By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
Simple Sarabande Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-037-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.AMP-037-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Set (Score & Parts).
Composed 2003. Anglo
Music Press #AMP 037-010.
Published by Anglo Music
Press (BT.AMP-037-010).
The sarabande
originated in the early
17th century and is a
stately dance in triple
time. It was popular in
France and Spain but as a
dance it quickly spread
throughout the courts of
Europe and the style was
soon adopted into
instrumental music in
dance suites for solo
instruments as well as
orchestra. Something of
this style has influenced
Simple Sarabande and
although its harmonic
language is perhaps more
up-to-date it could be
seen as a ‘period
piece’.
Simple Sarabande ist
im Stil der
ursprünglichen
Sarabande, einem
würdevollen
höfischen Tanz aus dem
17. Jahrhundert im
3/4-Takt, geschrieben,
wenn auch Philip Sparke
für seine Komposition
einen etwas moderneren
harmonischen Ausdruck
wählte. Einfachheit
und leichte fließende
Bewegungen sind die
Schlüsselworte in
diesem Stück, in dem
Ihr Blasorchester sich
ganz auf die Schönheit
von Ton und Phrasierung
konzentrieren kann.
Simple Sarabande Orchestre d'harmonie [Conducteur] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-037-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 1
SKU:
BT.AMP-037-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert Piece.
Score Only. Composed
2003. 20 pages. Anglo
Music Press #AMP 037-140.
Published by Anglo Music
Press (BT.AMP-037-140).
The sarabande
originated in the early
17th century and is a
stately dance in triple
time. It was popular in
France and Spain but as a
dance it quickly spread
throughout the courts of
Europe and the style was
soon adopted into
instrumental music in
dance suites for solo
instruments as well as
orchestra. Something of
this style has influenced
Simple Sarabande and
although its harmonic
language is perhaps more
up-to-date it could be
seen as a ‘period
piece’.
Simple Sarabande ist
im Stil der
ursprünglichen
Sarabande, einem
würdevollen
höfischen Tanz aus dem
17. Jahrhundert im
3/4-Takt, geschrieben,
wenn auch Philip Sparke
für seine Komposition
einen etwas moderneren
harmonischen Ausdruck
wählte. Einfachheit
und leichte fließende
Bewegungen sind die
Schlüsselworte in
diesem Stück, in dem
Ihr Blasorchester sich
ganz auf die Schönheit
von Ton und Phrasierung
konzentrieren kann.
Concert Band concert band - Grade 1 SKU: CF.BPS33F Composed by Larry Clar...(+)
Concert Band concert band
- Grade 1
SKU:
CF.BPS33F
Composed by
Larry Clark. Carl Fischer
Beginning Performance
Series. Classical. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BPS33F.
Published by Carl Fischer
Music (CF.BPS33F).
ISBN 9780825855344.
UPC: 798408055349. 9 X 12
inches. Key: Bb
major.
This
glorious holiday piece is
sure to become a classic.
The tune Simple Gifts is
the main theme heard
throughout the piece and
is intertwined with short
snippets of several
beloved Christmas carols.
It is simple enough for
any beginning band to
play, but sounds quite
sophisticated. Don't miss
the opportunity to
provide a joyous ending
to your first holiday
concert!
A Simple Celebration Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Robert Sheldon. Music by Robert Sheldon. For Concert Band. Concert Band. Alfr...(+)
By Robert Sheldon. Music
by Robert Sheldon. For
Concert Band. Concert
Band. Alfred Concert
Band. Level: Grade 4.
Conductor Score & Parts.
3 pages. Published by
Alfred Publishing.
Concert band - Grade 1 SKU: CL.024-4449-01 Composed by Romeyn. Young Conc...(+)
Concert band - Grade 1
SKU:
CL.024-4449-01
Composed by Romeyn. Young
Concert Band. Rising Band
Series for Developing
Bands! Audio recording
available separately
(item CL.WFR390). Extra
full score. Composed
2016. Duration 2 minutes,
50 seconds. C.L.
Barnhouse #024-4449-01.
Published by C.L.
Barnhouse
(CL.024-4449-01).
Simple Dreams
is lyrical music of the
highest quality for
beginning band. Beautiful
and expressive, the piece
begins softly as a
memorable melody is
introduced. The melody is
then developed amid
varied textures leading
to a dramatic crescendo
and a soaring full
ensemble. The music then
subsides, ending as it
began with just a whisper
and a touching spell of a
dream no one will want to
break. An outstanding
addition to the beginning
band repertoire.
Concert Band SKU: HL.44001176 Anglo Music Press CD. Composed by Ph...(+)
Concert Band
SKU:
HL.44001176
Anglo
Music Press CD.
Composed by Philip
Sparke. Anglo Music
Concert Band CD. CD.
Anglo Music Press
#AR8083. Published by
Anglo Music Press
(HL.44001176).
UPC:
073999922219.
5.5x4.75x0.4
inches.
Includes: A
London Intrada; Infinity
and Beyond; Pathfinders
March; Simple Sarabande;
Te Deum Prelude; The
Prince of Denmark's
March; Westminster
Prelude; Chorus and March
(See, the Conquering Hero
Comes); Big Sky Overture;
To a Wild Rose; Two
Norwegian Folk Tunes;
Clarinet Calypso; Ballad
for Benny; Shalom!; Panis
Angelicus.
By Leonard Bernstein (1918-1990) and Stephen Schwartz. Arranged by Michael Sween...(+)
By Leonard Bernstein
(1918-1990) and Stephen
Schwartz. Arranged by
Michael Sweeney. Full
Score. Boosey and Hawkes
Concert Band. Grade 3. 12
pages. Published by
Boosey and Hawkes
(From the Broadway Musical (featuring: Corner the Sky / Magic to Do / Extrao...(+)
(From the Broadway
Musical
(featuring: Corner the
Sky /
Magic to Do /
Extraordinary
/ Simple Joys / (Pippin)
Finale / Morning Glow)).
Composed by Stephen
Schwartz. Arranged by
Ralph
Ford. Concert Band.
Concert
Band; Part(s); Score;
SmartMusic. Pop Concert
Band. Broadway; Pop.
Grade
3. 258 pages. Published
by
Alfred Music
A Simple Song (from Mass) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Boosey and Hawkes
By Leonard Bernstein (1918-1990) and Stephen Schwartz. Arranged by Michael Sween...(+)
By Leonard Bernstein
(1918-1990) and Stephen
Schwartz. Arranged by
Michael Sweeney. Score
and Parts. Boosey and
Hawkes Concert Band.
Grade 3. Published by
Boosey and Hawkes
Two Shaker Songs Orchestre d'harmonie [Conducteur] - Débutant Belwin
(Featuring: Simple Gifts / Pretty Home). Arranged by Michael Story and Michael S...(+)
(Featuring: Simple Gifts
/ Pretty Home). Arranged
by Michael Story and
Michael Story. Concert
Band. Concert Band;
Score. Belwin Beginning
Band. Folk. Grade 1. 20
pages. Published by
Belwin Publishing
Patsy Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0870080-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0870080-215
Composed by Dizzy
Stratford. Applause
Series. Original Light
Music. Score Only.
Composed 1987. De Haske
Publications #DHP
0870080-215. Published by
De Haske Publications
(BT.DHP-0870080-215).
Dizzy
Stratford’s name
has become synonymous
with concert band music
of the highest quality.
Stratford’s
characteristically
simple, accessible
harmonies and zesty
melodies guarantee
exciting musical
entertainment. Patsy is
no exception and also
provides ample
opportunity to feature
individual sections or
soloists.
Dizzy
Stratford? Dat staat
gelijk aan originele
amusementsmuziek voor
blaasorkest van grote
kwaliteit! De typische,
eenvoudige en goed in het
gehoor liggende
harmonieën en de
swingende melodieën
staan garant voor succes.
Met Patsyhebt u bovendien
de mogelijkheid om
bepaalde registers en
solisten in een
aantrekkelijk wisselspel
voor het voetlicht te
plaatsen.
Der Name
Dizzy Stratford steht
für originale
unterhaltsame
Blasorchesterkompositione
n von hoher Qualität.
Stratfords typische
einfache, eingängige
Harmonik und schwungvolle
Melodien sind Garant
für erfolgreiche
Unterhaltungsmusikkonzert
e. Mit Patsy haben Sie
zudem die Möglichkeit,
einzelne Register und
Solisten in einem
reizvollen Wechselspiel
zu präsentieren.
Dizzy Stratford
è sinonimo di alta
qualit nel campo della
musica da
intrattenimento. Le
armonie semplici
accompagnate da
accattivanti melodie,
garantiscono il successo
del vostro concerto.
Patsy offre la possibilit
di presentare vari
registri e solisti
dell’orchestra.
Patsy Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0870080-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0870080-015
Composed by Dizzy
Stratford. Applause
Series. Set (Score &
Parts). Composed 1987. De
Haske Publications #DHP
0870080-015. Published by
De Haske Publications
(BT.DHP-0870080-015).
Dizzy
Stratford’s name
has become synonymous
with concert band music
of the highest quality.
Stratford’s
characteristically
simple, accessible
harmonies and zesty
melodies guarantee
exciting musical
entertainment. Patsy is
no exception and also
provides ample
opportunity to feature
individual sections or
soloists.
Dizzy
Stratford? Dat staat
gelijk aan originele
amusementsmuziek voor
blaasorkest van grote
kwaliteit! De typische,
eenvoudige en goed in het
gehoor liggende
harmonieën en de
swingende melodieën
staan garant voor succes.
Met Patsyhebt u bovendien
de mogelijkheid om
bepaalde registers en
solisten in een
aantrekkelijk wisselspel
voor het voetlicht te
plaatsen.
Der Name
Dizzy Stratford steht
für originale
unterhaltsame
Blasorchesterkompositione
n von hoher Qualität.
Stratfords typische
einfache, eingängige
Harmonik und schwungvolle
Melodien sind Garant
für erfolgreiche
Unterhaltungsmusikkonzert
e. Mit Patsy haben Sie
zudem die Möglichkeit,
einzelne Register und
Solisten in einem
reizvollen Wechselspiel
zu präsentieren.
Dizzy Stratford
è sinonimo di alta
qualit nel campo della
musica da
intrattenimento. Le
armonie semplici
accompagnate da
accattivanti melodie,
garantiscono il successo
del vostro concerto.
Patsy offre la possibilit
di presentare vari
registri e solisti
dell’orchestra.
Five States of Change Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-342-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-342-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2012.
Anglo Music Press #AMP
342-010. Published by
Anglo Music Press
(BT.AMP-342-010).
9x12
inches.
English-German-French-Dut
ch.
Five States
of Change was
commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing band
repertoire.The composer
writes: The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu
Xing*, which has no
exact translation but can
mean, for example,
five elements, five
phases or five
states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine andastrology,
and in simple terms tries
to create various cyclic
relationships between
five elements in all
walks of life.An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of
emotions:- Meditation -
Sorrow - Fear - Anger -
Joy - (Meditation) etc.
and thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So Five States
of Change has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
*in full Wu zhong liu
xing zhi chi or
the five types of chi
dominating at different
times
Five
States of Change is
geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum)te
Arnhem,als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
repertoire voor
blaasorkesten.De
componist schrijft: Het
idee voor het werk kwam
in mij op toen ik een
artikel las over een
takbinnen de Chinese
filosofie waarvan denaam
wordt afgekort tot Wu
Xing* - waar geen
exacte vertaling voor is,
maar wat zoveel betekent
als vijf elementen,
vijf fasen of vijf
stadia van verandering.
Het gaat om eenwezenlijk
onderdeel van alle
componenten binnen
hetChinese gedachtegoed,
inclusief de wetenschap,
filosofie, geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementendie
in ieders leven een rol
spelen.Een voorbeeld:
Aarde - Metaal - Water-
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal, metaal
verandert in vloeistof
(water) door verhitting,
water helpt bomen te
groeien, houtdat brandt
creëert vuur, en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf wasik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aandit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op. Five
States of
Changebestaat uit
vijf delen die betrekking
hebben op de emotionele
cyclus. Ik heb geprobeerd
de muziek op natuurlijke
wijzete laten ontstaan,
met zo weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van
hetvoorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het
werk.
Five
States of Change
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem(Holland),
in Anerkennung derer
außerordentlichen
Bemühungen um die
Entwicklung des
Blasorchester-Repertoires
. Der Komponist
über sein Werk: Die
Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung
derchinesischen
Philosophie, die
abgekürzt Wu
Xing* heißt, was
nicht wörtlich
übersetzt werden
kann, aber so viel wie
fünf Elemente,
fünf Phasen
oder fünf
Stadien der
Verwandlung bedeutet.
DiesesPrinzip nimmt eine
zentrale Position im
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach
ausgedrückt, werden
damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen
zwischenfünf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthält die
Erde Metall, das sich bei
Erhitzung
verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)und
zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen:Meditation
- Trauer - Angst -
Ärger - Freude -
(Meditation) usw.Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolleemotionale
Reise“ durch ein
Musikstück
darstellen könnte.
Folglich besteht Five
States of Change aus
fünf gleichen
Abschnitten, die diesen
Kreislauf der
Gefühle grob
nachzeichnen. Ich habe
versucht, die Musik
organischwachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis. *Abkürzung
für Wu zhongliu
xing zhi chi oder
Die fünf Arten
von Chi, die zu
unterschiedlichen Zeiten
dominieren
L’idea
di comporre questo brano
è venuta a Philip
Sparke leggendo un
articolo sulla filosofi a
cinese che si basa su
cicli di cinque elementi,
fasi e stadi di
cambiamento. A Sparke
interessavano in
particolare il flusso dei
sentimenti come la
meditazione, il lutto, la
paura, la rabbia e la
gioia. A partire da
questi elementi ha
composto un
impressionante
“viaggioâ€
musicale suddiviso in
cinque sezioni,
tematicamente intrecciate
tra loro, quasi a voler
formare un cerchio.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-342-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-342-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 61 pages.
Anglo Music Press #AMP
342-140. Published by
Anglo Music Press
(BT.AMP-342-140).
9x12
inches.
English-German-French-Dut
ch.
Five States
of Change was
commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing band
repertoire.The composer
writes: The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu
Xing*, which has no
exact translation but can
mean, for example,
five elements, five
phases or five
states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine andastrology,
and in simple terms tries
to create various cyclic
relationships between
five elements in all
walks of life.An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of
emotions:- Meditation -
Sorrow - Fear - Anger -
Joy - (Meditation) etc.
and thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So Five States
of Change has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
*in full Wu zhong liu
xing zhi chi or
the five types of chi
dominating at different
times
Five
States of Change is
geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum)te
Arnhem,als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
repertoire voor
blaasorkesten.De
componist schrijft: Het
idee voor het werk kwam
in mij op toen ik een
artikel las over een
takbinnen de Chinese
filosofie waarvan denaam
wordt afgekort tot Wu
Xing* - waar geen
exacte vertaling voor is,
maar wat zoveel betekent
als vijf elementen,
vijf fasen of vijf
stadia van verandering.
Het gaat om eenwezenlijk
onderdeel van alle
componenten binnen
hetChinese gedachtegoed,
inclusief de wetenschap,
filosofie, geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementendie
in ieders leven een rol
spelen.Een voorbeeld:
Aarde - Metaal - Water-
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal, metaal
verandert in vloeistof
(water) door verhitting,
water helpt bomen te
groeien, houtdat brandt
creëert vuur, en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf wasik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aandit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op. Five
States of
Changebestaat uit
vijf delen die betrekking
hebben op de emotionele
cyclus. Ik heb geprobeerd
de muziek op natuurlijke
wijzete laten ontstaan,
met zo weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van
hetvoorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het
werk.
Five
States of Change
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem(Holland),
in Anerkennung derer
außerordentlichen
Bemühungen um die
Entwicklung des
Blasorchester-Repertoires
. Der Komponist
über sein Werk: Die
Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung
derchinesischen
Philosophie, die
abgekürzt Wu
Xing* heißt, was
nicht wörtlich
übersetzt werden
kann, aber so viel wie
fünf Elemente,
fünf Phasen
oder fünf
Stadien der
Verwandlung bedeutet.
DiesesPrinzip nimmt eine
zentrale Position im
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach
ausgedrückt, werden
damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen
zwischenfünf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthält die
Erde Metall, das sich bei
Erhitzung
verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)und
zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen:Meditation
- Trauer - Angst -
Ärger - Freude -
(Meditation) usw.Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolleemotionale
Reise“ durch ein
Musikstück
darstellen könnte.
Folglich besteht Five
States of Change aus
fünf gleichen
Abschnitten, die diesen
Kreislauf der
Gefühle grob
nachzeichnen. Ich habe
versucht, die Musik
organischwachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis. *Abkürzung
für Wu zhongliu
xing zhi chi oder
Die fünf Arten
von Chi, die zu
unterschiedlichen Zeiten
dominieren
L’idea
di comporre questo brano
è venuta a Philip
Sparke leggendo un
articolo sulla filosofi a
cinese che si basa su
cicli di cinque elementi,
fasi e stadi di
cambiamento. A Sparke
interessavano in
particolare il flusso dei
sentimenti come la
meditazione, il lutto, la
paura, la rabbia e la
gioia. A partire da
questi elementi ha
composto un
impressionante
“viaggioâ€
musicale suddiviso in
cinque sezioni,
tematicamente intrecciate
tra loro, quasi a voler
formare un cerchio.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
America Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS252 Composed by Michael J. Miller....(+)
Band Concert Band - Grade
3
SKU: CF.CPS252
Composed by Michael J.
Miller. Set of Score and
Parts.
12+4+4+2+4+4+4+2+2+2+2+2+
2+4+4+4+2+2+3+3+3+2+4+3+1
+2+3 pages. Duration
1:45. Carl Fischer Music
#CPS252. Published by
Carl Fischer Music
(CF.CPS252).
ISBN
9781491159699. UPC:
680160918287.
Ameri
ca is intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible. The
introduction, mm. 1-12,
should be approached in
the style of a fanfare,
with an emphasis on
syncopation and
exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm. 15-22 the
melody is carefully
hidden among counter
lines. This should be
carefully balanced to
highlight the melody,
while still shaping the
counter melodies
appropriately. A brief
return to the fanfare
style occurs in mm. 33-35
before melding back into
the chorale style. In
regards to dynamics,
performers should be
reminded that within any
single dynamic exists a
range of expressive
shades. No two notes
should be played at the
same volume, ensuring
direction in even the
simplest of phrases.
Generally speaking, the
fortissimo dynamic should
be approached
thoughtfully, with the
bulk of the sound coming
from the lowest voices,
and the least from the
highest
voices. America is
intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible.The
introduction, mm.
1–12, should be
approached in the style
of a fanfare, with an
emphasis on syncopation
and exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm.
15–22 the melody
is carefully hidden among
counter lines. This
should be carefully
balanced to highlight the
melody, while still
shaping the counter
melodies appropriately.A
brief return to the
fanfare style occurs in
mm. 33–35 before
melding back into the
chorale style.In regards
to dynamics, performers
should be reminded that
within any single dynamic
exists a range of
expressive shades. No two
notes should be played at
the same volume, ensuring
direction in even the
simplest of
phrases.Generally
speaking, the fortissimo
dynamic should be
approached thoughtfully,
with the bulk of the
sound coming from the
lowest voices, and the
least from the highest
voices.
America Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS252F Composed by Michael J. Miller...(+)
Band Concert Band - Grade
3
SKU: CF.CPS252F
Composed by Michael J.
Miller. Full score. 9
pages. Carl Fischer Music
#CPS252F. Published by
Carl Fischer Music
(CF.CPS252F).
ISBN
9781491159705. UPC:
680160918294.
Ameri
ca is intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible. The
introduction, mm. 1-12,
should be approached in
the style of a fanfare,
with an emphasis on
syncopation and
exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm. 15-22 the
melody is carefully
hidden among counter
lines. This should be
carefully balanced to
highlight the melody,
while still shaping the
counter melodies
appropriately. A brief
return to the fanfare
style occurs in mm. 33-35
before melding back into
the chorale style. In
regards to dynamics,
performers should be
reminded that within any
single dynamic exists a
range of expressive
shades. No two notes
should be played at the
same volume, ensuring
direction in even the
simplest of phrases.
Generally speaking, the
fortissimo dynamic should
be approached
thoughtfully, with the
bulk of the sound coming
from the lowest voices,
and the least from the
highest
voices. America is
intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible.The
introduction, mm.
1–12, should be
approached in the style
of a fanfare, with an
emphasis on syncopation
and exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm.
15–22 the melody
is carefully hidden among
counter lines. This
should be carefully
balanced to highlight the
melody, while still
shaping the counter
melodies appropriately.A
brief return to the
fanfare style occurs in
mm. 33–35 before
melding back into the
chorale style.In regards
to dynamics, performers
should be reminded that
within any single dynamic
exists a range of
expressive shades. No two
notes should be played at
the same volume, ensuring
direction in even the
simplest of
phrases.Generally
speaking, the fortissimo
dynamic should be
approached thoughtfully,
with the bulk of the
sound coming from the
lowest voices, and the
least from the highest
voices.
Mvt. 1: Gaudi.
Composed by Ferrer
Ferran. IberMusica
Concert Band. Score Only.
Composed 2009. Hal
Leonard #IB052. Published
by Hal Leonard
(HL.44011313).
<
p>Gaudi is het
eerste deel van een
tweedelige symfonie die
Ferrer Ferran opdroeg aan
de beroemde Spaanse
architect Antoni Gaudi.
In verschillende stappen
beschrijft Ferran het
leven van de geniale
architect die bekend
stond om zijn ronde,
organische vormen: van
het bescheiden begin tot
aan de Sagrada Familia,
zijn levenswerk. De
muzikale lijnen zijn
vloeiend en organisch en
de structuur is groots,
kleurrijk en fascinerend.
Net zoals de bouwwerken
van de Catalaanse meester
zelf...!
Gaudi is
het eerste deel van een
tweedelige symfonie die
Ferrer Ferran opdroeg aan
de beroemde Spaanse
architect Antoni Gaudi.
In verschillende stappen
beschrijft Ferran het
leven van de geniale
architect: van het
bescheiden begintot aan
de Sagrada Familia, zijn
levenswerk. Gaudi stond
bekend om stond zijn
ronde, organische vormen.
De muzikale lijnen van
dit werk zijn vloeiend en
organisch en de structuur
is groots, kleurrijk en
fascinerend. Net zoals
debouwwerken van de
Catalaanse meester
zelf...!
Gaudi<
/I> ist der erste Teil
einer zweiteiligen
Symphonie, die Ferrer
Ferran dem
berühmten
spanischen Architekten
Antoni Gaudi widmete. In
mehreren Etappen zeichnet
Ferran darin das Leben
des genialen Architekten
und Meisters der runden,
organischen Formen nach:
von den bescheidenen
Anfangen bis zur Sagrada
Familia, die zu einer
Lebensaufgabe wurde. Wie
Gaudis Architektur sind
die musikalischen Linien
flüssig und
organisch und die
Struktur gross angelegt,
farbenreich und
faszinierend.
Fils
d'un modeste
chaudronnier, Antoni
Gaudi i Cornet nait a
Reus dans la province de
Tarragone, le 25 juin
1852. Souffrant de
rhumatismes articulaires
particulierement
invalidants, Gaudi fut
contraint a de longues
periodes de repos des son
plus jeune age. Il
passait des heures a
observer la nature. Gaudi
a octroye un nouveau
langage artistique a
l'architecture. Son style
unique se caracterise par
des lignes souples et des
formes organiques
inspirees de la nature.
Il experimentait de
nouveaux materiaux et de
nouvelles formes. Selon
sa maniere habituelle de
travailler, Gaudi
realisait quelques
esquisses du batiment a
construire et improvisa
la construction au fur et
a mesure queles travaux
avancaient. Selon l'un de
ses biographes : <<
[Gaudi] vit clairement
que [les] formes
geometriques simples ne
se trouvent pratiquement
jamais dans la nature,
qui, d'autre part,
construit d'excellentes
structures, accreditees
par de larges siecles
d'efficacite. La
structure d'un arbre est
d'une perfection rare,
bien plus complexe et
plus aboutie que les
structures creees par les
architectes. >> Le simple
changement geometrique
opere par Gaudi devint
une revolution
stylistique indolore, car
la conception de la
geometrie architecturale
du maitre catalan
reposait sur des concepts
bien plus anciens que les
normes geometriques
inventees par les autres
architectes. Antoni Gaudi
a consacre toute sa vie a
son art, au point de
s'isoler des autres
pendant les dernieres
annees de sa vie. Le 7
juin 1926, il est
renverse par un tramway
au croisement de la Gran
Via et de la rue Bailen,
a Barcelone. Vetu de
vetements elimes et uses,
personne ne reconnut en
lui le celebre
architecte, gisant sur le
sol. Il mourut trois
jours plus tard, et fut
inhume dans la crypte de
la Sagrada Familia.
Gaudi e la prima
parte della sinfonia in
due parti che Ferrer
Ferran ha dedicato al
famoso architetto
spagnolo Antoni Gaudi.
Ferran ripercorre a tappe
la vita del geniale
architetto: dai suoi
modesti debutti fino alla
costruzione della Sagrada
Familia, progetto di
tutta una vita. Le linee
musicali sono fluide e
curve come l'architettura
di Gaudi, la trama
luminosa colorita e aff
ascinante come gli
edifici da lui
realizzati.
Song of Hope Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115227-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2012. 20
pages. De Haske
Publications #DHP
1115227-140. Published by
De Haske Publications
(BT.DHP-1115227-140).
9x12 inches.
English-German-French-Dut
ch.
2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor at Fukushima only
increased the misery: a
black day in the
country’s
history…One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments. It
will take a long time
before the damage
suffered is
repaired—and it
will take great effort to
overcome thepsychological
effects, too. Focusing on
the latter, Yutada
Nishida (director of The
Bandwagon radio program)
asked a few composers for
a simple work that could
be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of Hope.
This piece immediately
struck a chord with
musicians and audience
alike: it begins bleakly
in the low register and
evolves to a more open,
optimistic close. There
really is hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet de
kernreactor van Fukushima
maakten de ellende nog
groter: een zwarte pagina
in het bestaan van het
land ... Dat in
dergelijke dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haast onvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaal weer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Als bij toeval
kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan ook ten
doop gehouden en het
werkje sloeg meteen aan
bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van der
Roost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
Il 2011 è
stato un anno tragico per
il Giappone; al
devastante terremoto e al
non meno catastrofico
tsunami dell’11
marzo, sono seguiti i
gravi problemi al
reattore nucleare di
Fukushima. Il settore
della cultura in
generale, e quello della
musica in particolare
hanno sofferto
immensamente a causa di
questi nefasti eventi
naturali. Song of
Hope è un brano
che ha profondamente
commosso esecutori e
pubblico.Song of
Hope inizia nel
registro acuto con suoni
oscuri e melanconici, ma
si sviluppa in un clima
di ottimismo, come a
voler simboleggiare un
futuro più sereno.
The Dance Club Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1074195-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1074195-015
Composed by Peter Kleine
Schaars. Flexible 4
Series. Set (Score &
Parts). Composed 2007. De
Haske Publications #DHP
1074195-015. Published by
De Haske Publications
(BT.DHP-1074195-015).
9x12 inches.
English-German-French-Dut
ch.
After the
success of Dance
Starters, a follow-up
in the Flexible 4
Series was a must.
Again, Peter Kleine
Schaars composed four
dances, in which he, by
means of refreshing
chords, uncomplicated
rhythms and simple melody
lines, takes youthful
musicians to The Dance
Club. There, they
learn the cha-cha-cha,
the rumba, disco dancing
and an actual Oriental
belly dance. Great fun
for everyone.
Na
het succes van Dance
Starters kon een
vervolg hierop niet
uitblijven. Opnieuw
componeerde Peter Kleine
Schaars een viertal
dansen, waarin hij met
frisse akkoorden,
ongecompliceerde ritmes
en eenvoudige
melodielijnen de
jeugdigemuzikanten
meeneemt naar The
Dance Club. Daar
leren ze de chachacha, de
rumba, discodansen en een
heuse oosterse buikdans.
De thema’s en
begeleidingen zijn weer
gelijkwaardig verdeeld
over de vier stemmen,
zodat aluw muzikanten een
echte uitdaging vinden in
het studeren en spelen
van The Dance
Club.
In vier
Tänzen führt Peter
Kleine Schaars - mittels
erfrischender Akkorde,
unkomplizierter Rhythmen
und einfacher
Melodielinien - junge
Musiker in den Dance
Club. Dort lernen sie
Cha-Cha-Cha, Rumba,
Discotanzen und einen
echten orientalischen
Bauchtanz. Da die Themen
und Begleitungen
gleichmäßig auf
alle vier Stimmen
verteilt sind, teilen
sich auch alle Spaß
und Herausforderung!
The Soldier's Wife Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115250-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115250-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2012. 28
pages. De Haske
Publications #DHP
1115250-140. Published by
De Haske Publications
(BT.DHP-1115250-140).
9x12 inches.
English-German-French-Dut
ch.
The
Soldier’s Wife
is a short and simple
piece commissioned by the
Singapore Ministry of
Education. It was
originally intended as a
compulsory piece for the
2012 Singapore Youth
Festival. Because many
school bands in Singapore
are incomplete, the
composer was specifically
asked to create a work
that could equally be
played by a limited
ensemble—which
explains various doubled
and optional parts. The
warm tones of a melodic
passage open this short
work: the wife of the
wooden soldier sings a
kind of lullaby. This
lyrical section is
followed by a more
powerful part which is,
however, based on the
same melodic material.
The rhythm, syncopated at
times, infuses
thissection with a
particular energy. The
harmony, too, has some
surprising
turns—and we must
never lose sight of the
restrictions imposed by
the limited level of
difficulty of the piece.
Although the work begins
softly and sweetly, much
more ‘feminine
energy’ is
projected by the close.
The
Soldier’s Wife
is een kort en eenvoudig
werkje dat is geschreven
in opdracht van het
Singaporese ministerie
van Onderwijs. Het was
aanvankelijk bedoeld als
verplicht werk voor het
Singapore Youth Festival
2012. Omdat
veelschoolorkesten in
Singapore een onvolledige
bezetting hebben, kreeg
de componist het
nadrukkelijke verzoek om
het werk zo vorm te geven
dat het ook met een
beperkt ensemble
uitgevoerd kan worden:
dat verklaart een aantal
verdubbelingenen
instrumenten ad
libitum.Een warme,
melodische passage opent
dit korte werkje: de
vrouw van het - houten -
soldaatje zingt als het
ware een wiegeliedje.
Nadat dit lyrische deel
is afgerond, volgt een
energieker gedeeltedat
qua melodisch materiaal
op dezelfde bouwstenen is
gebaseerd. De hier en
daar gesyncopeerde
ritmiek verleent dit deel
een bijzondere energie,
en ook harmonisch zijn er
een paar verrassende
wendingen - waarbij
rekening is gehoudenmet
de beperkingen die
verbonden zijn aan werken
voor dit muzikale niveau.
Begon het werkje zacht en
liefelijk, aan het slot
is er heel wat meer
‘girl power’
voelbaar!
The
Soldier’s Wife
ist ein kurzes, einfaches
Werk, das im Auftrag des
Bildungsministeriums von
Singapur geschrieben
wurde. Es war zunächst
als Pflichtstück
für das Singapurer
Jugendfestival 2012
gedacht. Da viele
Schulblasorchester in
Singapur unvollständig
besetzt sind, bat man den
Komponisten
ausdrücklich, das Werk
so zu gestalten, dass es
auch mit einem begrenzten
Ensemble gespielt werden
könne: Dies erklärt
einige Verdopplungen und
optionale Instrumente.
Eine warm klingende,
melodische Passage
eröffnet dieses kurze
Werk: Die Frau des -
hölzernen- Soldaten
singt eine Art
Wiegenlied. Nach diesem
lyrischen Abschnitt folgt
ein kraftvollerer Teil,
der aber aufdemselben
melodischen Material
aufbaut. Der hier und da
synkopierte Rhythmus
verleiht diesem Teil eine
besondere Energie und
auch harmonisch gibt es
einige überraschende
Wendungen - wobei immer
an die auferlegten
Beschränkungen durch
den Schwierigkeitsgrad
gedacht werden muss. Ist
das Werk zu Beginn noch
leise und lieblich, ist
zum Schluss doch schon
wesentlich mehr weibliche
Energie“
spürbar...!
“Guarda,
è la moglie del
soldato di legnoâ€!
All’inizio, canta
una dolce ninnananna, che
precede una sezione
più potente dai ritmi
sincopati e con
sorprendenti cambiamenti
di armonie. The
Soldier’s Wife
inizia in modo calmo e
dolce per poi trovare
un’energia
tipicamente femminile
verso il finale. The
Soldier’s Wife
è un brano breve e
semplice, perfetto anche
per formazioni a organico
ridotto grazie alle parti
raddoppiate e
opzionali.
The Wooden Soldier Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115249-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115249-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2012. 32
pages. De Haske
Publications #DHP
1115249-140. Published by
De Haske Publications
(BT.DHP-1115249-140).
9x12 inches.
English-German-French-Dut
ch.
The Wooden
Soldier is a short
and simple piece
commissioned by the
Singapore Ministry of
Education. It was
originally intended as a
compulsory piece for the
2012 Singapore Youth
Festival. Because many
school bands in Singapore
are incomplete, the
composer was specifically
asked to create a work
that could equally be
played by a limited
ensemble—which
explains various doubled
andoptional parts.The
wooden toy soldier that
inspires the work
initially marches in a
fictitious parade before
gliding into a swift
waltz. Both sections are
based on the same melodic
material: the brisk
triple-time passage is in
fact a variation on the
parade theme. Switching
between majorand minor
keys—together with
a number of surprising
twists—makes an
enthralling work despite
the restrictions imposed.
The Wooden
Soldier is een kort
en eenvoudig werkje dat
is geschreven in opdracht
van het Singaporese
ministerie van Onderwijs.
Het was aanvankelijk
bedoeld als verplicht
werk voor het Singapore
Youth Festival 2012.
Omdat veelschoolorkesten
in Singapore een
onvolledige bezetting
hebben, kreeg de
componist het
nadrukkelijke verzoek om
het werk zo vorm te geven
dat het ook met een
beperkt ensemble
uitgevoerd kan worden:
dat verklaart een aantal
verdubbelingenen
instrumenten ad
libitum.Het houten
speelgoedsoldaatje dat
als inspiratiebron
diende, stapt eerst in
een fictieve parade en
strekt daarna de benen
tijdens een vlotte wals.
Beide passages zijn
gebaseerd op hetzelfde
melodischemateriaal: de
snelle driekwartsmaat is
dus als het ware een
variant op het
paradethema. De
afwisseling tussen grote-
en kleinetertstoonaarden
en hier en daar een
verrassende wending
zorgen ervoor dat dit
werkje met zijn enethema
blijft boeien, ondanks de
vele opgelegde
beperkingen.
Th
e Wooden Soldier ist
ein kurzes, einfaches
Werk, das im Auftrag des
Bildungsministeriums von
Singapur geschrieben
wurde. Es war zunächst
als Pflichtstück
für das Singapurer
Jugendfestival 2012
gedacht. Da viele
Schulblasorchester in
Singapur unvollständig
besetzt sind, bat man den
Komponisten
ausdrücklich, das
Werk so zu gestalten,
dass es auch mit einem
begrenzten Ensemble
gespielt werden könne:
Dies erklärt einige
Verdopplungen und
optionale Instrumente.Der
hölzerne
Spielzeugsoldat, der als
Quelle der Inspiration
diente, marschiert
zunächst in einer
fiktiven Parade, um
danach das Tanzbein zu
einem flotten Walzer zu
schwingen.
BeideAbschnitte basieren
auf demselben melodischen
Material: Der schnelle
Dreivierteltakt ist also
im Grunde eine Variation
auf das Parade-Thema. Der
Wechsel zwischen Dur- und
Moll-Tonarten sowie
eingestreute
überraschende
Wendungen sorgen
dafür, dass dieses
Stück mit seinem
einen Thema trotz der
zahlreichen auferlegten
Beschränkungen stets
spannend bleibt.
Commissionato
come brano
d’obbligo dal
Ministero
dell’Educazione
per il Singapore Youth
Festival 2012, The
Wooden Soldier è
stato arrangiato per
poter essere eseguito da
una formazione ad
organico ridotto. Il
pezzo include varie parti
raddoppiate e opzionali.
Il brano inizia in uno
stile simile a una marcia
da parata per poi
scivolare verso un rapido
valzer, basandosi,
seppure in stili diversi,
sul medesimo materiale
melodico. I passaggi tra
tonalit maggiori e
minori, come anche
sorprendenti colpi di
scena, fanno di questo
brano una valida aggiunta
al programma da
concerto.
Gulliver's
Travels. Composed by
Maxime Aulio. Sovereign
Series. Concert Piece.
Score Only. Composed
2003. 64 pages. De Haske
Publications #DHP
1033505-140. Published by
De Haske Publications
(BT.DHP-1033505-140).
340 X 250
inches.
Jonathan
Swifts satirischer Roman
Gullivers Reisen -
eine literarische Reise
zwischen Vernunft und
Verrücktheit - regte
auch die Phantasie des
Komponisten Maxime Aulio
an. Seine Suite für
Blasorchester besteht aus
mehreren kurzen,
teilweise wie eine Kette
aneinander gereihten
Sätzen. Zyklisch in
veränderter Form
wiederkehrende Motive und
Themen beschreiben
Gullivers Gedanken und
Gefühle oder auch
Landschaften und
Personen, die ihm
unterwegs
begegnen.
Gulliver's
Travels. Composed by
Maxime Aulio. Sovereign
Series. Concert Piece.
Set (Score & Parts).
Composed 2003. De Haske
Publications #DHP
1033505-010. Published by
De Haske Publications
(BT.DHP-1033505-010).
Jonathan Swifts
satirischer Roman
Gullivers Reisen -
eine literarische Reise
zwischen Vernunft und
Verrücktheit - regte
auch die Phantasie des
Komponisten Maxime Aulio
an. Seine Suite für
Blasorchester besteht aus
mehreren kurzen,
teilweise wie eine Kette
aneinander gereihten
Sätzen. Zyklisch in
veränderter Form
wiederkehrende Motive und
Themen beschreiben
Gullivers Gedanken und
Gefühle oder auch
Landschaften und
Personen, die ihm
unterwegs
begegnen.
St Paul's Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-455-010 Composed by Gustav Ho...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-455-010
Composed by Gustav Holst.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Classical.
Set (Score & Parts).
Composed 2017. Anglo
Music Press #AMP 455-010.
Published by Anglo Music
Press (BT.AMP-455-010).
English-German-French-
Dutch.
Between 1905
and 1934, Gustav Holst
was Director of Music at
St Paul’s Girls
School in Brook Green,
London. St
Paul’s Suite,
written for the
school’s string
orchestra, was premiered
there in 1913 and
consists of four
movements: an energetic
Jig in 6/8 and
9/8, Ostinato,
based on a simple 4-note
theme, Intermezzo,
an energetic and rhythmic
dance and Finale,
adapted from the
Second Suite in F
in which Holst
brilliantly combines
The Dargason and
The English Dancing
Master, with the
traditional melody,
Greensleeves. <
br>Tussen 1905 en 1934
was Gustav Holst
hoofddocent muziek aan de
St Paul’s Girls
School in Brook Green,
Londen. St.
Paul’s Suite,
geschreven voor het
strijkorkest van de
school, werd in 1913 in
première gebracht. Het
werk bestaat uit vier
delen: een energieke
Jig in 6/8 en 9/8;
een Ostinato,
gebaseerd op en simpel
motief van vier noten;
een levendig, ritmische
dans in het
Intermezzo; en de
Finale, een
bewerking van de
Second Suite in F,
waarin Holst op briljante
wijze The Dargason
uit The English
Dancing Master
combineert met de
traditionele melodie
Greensleeves. <
br>Gustav Holst war von
1905 bis 1934
Musikdirektor an der St
Paul’s
Girls’ School in
Brook Green/London. Er
hat die St
Paul’s Suite
für das
Streichorchester der
Schule komponiert, und
sie wurde dort 1913
uraufgeführt. Die
Suite besteht aus vier
Sätzen: einer
schwungvollen Jig
im 6/8- und 9/8-Takt, dem
Ostinato, das auf
einem aus vier Noten
bestehenden Thema
basiert, dem
Intermezzo, einem
schwungvollen,
rhythmischen Tanz, und
dem Finale, das
aus der Second Suite
in F übernommen
wurde und in dem Holst
auf meisterhafte Weise
The Dargason aus
der Sammlung The
English Dancing
Master mit der
traditionellen
MelodieGreensleeves kombiniert.