Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2

SKU: CF.YPS208

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208).

ISBN 9781491152287. UPC: 680160909780. Key: D minor.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 2

SKU: CF.YPS208F

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS208F. Published by Carl Fischer Music (CF.YPS208F).

ISBN 9781491152966. UPC: 680160910465.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:00. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:00. Published by Manhattan Beach Music.

By John Newton, Traditional American Melody. Arranged by James D. Ployhar. Words by John Newton, Traditional American Melody / arr. James D. Ployhar. For Concert Band. Concert Band. Belwin Concert Band. Level: Easy to Medium Easy (grade II 1/2-III). Conductor Score, Parts and CD. 174 pages. Duration 3:07. Published by Alfred Publishing.

Concert band (Flute 1, Flute 2/Piccolo, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn in F 1/2, Horn in F 3/4, Trombone 1/2, Trombone) - grade 3

SKU: CN.S11293

Composed by Peter Meechan. Score only. Duration 4:15. Published by G & M Brand Music Publishers (CN.S11293).

Inspired by the release of Nelson Mandela in the early 1990s, Hymn for Africa pays tribute to the sense of dignity and peace that he brought not only to South Africa, but around the entire globe. As the beautifully lush chorale unfolds, quietly undulating drums murmur in the distance and gradually build into a rousing climax.

Hymn for Africa was written as part of a project known as Brass Band Aid. When I was asked to compose a piece with relevance to Africa for the project, I began to think of all the things that I associate with Africa. I have vivid memories from my childhood of the hard-hitting news reports from the famines of the early/mid 1980's (and the concerts that followed). I also associate Africa with amazing animal life - the many species from snakes to birds to lions, with their many colours. But more than these associations, there is one memory that stands out amongst all others. The release of Nelson Mandela in the early 1990's had a profound effect not only in South Africa, but all over the continent of Africa, as well as the World as a whole. The fact that one man can achieve this with peace and great dignity will always be an inspiration, not only to me, but many, many millions of humans around the globe. Hymn for Africa is inspired by this sense of dignity and peace. A simple eight bar melody is the basis of the composition. A drone is then added, before a chorale, and finally a rousing climax when the percussion and full band enter. The piece dedicated to Bob and Briony Thompson in admiration.

20 Timeless Hymns performed by Philip Smith - Principal Trumpet, NY Philharmonic. Performed by Philip Smith. Curnow Music Concert Band. Size 5x5.5 inches. Published by Hal Leonard.

Band Bass Clarinet, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Suspended Cymbal, Tam-tam, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more. - Grade 3

SKU: CF.CPS194F

Composed by Tyler Arcari. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 12 pages. Duration 3 minutes, 27 seconds. Carl Fischer Music #CPS194F. Published by Carl Fischer Music (CF.CPS194F).

ISBN 9781491148204. UPC: 680160905706. 9 x 12 inches.

Amazing Grace has become a staple in celebrations of both life and death. This setting is meant to celebrate the life of a fellow musician. Tyler Arcari's new take on this old favorite will make a truly fresh addition to your band's repertoire.

Band Bass Clarinet, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Suspended Cymbal, Tam-tam, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more. - Grade 3

SKU: CF.CPS194

Composed by Tyler Arcari. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 8+2+4+8+8+2+2+2+2+2+2+4+4 +4+2+2+3+3+3+3+2+4+1+1+3+ 12 pages. Duration 3 minutes, 27 seconds. Carl Fischer Music #CPS194. Published by Carl Fischer Music (CF.CPS194).

ISBN 9781491147504. UPC: 680160905003. 9 x 12 inches.

Amazing Grace has become a staple in celebrations of both life and death. This setting is meant to celebrate the life of a fellow musician. Tyler Arcari's new take on this old favorite will make a truly fresh addition to your band's repertoire.

Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 3rd Bb Trumpet, 1st F) - grade 2.5

SKU: CN.S11278

Composed by Bruce Fraser. Band Music. Score. Duration 7:00. Published by G & M Brand Music Publishers (CN.S11278).

This three-movement gem captures the composer's different impressions of Italy beautifully, evident in the programmatic titles of each movement - Last night we danced the Tarantella, The Sistine Chapel is staggeringly beautiful and The view from the top of Vesuvius is amazing. Take your students on a field trip to Italy without leaving the band room!

Scottish composer Bruce Fraser spends much time in Italy and has become well-known in that country as composer, conductor, and adjudicator. It was inevitable that some of his Italian impressions would find their way into his music - and this three movement gem captures the different moods beautifully. 1) Last Night we danced the Tarantella 2) The Sistine Chapel is staggeringly beautiful 3) The view from the top of Vesuvius is amazing.

Concert band (flute 1/2, oboe, clarinet 1/2, /3, Bb bass clarinet, alto sax 1/2, tenor sax, baritone sax, trumpet 1/2, F horn 1/2, trombone 1/2, euphonium, tuba, timpani, percussion 1 (snare drum) percussion 2 (3 toms) percussion 3 (bass drum) glockenspiel) - grade 2.5

SKU: CN.S11259

Composed by Bruce Fraser. Arranged by David Farnon. Band Music. Score only. Duration 6:30. Published by G & M Brand Music Publishers (CN.S11259).

During a visit to the town of Saintes in South West France in the summer of 2003, I spent some time in the Roman amphitheatre there. It is a well preserved arena and I imagined what it must have been like to take part in the gladiatorial games. 'Roman times' is based on these images with the opening grand procession and its amazing mixture of Mediterranean peoples. The middle movement is an old fashioned love ballad followed by gladiators fighting in a very spirited battle to death or victory.

Concert Band Alto Saxophone, Baritone Saxophone, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Flute, Flute II, Horn, Oboe, Snare Drum, Tambourine, Tenor, Tenor Saxophone, Timpani, Triangle, Trumpet, Tuba - Grade 1

SKU: CF.BPS20F

Full Score. Composed by Larry Clark. Carl Fischer Beginning Performance Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #BPS20F. Published by Carl Fischer Music (CF.BPS20F).

ISBN 9780825844546. UPC: 798408044541. 9 X 12 inches. Key: Bb major.

Using only the first six notes young players are taught, Larry Clark encourages upright thinking with this aptly titled, somewhat stern piece. The music's seriousness and amazing variety of harmonic sophistication belie the narrow range of the materials involved. An excellent piece for contest and festivals, Character will make a very strong impression whenever it is performed. Duration: 2' 20.

Band concert band - Grade 4

SKU: KJ.B383F

Composed by John Zdechlik. Score. Neil A. Kjos Music Company #B383F. Published by Neil A. Kjos Music Company (KJ.B383F).

This theme and variation is based upon the well-known hymn Amazing Grace. The first variation states the melody playfully in the piccolo and trumpet parts. The second variant is more angular and powerful and takes the theme through more dissonant harmonic configurations. In the third variant the theme is stated in the low reeds and is surrounded by a potpourri of trills, glissandos and other dissonant effects. The last section combines variations and builds to a dramatic finale.

Band concert band - Grade 4

SKU: KJ.B383

Composed by John Zdechlik. Score and set of parts. Neil A. Kjos Music Company #B383. Published by Neil A. Kjos Music Company (KJ.B383).

This theme and variation is based upon the well-known hymn Amazing Grace. The first variation states the melody playfully in the piccolo and trumpet parts. The second variant is more angular and powerful and takes the theme through more dissonant harmonic configurations. In the third variant the theme is stated in the low reeds and is surrounded by a potpourri of trills, glissandos and other dissonant effects. The last section combines variations and builds to a dramatic finale.