By Samuel Barber. Arranged by Calvin Custer. Band. Size 9x12 inches. Published by G Schirmer, Inc.

By Samuel Barber. Arranged by Paul Jennings. Score and full set of parts. Hal Leonard Concert Band Series. Grade 4. Published by G Schirmer, Inc.

Orchestra Concert Band

SKU: PR.416413660

For Violin and Orchestra. Composed by Behzad Ranjbaran. Perfect. Contemporary. Full score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366. Published by Theodore Presser Company (PR.416413660).

ISBN 9781598063578. UPC: 680160601899. 9x12 inches.

Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.

Band Concert Band - Grade 3

SKU: CF.CPS255

Composed by Mark Lortz. Set of Score and Parts. 17+4+4+2+4+4+4+2+2+2+2+2+ 2+4+4+4+2+2+3+3+3+2+4+1+2 +1+4+6 pages. Duration 2:10. Carl Fischer Music #CPS255. Published by Carl Fischer Music (CF.CPS255).

ISBN 9781491159835. UPC: 680160918423.

Ameri can Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4-12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble's texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition.
American Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4–12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble’s texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition. .

Band Concert Band - Grade 3

SKU: CF.CPS255F

Composed by Mark Lortz. Full score. 17 pages. Carl Fischer Music #CPS255F. Published by Carl Fischer Music (CF.CPS255F).

ISBN 9781491159842. UPC: 680160918430.

Ameri can Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4-12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble's texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition.
American Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4–12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble’s texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition. .

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134702

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A134702. Published by LudwigMasters Publications (AP.36-A134702).

UPC: 659359985690. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134748

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Solo Violin Part. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A134748. Published by LudwigMasters Publications (AP.36-A134748).

ISBN 9798888529850. UPC: 659359935244. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134701

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A134701. Published by LudwigMasters Publications (AP.36-A134701).

ISBN 9798888529843. UPC: 659359537080. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert band 5-Part Ensemble & Rhythm Section & Strings + CD Play Back / Play Along - Grade 3

SKU: MA.EMR-28478

Composed by Gunter Noris. 5 - Part Ensemble & Rhythm Section & Strings (+ Play Back / Play Along CD optional). Score and parts. Duration 16'33. Editions Marc Reift #EMR 28478. Published by Editions Marc Reift (MA.EMR-28478).

Rock Your Blues Away / Romancing / Old Fashioned Romance / Rush Hour / Mountain Rock / Rumba Of LoveRock Your Blues Away / Romancing / Old Fashioned Romance / Rush Hour / Mountain Rock / Rumba Of Love.

Grade 3

SKU: CL.012-3326-99

Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR337, CL.WFR331 & CL.WFR343). String score and parts set. Composed 2004. Duration 4 minutes, 44 seconds. Opus III Wind Orchestra Publications #012-3326-99. Published by Opus III Wind Orchestra Publications (CL.012-3326-99).

For band with optional choir, strings, narrator and audience sing-a-long. This glorious setting of two of America's favorite hymns, Amazing Grace and Battle Hymn of The Republic, is destined to be the work of choice when selecting that special number for your program's grand finale. Playable by band alone, this patriotic arrangement also offers the creative option of adding choir, strings, narrator, bagpiper and even a group sing-a-long. Musically appealing for bands of varied levels, this spectacular production number will offer grateful audiences, young and old alike, a wonderful opportunity to experience the ultimate in listening pleasure. A guaranteed winner!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Concert band 5-Part Ensemble & Rhythm Section & Strings + CD Play Back / Play Along - Grade 3-4

SKU: MA.EMR-24855

Composed by Jerome Naulais. 5 - Part Ensemble & Rhythm Section & Strings (+ CD Playback / Play Along CD optional). Score and parts. Duration 17'25. Editions Marc Reift #EMR 24855. Published by Editions Marc Reift (MA.EMR-24855).

Amor Y Sol / As You Like / Bahia Blues / Bayside / Belo Horizonte.

Concert band 5-Part Ensemble & Rhythm Section & Strings + CD Play Back / Play Along - Grade 3-4

SKU: MA.EMR-24858

Composed by Jerome Naulais. 5 - Part Ensemble & Rhythm Section & Strings (+ CD Playback / Play Along CD optional). Score and parts. Duration 17'52. Editions Marc Reift #EMR 24858. Published by Editions Marc Reift (MA.EMR-24858).

Love Train / Marche Turque / Sentimental Bossa / Take 3 / Westside.

Concert band 5-Part Ensemble & Rhythm Section & Strings + CD Play Back / Play Along - Grade 3

SKU: MA.EMR-28479

Composed by Gunter Noris. 5 - Part Ensemble & Rhythm Section & Strings (+ Play Back / Play Along CD optional). Score and parts. Duration 19'10. Editions Marc Reift #EMR 28479. Published by Editions Marc Reift (MA.EMR-28479).

Ritmo Del Amor / Samba Ole / Sentimental Dreams / Swing And Jive / Tango Macho / Tropical Lady / Vamos A La Fiesta.

Orchestra 12 Strings

SKU: AP.12-0571518796

For Twelve Solo Strings. Composed by Matthew Hindson. Full Orchestra (Full Score); Larger Works; Masterworks; Performance Music Ensemble. Faber Edition. 20th Century; Masterwork. Score. Faber Music #12-0571518796. Published by Faber Music (AP.12-0571518796).

ISBN 9780571518791. English.

Commission ed by the Faber Music Millennium Series, and premiered by the BT Scottish Ensemble in London, May 2000. The rushing waters of a river are the central image of this work, scored for seven violins, two violas, two cellos, and bass. With a program note. Duration ca. 18 minutes.

Concert band 5-Part Ensemble & Rhythm Section & Strings + CD Play Back / Play Along - Grade 3-4

SKU: MA.EMR-24857

Composed by Jerome Naulais. 5 - Part Ensemble & Rhythm Section & Strings (+ CD Playback / Play Along CD optional). Score and parts. Duration 17'03. Editions Marc Reift #EMR 24857. Published by Editions Marc Reift (MA.EMR-24857).

It's Time / Julito Mio / Just One / Key West / La Zorra.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Triangle, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 2

SKU: CF.YPS199

Composed by Russian Folk Song. Arranged by Carl Strommen. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+3+1+1+2+2+12+2 pages. Duration 2 minutes, 14 seconds. Carl Fischer Music #YPS199. Published by Carl Fischer Music (CF.YPS199).

ISBN 9781491152195. UPC: 680160909698. Key: G minor.

Tum Balalaika is attributed to a number of Eastern European countries, but is best known as a Russian Jewish folk/love/“riddleâ € song. Loosely translated, “tum” means “noise,” and the Balalaika is a Russian stringed instrument with a characteristic triangular, hollow, wooden body and three strings, closely related to the domra and mandolin. Carl Strommen's wonderful setting will help any group sound their best.
Tum Balalaika is attributed to a number of Eastern European countries, but is best known as a Russian Jewish folk/love/“riddleâ € song. Loosely translated, “Tum” means “noise,” and the Balalaika is a Russian stringed instrument with the characteristic triangular wooden hollow body and three strings, closely related to the Domra and Mandolin. Tum Balalaika should be played brightly and in a broad flowing manner. As always, attention should be paid to dynamics and articulations.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Triangle, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 2

SKU: CF.YPS199F

Composed by Russian Folk Song. Arranged by Carl Strommen. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS199F. Published by Carl Fischer Music (CF.YPS199F).

ISBN 9781491152874. UPC: 680160910373.

Tum Balalaika is attributed to a number of Eastern European countries, but is best known as a Russian Jewish folk/love/“riddleâ € song. Loosely translated, “tum” means “noise,” and the Balalaika is a Russian stringed instrument with a characteristic triangular, hollow, wooden body and three strings, closely related to the domra and mandolin. Carl Strommen's wonderful setting will help any group sound their best.
Tum Balalaika is attributed to a number of Eastern European countries, but is best known as a Russian Jewish folk/love/“riddleâ € song. Loosely translated, “Tum” means “noise,” and the Balalaika is a Russian stringed instrument with the characteristic triangular wooden hollow body and three strings, closely related to the Domra and Mandolin. Tum Balalaika should be played brightly and in a broad flowing manner. As always, attention should be paid to dynamics and articulations.

Concert band 5-Part Ensemble & Rhythm Section & Strings + CD Play Back / Play Along - Grade 3-4

SKU: MA.EMR-24856

Composed by Jerome Naulais. 5 - Part Ensemble & Rhythm Section & Strings (+ CD Playback / Play Along CD optional). Score and parts. Duration 27'58. Editions Marc Reift #EMR 24856. Published by Editions Marc Reift (MA.EMR-24856).

Black River / Blue Day / Cool Morning / Elisa / For You / Funky People.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0950628-140

Composed by B. Gray. Arranged by Toshio Mashima. New Sounds for Concert Band. Score Only. Composed 1995. De Haske Publications #DHP 0950628-140. Published by De Haske Publications (BT.DHP-0950628-140).

Hollywood, 1941. Le jazz est omniprésent. Glenn Miller (1904-1944) et son célèbre Big Band donnent leurs premiers grands concerts au Carnegie Hall de New York. En 1942, il se met au service des forces armées américaines et fonde le mythique Glenn Miller Army Air Force Band avec lequel il fait une tournée européenne. Deux ans plus tard, Glenn Miller disparaît mystérieusement en Manche. Il reste pour le public une véritable légende et ses airs les plus célèbres sont dans toutes les mémoires : In the Mood, Moonlight Serenade et, bien entendu, A Strings of Pearls.

Composed by Michael Story. Part(s); Score; String Orchestra. Belwin Very Beginning String Orchestra. Fall; Halloween; Light Concert. 70 pages. Published by Belwin Music

(4. Adagietto). By Gustav Mahler (1860-1911). Arranged by Christiaan Janssen. For Concert Band. Grade 5. Full score and set of parts. Duration 11:00

(Book 1A and 1B). By Richard F. Grunow, Edwin E. Gordon, and Christopher D. Azzara. Band Method. Instructional. CD. Text language: English. Published by GIA Publications

Grade 4

SKU: CL.CTS-8031-01

From Incidental Suite. Composed by Claude T. Smith. Arranged by Earp. Concert Band. Extra score. Composed 2022. Claude T. Smith Publications #CTS-8031-01. Published by Claude T. Smith Publications (CL.CTS-8031-01).

Nocturne from Incidental Suite is the second movement of this suite originally scored for concert band. This work highlights a beautiful melodic line filled with lush and occasionally dissonant harmonies. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

Composed by Michael Kamuf. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; SmartMusic; Solo Small Ensembles. Belwin Young Band. Part(s); Score. Duration 3:00. Alfred Music #00-49168. Published by Alfred Music

Concert Band; Orchestra - Grade 0.5

SKU: AP.49161S

Composed by Michael Kamuf. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Belwin Very Beginning Band. Score. 20 pages. Duration 2:00. Belwin Music #00-49161S. Published by Belwin Music (AP.49161S).

UPC: 038081563602. English.

This version of Great Beginnings by Michael Kamuf is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

This energetic composition is the perfect opener or closer employing soaring melodies, rich harmonies, and driving rhythms. All instruments get an opportunity to play melodic material, and this piece is a great vehicle to introduce slurs and accents to your beginners. (2:00)

Percussion Accompaniment Track Downloads :
with click
without click.

This title is available in MakeMusic Cloud.