Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Composed by Derek
Bourgeois. Band Music.
Score and parts. Duration
17:40. Published by G & M
Brand Music Publishers
(CN.R10193).
With
inspiration taken from
composers Maurice Ravel,
Arthur Benjamin and
Charles Ives, Bourgeois
take s a tongue-in-cheek
approach to this
challenging 3-movement
work. While the work is
infused with humor
throughout, it still
showcases his mastery of
the wind band
idiom.
In 1972, I
wrote a Sonata for Two
Pianos for two friends
who were piano teachers
at Wellington College.
When in 1995 I was asked
to write a work for wind
band, I returned to this
Sonata and have
re-arranged and in the
new version renamed it
Fantasy Triptych. There
are three movements: 1.
Le Tombeau d'Arthur
Benjamin Ravel wrote 'Le
Tombeau de Couperin,'
Arthur Benjamin wrote 'Le
Tombeau de Ravel' and so
the temptation to write
'Le Tombeau d'Arthur
Benjamin' was
overwhelming. At the end
of the movement there is
an oblique reference to
Benjamin's own 'Jamaican
Rumba' which accompanies
a quote from an old
Spanish folk song 'Loro,
enciende el hervidor de
agua.' 2. Mr. Bolt goes
for a ride in his motor
car, and Monsieur Ravel
turns in his grave. The
movement is dedicated to
an old friend, Geoffrey
Bolt, who adores the
music of Ravel. but at
the time of writing was
learning to drive. He
always described his
vehicle as a motor car.
To describe him as an
impatient motorist would
be a gross
understatement. The
refined suavity of
Ravel's music was in
complete contrast to
these early
manifestations of road
rage, hence the central
angry outburst. 3. The
War March of the
Ostriches The music of
Charles Ives was
fascinating me at the
time of writing this
movement and some of the
influence has rubbed off
in this rondo-like march.
At the end there is a
quote from the very
beginning of the first
movement. The title was
inspired by the amusing
antics of a group of
ostriches during a visit
to Bristol Zoo.
Composed by Derek
Bourgeois. Band Music.
Score only. Duration
17:40. Published by G & M
Brand Music Publishers
(CN.S11193).
With
inspiration taken from
composers Maurice Ravel,
Arthur Benjamin and
Charles Ives, Bourgeois
take s a tongue-in-cheek
approach to this
challenging 3-movement
work. While the work is
infused with humor
throughout, it still
showcases his mastery of
the wind band
idiom.
In 1972, I
wrote a Sonata for Two
Pianos for two friends
who were piano teachers
at Wellington College.
When in 1995 I was asked
to write a work for wind
band, I returned to this
Sonata and have
re-arranged and in the
new version renamed it
Fantasy Triptych. There
are three movements: 1.
Le Tombeau d'Arthur
Benjamin Ravel wrote 'Le
Tombeau de Couperin,'
Arthur Benjamin wrote 'Le
Tombeau de Ravel' and so
the temptation to write
'Le Tombeau d'Arthur
Benjamin' was
overwhelming. At the end
of the movement there is
an oblique reference to
Benjamin's own 'Jamaican
Rumba' which accompanies
a quote from an old
Spanish folk song 'Loro,
enciende el hervidor de
agua.' 2. Mr. Bolt goes
for a ride in his motor
car, and Monsieur Ravel
turns in his grave. The
movement is dedicated to
an old friend, Geoffrey
Bolt, who adores the
music of Ravel. but at
the time of writing was
learning to drive. He
always described his
vehicle as a motor car.
To describe him as an
impatient motorist would
be a gross
understatement. The
refined suavity of
Ravel's music was in
complete contrast to
these early
manifestations of road
rage, hence the central
angry outburst. 3. The
War March of the
Ostriches The music of
Charles Ives was
fascinating me at the
time of writing this
movement and some of the
influence has rubbed off
in this rondo-like march.
At the end there is a
quote from the very
beginning of the first
movement. The title was
inspired by the amusing
antics of a group of
ostriches during a visit
to Bristol Zoo.
No.5
from 'Set 1 for Wind
Band'. Composed by
Domenico Scarlatti. Full
score. United Music
Publishing #19290A4.
Published by United Music
Publishing (UM.19290A4).
No.5
from 'Set 1 for Wind
Band'. Composed by
Domenico Scarlatti. Full
score. United Music
Publishing #19290A3.
Published by United Music
Publishing (UM.19290A3).
Composed by Kees Vlak (1938-). Clarinet Solo and Band/Solo Concerts/Little Solo ...(+)
Composed by Kees Vlak
(1938-). Clarinet Solo
and Band/Solo
Concerts/Little Solo
concerts. Solo and Band
Series. Recorded on Kees
Vlak, Composer and
Arranger (ML.311035720).
Score only. Duration 20
minutes, 30 seconds.
Published by Molenaar
Edition (ML.011872110-S).
Moonlight Sonata Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-3945-01 Composed by Ludwig van Beethoven. Arranged by...(+)
Grade 4
SKU:
CL.012-3945-01
Composed by Ludwig van
Beethoven. Arranged by
Poor. Concert Band.
Symphony Band Series.
Audio recording available
separately (item
CL.WFR368). Extra full
score. Composed 2010.
Duration 5 minutes, 12
seconds. Opus III Wind
Orchestra Publications
#012-3945-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3945-01).
The lush and
haunting sounds of
Beethoven's universally
loved Moonlight Sonata
are faithfully brought to
life in Andrew F. Poor's
colorful setting for
band. Listeners and
performers alike will be
able to imagine Beethoven
sitting at a piano as the
sounds of the band
dramatically emerge from
the musical score. As an
added feature, this
beautiful setting
includes an optional
piano part that, along
with the band, are sure
to make this work a
favorite with both your
students and audiences
alike. Perfect for any
concert or contest
program.
Hymne an die Nacht Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053899-140 Composed by Ludwi...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053899-140
Composed by Ludwig van
Beethoven. Arranged by
Michael Bilkes. Your
Favorite Classics. Score
Only. Composed 2005. 16
pages. De Haske
Publications #DHP
1053899-140. Published by
De Haske Publications
(BT.DHP-1053899-140).
9x12 inches.
English-German-French-Dut
ch.
Hymne an die
Nacht is a deeply moving
theme by the master
composer Ludwig van
Beethoven. It is taken
from his Sonata No. 23 in
F minor, Op. 57
(Appassionata), which he
composed between
1804-1806. This theme
originates from the
second movement of this
famous sonata which
Beethoven himself
considered his best work
in this genre. The
passion of this sonata
inspired Michael Bilkes
to make this beautiful
arrangement.
Hymne an die
Nacht is een
ontroerend thema van
meestercomponist Ludwig
van Beethoven. Het is
afkomstig uit zijn sonate
nr. 23 in F-mineur, opus
57 (Appassionata),
die hij componeerde in
1804-1806. Dit thema komt
uithet tweede deel van
deze beroemde sonate, die
door Beethoven zelf werd
beschouwd als zijn beste.
Het inspireerde Michael
Bilkes tot het schrijven
van deze mooie
bewerking.
Die
Hymne an die Nacht ist
ein bewegendes Thema aus
der Sonate Nr. 23 in
f-Moll, op. 57
(Apassionata) von
Ludwig van Beethoven,
welche er in den Jahren
1804-1806 komponierte.
Das hier verwendete Thema
ist aus dem zweiten Satz
dieser berühmten
Sonate, die seit jeher
gerne zu vielen
festlichen Anlässen
gespielt wird. Michael
Bilkes ließ sich davon
zu dieser schönen
Bearbeitung inspirieren.
Hymne
an die Nacht
(Hei’ge Nacht, o
geisse du) è un canto
appassionato del grande
compositore Ludwig van
Beethoven. La linea
melodica è tratta dal
secondo movimento della
celebre Sonata per piano
n. 23 in Fa minore Op. 57
detta
“Appassionataâ€
(1804-1806) che
Beethoven stesso
considerava come la
più riuscita. Ispirato
da questo capolavoro,
Michael Bilkes ha
realizzato un armonioso
arrangiamento per
banda.
Orchestra SKU: AP.12-0571572162 Composed by Carl Vine. Full Orchestra (Fu...(+)
Orchestra
SKU:
AP.12-0571572162
Composed by Carl Vine.
Full Orchestra (Full
Score); Masterworks;
Performance Music
Ensemble; Single Titles.
Faber Edition. Form:
Concerto. 20th Century;
Masterwork. Score. Faber
Music #12-0571572162.
Published by Faber Music
(AP.12-0571572162).
ISBN 9780571572168.
English.
Carl
Vine's Piano Concerto No.
1 (1997) is one of three
large-scale works
composed with pianist
Michael Kieran Harvey in
mind---the others being
his first two piano
sonatas. Vine describes
it as a conscious and
continuous tribute to the
piano concerto as a
medium and historical
entity, a fact most
apparent in the slow
movement, with its long
melodic lines evoking
both Ravel and Bach. This
25-minute concerto is
cast in the familiar
three-movement form, with
fast outer movements
framing a central slow
movement. The outer
movements share some
material (particularly in
some lively
conversational
interchanges between
piano and trumpet), and
also some typically
pianistic glitter across
the orchestra, with harp
and glockenspiel ensuring
that the piano is less of
an outsider than might
have otherwise been the
case.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP....(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano
SKU:
AP.36-A134548
Composed by Johannes
Brahms. Arranged by
Clinton Nieweg and Robert
Sutherland. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Part(s). LudwigMasters
Publications #36-A134548.
Published by
LudwigMasters
Publications
(AP.36-A134548).
UPC:
735816434267.
English.
Johannes
Brahms (1833-1897)
composed his Piano
Concerto No. 1 in 1858
and performed the work's
debut in Hanover,
Germany, in 1859, to
mixed reviews. The work
initially began as a
sonata for two pianos,
then a four-movement
symphony. Under the
counsel of friends Julius
Otto Grimm and violinist
Joseph Joachim, Brahms
landed on a
three-movement piano
concerto. After its fifth
performance in December
1861, with Clara Schumann
as piano soloist, the
work still received mixed
audience reception. It
has since grown in
popularity and has been
recognized as a
masterpiece.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
By Ludwig van Beethoven (1770-1827). Arranged by Poor. For concert band. Concert...(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Poor. For concert band.
Concert Band. Symphony
Band Series. Grade 4.
Score and parts. Composed
2010. Duration 5 minutes,
12 seconds. Published by
C.L. Barnhouse
Composed by Derek
Bourgeois. Arranged by
Mikkelson. Score only.
Duration 15:00. Published
by G & M Brand Music
Publishers (CN.S11307).
Sea Dreams was
written in memory of the
composer's wife, Jean.
After an introduction,
which is not heard again
until the end of the
piece, the music becomes
a rondo allegro, and
gradually builds to a big
climax. At the very end
there is an oblique
reference to the
Liebestod of Wagner's
Tristan and
Isolde.
Sea Dreams
was originally a
commission, in 2007, from
an American University
who wanted me to write a
piece in memory of my
first wife, Jean, who
died in 2006. I set about
writing the music and
quickly completed the
score early in 2008, but,
unfortunately, because of
the sudden collapse in
the worldwide financial
markets the commission
itself fell through. The
music draws on three of
the pieces that I had
written for Jean in the
early days before we were
married, namely two
violin sonatas (she was a
violinist) and the
'Serenade' Opus 22 one of
my most popular pieces.
However the bulk of the
music is new, and the
quotes from these early
pieces are subtle and
merely passing
references, not at all
like the originals. After
an introduction, which is
not heard again until the
end of the piece, the
music becomes a rondo
allegro, and gradually
builds to a big climax.
At the very end there is
an oblique reference to
the Liebestod of Wagner's
Tristan and Isolde. Sea
Dreams was premiered by
Birmingham Symphonic
Winds, conducted by Keith
Allen, on Saturday March
20th 2010 at the CBSO
Centre, Birmingham,
England.
Composed by Derek
Bourgeois. Arranged by
Mikkelson. Score and
parts. Duration 15:00.
Published by G & M Brand
Music Publishers
(CN.R10307).
Sea Dreams was
written in memory of the
composer's wife, Jean.
After an introduction,
which is not heard again
until the end of the
piece, the music becomes
a rondo allegro, and
gradually builds to a big
climax. At the very end
there is an oblique
reference to the
Liebestod of Wagner's
Tristan and Isolde.
Sea Dreams was
originally a commission,
in 2007, from an American
University who wanted me
to write a piece in
memory of my first wife,
Jean, who died in 2006. I
set about writing the
music and quickly
completed the score early
in 2008, but,
unfortunately, because of
the sudden collapse in
the worldwide financial
markets the commission
itself fell through. The
music draws on three of
the pieces that I had
written for Jean in the
early days before we were
married, namely two
violin sonatas (she was a
violinist) and the
'Serenade' Opus 22 one of
my most popular pieces.
However the bulk of the
music is new, and the
quotes from these early
pieces are subtle and
merely passing
references, not at all
like the originals. After
an introduction, which is
not heard again until the
end of the piece, the
music becomes a rondo
allegro, and gradually
builds to a big climax.
At the very end there is
an oblique reference to
the Liebestod of Wagner's
Tristan and Isolde. Sea
Dreams was premiered by
Birmingham Symphonic
Winds, conducted by Keith
Allen, on Saturday March
20th 2010 at the CBSO
Centre, Birmingham,
England.
Composed by Ludwig van Beethoven (1770-1827). Arranged by Dean Jones. Easy band....(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Dean Jones.
Easy band. Score and
parts. Duration 7.5
minutes. Published by
Molenaar Edition
(ML.013402050).
Score and Parts Concert Band (Score & Parts) - Grade 2 SKU: HL.4006720 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 2
SKU:
HL.4006720
Concert
Band Score and Parts.
Composed by Ludwig van
Beethoven. Arranged by
Michael Bilkes. De Haske
Concert Band. Classical,
Concert. Softcover.
Duration 165 seconds. De
Haske Publications
#1053899010. Published by
De Haske Publications
(HL.4006720).
ISBN
9781540097491. UPC:
840126930238.
Hymne
an die Nacht is a deeply
moving theme by the
master composer Ludwig
van Beethoven. It is
taken from his Sonata No.
23 in F minor, Op. 57
(Appassionata), which he
composed between
1804-1806. This theme
originates from the
second movement of this
famous sonata which
Beethoven himself
considered his best work
in this genre. The
passion of this sonata
inspired Michael Bilkes
to make this beautiful
arrangement.
Concert Band (Score) - Grade 2 SKU: HL.4006721 Concert Band Score....(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4006721
Concert
Band Score. Composed
by Ludwig van Beethoven.
Arranged by Michael
Bilkes. De Haske Concert
Band. Classical, Concert.
Softcover. 16 pages.
Duration 165 seconds. De
Haske Publications
#1053899140. Published by
De Haske Publications
(HL.4006721).
UPC:
840126930245.
Hymne
an die Nacht is a deeply
moving theme by the
master composer Ludwig
van Beethoven. It is
taken from his Sonata No.
23 in F minor, Op. 57
(Appassionata), which he
composed between
1804-1806. This theme
originates from the
second movement of this
famous sonata which
Beethoven himself
considered his best work
in this genre. The
passion of this sonata
inspired Michael Bilkes
to make this beautiful
arrangement.
The Best Of Beethoven Orchestre d'harmonie [Conducteur et Parties séparées] C.L. Barnhouse
Composed by Ludwig van Beethoven (1770-1827). Arranged by Ed Huckeby. Conc...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Ed Huckeby.
Concert Band Series.
Composed 2020. Duration 4
minutes, 15 seconds.
Published by C.L.
Barnhouse
Armida Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-1488-01 Overture. Composed by Franz Joseph Hay...(+)
Grade 3
SKU:
CL.012-1488-01
Overture. Composed
by Franz Joseph Haydn.
Arranged by Bowles.
Concert Band. Audio
recording available
separately (item
CL.WFR322). Extra full
score. Composed 1977.
Duration 6 minutes, 8
seconds. Opus III Wind
Orchestra Publications
#012-1488-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-1488-01).
This overture
to the opera is
characteristic of Haydn.
It is an abbreviated
sonata form with a waltz
instead of a development
section. The melodies
have real vitality, and
ingenious counterpoint
enriches the repetition
of thematic material.
Composed by Larry Clark. Arranged by Larry Clark. For concert band. Carl Fischer...(+)
Composed by Larry Clark.
Arranged by Larry Clark.
For concert band. Carl
Fischer Young Performance
Series. Grade 2-2.5. Full
score. 16 pages. Duration
3 minutes, 45 seconds.
Published by Carl Fischer