Southwind Orchestre d'harmonie - Débutant Hal Leonard
Score Only Concert Band (Score) - Grade 1 SKU: HL.4004215 Arranged by Mic...(+)
Score Only Concert Band
(Score) - Grade 1
SKU:
HL.4004215
Arranged
by Michael Sweeney.
MusicWorks Grade 1.
Festival. 12 pages.
Published by Hal Leonard
(HL.4004215).
UPC:
888680063108.
9.0x12.0x0.033
inches.
Composed in
the 1700s, this
traditional Irish ballad
was a lament of
homesickness for its
author, and now a tender
and beloved melody
appearing on countless
recordings. Also known as
“The Wind from the
South†or “An
Gaoth Aneas,†this
setting for second year
players provides melody
for all sections of the
band along with subtle
and tasteful harmonic
variants. Dur: 2:35.
Concert Band - Grade 2.5 SKU: AP.49113S Composed by Robert Sheldon. Conce...(+)
Concert Band - Grade 2.5
SKU: AP.49113S
Composed by Robert
Sheldon. Concert Band;
Performance Music
Ensemble. Young
Symphonic. Score. 12
pages. Duration 3:55.
Alfred Music #00-49113S.
Published by Alfred Music
(AP.49113S).
ISBN
9781470646370. UPC:
038081561264.
English.
This
heartfelt elegy is
dedicated to the life and
memory of Dr. Gary
Corcoran. His mentoring
of so many music
educators and students
fortunate enough to have
worked with him has been
in inspiration to all who
knew this talented and
passionate musician. The
title is drawn from one
of his favorite places,
the south shore of
Massachusetts.
South Shore
Soliloquy by Robert
Sheldon was commissioned
by the PSC/PSU Band
Alumni, Plymouth State
University, Plymouth, New
Hampshire. (3:55).
Concert Band - Grade 2.5 SKU: AP.49113 Composed by Robert Sheldon. Concer...(+)
Concert Band - Grade 2.5
SKU: AP.49113
Composed by Robert
Sheldon. Concert Band;
Performance Music
Ensemble. Young
Symphonic. Form: Chorale.
Score and Part(s). 75
pages. Duration 3:55.
Alfred Music #00-49113.
Published by Alfred Music
(AP.49113).
ISBN
9781470646363. UPC:
038081561257.
English.
This
heartfelt elegy is
dedicated to the life and
memory of Dr. Gary
Corcoran. His mentoring
of so many music
educators and students
fortunate enough to have
worked with him has been
in inspiration to all who
knew this talented and
passionate musician. The
title is drawn from one
of his favorite places,
the south shore of
Massachusetts.
South Shore
Soliloquy by Robert
Sheldon was commissioned
by the PSC/PSU Band
Alumni, Plymouth State
University, Plymouth, New
Hampshire. (3:55).
Concert Band Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bassoon, C...(+)
Concert Band Alto
Saxophone I, Alto
Saxophone II, Baritone
Saxophone, Bassoon,
Clarinet I, Clarinet II,
Clarinet III, Flute, Horn
I, Horn II, Horn III,
Horn IV, Oboe, Piccolo,
Tenor I, Tenor II, Tenor
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Trumpet IV - Grade 4
SKU: CF.CB133
Full Score and
Parts. Composed by
Henry Fillmore. Edited by
Robert E. Foster. FS-SWS.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #CB133.
Published by Carl Fischer
Music (CF.CB133).
ISBN
9780825864995. UPC:
798408064990. 9 X 12
inches. Key: Eb
major.
As a
composer, Henry Fillmore
(1881-1956), was one of
the greatest
practitioners of the
American style march.
Written for the 1952
Orange Bowl game between
the North and South
College Football All
Stars, this march has all
the elements of the
mature Fillmore style:
energy, brilliance and
abundant, memorable
tunes. Robert Foster's
concert edition will
liven up any program and
would also make a great
encore.
Brass Band SKU: HL.44004127 By Williams Fairey Band. By Phillip McCann. A...(+)
Brass Band
SKU:
HL.44004127
By
Williams Fairey Band. By
Phillip McCann. Anglo
Music Concert Band CD.
CD. Composed 2001. Anglo
Music Press #AR0023.
Published by Anglo Music
Press (HL.44004127).
UPC: 073999812022.
5x5.5
inches.
Includes:
Gala Fanfare; Navigation
Inn; Panis Angelicus;
Time Remembered; South
Down Pictures; Flying the
Breeze.
River Songs of the South Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By William Harbinson. For Concert Band. Concert Band. Alfred Concert Band. Folk ...(+)
By William Harbinson. For
Concert Band. Concert
Band. Alfred Concert
Band. Folk Song. Level: 4
(Medium Difficult) (grade
4). Conductor Score and
Parts. 286 pages.
Published by Alfred
Publishing.
Southend Celebration Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-392-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-392-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2014.
Anglo Music Press #AMP
392-010. Published by
Anglo Music Press
(BT.AMP-392-010).
English-German-French-
Dutch.
The work
opens with a stern
fanfare in bare fifths,
which leads to a
cantabile theme
introduced by alto
saxophone. This builds to
a climax and reintroduces
the fanfare, which slowly
evolves into the
subsequent vivo. A perky
tune emerges on flute,
saxophone and trumpet,
which, after a short
bridge passage, leads to
a contrasting melody on
low clarinets and
saxophones. After some
development a true
‘second
subject’ appears
for the whole band. A
recapitulation leads
briefly back to the
opening fanfare before
the vivo returns to close
the work in celebratory
mood.
Het werk
begint met een sobere
fanfare in open kwinten,
gevolgd door een zangerig
thema dat wordt ge
ntroduceerd door de
altsaxofoon. Dit thema
groeit uit tot een climax
en leidt opnieuw de
fanfare in, die zich
langzaam ontwikkelt tot
het daaropvolgende vivo.
Er verschijnt een
opgewekte melodie in de
fluit, saxofoon en
trompet, die na een korte
overgangspassage uitmondt
in een contrasterende
melodie in de lage
klarinetten en saxofoons.
Na een verdere uitwerking
openbaart zich een tweede
thema voor het complete
orkest. Een herneming
voert ons even weer mee
naar de openingsfanfare,
voordat het vivo
terugkeert en het werk in
feestelijke stemming
afsluit.
Nach
einer ernsten Fanfare in
bloßen Quinten, die zu
einem Thema in cantabile
im Altsaxophon führt,
taucht eine kecke Melodie
in Flöte, Saxophon und
Trompete auf, die nach
einer kurzen
Ãœberleitung zu einer
kontrastierenden Melodie
in den tiefen Klarinetten
und Saxophonen wird. Ein
zweites Thema“
spielt das gesamte
Blasorchester. Bevor ein
Vivo aus dem Anfangsteil
Southend Celebration
beendet, werden
längst alle Musiker
und Zuhörer von der
festlichen Stimmung, die
es verbreitet, infiziert
sein!
Il lavoro
si apre con
un’austera fanfara
con quinte vuote, che
porta a un tema cantabile
introdotto da un saxofono
contralto. Si arriva a un
culmine e si introduce
nuovamente la fanfara,
che lentamente evolve nel
‘vivo’
successivo. Un tema
vivace emerge dal flauto,
dal sassofono e dalla
tromba, e dopo un breve
passaggio di transizione,
porta a una melodia
contrastante, dei
clarinetti bassi e dei
sassofoni. Dopo qualche
sviluppo un vero
‘secondo
soggetto’ sorge
dall’intera banda.
Una ripresa porta
brevemente indietro alla
fanfara, prima che il
‘vivo’
ritorni per chiudere il
lavoro in modo
celebrativo.
Southend Celebration Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-392-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-392-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2014.
Anglo Music Press #AMP
392-140. Published by
Anglo Music Press
(BT.AMP-392-140).
English-German-French-
Dutch.
The work
opens with a stern
fanfare in bare fifths,
which leads to a
cantabile theme
introduced by alto
saxophone. This builds to
a climax and reintroduces
the fanfare, which slowly
evolves into the
subsequent vivo. A perky
tune emerges on flute,
saxophone and trumpet,
which, after a short
bridge passage, leads to
a contrasting melody on
low clarinets and
saxophones. After some
development a true
‘second
subject’ appears
for the whole band. A
recapitulation leads
briefly back to the
opening fanfare before
the vivo returns to close
the work in celebratory
mood.
Het werk
begint met een sobere
fanfare in open kwinten,
gevolgd door een zangerig
thema dat wordt ge
ntroduceerd door de
altsaxofoon. Dit thema
groeit uit tot een climax
en leidt opnieuw de
fanfare in, die zich
langzaam ontwikkelt tot
het daaropvolgende vivo.
Er verschijnt een
opgewekte melodie in de
fluit, saxofoon en
trompet, die na een korte
overgangspassage uitmondt
in een contrasterende
melodie in de lage
klarinetten en saxofoons.
Na een verdere uitwerking
openbaart zich een tweede
thema voor het complete
orkest. Een herneming
voert ons even weer mee
naar de openingsfanfare,
voordat het vivo
terugkeert en het werk in
feestelijke stemming
afsluit.
Nach
einer ernsten Fanfare in
bloßen Quinten, die zu
einem Thema in cantabile
im Altsaxophon führt,
taucht eine kecke Melodie
in Flöte, Saxophon und
Trompete auf, die nach
einer kurzen
Ãœberleitung zu einer
kontrastierenden Melodie
in den tiefen Klarinetten
und Saxophonen wird. Ein
zweites Thema“
spielt das gesamte
Blasorchester. Bevor ein
Vivo aus dem Anfangsteil
Southend Celebration
beendet, werden
längst alle Musiker
und Zuhörer von der
festlichen Stimmung, die
es verbreitet, infiziert
sein!
Il lavoro
si apre con
un’austera fanfara
con quinte vuote, che
porta a un tema cantabile
introdotto da un saxofono
contralto. Si arriva a un
culmine e si introduce
nuovamente la fanfara,
che lentamente evolve nel
‘vivo’
successivo. Un tema
vivace emerge dal flauto,
dal sassofono e dalla
tromba, e dopo un breve
passaggio di transizione,
porta a una melodia
contrastante, dei
clarinetti bassi e dei
sassofoni. Dopo qualche
sviluppo un vero
‘secondo
soggetto’ sorge
dall’intera banda.
Una ripresa porta
brevemente indietro alla
fanfara, prima che il
‘vivo’
ritorni per chiudere il
lavoro in modo
celebrativo.
Southwest Summer Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3872-75 American Landscape No. 3. Composed by ...(+)
Grade 3
SKU:
CL.012-3872-75
American Landscape No.
3. Composed by Robert
W. Smith. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR364). Oversized,
spiral-bound score.
Composed 2009. Duration 6
minutes, 19 seconds. Opus
III Wind Orchestra
Publications
#012-3872-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3872-75).
Composer Robert
W. Smith has enjoyed his
sojourns in the great
state of Texas each
summer since 1985. In a
recent visit to the
southwest with his
family, he was inspired
to sketch three
impressions of the Lone
Star State. Desert Dawn
opens the work with
Native-American overtones
depicting the warmth of
the sunrise over a
beautiful southwestern
vista. Anyone ever
visiting San Antonio will
delight in the Paseo Del
Rio depicting the light
and lively Riverwalk of
this great city. The
energetic and powerful
Longhorns concludes the
work with a sense of joy
while celebrating this
uniquely American way of
life. Suitable for
concert and festival
performance, Southwest
Summer will be a valued
addition to your next
program.
Southwest Summer Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3872-01 American Landscape No. 3. Composed by ...(+)
Grade 3
SKU:
CL.012-3872-01
American Landscape No.
3. Composed by Robert
W. Smith. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR364). Extra full
score. Composed 2009.
Duration 6 minutes, 19
seconds. Opus III Wind
Orchestra Publications
#012-3872-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3872-01).
Composer Robert
W. Smith has enjoyed his
sojourns in the great
state of Texas each
summer since 1985. In a
recent visit to the
southwest with his
family, he was inspired
to sketch three
impressions of the Lone
Star State. Desert Dawn
opens the work with
Native-American overtones
depicting the warmth of
the sunrise over a
beautiful southwestern
vista. Anyone ever
visiting San Antonio will
delight in the Paseo Del
Rio depicting the light
and lively Riverwalk of
this great city. The
energetic and powerful
Longhorns concludes the
work with a sense of joy
while celebrating this
uniquely American way of
life. Suitable for
concert and festival
performance, Southwest
Summer will be a valued
addition to your next
program.
Southwest Saga Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Grade 3.5 SKU: CL.012-1919-01 Composed by Sheldon. Concert Band. Heritage...(+)
Grade 3.5
SKU:
CL.012-1919-01
Composed by Sheldon.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR357). Extra full
score. Composed 1987.
Duration 5 minutes. Opus
III Wind Orchestra
Publications
#012-1919-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-1919-01).
A colorful and
invigorating work which
captures the spirit of
the great American
Southwest. From the
frolicking cowboy
exuberance to the gentle
lyricism of the expertly
crafted melodies this
concert/contest selection
sparkles with character
and energy.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Composed by Sheldon.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR357). Oversized,
spiral-bound score.
Composed 1987. Duration 5
minutes. Opus III Wind
Orchestra Publications
#012-1919-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-1919-75).
A colorful and
invigorating work which
captures the spirit of
the great American
Southwest. From the
frolicking cowboy
exuberance to the gentle
lyricism of the expertly
crafted melodies this
concert/contest selection
sparkles with character
and energy.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
A Winter's Tale Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-293-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-293-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2010.
Anglo Music Press #AMP
293-010. Published by
Anglo Music Press
(BT.AMP-293-010).
9x12
inches.
English-German-French-Dut
ch.
Bij dit
winterverhaal staat het
thema kerst eens n et
centraal. Vandaar dat u
A Winter’s
Tale net zo goed
rondom de kerstdagen als
ook bij andere concerten
in het winterseizoen kunt
uitvoeren. De muziek
geeft een beschrijvingvan
een winters tafereel op
het land: een
zonsondergang,
sprookjesachtig
besneeuwde landerijen en
bossen. In de verte
klinken de bellen van een
slee die langzaam maar
zeker naderbij komt. Maar
dan keert de rust weer
terug, terugin het
verstilde
landschap…
A
Winter’s Tale hat
keinen direkten Bezug zum
Thema Weihnachten, kann
also ebenso zu (vor-)
weihnachtlichen
Anlässen wie auch bei
anderen Konzerten im
Winterhalbjahr
aufgeführt werden.
Die Musik beschreibt eine
Winterszenerie auf dem
Lande: Ein stiller
Sonnenuntergang, tief
verschneite Felder und
Wälder, von ferne
klingen die Glöckchen
eines Schlittens, der
sich als Dreigespann
entpuppt, bevor zum
Schluss des Werkes wieder
Ruhe in die Szenerie
einkehrt.
A Winter's Tale Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-293-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-293-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2010. 24 pages.
Anglo Music Press #AMP
293-140. Published by
Anglo Music Press
(BT.AMP-293-140).
9x12
inches.
English-German-French-Dut
ch.
Bij dit
winterverhaal staat het
thema kerst eens n et
centraal. Vandaar dat u
A Winter’s
Tale net zo goed
rondom de kerstdagen als
ook bij andere concerten
in het winterseizoen kunt
uitvoeren. De muziek
geeft een beschrijvingvan
een winters tafereel op
het land: een
zonsondergang,
sprookjesachtig
besneeuwde landerijen en
bossen. In de verte
klinken de bellen van een
slee die langzaam maar
zeker naderbij komt. Maar
dan keert de rust weer
terug, terugin het
verstilde
landschap…
A
Winter’s Tale hat
keinen direkten Bezug zum
Thema Weihnachten, kann
also ebenso zu (vor-)
weihnachtlichen
Anlässen wie auch bei
anderen Konzerten im
Winterhalbjahr
aufgeführt werden.
Die Musik beschreibt eine
Winterszenerie auf dem
Lande: Ein stiller
Sonnenuntergang, tief
verschneite Felder und
Wälder, von ferne
klingen die Glöckchen
eines Schlittens, der
sich als Dreigespann
entpuppt, bevor zum
Schluss des Werkes wieder
Ruhe in die Szenerie
einkehrt.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-451-140 The Mortimer Revel...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-451-140
The
Mortimer Revel.
Composed by Philip
Sparke. Anglo Music
Midway Series. Opening
Pieces. Score Only.
Composed 2016. 30 pages.
Anglo Music Press #AMP
451-140. Published by
Anglo Music Press
(BT.AMP-451-140).
English-German-French-
Dutch.
Highdays
and Holidays was
commissioned by the South
Berks Concert Band to
celebrate its 40th
anniversary in 2016. The
band rehearses in the
village of Mortimer,
which has a long and
fascinating history
dating back to, and
beyond, the BronzeAge.
Mortimer is famous for
The Mortimer
Revel, an annual
event which was
apparently a fairly
rumbustious and sometimes
violent affair.
Highdays and
Holidays seeks to
capture some of this
festive event in the form
of an energeticoverture,
which explores a variety
of moods including the
somewhat chaotic
atmosphere of the
Revel.
Highdays
and Holidays is
geschreven in opdracht
van de South Berks
Concert Band ter
gelegenheid van hun
veertigjarig bestaan in
2016. Het orkest
repeteert in het Britse
Mortimer, dat een lange,
boeiende geschiedenis
kent, die teruggaat
totvoor het bronzen
tijdperk. Mortimer staat
bekend om The Mortimer
Revel, een jaarlijks
evenement dat kennelijk
een vrij onstuimige en
soms gewelddadige
aangelegenheid was.
Highdays and
Holidays weerspiegelt
dit feestelijke gebeuren
in devorm van een
energieke ouverture
waarin verschillende
sfeerbeelden worden
opgeroepen en de soms
chaotische taferelen van
de Revel worden
verklankt.
High
days and Holidays
wurde 2016 von der South
Berks Concert Band
anlässlich ihres
40-jährigen
Jubiläums in Auftrag
gegeben. Die South Berks
Concert Band probt in der
Stadt Mortimer, die auf
eine lange und
faszinierende
Geschichtezurückblickt
, die bis weit in die
Bronzezeit reicht. Die
Stadt ist für The
Mortimer Revel“
bekannt, eine jährlich
stattfindende
Veranstaltung, die
anscheinend eine ziemlich
wilde und manchmal auch
heftige Angelegenheit
war. Highdays
andHolidays versucht
einiges von dieser
festlichen Veranstaltung
in Form einer
energiegeladenen
Ouvertüre, in der die
unterschiedlichen
Stimmungen und die teils
chaotische Atmosphäre
des Festes erkundet
werden,
darzustellen.
Highdays and Holidays Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-451-010 The Mortimer Revel...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-451-010
The
Mortimer Revel.
Composed by Philip
Sparke. Anglo Music
Midway Series. Opening
Pieces. Set (Score &
Parts). Composed 2016.
Anglo Music Press #AMP
451-010. Published by
Anglo Music Press
(BT.AMP-451-010).
English-German-French-
Dutch.
Highdays
and Holidays was
commissioned by the South
Berks Concert Band to
celebrate its 40th
anniversary in 2016. The
band rehearses in the
village of Mortimer,
which has a long and
fascinating history
dating back to, and
beyond, the BronzeAge.
Mortimer is famous for
The Mortimer
Revel, an annual
event which was
apparently a fairly
rumbustious and sometimes
violent affair.
Highdays and
Holidays seeks to
capture some of this
festive event in the form
of an energeticoverture,
which explores a variety
of moods including the
somewhat chaotic
atmosphere of the
Revel.
Highdays
and Holidays is
geschreven in opdracht
van de South Berks
Concert Band ter
gelegenheid van hun
veertigjarig bestaan in
2016. Het orkest
repeteert in het Britse
Mortimer, dat een lange,
boeiende geschiedenis
kent, die teruggaat
totvoor het bronzen
tijdperk. Mortimer staat
bekend om The Mortimer
Revel, een jaarlijks
evenement dat kennelijk
een vrij onstuimige en
soms gewelddadige
aangelegenheid was.
Highdays and
Holidays weerspiegelt
dit feestelijke gebeuren
in devorm van een
energieke ouverture
waarin verschillende
sfeerbeelden worden
opgeroepen en de soms
chaotische taferelen van
de Revel worden
verklankt.
High
days and Holidays
wurde 2016 von der South
Berks Concert Band
anlässlich ihres
40-jährigen
Jubiläums in Auftrag
gegeben. Die South Berks
Concert Band probt in der
Stadt Mortimer, die auf
eine lange und
faszinierende
Geschichtezurückblickt
, die bis weit in die
Bronzezeit reicht. Die
Stadt ist für The
Mortimer Revel“
bekannt, eine jährlich
stattfindende
Veranstaltung, die
anscheinend eine ziemlich
wilde und manchmal auch
heftige Angelegenheit
war. Highdays
andHolidays versucht
einiges von dieser
festlichen Veranstaltung
in Form einer
energiegeladenen
Ouvertüre, in der die
unterschiedlichen
Stimmungen und die teils
chaotische Atmosphäre
des Festes erkundet
werden,
darzustellen.
My Lord, What A
Mornin' - Full Score.
Composed by Carl
Strommen. Arranged by
Carl Strommen. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CPS13F.
Published by Carl Fischer
Music (CF.CPS13F).
ISBN 9780825843617.
UPC: 798408043612. 9 X 12
inches.
Commissione
d by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC. Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer. She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization's Hall of
Fame. Other honors
include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South Carolina.
It is to this legacy that
the Phi Beta Mu
fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris' love of
the hymn song that
prompted this arrangement
of My Lord, What a
Momin'. Commissioned
by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC.Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer.She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization’s
Hall of Fame. Other
honors include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South
Carolina.It is to this
legacy that the Phi Beta
Mu fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris’
love of the hymn song
that prompted this
arrangement of My Lord,
What a Momin’.
A Sevenoaks Suite Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-472-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-472-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2019. 50 pages.
Anglo Music Press #AMP
472-140. Published by
Anglo Music Press
(BT.AMP-472-140).
English-German-French-
Dutch.
A
Sevenoaks Suite was
commissioned by the
Sevenoaks and Tonbridge
Concert Band from Kent in
the south-east of
England. The suite
describes 3 famous
landmarks in the
Sevenoaks and Tonbridge
area: ‘Knole
Park’, situated to
the south-east of
Sevenoaks. ‘The
Chapel - Tonbridge
School’: This
movement centres around a
hymn-like chorale,
depicting the years of
worship that have taken
place within the chapel,
and ‘The Vine
Bandstand’
suggesting the type of
music often played in
bandstands. It is in
march form, but is not
actually a march
throughout, veering off
into other styles before
ending
emphatically.
A
Sevenoaks Suite werd
geschreven in opdracht
van de Sevenoaks and
Tonbridge Concert Band
uit Kent, in het
zuidoosten van Engeland.
De suite beschrijft drie
beroemde
landschapselementen en
bouwwerken in de buurt
van Sevenoaks en
Tonbridge: als eerste
‘Knole
Park’, dat ten
zuidoosten van Sevenoaks
ligt. Dan volgt
‘The Chapel
Tonbridge School’,
een deel dat is opgebouwd
rond een hymne-achtig
koraal. ‘The Vine
Bandstand’ doet
denken aan het type
muziek dat vaak in
muziekpaviljoens wordt
gespeeld. Dit laatste
deel is gecomponeerd in
marsvorm, maar het is
geen complete mars, in
die zin dat er ook wordt
afgedwaald naar andere
stijlen voordat het werk
eindigt in eenkrachtig
slot.
A
Sevenoaks Suite wurde
von der Sevenoaks and
Tonbridge Concert Band
aus Kent im Südosten
Englands in Auftrag
gegeben. Die Suite
beschreibt drei
berühmte
Sehenswürdigkeiten in
der Gegend von Sevenoaks
und Tonbridge: Knole
Park“ liegt
südöstlich von
Sevenoaks, The Chapel
Tonbridge School“
dreht sich um einen
hymnenartigen Choral, der
die vielen Gottesdienste
beschreibt, die in der
Kapelle stattgefunden
haben, und The Vine
Bandstand“ deutet
die Art von Musik an, die
oftmals in Musikpavillons
gespielt wird. Der Satz
ist daher in Form eines
Marsches geschrieben,
auch wenn er nicht die
ganze Zeit wie ein Marsch
klingt, und geht in
andere Stilarten über,
bevor er energischendet.
Blue Mountain Miracle Orchestre d'harmonie [Conducteur et Parties séparées] Gobelin Music Publications
Concert Band/Harmonie - easy SKU: BT.GOB-001209-010 Composed by Marc Cunn...(+)
Concert Band/Harmonie -
easy
SKU:
BT.GOB-001209-010
Composed by Marc
Cunningham. Challenger
Series. Set (Score &
Parts). Composed 2014. 16
pages. Gobelin Music
Publications #GOB
001209-010. Published by
Gobelin Music
Publications
(BT.GOB-001209-010).
English-German-French-
Dutch.
The Blue
Mountains are a
breathtaking mountain and
forest landscape in the
New South Wales,
Australia. This work came
about above all inspired
by Weeping Rock, an
overhanging rock that
gets its name from the
waterfall that flows over
it.
The Blue
Mountains bevinden zich
in New South Wales in
Australië. Ze vormen een
adembenemend landschap
van wouden en
rotspartijen. Dit werk
verklankt vooral de
beroemde overhangende
rots Weeping Rock, die
met een onafgebroken
stroom water lijkt
tehuilen – vandaar
de naam.
Die Blue
Mountains sind eine
atemberaubende Wald- und
Berglandschaft im
australischen Bundesstaat
New South Wales. Dieses
Werk entstand vor allem
unter dem Eindruck eines
beruhmten uberhängenden
Felsen namens Weeping
Rock, der so von einem
Wasserfallumspult ist,
dass er zu weinen
scheint.
Les
Montagnes Bleues, en
Nouvelle-Galles du Sud
(Australie), forment une
chaîne montagneuse
parsemée de lacs et de
forêts. Cette pièce a
été inspirée, avant
tout, par Weeping Rock
(rocher pleureur), un
rocher en surplomb qui
tire son nom de lacascade
qui ruisselle dessus.
Le Blue Mountains
sono un paesaggio montano
e forestale mozzafiato
del New South Wales, in
Australia. Il compositore
si è lasciato ispirare
soprattutto alla Weeping
Rock, una roccia a
strapiombo che prende il
nome dalla cascata che vi
scorre sopra.
Dakota Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1023116-010 Indian Sketc...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1023116-010
Indian Sketches.
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Set (Score
& Parts). Composed 2002.
De Haske Publications
#DHP 1023116-010.
Published by De Haske
Publications
(BT.DHP-1023116-010).
9x12 inches.
The
Dakota (or Sioux) Indians
from the American states
of North and South Dakota
form the central figures
in this composition. The
work consists of five
movements in which the
culture and history of
these Indians have been
portrayed through musical
paintings by making use
of an old South Dakota
Indian melody.
Die Dakota- (oder
Sioux-) Indianer der
amerikanischen Staaten
Nord- und Süd-Dakota
sind die zentralen
Figuren in dieser
Komposition. Das Werk
besteht aus fünf
Sätzen, in welchen die
Kultur und die Geschichte
dieser Indianer
dargestellt werden. In
einigen Sätzen
verwendete Jacob de Haan
eine alte indianische
Melodie aus
Süd-Dakota.1. The
Great Spirit
(‘Der Große
Geist’)Die Kultur
der Dakota-Indianer war
der irdischen und der
spirituellen Welt
verbunden. Sie glaubten,
dass der Große Geist
die Erde schuf, indem er
einen schwarzen Ball auf
das Wasser warf und dann
aus einem zweiten Ball
alles Lebendige schuf.2.
Buffalo Hunting
(‘Büffeljagdâ
™)Auf einen
mächtigenBüffel
zuzureiten erforderte
Können und Mut. Die
Männer ergriffen
jedoch mit Freude die
Chance, sich selbst auf
der Jagd zu beweisen.3.
Smoking the Pipe
(‘Die Pfeife
rauchen’)Die
Pfeife galt als
Friedenssymbol und wurde
unter Männern und
Stämmen benutzt. Die
Pfeife rauchen besiegelte
einen Bund des Vertrauens
und heilige, Pfeife
rauchende Männer
nahmen so Kontakt mit dem
Großen Geist auf.4.
The Ghost Dance
(‘Der
Geistertanz’)Diese
r religiöse Tanz der
verlorenen Hoffnung
basierte auf Gebet, Tanz
und Gesang. Im Jahre 1890
engagierten die Soldaten
Geistertänzer an einem
Ort namens Wounded
Knee.5. Pilgrims at
Wounded Knee
(‘Pilger am Wounded
Knee‘)Die
Tragödie von Wounded
Knee ist sehr schmerzhaft
für die Indianer.
Viele pilgern noch immer
zu der heiligen, vom Wind
verwehten Hügelspitze,
auf der so viele
Unschuldige den Tod
fanden.
Ispirandosi a
certi aspetti della
cultura e della storia
degli indiani Sioux;
Jacob de Haan ha
realizzato uno splendido
affresco musicale in
omaggio al primo popolo
delle sconfinate praterie
degli Stati Americani del
Dakota del Nord e del
Dakota del Sud. Per
conservare
l’autenticit di
questo popolo indiano
anche attraverso la sua
musica, il compositore ha
integrato
un’antica melodia
indiana del Dakota del
Sud nella sua
composizione.
Dakota Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1023116-140 Indian Sketc...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1023116-140
Indian Sketches.
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Score
Only. Composed 2002. 44
pages. De Haske
Publications #DHP
1023116-140. Published by
De Haske Publications
(BT.DHP-1023116-140).
9x12 inches.
The
Dakota (or Sioux) Indians
from the American states
of North and South Dakota
form the central figures
in this composition. The
work consists of five
movements in which the
culture and history of
these Indians have been
portrayed through musical
paintings by making use
of an old South Dakota
Indian melody.
Die Dakota- (oder
Sioux-) Indianer der
amerikanischen Staaten
Nord- und Süd-Dakota
sind die zentralen
Figuren in dieser
Komposition. Das Werk
besteht aus fünf
Sätzen, in welchen die
Kultur und die Geschichte
dieser Indianer
dargestellt werden. In
einigen Sätzen
verwendete Jacob de Haan
eine alte indianische
Melodie aus
Süd-Dakota.1. The
Great Spirit
(‘Der Große
Geist’)Die Kultur
der Dakota-Indianer war
der irdischen und der
spirituellen Welt
verbunden. Sie glaubten,
dass der Große Geist
die Erde schuf, indem er
einen schwarzen Ball auf
das Wasser warf und dann
aus einem zweiten Ball
alles Lebendige schuf.2.
Buffalo Hunting
(‘Büffeljagdâ
™)Auf einen
mächtigenBüffel
zuzureiten erforderte
Können und Mut. Die
Männer ergriffen
jedoch mit Freude die
Chance, sich selbst auf
der Jagd zu beweisen.3.
Smoking the Pipe
(‘Die Pfeife
rauchen’)Die
Pfeife galt als
Friedenssymbol und wurde
unter Männern und
Stämmen benutzt. Die
Pfeife rauchen besiegelte
einen Bund des Vertrauens
und heilige, Pfeife
rauchende Männer
nahmen so Kontakt mit dem
Großen Geist auf.4.
The Ghost Dance
(‘Der
Geistertanz’)Diese
r religiöse Tanz der
verlorenen Hoffnung
basierte auf Gebet, Tanz
und Gesang. Im Jahre 1890
engagierten die Soldaten
Geistertänzer an einem
Ort namens Wounded
Knee.5. Pilgrims at
Wounded Knee
(‘Pilger am Wounded
Knee‘)Die
Tragödie von Wounded
Knee ist sehr schmerzhaft
für die Indianer.
Viele pilgern noch immer
zu der heiligen, vom Wind
verwehten Hügelspitze,
auf der so viele
Unschuldige den Tod
fanden.
Ispirandosi a
certi aspetti della
cultura e della storia
degli indiani Sioux;
Jacob de Haan ha
realizzato uno splendido
affresco musicale in
omaggio al primo popolo
delle sconfinate praterie
degli Stati Americani del
Dakota del Nord e del
Dakota del Sud. Per
conservare
l’autenticit di
questo popolo indiano
anche attraverso la sua
musica, il compositore ha
integrato
un’antica melodia
indiana del Dakota del
Sud nella sua
composizione.
Concert Band - Grade 6 SKU: ML.013702080 Composed by Alex Poelman. Full s...(+)
Concert Band - Grade 6
SKU: ML.013702080
Composed by Alex Poelman.
Full set. Molenaar
Edition #013702080.
Published by Molenaar
Edition (ML.013702080).
At the end of
1944, Allied troops
invaded the Netherlands
from Belgium. Hope and
longing for freedom,
which now seemed so
close, swept through the
Netherlands: Operation
Market Garden was
launched. Huge numbers of
paratroopers made the
dangerous jump to take
over enemy territory on
the south side of the
Rhine. Fierce fighting
and attempts to cross and
secure the river resulted
in heavy casualties for
the liberating forces.
Ground support from the
south came too late and
there was no alternative
but to call off Operation
Market Garden. What
looked like a quick
liberation of the
Netherlands turned into a
long, bitter struggle. To
make matters worse, a
harsh winter followed:
hunger and cold ate away
at hope and the prospect
of a liberated
Netherlands. The
composition 1944 uses
original radio fragments
from 1944 to describe
these
events.
Eind
1944 vielen geallieerde
troepen vanuit België
Nederland binnen. Hoop en
verlangen naar vrijheid,
die nu zo dichtbij leek,
golfden door Nederland:
Operatie Market Garden
werd gelanceerd. Enorme
aantallen parachutisten
maakten de gevaarlijke
sprong om vijandelijk
gebied aan de zuidkant
van de Rijn in te nemen.
Hevige gevechten en
pogingen om de rivier
over te steken en veilig
te stellen resulteerden
in zware verliezen voor
de bevrijdende troepen.
Grondsteun vanuit het
zuiden kwam te laat en er
was geen alternatief dan
Operatie Market Garden af
te blazen. Wat leek op
een snelle bevrijding van
Nederland veranderde in
een lange, bittere
strijd. Tot overmaat van
ramp volgde er een
strenge winter: honger en
kou vrat de hoop en het
vooruitzicht op een
bevrijd Nederland weg. De
compositie 1944 gebruikt
originele radiofragmenten
uit 1944 om deze
gebeurtenissen te
beschrijven.<<
Fin
1944, les troupes
alliées envahissent les
Pays-Bas à partir de la
Belgique. L'espoir et la
nostalgie de la liberté,
qui semble désormais si
proche, envahissent les
Pays-Bas : L'opération
Market Garden est
lancée. D'innombrables
parachutistes font le
dangereux saut pour
s'emparer du territoire
ennemi sur la rive sud du
Rhin. Les combats
acharnés et les
tentatives pour traverser
et sécuriser le fleuve
se soldent par de lourdes
pertes pour les forces
libératrices. Le soutien
terrestre en provenance
du sud arrive trop tard
et il n'y a pas d'autre
choix que d'annuler
l'opération Market
Garden. Ce qui
s'annonçait comme une
libération rapide des
Pays-Bas s'est
transformé en une lutte
longue et acharnée. Pour
ne rien arranger, un
hiver rigoureux a suivi :
la faim et le froid ont
rongé l'espoir et la
perspective d'une
libération des Pays-Bas.
La composition 1944
utilise des fragments
radiophoniques originaux
de 1944 pour décrire ces
événements.
Ende
1944 marschierten die
alliierten Truppen von
Belgien aus in die
Niederlande ein. Die
Hoffnung und die
Sehnsucht nach der
Freiheit, die nun so nah
zu sein schien, überkam
die Niederlande: Die
Operation Market Garden
wurde gestartet.
Zahlreiche
Fallschirmjäger wagen
den gefährlichen
Absprung, um das
feindliche Gebiet auf der
Südseite des Rheins zu
erobern. Heftige Kämpfe
und Versuche, den Fluss
zu überqueren und zu
sichern, forderten
schwere Verluste für die
Befreiungstruppen. Die
Bodenunterstützung aus
dem Süden kam zu spät
und es gab keine andere
Möglichkeit, als die
Operation Market Garden
abzubrechen. Was nach
einer schnellen Befreiung
der Niederlande aussah,
wurde zu einem langen,
erbitterten Kampf. Zu
allem Überfluss folgte
ein harter Winter: Hunger
und Kälte zehrten an der
Hoffnung und der Aussicht
auf befreite Niederlande.
In der Komposition 1944
werden diese Ereignisse
anhand von
Original-Funkfragmenten
aus dem Jahr 1944
beschrieben.
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000963-140 Voyage au Centr...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000963-140
Voyage au Centre de la
Terre. Composed by
Harrie Janssen. Score
Only. 120 pages. Gobelin
Music Publications #GOB
000963-140. Published by
Gobelin Music
Publications
(BT.GOB-000963-140).
This
composition was based on
the world-famous novel by
the French author Jules
Verne. This novel
describes the attempt to
reach the centre of the
earth. The descent of the
crater of the volcano
called Snaeffels,
situated in Iceland,
marks thebeginning of
this voyage to the
sublunary world. The
German geologist,
professor Lidenbrock, is
accompanied on this trip
by his nephew Axel and an
Icelandic guide named
Hans. The last mentioned
will be helpful in many
occasions.
Dark
colors & mist
The
composer tried in this
single work to give a
musical expression to
various significant
moments from this novel.
In the introduction he
sketches an image of the
dismal ambience on the
island by using dark
colors. Risingfragments
of mist reveal the flanks
of the monumental
mountain Scataris. The
composer tries to catch
this image in a majestic
and broad
chorale.
Away
from Iceland
Subsequently the ostinato
rhythmicity and
virtuosity representthe
hectic descent of the
crater of the volcano.
The party descends ever
more and more and travels
south, away from Iceland.
On the way, they see all
kinds of rock formations,
fossils and minerals. At
a depth of thirty hours
walking distance, atabout
150 kilometers below the
surface, they reach a sub
terrestrial sea which is
called the Lidenbrock
sea.
Genuine
eruption of
sounds
Strange
electric manifestations
and unpredictable weather
conditions accompany
thissingular phenomenon.
An orchestral
tutti-episode expresses
this impression
musically. On a
make-shift raft, the
party continues its
voyage, heading to the
south coast of this huge
sea. Once ashore, an
enormous rock obstructs
the passage. The
blowingup of this
obstacle unleashes a
genuine eruption of
sounds in the
orchestration.
Spat out by the
volcano
But the
explosion has an
unforeseen side effect.
The sea - travelers and
raft included - is sucked
upwards into a dark
hole.Again, our heroes
are accompanied on their
involuntary voyage, while
left to fend for
themselves, by an ever
increasing ostinato
rhythmicity.
Before an irruption can
destroy the raft, the
threesome manages to
escape and climb up
through acave towards the
daylight. They seem to be
spat out by the Stromboli
volcano on the island of
Sicily, far from home.
The composition ends
with triumphant sounds
that represent the
scientific triumph of
these
adventurers.
De
compositie 'Voyage au
centre de la terre ....'
is gebaseerd op de
wereldberoemde roman van
de Franse schrijver Jules
Verne. Het boek
beschrijft de poging het
middelpunt van de aarde
te bereiken. Een afdaling
van de op
IJslandgesitueerde
vulkaankrater 'de
Sneffels', markeert het
begin van deze reis in
het ondermaanse. De
Duitse geoloog professor
Lidenbrock wordt hierbij
vergezeld door zijn
neefje Axel en een
IJslandse gids genaamd
Hans. Laatstgenoemdezal
in menig netelige
situatie nog van pas
komen.
De
componist heeft getracht
in dit eendelige werk een
aantal significante
momenten uit deze roman
te verklanken. In de
inleiding wordt door
middel van donkere
kleureneen beeld
geschetst van de desolate
sfeer op het eiland.
Optrekkende flarden nevel
onthullen de flanken van
de monumentale berg 'de
Scartaris'. De componist
tracht dit beeld te
vangen in een majestueus,
breed opgezet
koraal. Vervolgens
staan ostinate ritmiek en
virtuositeit voor de
hectische afdaling in de
vulkaankrater. De
groep daalt dieper en
dieper af, en reist
daarbij zuidwaards, weg
van IJsland. Onderweg
komen ze allerlei
rotsformaties,fossielen
en mineralen tegen. Op
een diepte van 'dertig
uur gaans', op ca. 150
km. diepte, bereikt het
gezelschap een
onderaardse zee die 'de
Lidenbrockzee' genoemd
wordt. Vreemd
aandoende electrische
verschijnselen
enonvoorspelbare
weersomstandigheden
vergezellen dit
zonderlinge fenomeen. In
een orkestrale
tutti-episode wordt deze
indruk verklankt. Op
een provisorisch gebouwd
vlot vervolgt het groepje
hun reis, daarbij
koersend naar dezuidkust
van deze enorme zee.
Eenmaal aan wal gekomen
verspert een enorm
rotsblok verdere
doorgang. Het
opblazen van dit obstakel
ontketent een ware
klankeruptie in het
orkest. Echter, de
ontploffing heeft een
onvoorzien
neveneffect.
Journey to the Centre of the Earth Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000963-010 Voyage au Centr...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000963-010
Voyage au Centre de la
Terre. Composed by
Harrie Janssen. Set
(Score & Parts). 372
pages. Gobelin Music
Publications #GOB
000963-010. Published by
Gobelin Music
Publications
(BT.GOB-000963-010).
This
composition was based on
the world-famous novel by
the French author Jules
Verne. This novel
describes the attempt to
reach the centre of the
earth. The descent of the
crater of the volcano
called Snaeffels,
situated in Iceland,
marks thebeginning of
this voyage to the
sublunary world. The
German geologist,
professor Lidenbrock, is
accompanied on this trip
by his nephew Axel and an
Icelandic guide named
Hans. The last mentioned
will be helpful in many
occasions.
Dark
colors & mist
The
composer tried in this
single work to give a
musical expression to
various significant
moments from this novel.
In the introduction he
sketches an image of the
dismal ambience on the
island by using dark
colors. Risingfragments
of mist reveal the flanks
of the monumental
mountain Scataris. The
composer tries to catch
this image in a majestic
and broad
chorale.
Away
from Iceland
Subsequently the ostinato
rhythmicity and
virtuosity representthe
hectic descent of the
crater of the volcano.
The party descends ever
more and more and travels
south, away from Iceland.
On the way, they see all
kinds of rock formations,
fossils and minerals. At
a depth of thirty hours
walking distance, atabout
150 kilometers below the
surface, they reach a sub
terrestrial sea which is
called the Lidenbrock
sea.
Genuine
eruption of
sounds
Strange
electric manifestations
and unpredictable weather
conditions accompany
thissingular phenomenon.
An orchestral
tutti-episode expresses
this impression
musically. On a
make-shift raft, the
party continues its
voyage, heading to the
south coast of this huge
sea. Once ashore, an
enormous rock obstructs
the passage. The
blowingup of this
obstacle unleashes a
genuine eruption of
sounds in the
orchestration.
Spat out by the
volcano
But the
explosion has an
unforeseen side effect.
The sea - travelers and
raft included - is sucked
upwards into a dark
hole.Again, our heroes
are accompanied on their
involuntary voyage, while
left to fend for
themselves, by an ever
increasing ostinato
rhythmicity.
Before an irruption can
destroy the raft, the
threesome manages to
escape and climb up
through acave towards the
daylight. They seem to be
spat out by the Stromboli
volcano on the island of
Sicily, far from home.
The composition ends
with triumphant sounds
that represent the
scientific triumph of
these
adventurers.
De
compositie 'Voyage au
centre de la terre ....'
is gebaseerd op de
wereldberoemde roman van
de Franse schrijver Jules
Verne. Het boek
beschrijft de poging het
middelpunt van de aarde
te bereiken. Een afdaling
van de op
IJslandgesitueerde
vulkaankrater 'de
Sneffels', markeert het
begin van deze reis in
het ondermaanse. De
Duitse geoloog professor
Lidenbrock wordt hierbij
vergezeld door zijn
neefje Axel en een
IJslandse gids genaamd
Hans. Laatstgenoemdezal
in menig netelige
situatie nog van pas
komen.
De
componist heeft getracht
in dit eendelige werk een
aantal significante
momenten uit deze roman
te verklanken. In de
inleiding wordt door
middel van donkere
kleureneen beeld
geschetst van de desolate
sfeer op het eiland.
Optrekkende flarden nevel
onthullen de flanken van
de monumentale berg 'de
Scartaris'. De componist
tracht dit beeld te
vangen in een majestueus,
breed opgezet
koraal. Vervolgens
staan ostinate ritmiek en
virtuositeit voor de
hectische afdaling in de
vulkaankrater. De
groep daalt dieper en
dieper af, en reist
daarbij zuidwaards, weg
van IJsland. Onderweg
komen ze allerlei
rotsformaties,fossielen
en mineralen tegen. Op
een diepte van 'dertig
uur gaans', op ca. 150
km. diepte, bereikt het
gezelschap een
onderaardse zee die 'de
Lidenbrockzee' genoemd
wordt. Vreemd
aandoende electrische
verschijnselen
enonvoorspelbare
weersomstandigheden
vergezellen dit
zonderlinge fenomeen. In
een orkestrale
tutti-episode wordt deze
indruk verklankt. Op
een provisorisch gebouwd
vlot vervolgt het groepje
hun reis, daarbij
koersend naar dezuidkust
van deze enorme zee.
Eenmaal aan wal gekomen
verspert een enorm
rotsblok verdere
doorgang. Het
opblazen van dit obstakel
ontketent een ware
klankeruptie in het
orkest. Echter, de
ontploffing heeft een
onvoorzien
neveneffect.
La Bamba Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1914-12-140-MS Arranged by Naohir...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1914-12-140-MS
Arranged by Naohiro Iwai
and Ritchie Valens. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2012. 24 pages.
Music Sales #1914-12-140
MS. Published by Music
Sales
(BT.1914-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
La Bamba
is actually an old folk
song from South America.
This happy dance tune
first achieved worldwide
success through the rock
’n’ roll
singer Ritchie Valens,
however, who in 1958 gave
the song his own
incomparable treatment.
And it’s this
version that the
experienced arranger
Naohiro Iwai took as the
basis fort his wind
orchestra version.
La Bamba
is eigenlijk een oud
volksliedje uit
Zuid-Amerika. Wereldwijde
bekendheid verkreeg het
vrolijke danslied door de
Rock-‘n’-Rol
l zanger Richie Valens
die het in 1958 op geheel
eigen wijze vertolkte.
Deze versie nam arrangeur
Naohiro Iwai als basis
voor zijn versie voor
blaasorkest.
La Bamba
ist eigentlich ein altes
Volkslied aus
Südamerika.
Weltweite Bekanntheit
erlangte das fröhliche
Tanzlied jedoch durch den
Rock-‘n’-Rol
l-Sänger Ritchie
Valens, der 1958 dem Lied
seine eigene Note
verlieh. Eben diese
berühmte Fassung
nahm sich der erfahrene
Arrangeur Naohiro Iwai
als Basis für diese
Blasorchesterbearbeitung.
La Bamba
è una canzone folk
sudamericana che ebbe
però notoriet mondiale
grazie al cantante
Ritchie Valens che nel
1958 apportò il suo
tocco personale alla
musica. Naohiro Iwai si
è ispirato a questa
versione per creare il
suo arrangiamento per
banda.
La Bamba Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1914-12-010-MS Arranged by Naohir...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1914-12-010-MS
Arranged by Naohiro Iwai
and Ritchie Valens. New
Sounds for Concert Band.
Pop & Rock. Set (Score &
Parts). Composed 2012.
Music Sales #1914-12-010
MS. Published by Music
Sales
(BT.1914-12-010-MS).
9x12 inches.
English-German-French-Dut
ch.
La Bamba
is actually an old folk
song from South America.
This happy dance tune
first achieved worldwide
success through the rock
’n’ roll
singer Ritchie Valens,
however, who in 1958 gave
the song his own
incomparable treatment.
And it’s this
version that the
experienced arranger
Naohiro Iwai took as the
basis fort his wind
orchestra version.
La Bamba
is eigenlijk een oud
volksliedje uit
Zuid-Amerika. Wereldwijde
bekendheid verkreeg het
vrolijke danslied door de
Rock-‘n’-Rol
l zanger Richie Valens
die het in 1958 op geheel
eigen wijze vertolkte.
Deze versie nam arrangeur
Naohiro Iwai als basis
voor zijn versie voor
blaasorkest.
La Bamba
ist eigentlich ein altes
Volkslied aus
Südamerika.
Weltweite Bekanntheit
erlangte das fröhliche
Tanzlied jedoch durch den
Rock-‘n’-Rol
l-Sänger Ritchie
Valens, der 1958 dem Lied
seine eigene Note
verlieh. Eben diese
berühmte Fassung
nahm sich der erfahrene
Arrangeur Naohiro Iwai
als Basis für diese
Blasorchesterbearbeitung.
La Bamba
è una canzone folk
sudamericana che ebbe
però notoriet mondiale
grazie al cantante
Ritchie Valens che nel
1958 apportò il suo
tocco personale alla
musica. Naohiro Iwai si
è ispirato a questa
versione per creare il
suo arrangiamento per
banda.
The Grand Tetons Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS263F Composed by Carl Strommen. Cp...(+)
Band Concert Band - Grade
3
SKU: CF.CPS263F
Composed by Carl
Strommen. Cps. Full
score. 32 pages. Duration
4 minutes, 38 seconds.
Carl Fischer Music
#CPS263F. Published by
Carl Fischer Music
(CF.CPS263F).
ISBN
9781491161739. UPC:
680160920426.
Notes
The Teton Range is part
of the Rocky Mountain
chain just east of the
Idaho border and south of
Yellowstone National
Park. The name of this
majestic range has its
roots in the Shoshone
teewinet, meaning many
pinnacles. Performance
Suggestions: The opening
measures of The Grand
Tetons should be played
broadly and majestically.
At m. 14, the tempo is
indicated at q = 132 and
is introduced by a light
snare drum figure. The
low brass figures at m.18
are to be played softly
and broadly in contrast
to the lighter and
slightly louder high
woodwinds. This entire
section builds to a
climax at m.44. Note the
dynamic contrasts in the
mixed meter section after
m. 53. at 67, the
trombone and horn figures
should be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure mixed
meter (6/8) (3/4) theme
introduced at m.88 should
be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight swing
and dance-like feeling.
At m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. Notes The Teton
Range is part of the
Rocky Mountain chain just
east of the Idaho border
and south of Yellowstone
National Park. The name
of this majestic range
has its roots in the
Shoshone teewinet,
meaning many pinnacles.
Performance Suggestions:
The opening measures of
The Grand Tetons should
be played broadly and
majestically. At m. 14,
the tempo is indicated at
q = 132 and is introduced
by a light snare drum
figure. The low brass
figures at m.18 are to be
played softly and broadly
in contrast to the
lighter and slightly
louder high woodwinds.
This entire section
builds to a climax at
m.44. Note the dynamic
contrasts in the mixed
meter section after m.
53. at 67, the trombone
and horn figures should
be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure mixed
meter (6/8) (3/4) theme
introduced at m.88 should
be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight swing
and dance-like feeling.
At m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. Notes The
Teton Range is part of
the Rocky Mountain chain
just east of the Idaho
border and south of
Yellowstone National
Park. The name of this
majestic range has its
roots in the Shoshone
“teewinet,â€
meaning “many
pinnacles.â€Â Perf
ormance
Suggestions:Â The
opening measures of The
Grand Tetons should be
played broadly and
majestically. At m. 14,
the tempo is indicated at
q = 132 and is introduced
by a light snare drum
figure. The low brass
figures at m.18 are to be
played softly and broadly
in contrast to the
lighter and slightly
louder high woodwinds.
This entire section
builds to a climax at
m.44. Note the dynamic
contrasts in the mixed
meter section after m.
53. at 67, the trombone
and horn figures should
be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure
mixed meter (6/8) (3/4)
theme introduced at m.88
should be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight
“swing†and
dance-like feeling. At
m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129.