By Enrique Granados (1867-1916). Arranged by Ralph Ford. Concert Band. Concert B...(+)
By Enrique Granados
(1867-1916). Arranged by
Ralph Ford. Concert Band.
Concert Band; Score;
SmartMusic. Belwin
Concert Band. Form:
Suite; Transcription.
Masterwork Arrangement.
Grade 3.5. 28 pages.
Published by Belwin Music
Score Only Concert Band - beginning SKU: HL.44010916 Grade 0.5 - Score...(+)
Score Only Concert Band -
beginning
SKU:
HL.44010916
Grade
0.5 - Score Only.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mike Hannickel. Curnow
Music Concert Band.
Classical, Festival. 16
pages. Published by
Curnow Music
(HL.44010916).
UPC:
884088585488.
9.0x12.0x0.036
inches.
Give your
young musicians a chance
to know Mozart a little
better. Two Mozart operas
are represented in this
very easy suite, along
with a lovely theme from
a Mozart piano sonata.
Whether you choose to use
this suite for your next
concert performance or in
that first festival
experience, letting young
musicians play melodies
from the world's finest
composers is always a
good idea.
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 5:25. Published
by G & M Brand Music
Publishers (CN.S11251).
Originally
written for piano, Grieg
later scored his Holberg
Suite for orchestra.
Geoffrey Brand has done a
masterful job of setting
two movements of the
suite - the Sarabande and
Gavotte - for wind band.
Give your students the
opportunity to perform
first-rate classical
music they wouldn't
otherwise have access
to.
Born in
Bergen, Norway, into a
family of Scottish
descent, Edvard Grieg
showed a talent for music
early and at the age of
10 had piano lessons from
his mother. In 1849 he
went to study at Leipzig
Conservatoire before
moving to Copenhagen
where he met Riokaard
Nordaak, a young
Norwegian composer who
was immersed in Norwegian
nationalism and greatly
influence Grieg who felt
his future was as a
musician dedicated to
romantic nationalism.
Holberg Suite, originally
for piano, was written in
1884 in response to a
commission to mark the
bicentenary of the birth
of Ludvig Holberg, a
Norwegian dramatist and
satirist. A year later,
Grieg arranged 5
movements for string
orchestra. Sarabande and
Gavotte are intended to
be played segue but can,
if desired, be performed
separately. The music
expresses Grieg and his
native Norway in a manner
which justifies his
declaration I am not an
exponent of Scandinavian
music but of
Norwegian..
Romanze Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
By Edward MacDowell (1861-1908). Arranged by Douglas McLain. For cello and conce...(+)
By Edward MacDowell
(1861-1908). Arranged by
Douglas McLain. For cello
and concert band. Baton
Music Instrumental
Series. For Cello. Grade
3. Full score and parts.
Duration 3:30. Published
by Baton Music
Trombone solo with Concert Band - Advanced SKU: CY.CC3027 Composed by Dav...(+)
Trombone solo with
Concert Band - Advanced
SKU: CY.CC3027
Composed by David Fetter.
Classical. Score and
Parts. Cherry Classics
#CC3027. Published by
Cherry Classics
(CY.CC3027).
ISBN
9790530110027. 8.5 x 11
in inches.
David
Fetter's brilliant new
work Situation Update -
Suite for Tenor Trombone
and Concert Band is
written in three
contrasting movements
totalling almost 11
minutes in length: 1.
Swift 2. Longing 3. Exit
Music Swift is marked
Intense and is very
rhythmic and angular.
Longing is a beautiful
lyrical movement marked
Cantabile and Exit Music
is marked Lively mixing
chromatic, lyrical and
syncopated segments,
ending in a giant climax.
Both the solo and
accompaniment parts are
written for advanced
performers. The work's
premier was performed in
2015 by retired Principal
Trombonist of the Boston
Symphony, Ronald Barron
and accompanied at the
Piano by Pianist Larry
Wallach. Here is what Mr.
Ewazen has said about
Situation Update: I had
the pleasure of hearing
Ron Barron play David
Fetter's exciting and
virtuosic new work for
Trombone and Piano,
Situation Update. David's
music allows the
Trombonist to sing and
soar in 3 contrasting
movements filled with
vivid colors, beautiful
and expressive harmonies,
and a wonderful flowing
rhythmic energy. The
outer movements crackle
with energy, showcasing
the amazing technique of
soloist Ron Barron, as
the melodic line shifts
and changes with playful
abandon, while the middle
movement is heartfelt and
lyrical, with beautiful
melodic lines, supported
by resonant, gorgeous
harmonies. The work is a
real tour de force and
rightly deserves to take
its place as a
significant addition to
the Trombone
repertoire.
Concert Band - Grade 1 SKU: AP.BD9761 Composed by Bela Bartok. Arranged b...(+)
Concert Band - Grade 1
SKU: AP.BD9761
Composed by Bela Bartok.
Arranged by Larry Clark.
Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Beginning
Band. 20th Century;
Masterwork Arrangement.
Score and Part(s). 260
pages. Belwin Music
#00-BD9761. Published by
Belwin Music (AP.BD9761).
UPC: 029156658699.
English.
From
Bartók's famous For
Children collection of
short pieces for piano
comes this expertly
designed and carefully
executed suite of four
movements. For the
youngest ensemble, great
care has been taken so
that there will be no
unexpected technical
difficulties. Each
movement appears in a
comfortable key and uses
authentic melodic and
harmonic material for a
stylistically accurate
musical experience. This
is thoroughly charming
scoring. (duration
4:15).
Concert Band - Grade 2 SKU: AP.43096S Movement No. 9. Composed by ...(+)
Concert Band - Grade 2
SKU: AP.43096S
Movement No. 9.
Composed by Anton
Stepanovich Arensky.
Arranged by Vlctor
López. Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score. 24 pages. Duration
3:00. Belwin Music
#00-43096S. Published by
Belwin Music (AP.43096S).
UPC: 038081504360.
English.
Originally
written for piano, this
work translates well for
young bands. Written in
3/4, but intended to be
performed in a bouncy
one, its light texture,
melodic contour, and
playful nature will be an
outstanding addition to
any contest or festival
program. (3:00).
Concert Band - Grade 2 SKU: AP.43096 Movement No. 9. Composed by A...(+)
Concert Band - Grade 2
SKU: AP.43096
Movement No. 9.
Composed by Anton
Stepanovich Arensky.
Arranged by Victor Lopez.
Concert Band;
Masterworks; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score and Part(s). 212
pages. Duration 3:00.
Belwin Music #00-43096.
Published by Belwin Music
(AP.43096).
UPC:
038081504353.
English.
Originally
written for piano, this
work translates well for
young bands. Written in
3/4, but intended to be
performed in a bouncy
one, its light texture,
melodic contour, and
playful nature will be an
outstanding addition to
any contest or festival
program. (3:00).
Third Suite Orchestre d'harmonie [Conducteur] Belwin
Composed by Robert Jager (1939-). Concert Band; SmartMusic. Belwin Classic Band....(+)
Composed by Robert Jager
(1939-). Concert Band;
SmartMusic. Belwin
Classic Band. Form:
Suite. Conductor Score.
48 pages. Duration 08:45.
Published by Belwin Music
School's Cool Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1053829-015 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1053829-015
Little Suite for
Flexible Band.
Composed by Jacob De
Haan. Flexible 4 Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053829-015.
Published by De Haske
Publications
(BT.DHP-1053829-015).
9x12 inches.
English-German-French-Dut
ch.
This short,
“cool†suite
in three movements can be
performed with a variety
of instruments from a
handful of players to a
complete concert band.
The first movement
radiates joy with a
powerful 3/4 beat. The
second movement is in the
style of a pavane, which
gives a sense of
nostalgia and the final
movement forms a cheerful
and high-spirited closing
with a really funky beat.
This wonderful suite has
been composed especially
for youth musicians and
they will all gain great
pleasure from performing
it.Because of the
four-part
instrumentation, School's
Cool is suitable for
smaller strengths, taking
into account that it is
important to divide parts
evenly among the players.
Alsoincludes an ad-lib
keyboard/piano part to
support the ensemble.
Deze korte suite
is uitvoerbaar in elke
denkbare bezetting
(eventueel inclusief
piano).
School’s
Cool is gecomponeerd
in opdracht van de Yamaha
Bläserklasse van de
Frauenwaldschule in
Nieder-Mörlen
(Duitsland), ter
gelegenheidvan de
verhuizing naar een ander
gebouw. De leerlingen van
het orkest vonden de
voormalige school
‘cool’,
omdat ze er fijn konden
musiceren. Het eerste
deel straalt deze vreugde
uit met een krachtige
beat in driekwartsmaat.
Hettweede deel is een
soort pavane, waarin even
wat weemoed doorklinkt.
Het derde deel vormt een
levenslustig slot in een
lekkere funkbeat. Een
heerlijke suite voor
jeugdige
musici.
Diese
kurze, coole“ Suite
in drei Sätzen wurde
speziell für eine hoch
motivierte
Bläserklasse
komponiert und kann
deshalb in jeder
denkbaren Spielstärke
(optional mit Klavier)
gespielt werden. Der
erste Satz strahlt
Spielfreude in einem
kraftvollen Rhythmus im
1/2-Takt aus. Der zweite
Satz ist eine Art Pavane,
in welcher einen Moment
lang Nostalgie
widerklingt. Der dritte
Satz bildet ein
fröhliches, in
Hochstimmung endendes
Finale in einem
ansprechenden Funk-Beat.
Kurz gesagt, ist
School’s
Cool eine wunderbare
Suite, ganz besonders
für junge
Musiker.
Questa piccola
suite in tre movimenti,
fluida e rilassante, è
adatta ad ogni tipo di
organico a strumentazione
variabile (parte per il
piano opzionale).
School’s Cool è
un brano commissionato a
Jacob de Haan per la
classe di musica
Essential Elements della
Scuola Frauenwald di
Nieder-Mörlen in
Germania. Il primo
movimento evoca
musicalmente la gioia di
vivere. Il secondo
movimento è una specie
di pavane impregnata di
nostalgia. Vivace e
brillante, il terzo
movimento chiude il brano
su un trascinante ritmo
funk. Questa piccola
suite piena di charme
è perfetta per giovani
musicisti.
Clair de Lune Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Amstel Music
For Trombone Solo (or Alto Sax) and Wind Orchestra. Composed by Claude Debus...(+)
For Trombone Solo (or
Alto
Sax) and Wind Orchestra.
Composed by Claude
Debussy
(1862-1918). Edited by
Johan
De Meij. Amstel Music.
Classical. Amstel Music
#AM161-010. Published by
Amstel Music
Classical Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Concert Band and Piano Solo - Grade 2 SKU: BT.CMP-0894-05-040 For Pian...(+)
Concert Band and Piano
Solo - Grade 2
SKU:
BT.CMP-0894-05-040
For Piano and
Band. Composed by
James Curnow. Young Band.
Solo & Concerto. Set
(Score & Parts). Composed
2005. Curnow Music #CMP
0894-05-040. Published by
Curnow Music
(BT.CMP-0894-05-040).
English.
Best-lo
ved themes from Mozart
and Haydn for Piano
soloist with band! These
two great Classical
themes have been
carefully arranged with
detailed attention to the
Classical idiom and
performance practice.
This piece acts as a
perfect change-of-pace
during the band concert,
giving your show a
refreshingly contrasting
sound to reinvigorate the
audience's ears. While
being a nice reward for
the young Piano soloist's
hard work, having the
band play in the
Classical style in an
accompanying manner
allows for exploration of
all kinds of control and
sensitivity issues in
rehearsal.A great
experience for
everyone!
The Great Gate of Kiev Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064131-010 From 'Pictures...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1064131-010
From 'Pictures at an
Exhibition'. Composed
by Modest Petrovich
Mussorgsky. Arranged by
Tohru Takahashi. The
Great Classics.
Transcription. Set (Score
& Parts). Composed 2006.
De Haske Publications
#DHP 1064131-010.
Published by De Haske
Publications
(BT.DHP-1064131-010).
9x12 inches.
English-German-French-Dut
ch.
The Russian
composer Modest
Mussorgsky (1839-1881)
was self-educated to a
large extent but went on
to become one of the
?Mighty Five? which also
included Balakirev, Cui,
Borodin and
Rimsky-Korsakov. Today he
is considered the
innovator of Russian
music par excellence. He
composed Pictures at an
Exhibition in 1874,
inspired by ten pictures
produced by his then
recently deceased friend,
the Russian architect and
artist Victor Hartmann.
The French composer
Maurice Ravel made an
orchestration of
Mussorgsky?s composition
in 1922 which is now more
well-known and more
performed than the
original piano suite. For
his transcription of
Pictures at an
Exhibition, Tohru
Takahashimade use of the
original piano
composition by
Mussorgsky. The Great
Gate of Kiev, issued here
separately, is probably
the best known melody
from this classical
masterpiece.
De
Russische componist
Moessorgsky (1839-1881)
componeerde Pictures
at an Exhibition
(Schilderijententoonstell
ing) in 1874. Zijn
inspiratiebron vormden
tien schilderijen van de
hand van zijn overleden
vriend Victor
Hartmann,een Russisch
architect en kunstenaar.
De Franse componist
Maurice Ravel maakte in
1922 een orkestratie van
Moessorgsky’s
compositie - deze is
bekender en wordt meer
uitgevoerd dan de
oorspronkelijke
pianosuite. Voor zijn
¬transcriptievan
Pictures at an
Exhibition gebruikte
Tohru Takahahsi echter de
originele compositie van
Moessorgski. Dit
afzonderlijk uitgegeven
deel, The Great Gate
at Kiev, is
waarschijnlijk het
bekendst.
Obwohl
der russische Komponist
Modest Petrowitsch
Mussorgski
hauptsächlich als
Komponist von Opern und
Liedern bekannt ist,
schrieb er auch eine
Anzahl von bedeutenden
Klavierwerken, wie zum
Beispiel die
weltberühmte Suite
Bilder einer
Ausstellung, die
vielen besser in der
Orchestrierung von
Maurice Ravel bekannt
ist. Für seine
Transkription von
Bilder einer
Ausstellung griff
Tohru Takahashi jedoch
auf die ursprüngliche
Komposition von
Mussorgski zurück. Der
separat
veröffentlichte Satz
Das große Tor von
Kiew ist daraus der
wohl bekannteste Teil,
der immer wieder gerne
gespielt und gehört
wird.
Modest
Moussorgski (1839-1881)
è considerato il
più grande innovatore
della musica russa. Ha
realizzato le sue più
grandi creazioni nel
campo della musica
lirica, ma ha anche
composto opere per
pianoforte tra le quali
il celebre ciclo Quadri
di un’esposizione.
Decimo ed ultimo quadro
della suite, La grande
porta di Kiev è
certamente il movimento
più conosciuto dal
pubblico.
School's Cool Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band - Grade 1.5 SKU: BT.DHP-1053829-040 Little Suite for Flex...(+)
Concert Band - Grade 1.5
SKU:
BT.DHP-1053829-040
Little Suite for
Flexible Band.
Composed by Jacob De
Haan. Flexible 4 Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053829-040.
Published by De Haske
Publications
(BT.DHP-1053829-040).
9x12 inches.
English-German-French-Dut
ch.
This short,
“cool†suite
in three movements can be
performed with a variety
of instruments from a
handful of players to a
complete concert band.
The first movement
radiates joy with a
powerful 3/4 beat. The
second movement is in the
style of a pavane, which
gives a sense of
nostalgia and the final
movement forms a cheerful
and high-spirited closing
with a really funky beat.
This wonderful suite has
been composed especially
for youth musicians and
they will all gain great
pleasure from performing
it.Because of the
four-part
instrumentation, School's
Cool is suitable for
smaller strengths, taking
into account that it is
important to divide parts
evenly among the players.
Alsoincludes an ad-lib
keyboard/piano part to
support the ensemble.
Deze korte suite
is uitvoerbaar in elke
denkbare bezetting
(eventueel inclusief
piano).
School’s
Cool is gecomponeerd
in opdracht van de Yamaha
Bläserklasse van de
Frauenwaldschule in
Nieder-Mörlen
(Duitsland), ter
gelegenheidvan de
verhuizing naar een ander
gebouw. De leerlingen van
het orkest vonden de
voormalige school
‘cool’,
omdat ze er fijn konden
musiceren. Het eerste
deel straalt deze vreugde
uit met een krachtige
beat in driekwartsmaat.
Hettweede deel is een
soort pavane, waarin even
wat weemoed doorklinkt.
Het derde deel vormt een
levenslustig slot in een
lekkere funkbeat. Een
heerlijke suite voor
jeugdige
musici.
Diese
kurze, coole“ Suite
in drei Sätzen wurde
speziell für eine hoch
motivierte
Bläserklasse
komponiert und kann
deshalb in jeder
denkbaren Spielstärke
(optional mit Klavier)
gespielt werden. Der
erste Satz strahlt
Spielfreude in einem
kraftvollen Rhythmus im
1/2-Takt aus. Der zweite
Satz ist eine Art Pavane,
in welcher einen Moment
lang Nostalgie
widerklingt. Der dritte
Satz bildet ein
fröhliches, in
Hochstimmung endendes
Finale in einem
ansprechenden Funk-Beat.
Kurz gesagt, ist
School’s
Cool eine wunderbare
Suite, ganz besonders
für junge
Musiker.
Composed by Edward MacDowell (1861-1908). Arranged by Robert Sheldon. Concer...(+)
Composed by Edward
MacDowell
(1861-1908). Arranged by
Robert Sheldon. Concert
Band. Concert Band;
Part(s);
Score. Sound Innovations
for
Band. Form:
Transcription.
Masterwork Arrangement;
Romantic. Grade 1.5. 130
pages. Published by
Alfred
Music
Composed by Ernesto
Lecuona. Arranged by
Morton Gould. Full
Orchestra, Condensed
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A672199.
Published by
LudwigMasters
Publications
(AP.36-A672199).
ISBN
9798888528525. UPC:
659359599880.
English.
Originally
composed for piano, this
orchestration from
Lecuona's celebrated
Andalucia Suite by Morton
Gould is a sure
crowd-pleaser!
Instrumentation:
2(1dPicc).2.2+BCl..1:
4Sax(opt.): 2.3.3.1:
Perc(2): Hp.Clst.Gtr: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Ernesto
Lecuona. Arranged by
Morton Gould. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A672190.
Published by
LudwigMasters
Publications
(AP.36-A672190).
UPC:
659359722615.
English.
Originally
composed for piano, this
orchestration from
Lecuona's celebrated
Andalucia Suite by Morton
Gould is a sure
crowd-pleaser!
Instrumentation:
2(1dPicc).2.2+BCl..1:
4Sax(opt.): 2.3.3.1:
Perc(2): Hp.Clst.Gtr: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Intermezzo Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 3 SKU: BT.DHP-1125390-140 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 3
SKU:
BT.DHP-1125390-140
For Clarinet and
Concert Band /
Harmonie. Composed by
Satoshi Yagisawa. Solo
Spectrum. Score Only.
Composed 2013. 16 pages.
De Haske Publications
#DHP 1125390-140.
Published by De Haske
Publications
(BT.DHP-1125390-140).
9x12 inches.
English-German-French-Dut
ch.
Intermezzo
I> is the second movement
of Satoshi
Yagisawa’s
Clarinet Concerto.
The concerto was first
performed by
Higashi-Hiroshima Wind
Ensemble in Hiroshima,
Japan in 2010 with guest
performer Shinsuke
Hashimoto, clarinettist
with the Hiroshima
Symphony Orchestra and
was conducted by Atsushi
Kageyama. Inspiration for
this work came from the
fact that both Satoshi
Yagisawa and Shinsuke
Hashimoto graduated from
Musashino Academia
Musicae.Clarinet
Concerto>/I> is the
pinnacle of Satoshi
Yagisawa’s
“Concerto
Series†which also
features his Suite
Concertante for Piano and
WindOrchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertino,
andConcertino for Solo
Percussion and Wind
Orchestra.Yagisawaâ
™s characteristic
heartfelt theme in the
second movement is
especially popular and
consequently—entitl
ed
Intermezzo—i
t is often performed
independently.Soloist:
Grade 4
Intermezzo
is het tweede deel van
Satoshi Yagisawa’s
Clarinet Concerto.
Het concert als geheel
werd in 2010 onder
leiding van dirigent
Atsushi Kageyama door het
ensemble in première
gebracht, samen met
gastklarinettist Shinsuke
Hashimoto - die werkzaam
is bij het Hiroshima
Symphony Orchestra. De
inspiratiebron voor het
werk is het gegeven dat
Satoshi Yagisawa en
Shinsuke Hashimoto beiden
hebben gestudeerd aan de
Musashino Academia
Musicae.Clarinet
Concerto vormt het
hoogtepunt van Satoshi
Yagisawa’s
Concerto Series, waar ook
zijn Suite Concertante
for Piano and Wind
Orchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertinoen
Concertino for solo
Percussion and Wind
Orchestra deel van
uitmaken.Met name
Yagisawa’s
karakteristieke
doorvoelde thema uit het
tweede deel is populair.
Daarom wordt dat ook vaak
als afzonderlijk stuk
uitgevoerd, onder de
titel
Intermezzo.Soloist
: Grade 4
Intermezzo
ist der zweite Satz aus
Satoshi Yagisawas
Clarinet Concerto.
Dieses wurde vom
Bläserensemble
Higashi-Hiroshima in
Hiroshima (Japan) für
das 20. Jahreskonzert in
Auftrag gegeben. Es wurde
von diesem Ensemble mit
dem Gastsolisten Shinsuke
Hashimoto, dem
Klarinettisten des
Hiroshima Symphony
Orchestra, unter der
Direktion von Atsushi
Kageyama uraufgeführt.
Satoshi Yagisawa ließ
sich zu diesem Werk vom
gemeinsamen Abschluss mit
Shinsuke Hashimoto an der
Academia Musicae
Musashino inspirieren.
Clarinet Concerto
bildet den Höhepunkt
von Satoshi Yagisawas
Concerto-Reihe“, zu
welcher außerdem
folgende Werke zählen:
Suite Concertante for
Piano andWind Orchestra,
Trumpet Concerto,
Trombone Concerto,
Saxophone Concertino
sowie das Concertino
for Solo Percussion and
Wind Orchestra.Das
charakteristische, innige
Thema aus dem zweiten
Satz erfreut sich
besonderer Beliebtheit
und wird daher als
Intermezzo oft
einzeln
aufgeführt.Solostimme:
Schwierigkeitsgrad 4
Intermezzo Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 3 SKU: BT.DHP-1125390-010 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 3
SKU:
BT.DHP-1125390-010
For Clarinet and
Concert Band /
Harmonie. Composed by
Satoshi Yagisawa. Solo
Spectrum. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1125390-010. Published by
De Haske Publications
(BT.DHP-1125390-010).
9x12 inches.
English-German-French-Dut
ch.
Intermezzo
I> is the second movement
of Satoshi
Yagisawa’s
Clarinet Concerto.
The concerto was first
performed by
Higashi-Hiroshima Wind
Ensemble in Hiroshima,
Japan in 2010 with guest
performer Shinsuke
Hashimoto, clarinettist
with the Hiroshima
Symphony Orchestra and
was conducted by Atsushi
Kageyama. Inspiration for
this work came from the
fact that both Satoshi
Yagisawa and Shinsuke
Hashimoto graduated from
Musashino Academia
Musicae.Clarinet
Concerto>/I> is the
pinnacle of Satoshi
Yagisawa’s
“Concerto
Series†which also
features his Suite
Concertante for Piano and
WindOrchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertino,
andConcertino for Solo
Percussion and Wind
Orchestra.Yagisawaâ
™s characteristic
heartfelt theme in the
second movement is
especially popular and
consequently—entitl
ed
Intermezzo—i
t is often performed
independently.Soloist:
Grade 4
Intermezzo
is het tweede deel van
Satoshi Yagisawa’s
Clarinet Concerto.
Het concert als geheel
werd in 2010 onder
leiding van dirigent
Atsushi Kageyama door het
ensemble in première
gebracht, samen met
gastklarinettist Shinsuke
Hashimoto - die werkzaam
is bij het Hiroshima
Symphony Orchestra. De
inspiratiebron voor het
werk is het gegeven dat
Satoshi Yagisawa en
Shinsuke Hashimoto beiden
hebben gestudeerd aan de
Musashino Academia
Musicae.Clarinet
Concerto vormt het
hoogtepunt van Satoshi
Yagisawa’s
Concerto Series, waar ook
zijn Suite Concertante
for Piano and Wind
Orchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertinoen
Concertino for solo
Percussion and Wind
Orchestra deel van
uitmaken.Met name
Yagisawa’s
karakteristieke
doorvoelde thema uit het
tweede deel is populair.
Daarom wordt dat ook vaak
als afzonderlijk stuk
uitgevoerd, onder de
titel
Intermezzo.Soloist
: Grade 4
Intermezzo
ist der zweite Satz aus
Satoshi Yagisawas
Clarinet Concerto.
Dieses wurde vom
Bläserensemble
Higashi-Hiroshima in
Hiroshima (Japan) für
das 20. Jahreskonzert in
Auftrag gegeben. Es wurde
von diesem Ensemble mit
dem Gastsolisten Shinsuke
Hashimoto, dem
Klarinettisten des
Hiroshima Symphony
Orchestra, unter der
Direktion von Atsushi
Kageyama uraufgeführt.
Satoshi Yagisawa ließ
sich zu diesem Werk vom
gemeinsamen Abschluss mit
Shinsuke Hashimoto an der
Academia Musicae
Musashino inspirieren.
Clarinet Concerto
bildet den Höhepunkt
von Satoshi Yagisawas
Concerto-Reihe“, zu
welcher außerdem
folgende Werke zählen:
Suite Concertante for
Piano andWind Orchestra,
Trumpet Concerto,
Trombone Concerto,
Saxophone Concertino
sowie das Concertino
for Solo Percussion and
Wind Orchestra.Das
charakteristische, innige
Thema aus dem zweiten
Satz erfreut sich
besonderer Beliebtheit
und wird daher als
Intermezzo oft
einzeln
aufgeführt.Solostimme:
Schwierigkeitsgrad 4
Clarinet Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1145403-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1145403-010
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145403-010. Published by
De Haske Publications
(BT.DHP-1145403-010).
English-German-French-
Dutch.
The
Clarinet Concerto
is the highpoint of
Satoshi Yagisawa’s
‘Concerto
Series’, which
also includes Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto and
Saxophone Concertino,
as well asConcertino
for Solo Percussion and
Wind Orchestra.
Yagisawa’s
characteristic theme in
the second movement
enjoys great popularity
and is therefore often
performed separately as
Intermezzo.
Het
Clarinet Concerto
vormt het hoogtepunt van
Satoshi Yagisawa’s
Concerto Series, waar ook
zijn Suite Concertante
for Piano and Wind
Orchestra, Trumpet
Concerto, Trombone
Concerto,
Saxophone
Concertino
enConcertino for Solo
Percussion and Wind
Orchestra deel van
uitmaken. Met name
Yagisawa’s
karakteristieke thema uit
het tweede deel is
populair. Daarom wordt
dat vaak als afzonderlijk
stuk uitgevoerd, onder de
titel
Das
Clarinet Concerto
bildet den Höhepunkt
der Concerto-Reihe“
von Satoshi Yagisawa, zu
welcher außerdem
folgende seiner Werke
zählen: Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto,
SaxophoneConcertino
sowie das Concertino
for Solo Percussion and
Wind Orchestra.
Yagisawas
charakteristisches Thema
im zweiten Satz erfreut
sich besonderer
Beliebtheit und wird
daher als
Intermezzo oft
einzeln
aufgeführt.
Il Clarinet
Concerto fa parte
della Concert
Series“ di Satoshi
Yagisawa, che include le
seguenti opere: Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertino e anche
Concertino forSolo
Percussion and Wind
Orchestra. Il tema
caratteristico di
Yagisawa nel secondo
movimento gode di una
popolarit speciale e
viene quindi spesso
eseguito da solo come
intermezzo.
By George Frideric Handel (1685-1759). Arranged by Scott Stanton. For concert ba...(+)
By George Frideric Handel
(1685-1759). Arranged by
Scott Stanton. For
concert band.
Build-a-Band series.
Grade 3. Score and set of
parts. Published by C.L.
Barnhouse
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
Flowerdale Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie and Trumpet Solo - Grade 4 SKU: BT.AMP-049-140 F...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 4
SKU:
BT.AMP-049-140
From Hymn of the
Highlands - for Bb
Piccolo Trumpet (or Eb
Cornet/Trumpet) Solo.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Score Only.
Composed 2010. 16 pages.
Anglo Music Press #AMP
049-140. Published by
Anglo Music Press
(BT.AMP-049-140).
9x12
inches.
English-German-French-Dut
ch.
The
seven-movement suite for
brass band, Hymn of
the Highlands was
commissioned by David
King and the Yorkshire
Building Society Band and
provides a series of
themed movements which
can act as a half-concert
featuring a band’s
soloists.Flowerdale
is one of the solo
movements. This solo is
also available with piano
accompaniment, edition
no. AMP 285.
Die
siebensätzige Suite
für Blasorchester
Hymn of the
Highlands (Hymne der
Highlands“) wurde
von David King und der
Yorkshire Building
Society Band in Auftrag
gegeben. Mit einer Reihe
thematischer Sätze
bietet sie sich für
eine Konzerthälfte an,
in der ein Solist des
Orchesters hervorgehoben
werden soll.
Flowerdale ist
einer dieser
Solosätze, der auch
mit Klavierbegleitung
erhältlich ist.
(Editions-Nr. AMP 285).
La suite
in sette movimenti per
banda di ottoni, Hymn of
the Highlands (Inno delle
Highlands), è stata
commissionata da David
King e dalla Yorkshire
Building Society Band.
È composta da una
serie di movimenti a tema
che possono occupare la
prima parte di un
concerto, presentando i
solisti della banda.
Flowerdale è uno dei
movimenti solistici. Il
brano è anche
disponibile con
accompagnamento al
pianoforte (n. di
edizione AMP 285).
Arranged by Erich
Wolfgang Korngold, R.
Mark Rogers, and ed./arr.
Leo Artok. Full
Orchestra. Kalmus
Masterworks Library.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A929590.
Published by
LudwigMasters
Publications
(AP.36-A929590).
UPC:
735816239411.
English.
When Max
Reinhardt was engaged to
direct a German language
production of
Shakespeare's Much Ado
About Nothing at the
Vienna Volksbühne in
1918, he asked Korngold
to compose the incidental
music. The production,
under the German title
Viel Lärmen um Nichts
did not open until May 6,
1920 at the Schönbrunn
Palace Theater. In the
pit, the composer led
members of the Vienna
Philharmonic, performing
no less than 18 pieces of
music. In the meantime,
due to the tardy premiere
of the play, Korngold had
already extracted a
five-movement orchestral
suite which garnered much
praise when performed
three months before the
play's opening night. The
five movements included:
1. the Overture; 2. Scene
in the Bridal Chamber; 3.
Holzapfel und Schlehwein
(a mock-serious scene);
4. Intermezzo (Garden
Scene); and 5. Hornpipe.
When the play moved to
Vienna's Burgtheater
(more than 80
performances) and later
to the Rezidenz Theater
in Munich, the music
continued to attract much
attention. Demand for the
music was such that
Korngold arranged the
suite into versions for
violin and piano (four
pieces), and for solo
piano (three pieces).
German composer-arranger
Leo Artok (1885-1935)
arranged the most popular
three items (1. Hornpipe;
2. Garden Scene; and 3.
In the Bridal Chamber)
for small orchestra,
which were then published
by Schott in 1926. This
newly engraved edition of
the Artok arrangement,
offered with a new full
score for the first time,
has been completed by R.
Mark Rogers. All editions
noted above are available
from the publisher.
Instrumentation: 1.1.2.1:
2.2.1.0:
Timp.Perc(2).Harm: Str
(9.8.7.6.5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.