By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 9:00. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Grade 3. Conductor Full Score. Duration 9:00

By Larry Clark. Concert Band. For Concert Band. Carl Fischer Symphonic Performance Series. Grade 4. Score and Set of Parts. Duration 5:08

Concert Band concert band - Grade 1

SKU: CF.BPS33F

Composed by Larry Clark. Carl Fischer Beginning Performance Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #BPS33F. Published by Carl Fischer Music (CF.BPS33F).

ISBN 9780825855344. UPC: 798408055349. 9 X 12 inches. Key: Bb major.

This glorious holiday piece is sure to become a classic. The tune Simple Gifts is the main theme heard throughout the piece and is intertwined with short snippets of several beloved Christmas carols. It is simple enough for any beginning band to play, but sounds quite sophisticated. Don't miss the opportunity to provide a joyous ending to your first holiday concert!

(Featuring: Simple Gifts / Pretty Home). Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Score. Belwin Beginning Band. Folk. Grade 1. 20 pages. Published by Belwin Publishing

Band Concert Band - Grade 3

SKU: CF.CPS252

Composed by Michael J. Miller. Set of Score and Parts. 12+4+4+2+4+4+4+2+2+2+2+2+ 2+4+4+4+2+2+3+3+3+2+4+3+1 +2+3 pages. Duration 1:45. Carl Fischer Music #CPS252. Published by Carl Fischer Music (CF.CPS252).

ISBN 9781491159699. UPC: 680160918287.

Ameri ca is intended for any intermediate to professional concert band looking to honor the United States of America and/or members of the Armed Forces. It is therefore ideal for performance on or around any patriotic holiday. It is not a typical setting of the tune, in that many liberties are taken to showcase each instrument of the ensemble, with the melodic focus constantly shifting. The conductor and performers should seek out these moments, and bring them to life whenever possible. The introduction, mm. 1-12, should be approached in the style of a fanfare, with an emphasis on syncopation and exaggerated nuance in regards to articulation style. Here, hidden beneath woodwind flourishes and triumphant bugle calls, the low voices play quotes of familiar American tunes such as The Star-Spangled Banner (m. 1, beat 3) and Simple Gifts (m. 3, beat 4). In mm. 15-22 the melody is carefully hidden among counter lines. This should be carefully balanced to highlight the melody, while still shaping the counter melodies appropriately. A brief return to the fanfare style occurs in mm. 33-35 before melding back into the chorale style. In regards to dynamics, performers should be reminded that within any single dynamic exists a range of expressive shades. No two notes should be played at the same volume, ensuring direction in even the simplest of phrases. Generally speaking, the fortissimo dynamic should be approached thoughtfully, with the bulk of the sound coming from the lowest voices, and the least from the highest voices.
America is intended for any intermediate to professional concert band looking to honor the United States of America and/or members of the Armed Forces. It is therefore ideal for performance on or around any patriotic holiday. It is not a typical setting of the tune, in that many liberties are taken to showcase each instrument of the ensemble, with the melodic focus constantly shifting. The conductor and performers should seek out these moments, and bring them to life whenever possible.The introduction, mm. 1–12, should be approached in the style of a fanfare, with an emphasis on syncopation and exaggerated nuance in regards to articulation style. Here, hidden beneath woodwind flourishes and triumphant bugle calls, the low voices play quotes of familiar American tunes such as The Star-Spangled Banner (m. 1, beat 3) and Simple Gifts (m. 3, beat 4). In mm. 15–22 the melody is carefully hidden among counter lines. This should be carefully balanced to highlight the melody, while still shaping the counter melodies appropriately.A brief return to the fanfare style occurs in mm. 33–35 before melding back into the chorale style.In regards to dynamics, performers should be reminded that within any single dynamic exists a range of expressive shades. No two notes should be played at the same volume, ensuring direction in even the simplest of phrases.Generally speaking, the fortissimo dynamic should be approached thoughtfully, with the bulk of the sound coming from the lowest voices, and the least from the highest voices.

Band Concert Band - Grade 3

SKU: CF.CPS252F

Composed by Michael J. Miller. Full score. 9 pages. Carl Fischer Music #CPS252F. Published by Carl Fischer Music (CF.CPS252F).

ISBN 9781491159705. UPC: 680160918294.

Ameri ca is intended for any intermediate to professional concert band looking to honor the United States of America and/or members of the Armed Forces. It is therefore ideal for performance on or around any patriotic holiday. It is not a typical setting of the tune, in that many liberties are taken to showcase each instrument of the ensemble, with the melodic focus constantly shifting. The conductor and performers should seek out these moments, and bring them to life whenever possible. The introduction, mm. 1-12, should be approached in the style of a fanfare, with an emphasis on syncopation and exaggerated nuance in regards to articulation style. Here, hidden beneath woodwind flourishes and triumphant bugle calls, the low voices play quotes of familiar American tunes such as The Star-Spangled Banner (m. 1, beat 3) and Simple Gifts (m. 3, beat 4). In mm. 15-22 the melody is carefully hidden among counter lines. This should be carefully balanced to highlight the melody, while still shaping the counter melodies appropriately. A brief return to the fanfare style occurs in mm. 33-35 before melding back into the chorale style. In regards to dynamics, performers should be reminded that within any single dynamic exists a range of expressive shades. No two notes should be played at the same volume, ensuring direction in even the simplest of phrases. Generally speaking, the fortissimo dynamic should be approached thoughtfully, with the bulk of the sound coming from the lowest voices, and the least from the highest voices.
America is intended for any intermediate to professional concert band looking to honor the United States of America and/or members of the Armed Forces. It is therefore ideal for performance on or around any patriotic holiday. It is not a typical setting of the tune, in that many liberties are taken to showcase each instrument of the ensemble, with the melodic focus constantly shifting. The conductor and performers should seek out these moments, and bring them to life whenever possible.The introduction, mm. 1–12, should be approached in the style of a fanfare, with an emphasis on syncopation and exaggerated nuance in regards to articulation style. Here, hidden beneath woodwind flourishes and triumphant bugle calls, the low voices play quotes of familiar American tunes such as The Star-Spangled Banner (m. 1, beat 3) and Simple Gifts (m. 3, beat 4). In mm. 15–22 the melody is carefully hidden among counter lines. This should be carefully balanced to highlight the melody, while still shaping the counter melodies appropriately.A brief return to the fanfare style occurs in mm. 33–35 before melding back into the chorale style.In regards to dynamics, performers should be reminded that within any single dynamic exists a range of expressive shades. No two notes should be played at the same volume, ensuring direction in even the simplest of phrases.Generally speaking, the fortissimo dynamic should be approached thoughtfully, with the bulk of the sound coming from the lowest voices, and the least from the highest voices.

By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Grade 2. Conductor score and set of parts. Duration 2:15. Published by Manhattan Beach Music

Grade 2

SKU: CL.026-4799-00

Ahrirang & Simple Gifts. Composed by Huckeby. Concert Band. Score and set of parts. C.L. Barnhouse #026-4799-00. Published by C.L. Barnhouse (CL.026-4799-00).

This Ed Huckeby adaptation of the original work makes a great concert or contest selection for limited-instrumentation ensembles. Combining the well-known melodic elements of Simple Gifts and the Korean folk song Ahrirang, this well-crafted medley will delight both performer and listener. Highly recommended!

Grade 2

SKU: CL.026-4799-01

Ahrirang & Simple Gifts. Composed by Huckeby. Concert Band. Extra full score. C.L. Barnhouse #026-4799-01. Published by C.L. Barnhouse (CL.026-4799-01).

This Ed Huckeby adaptation of the original work makes a great concert or contest selection for limited-instrumentation ensembles. Combining the well-known melodic elements of Simple Gifts and the Korean folk song Ahrirang, this well-crafted medley will delight both performer and listener. Highly recommended!

14 Best-Selling Pieces from the Band Series - full score. Composed by W. C. Handy; Eric Osterling; Jacques Offenbach; Gioacchino Rossini; Irving Berlin; Peter J. Wilhousky; Henry Fillmore; Peter Ilyich Tchaikovsky; Anonymous. Edited by Andrew Balent. Arranged by Mitchell S. Bender; James Swearingen; Lloyd Conley; Gerald Sebesky; Andrew Balent. Concert Band Method. Full score (study). With Standard notation. 196 pages. Carl Fischer #O005320. Published by Carl Fischer

Concert band - Grade 1

SKU: CL.023-4499-01

Composed by Conaway. Young Concert Band. Sound Foundations Series. Audio recording available separately (item CL.WFR390). Extra full score. Composed 2016. Duration 1 minute, 40 seconds. C.L. Barnhouse #023-4499-01. Published by C.L. Barnhouse (CL.023-4499-01).

Both dramatic and sensitive, this powerful concert opener will allow even your youngest ensembles to shine. Melodies and harmonies evoke thoughts of Copland, even briefly quoting part of the Shaker song Simple Gifts. Your audiences will be amazed with the maturity of your band’s sound! Impressive!

Composed by Aaron Copland (1900-1990). Arranged by Robert Longfield. For Concert Band (Score). Boosey and Hawkes Concert Band. Grade 4. 36 pages. Published by Boosey and Hawkes

Composed by Aaron Copland (1900-1990). Arranged by Robert Longfield. For Concert Band (Score and Parts). Boosey and Hawkes Concert Band. Grade 4. Published by Boosey and Hawkes

(Full Score). Composed by Anonymous. Arranged by Andrew Balent. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor I, Tenor II, Euphonium, Bassoon, Tuba, Percussion I, Percussion II, Piano. Carl Fischer Young Band Series. Grade 2-2.5. Full Score. Standard notation. 15 pages. Published by Carl Fischer

Score and Parts. By John Edmondson. (BAND SET). Boosey and Hawkes Concert Band. Size 8.5x11 inches. Published by Boosey & Hawkes.

CD. By Johnnie Vinson. Concert Band CD Recording. CD only. Published by Hal Leonard.

By Joseph Brackett. Arranged by Larry Clark. Concert Band. For Flute, Oboe, Flute II, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn, Tenor, Baritone (Bass Clef), Bassoon, Baritone (Treble Clef in Bb), Tuba, Handbells, Chimes, Timpani, Snare Drum, Bass Drum, Triangle, Slei. Carl Fischer Beginning Performance Series. Grade 1. Score and Set of Parts. Standard notation. 12 pages. Published by Carl Fischer

By Traditional. Edited by George Megaw. Arranged by Jack Bullock. Concert band. 146 pages. Published by Warner Brothers.

Arranged by Jack Bullock. Concert Band; Performance Music Ensemble; Single Titles. Belwin Very Beginning Band. Folk. Score. 12 pages. Duration 2:00. Belwin Music #00-BDM00028C. Published by Belwin Music

Score and Parts. By Aaron Copland. Arranged by William H. Silvester. (BAND SET). Boosey and Hawkes Concert Band. Published by Boosey & Hawkes.

By Aaron Copland. Arranged by John Moss. Boosey and Hawkes Concert Band. Size 9x12 inches. Published by Boosey & Hawkes.

Arranged by Clark Tyler. Arr. Clark Tyler. For Concert Band. Concert Band. Mini Score Series. Folk Song. Level: 1 (Very Easy) (grade 1). Conductor Score & Parts. 1 pages. Published by Alfred Publishing.

Based on Joseph Brackett's Simple Gifts. Composed by James Swearingen. Young Band. Sound Foundations. Score and parts. Duration 2 minutes, 31 seconds. Published by C.L. Barnhouse (CL.023-4409-00).

Composed by Michael Smith. Arranged by Michael Smith. For Concert Band. Score only. Published by Imagine Music

By The Canadian Brass. Arranged by John Moss. Score and full set of parts. Canadian Brass Concert Band. Published by Hal Leonard.