksmuziek die door de
jaren heen een beetje in
de vergetelheid raakte.
Componisten als Cecil
Sharp en Vaughan Williams
brachten hierin
verandering door voor het
eerst talloze liederen
bundelen en soms zelfs
voor het eerst tenoteren
in modern notenschrift.
Philip Sparke koos voor
dit werk drie liederen
uit de 18e en 19e eeuw:
het visserslied Dance
to Your Daddy, het
liefdeslied O Waly,
Waly en Bobby
Shafto, een lied uit
het Noord-Westen van
Engeland.
England
kann auf eine lange
Volkslied-Tradition
zuru?ckblicken.
Komponisten wie Cecil
Sharp und Vaughan
Williams weckten Anfang
des 20. Jahrhunderts
erneut das Interesse an
diesem Erbe, indem sie
zahlreiche Lieder
sammelten und teilweise
erstmals notierten.
Philip Sparke wählte
fu?r seine drei
Volkslied-Miniaturenâ??
drei Lieder aus dem 18.
und 19. Jahrhundert: das
Fischerlied Dance to
Your Daddy, das
Liebeslied O Waly,
Waly und Bobby
Shafto, ein Lied aus
dem Nordwesten
Englands.
L
??Inghilterra è una
nazione ricca di canti
popolari. Allâ??inizio
del XX secolo,
compositori quali Cecil
Sharp e Vaughan Williams
risvegliarono
lâ??interesse verso
questa preziosa eredit
raccogliendo e in parte
arrangiando numerosi
canti. Philip Sparke ha
scelto per le sue â??tre
miniatureâ?,
altrettanti canti del
XIII e XIX secolo: la
canzone dei pescatori
Dance to Your Daddy, O
Waly, Waly, una
canzone dâ??amore e
Bobby Shafto, un
canto proveniente dalla
parte nord-occidentale
del paese.
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
An English Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-225-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-225-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2007.
Anglo Music Press #AMP
225-010. Published by
Anglo Music Press
(BT.AMP-225-010).
9x12
inches.
English-German-French-Dut
ch.
Christmas as
celebrated in England is
a relatively newtradition
dating from the time of
Queen Victoria.
Herhusband Prince Albert
was from Germany and he
broughtmany German
Christmas traditions with
him, including
theChristmas tree and
Christmascards, and even
carols such asHark, the
Herald Angels Sing.
Philip Sparke has however
useda varied selection of
English melodies to
arrange into his?Festival
of Carols?.The choir
parts are seperately
available (order no. AMP
227-050).
Hoewel
de Engelsen een lange
traditie kennen in het
zingen van carols zijn
veel van de melodieën
die er worden gezongen
afkomstig van het
Europese vasteland - of
uit Amerika. Desondanks
heeft Philip Sparke een
gevarieerde selectievan
Engelse melodieën
kunnen samenstellen voor
dit prachtige
‘Festival of
Carols’ - dat
zowel met als zonder koor
kan worden
uitgevoerd.
Weihna
chten, wie es heute in
England gefeiert wird,
ist eine relativ junge
Tradition aus dem 19,
Jahrhundert, die der
deutsche Ehemann von
Königin Victoria mit
in seine neue Heimat
brachte. Viele
gebräuchliche
Weihnachtslieder stammen
ebenfalls nichtaus
England. Philip Sparke
gelang es jedoch, eine
abwechslungsreiche
Sammlung von Liedern aus
seiner Heimat zu diesem
schönen englischen
Weihnachtslieder-Festival
“ zu formen.Die
optional einsetzbaren
Chorstimmen sind unter
der Artikelnummer
AMP227-050 separat
erhältlich.
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra....(+)
Orchestra Concert Band
SKU: PR.416413660
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Perfect. Contemporary.
Full score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366.
Published by Theodore
Presser Company
(PR.416413660).
ISBN
9781598063578. UPC:
680160601899. 9x12
inches.
Trained as
a violinist in his native
Tehran, composer Behzad
Ranjbaran eagerly drew
inspiration from the
traditional Persian
kamancheh and its
delicate, lyrical sound
when creating his
profoundly luscious and
brilliant Concerto for
Violin and Orchestra.
This work was completed
in 1994 and premiered in
England by Joshua Bell,
who also gave the first
American and Canadian
performances. The
Concerto for Violin and
Orchestra is the
recipient of the Rudolf
Nissim Award from ASCAP,
and it was supported in
part by a grant from The
National Endowment for
the Arts. The solo part
with a piano reduction as
well as a large score are
available on custom
print. For advanced
players. Duration:
31'. From my early
years studying violin at
the Tehran Music
Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
By Johann Sebastian Bach (1685-1750). Concert Band. Concert Band. Donald Hunsber...(+)
By Johann Sebastian Bach
(1685-1750). Concert
Band. Concert Band.
Donald Hunsberger Wind
Library. Form: Fantasia.
Baroque. Grade 4.
Conductor Score and
Parts. 184 pages
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729.
Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4.
Talon Orchestre d'harmonie [Conducteur] - Facile RWS Music Company
Grade 2 SKU: CL.RWS-1923-01 Composed by Bankston. Young Concert Band. Ext...(+)
Grade 2
SKU:
CL.RWS-1923-01
Composed by Bankston.
Young Concert Band. Extra
full score. Composed
2019. RWS Music Company
#RWS-1923-01. Published
by RWS Music Company
(CL.RWS-1923-01).
Edgy
percussion, heroic
melodies, colorful
harmonies and forward
momentum propel this
adventurous theme and
your band to musical
success. Brian Bankston
provides a great
opportunity to sharpen
your
percussionist’s
rhythmic accuracy and
style. In addition, Talon
reinforces articulations,
dynamics and phrasing
throughout the full
ensemble. Add energy to
your next performance and
lift your next audience
with this razor-sharp
work!
Talon Orchestre d'harmonie [Conducteur et Parties séparées] - Facile RWS Music Company
Grade 2 SKU: CL.RWS-1923-00 Composed by Bankston. Young Concert Band. Sco...(+)
Grade 2
SKU:
CL.RWS-1923-00
Composed by Bankston.
Young Concert Band. Score
and set of parts.
Composed 2019. RWS Music
Company #RWS-1923-00.
Published by RWS Music
Company (CL.RWS-1923-00).
Edgy
percussion, heroic
melodies, colorful
harmonies and forward
momentum propel this
adventurous theme and
your band to musical
success. Brian Bankston
provides a great
opportunity to sharpen
your
percussionist’s
rhythmic accuracy and
style. In addition, Talon
reinforces articulations,
dynamics and phrasing
throughout the full
ensemble. Add energy to
your next performance and
lift your next audience
with this razor-sharp
work!
Hungarian
Pictures. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2018. 38 pages.
De Haske Publications
#DHP 1185862-140.
Published by De Haske
Publications
(BT.DHP-1185862-140).
English-German-French-
Dutch.
Tarjan,
Hungarian Pictures is
a work in three movements
commissioned by the town
of Vesoul and its concert
band. This work pays
tribute to Jean-Marie
Goux, the band’s
former musical director,
who had forged strong
links with Hungary:
whether in the village of
Tarján or Budapest
itself, he had shared his
zest for life with the
Hungarian people. This
colourful work consists
of three movements:
‘The 7th
Tribe’,
‘Eternal
Fidelty’ and
‘Conquest of the
Homeland’. It
offers not only strong
musical content, but also
historical insight about
a beautiful region with a
great
tradition.
Tarj
an, Hungarian
Pictures werd
geschreven in opdracht
van de gemeente Vesoul en
het harmonieorkest
aldaar. Het werk is een
eerbetoon aan Jean-Marie
Goux, de voormalig
muzikaal leider van het
orkest, die sterke banden
met Hongarije heeft
gesmeed, zowel met de
plaats Tarján als met
de hoofdstad Boedapest.
De kleurrijke compositie
bestaat uit drie delen:
‘The 7th
Tribe’,
‘Eternal
Fidelity’ en
‘Conquest of the
Homeland’. Met
zijn krachtige muzikale
inhoud biedt dit werk
tevens enig historisch
inzicht in een prachtige
regio met een
indrukwekkende
traditie.
Tarja
n, Hungarian Pictures
ist ein Werk in drei
Sätzen, das von der
Stadt Vesoul und dem
städtischen
Blasorchester in Auftrag
gegeben wurde. Das Werk
sollte den ehemaligen
musikalischen Leiter des
Orchesters, Jean-Marie
Goux ehren, der enge
Verbindungen nach Ungarn
geknüpft hatte, sowohl
zu dem Ort Tarján als
auch nach Budapest.
Dieses abwechslungsreiche
Stück hat drei
Sätze: The 7th
tribe“, Eternal
fidelty“ und
Conquest of the
Homeland“. Es hat
nicht nur einen großen
musikalischen Gehalt,
sondern bietet auch einen
historischen Einblick in
eine wunderschöne
Region mit einer
großen
Tradition.
Hungarian
Pictures. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185862-010. Published by
De Haske Publications
(BT.DHP-1185862-010).
English-German-French-
Dutch.
Tarjan,
Hungarian Pictures is
a work in three movements
commissioned by the town
of Vesoul and its concert
band. This work pays
tribute to Jean-Marie
Goux, the band’s
former musical director,
who had forged strong
links with Hungary:
whether in the village of
Tarján or Budapest
itself, he had shared his
zest for life with the
Hungarian people. This
colourful work consists
of three movements:
‘The 7th
Tribe’,
‘Eternal
Fidelty’ and
‘Conquest of the
Homeland’. It
offers not only strong
musical content, but also
historical insight about
a beautiful region with a
great
tradition.
Tarj
an, Hungarian
Pictures werd
geschreven in opdracht
van de gemeente Vesoul en
het harmonieorkest
aldaar. Het werk is een
eerbetoon aan Jean-Marie
Goux, de voormalig
muzikaal leider van het
orkest, die sterke banden
met Hongarije heeft
gesmeed, zowel met de
plaats Tarján als met
de hoofdstad Boedapest.
De kleurrijke compositie
bestaat uit drie delen:
‘The 7th
Tribe’,
‘Eternal
Fidelity’ en
‘Conquest of the
Homeland’. Met
zijn krachtige muzikale
inhoud biedt dit werk
tevens enig historisch
inzicht in een prachtige
regio met een
indrukwekkende
traditie.
Tarja
n, Hungarian Pictures
ist ein Werk in drei
Sätzen, das von der
Stadt Vesoul und dem
städtischen
Blasorchester in Auftrag
gegeben wurde. Das Werk
sollte den ehemaligen
musikalischen Leiter des
Orchesters, Jean-Marie
Goux ehren, der enge
Verbindungen nach Ungarn
geknüpft hatte, sowohl
zu dem Ort Tarján als
auch nach Budapest.
Dieses abwechslungsreiche
Stück hat drei
Sätze: The 7th
tribe“, Eternal
fidelty“ und
Conquest of the
Homeland“. Es hat
nicht nur einen großen
musikalischen Gehalt,
sondern bietet auch einen
historischen Einblick in
eine wunderschöne
Region mit einer
großen
Tradition.
Help! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.1865-11-015-MS As...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.1865-11-015-MS
As performed by The
Beatles. Composed by
John Lennon and Paul
McCartney. Arranged by
Andrew Watkin. Flexible 5
Series. Pop & Rock. Set
(Score & Parts). Composed
2011. Music Sales
#1865-11-015 MS.
Published by Music Sales
(BT.1865-11-015-MS).
Lang
e vor der Zeit der
Musikvideos, bedienten
sich die Beatles schon
des Mediums Film und
drehten nach Yeah Yeah
Yeah (A Hard Day's
Night) im Jahre 1965
mit Help! bereits ihren
zweiten Kinofilm. Der
Titelsong des parallel
veröffentlichten
gleichnamigen Albums war
ursprünglich eine
langsame Ballade. Der
Produzent George Martin
brachte mehr Tempo in den
Song - und so entstand
einer der erfolgreichsten
Hits der Pilzköpfe,
der in der variablen
Instrumentierung von
Andrew Watkin Bearbeitung
nun zahlreichen
Bläserbesetzungen
zugänglich
wurde.
Help! Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.1865-11-215-MS As...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.1865-11-215-MS
As performed by The
Beatles. Composed by
John Lennon and Paul
McCartney. Arranged by
Andrew Watkin. Flexible 5
Series. Pop & Rock. Score
Only. Composed 2011. 20
pages. De Haske
Publications #1865-11-215
MS. Published by De Haske
Publications
(BT.1865-11-215-MS).
Lang
e vor der Zeit der
Musikvideos, bedienten
sich die Beatles schon
des Mediums Film und
drehten nach Yeah Yeah
Yeah (A Hard Day's
Night) im Jahre 1965
mit Help! bereits ihren
zweiten Kinofilm. Der
Titelsong des parallel
veröffentlichten
gleichnamigen Albums war
ursprünglich eine
langsame Ballade. Der
Produzent George Martin
brachte mehr Tempo in den
Song - und so entstand
einer der erfolgreichsten
Hits der Pilzköpfe,
der in der variablen
Instrumentierung von
Andrew Watkin Bearbeitung
nun zahlreichen
Bläserbesetzungen
zugänglich
wurde.
The Meeting Place Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4992-00 Composed by Kristofferson. Concert Band. Scor...(+)
Grade 3
SKU:
CL.012-4992-00
Composed by
Kristofferson. Concert
Band. Score and set of
parts. Composed 2023.
Opus III Wind Orchestra
Publications
#012-4992-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4992-00).
Canadian
composer Kenley
Kristofferson was
commissioned to write The
Meeting Place, a work
depicting the connection
between people and the
warmth and security of a
shared space – in
this case, the band room.
The music celebrates
these places which can
feel like home, welcome
all kinds of people, make
them feel like a part of
something bigger than
themselves, and hold
special power for us to
feel safe and connected.
With lush harmonies and
song-like melodies, this
ballad gives everyone in
the band a chance to
shine and contribute to a
shared story about, for
some of them, one of
their most cherished
spaces. Performers and
audiences alike are sure
to love this piece.
Moving music!
The Meeting Place Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4992-01 Composed by Kristofferson. Concert Band. Extr...(+)
Grade 3
SKU:
CL.012-4992-01
Composed by
Kristofferson. Concert
Band. Extra full score.
Composed 2023. Opus III
Wind Orchestra
Publications
#012-4992-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4992-01).
Canadian
composer Kenley
Kristofferson was
commissioned to write The
Meeting Place, a work
depicting the connection
between people and the
warmth and security of a
shared space â?? in this
case, the band room. The
music celebrates these
places which can feel
like home, welcome all
kinds of people, make
them feel like a part of
something bigger than
themselves, and hold
special power for us to
feel safe and connected.
With lush harmonies and
song-like melodies, this
ballad gives everyone in
the band a chance to
shine and contribute to a
shared story about, for
some of them, one of
their most cherished
spaces. Performers and
audiences alike are sure
to love this piece.
Moving music!
Nocturne Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 3 SKU: BT.DHP-0981110-010 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 3
SKU:
BT.DHP-0981110-010
Composed by Peter Ilyich
Tchaikovsky. Your
Favorite Classics. Set
(Score & Parts). Composed
1998. De Haske
Publications #DHP
0981110-010. Published by
De Haske Publications
(BT.DHP-0981110-010).
Tchaikovsky is
best known for his purely
instrumental
compositions. However, we
must not underestimate
him as a composer of
operas. Many of his
operas such as ¬Pique
Dame and Eugene Onegin
are still performed
regularly throughout the
world. Eugene Onegin
(also called Jevgeny
Onegin), composed in
1877-1878, was not called
an opera by Tchaikovsky
himself, but “lyric
scenesâ€. The work
is entirely dominated by
lyricism. However, there
are two moments that
contrast sharply with
this lyricism: two ball
scenes, for which
Tchaikovsky wrote a waltz
and a polonaise.After
opening with a less
well-known allegro
dansant, this arrangement
features the
aforementioned waltz,
which can beconsidered a
beautiful Russian
equivalent of the Faust
Waltz by Charles Gounod.
In the opera, this waltz
is actually played by a
military band. The
arrangement concludes
with the pompous
polonaise (also mentioned
above) which opens the
last act: the ideal music
to characterize high
aristocracy in the salon
of a palace in St.
Petersburg.
Rolf
Lovland, der Gründe
der Popgruppe Secret
Garden ist einer der
erfolgreichsten
Songschreiber in der Welt
der Popmusik. Mit der
romantischen Melodie von
Nocturne überzeugte
seine Gruppe nicht nur
Millionen Fans, sondern
auch die Jury des Grand
Prix d’Eurovision
im Jahre 1995, die das
Lied zum Siegertitel
kürte. Mit dem
gefühlvollen
Arrangement von Ron
Segbregts spielen Sie
sich in die Herzen Ihres
Publikums.
Brass Band (Score & Parts) - Grade 3 SKU: HL.44012730 Composed by Philip ...(+)
Brass Band (Score &
Parts) - Grade 3
SKU:
HL.44012730
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Softcover.
Composed 2007. Anglo
Music Press #AMP225030.
Published by Anglo Music
Press (HL.44012730).
9x12 inches.
English-German-French-Dut
ch.
Christmas as
celebrated in England is
a relatively newtradition
dating from the time of
Queen Victoria.
Herhusband Prince Albert
was from Germany and he
broughtmany German
Christmas traditions with
him, including
theChristmas tree and
Christmascards, and even
carols such asHark, the
Herald Angels Sing.
Philip Sparke has however
useda varied selection of
English melodies to
arrange into his?Festival
of Carols?.The choir
parts are seperately
available (order no. AMP
227-050). Christmas as
celebrated in England is
a relatively new
tradition dating from the
time of Queen Victoria.
Her husband Prince Albert
was from Germany and he
brought many German
Christmas traditions with
him, including the
Christmas tree and
Christmas cards, and even
carols such as Hark, the
Herald Angels Sing.
Philip
Sparke has
however used a varied
selection of English
melodies to arrange into
his Festival of
Carols. The choir
parts are seperately
available (order no. AMP
227-050).
Hoewel
de Engelsen een lange
traditie kennen in het
zingen van carols zijn
veel van de melodieen die
er worden gezongen
afkomstig van het
Europese vasteland - of
uit Amerika. Desondanks
heeft Philip Sparke een
gevarieerde selectievan
Engelse melodieen kunnen
samenstellen voor dit
prachtige 'Festival of
Carols' - dat zowel met
als zonder koor kan
worden
uitgevoerd.
Weihna
chten, wie es heute in
England gefeiert wird,
ist eine relativ junge
Tradition aus dem 19,
Jahrhundert, die der
deutsche Ehemann von
Konigin Victoria mit in
seine neue Heimat
brachte. Viele
gebrauchliche
Weihnachtslieder stammen
ebenfalls nichtaus
England. Philip Sparke
gelang es jedoch, eine
abwechslungsreiche
Sammlung von Liedern aus
seiner Heimat zu diesem
schonen englischen
Weihnachtslieder-Festival
zu formen.Die optional
einsetzbaren Chorstimmen
sind unter der
Artikelnummer
AMP227-050 separat
erhaltlich.
<< La
plupart des traditions de
Noel en Angleterre sont
relativement recentes.
Montee sur le trone en
1837, la reine Victoria
(nee de Hanovre) regnera
jusqu'a sa mort en 1901.
En 1840, elle epousa son
cousin, le prince Albert
de Saxe-Cobourg-Gotha.
Leprince consort,
originaire d'Allemagne,
importa bon nombre de
traditions de Noel
allemandes au
Royaume-Uni. Ainsi, il
fit decouvrir aux Anglais
la coutume du sapin et
les cartes de Noel, entre
autres, contribuant
largement au Noel
typiquement anglaistel
que nous le connaissons
aujourd'hui.Bien que les
chants de Noel font
l'objet d'une longue
tradition en Angleterre,
de nombreuses melodies
que nous chantons
proviennent ducontinent
europeen ou des
Etats-Unis. Je savais
bien que le
celebrissimeSilent
Night (Douce nuit)
etait d'origine
autrichienne et que
Hark, the Herald
Angels Sing (Ecoutez le
chant des Anges)
etait d'origine
allemande. Pourtant,
quelle ne fut pas ma
surprise d'apprendre
qu'Away in a Manger
(Sur la
paillefraiche) ou
encore We Three
Kings nous venaient
des Etats-Unis et que
Ding, Dong Merrily on
High etait un noel
d'origine francaise.
Quoiqu'il en soit, j'ai
reussi a constituer un
canevas de melodies
anglaises pour realiser
cefestival de chants de
Noel. >>Philip
SparkeRemarques sur
l'interpretation : Cet
arrangement est adapte
pour une interpretation
avec ou sans Chœur.
S'il est joue par un
Brass Band, les parties
vocales seront doublees
par des
partiesinstrumentales.Les
tempi indiques
correspondent a une
interpretation par un
Brass Band seul. Si
l'œuvre est donnee
avec un Chœur, il
est sans doute necessaire
de baisser le tempo en
fonction du nombre de
choristes et de
l'acoustique du lieude
concert.Les parties de
Chœur (en anglais)
sont disponibles
separement (Ref. : AMP
227-050).
The
choir parts are
seperately available
(order no. AMP
227-050).
The Codebreakers Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4756-01 Composed by Budiansky. Young Concert Band. Ex...(+)
Grade 2
SKU:
CL.011-4756-01
Composed by Budiansky.
Young Concert Band. Extra
full score. C.L.
Barnhouse #011-4756-01.
Published by C.L.
Barnhouse
(CL.011-4756-01).
Music can at
times feel as if it is a
secret code. Cracking the
code, be it notation on a
page or a new set of
vocabulary words, is
cause for celebration,
and The Codebreakers is a
joyous look at music as a
shared language. Scored
generously to accommodate
young bands both large
and small, this concert
work presents distinct
melodies both
independently and stacked
on top of one another,
meant to interlock like a
solved puzzle. The
Codebreakers serves as a
teaching opportunity to
discuss melodies and
countermelodies;
interpreting the same
material in different
styles; and listening
across the band for
shared lines. Every
section gets a chance to
be featured, and the low
brass and woodwinds will
especially love their
moment in the
spotlight.
The Codebreakers Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4756-00 Composed by Budiansky. Young Concert Band. Sc...(+)
Grade 2
SKU:
CL.011-4756-00
Composed by Budiansky.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #011-4756-00.
Published by C.L.
Barnhouse
(CL.011-4756-00).
Music can at
times feel as if it is a
secret code. Cracking the
code, be it notation on a
page or a new set of
vocabulary words, is
cause for celebration,
and The Codebreakers is a
joyous look at music as a
shared language. Scored
generously to accommodate
young bands both large
and small, this concert
work presents distinct
melodies both
independently and stacked
on top of one another,
meant to interlock like a
solved puzzle. The
Codebreakers serves as a
teaching opportunity to
discuss melodies and
countermelodies;
interpreting the same
material in different
styles; and listening
across the band for
shared lines. Every
section gets a chance to
be featured, and the low
brass and woodwinds will
especially love their
moment in the
spotlight.
Viterbo Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1104871-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1104871-215
Composed by Jacob De
Haan. On Parade! March.
Score Only. Composed
2010. De Haske
Publications #DHP
1104871-215. Published by
De Haske Publications
(BT.DHP-1104871-215).
9x12 inches.
English-German-French-Dut
ch.
Viterbo shares
its name with a province
located in the Latium
region of Italy. Its
landscape, a mixture of
fl atland, rolling hills
and lakes, contains many
artefacts of the Roman
Empire as well as the
preceding
Etruscancivilization.
This area provided
inspiration for Viterbo,
written for the 50th
anniversary of the
orchestra in the town of
Monterosi, Viterbo.
Viterbo is
genoemd naar de
gelijknamige provincie en
hoofdstad van de regio
Latium in
Midden-Italië. In dit
heuvellandschap zijn vele
restanten van de Romeinse
en Etruskische cultuur te
vinden. Deze mooie,
historische streek
booddan ook rijkelijk
inspiratie voor de mars
die Jacob de Haan schreef
ter ere van het
vijftigjarig jubileum van
het blaasorkest van
Monterosi in
Viterbo.
Der
Marsch Viterbo leiht
seinen Namen von der
gleichnamigen Provinz und
deren Hauptstadt in der
mittelitalienischen
Region Latium. In der
vorwiegend hügeligen
Landschaft sind viele
Ãœberreste der
römischen und zuvor
etruskischen Zivilisation
zu finden. Diese
schöne,
geschichtsträchtige
Landschaft bot reichlich
Inspiration für diesen
Marsch,der zu Ehren des
50-jährigen
Jubiläums des
Blasorchesters des Dorfes
Monterosi in Viterbo
geschrieben wurde.
La
splendida citt laziale e
la sua provincia, ricche
di testimonianze etrusche
e romane, hanno ispirato
Jacob de Haan nel
comporre questa marcia
dedicata alla Banda
Musicale Santa Cecilia
Monterosi per il 50°
anniversario di
fondazione e al suo
direttore Aldo
Tamantini.