| Symphony No. 5 in D Minor, Op. 47 Orchestre d'harmonie Southern Music Ltd
Transcribed by R. Mark Rogers for Symphonic Wind Band. Composed by Dmitri ...(+)
Transcribed by R. Mark
Rogers
for Symphonic Wind Band.
Composed by Dmitri
Shostakovich (1906-1975).
Edited by Mark Rogers.
Southern Music. Concert.
Softcover. Southern Music
Company #S977CB.
Published by
Southern Music Company
$395.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 5 in C Minor Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 3 SKU: CL.026-4305-01 1st Movement (excerpt)....(+)
Concert band - Grade 3
SKU:
CL.026-4305-01 1st
Movement (excerpt).
Composed by Ludwig van
Beethoven. Arranged by
Stanton. Concert Band.
Build-A-Band. Extra full
score. Composed 2014.
Duration 1 minute, 58
seconds. C.L. Barnhouse
#026-4305-01. Published
by C.L. Barnhouse
(CL.026-4305-01).
One of
Beethoven’s best
known themes arranged by
Scott Stanton for very
small bands, and those
with severe
instrumentation problems.
Will sound great as long
has you have the four
parts covered and
optional guitar,
percussion and keyboard
parts can add to the
overall effect. All
students should be
exposed to the great
masters and this
publication helps makes
that possible! A real
winner!
About
Build-A-Band
Series The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.) $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 5 Orchestre d'harmonie Schirmer
By Dmitri Shostakovich. Arranged by Will Rapp, Jay Bocook. Schirmer Concert Band...(+)
By Dmitri Shostakovich.
Arranged by Will Rapp,
Jay Bocook. Schirmer
Concert Band. Published
by G. Schirmer, Inc.
$80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 5 - Finale Orchestre d'harmonie [Conducteur et Parties séparées] Schirmer
By Dmitri Shostakovich. Arranged by Jay Bocook. (Score and Parts). Schirmer Con...(+)
By Dmitri Shostakovich.
Arranged by Jay Bocook.
(Score and Parts).
Schirmer Concert Band.
Published by G. Schirmer,
Inc.
$135.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 5 - Finale Orchestre d'harmonie [Conducteur] Schirmer
Full Score. By Dmitri Shostakovich. Arranged by Jay Bocook. (Full Score). Schir...(+)
Full Score. By Dmitri
Shostakovich. Arranged by
Jay Bocook. (Full
Score). Schirmer Concert
Band. Size 10.75x14
inches. 52 pages.
Published by G. Schirmer,
Inc.
$17.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Finale from Symphony No. 1 Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
((Revised Edition)). Composed by Vasily Kalinnikov. Edited by Christopher Heiden...(+)
((Revised Edition)).
Composed by Vasily
Kalinnikov. Edited by
Christopher Heidenreich.
Arranged by Glenn Cliffe
Bainum. For Concert Band
(Score and Parts).
MusicWorks Grade 5. Grade
5. Score and parts.
Published by Hal Leonard
$125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony nr. 5 E minor Orchestre d'harmonie [Conducteur et Parties séparées] Baton Music
(4. Finale). Composed by Pyotr Ilyich Tschaikowsky. Arranged by Steven Stanke. F...(+)
(4. Finale). Composed by
Pyotr Ilyich
Tschaikowsky. Arranged by
Steven Stanke. For
Concert Band. Grade 5.
Full score and set of
parts. Duration 12:30.
Published by Baton Music
$233.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto for Piano No. 1 in D minor, Op. 15 Orchestre d'harmonie [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP....(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano SKU:
AP.36-A134548
Composed by Johannes
Brahms. Arranged by
Clinton Nieweg and Robert
Sutherland. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Part(s). LudwigMasters
Publications #36-A134548.
Published by
LudwigMasters
Publications
(AP.36-A134548). UPC:
735816434267.
English. Johannes
Brahms (1833-1897)
composed his Piano
Concerto No. 1 in 1858
and performed the work's
debut in Hanover,
Germany, in 1859, to
mixed reviews. The work
initially began as a
sonata for two pianos,
then a four-movement
symphony. Under the
counsel of friends Julius
Otto Grimm and violinist
Joseph Joachim, Brahms
landed on a
three-movement piano
concerto. After its fifth
performance in December
1861, with Clara Schumann
as piano soloist, the
work still received mixed
audience reception. It
has since grown in
popularity and has been
recognized as a
masterpiece.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $24.95 - Voir plus => Acheter | | |
| Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5 SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71). ISBN
9781491143544. UPC:
680160901043. Key: G
minor. Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak . $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Classic Touch Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by Victor Lopez. For Concert Band. Concert Band. Belwin Very Beginning ...(+)
Arranged by Victor Lopez.
For Concert Band. Concert
Band. Belwin Very
Beginning Band. Level: .5
(Very Easy) (grade .5).
Conductor Score and
Parts. 136 pages.
Published by Alfred
Publishing.
$50.00 $47.5 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Classic Touch (Score only) Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
For Concert Band. Concert Band. Belwin Very Beginning Band. Level: .5 (Very Easy...(+)
For Concert Band. Concert
Band. Belwin Very
Beginning Band. Level: .5
(Very Easy) (grade .5).
Score. 12 pages.
Published by Alfred
Publishing.
$8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Allegro Con Brio Orchestre d'harmonie Boosey and Hawkes
1st Movement from Symphony No. 5 in C minor, Op. 67. By Ludwig van Beethoven. Ar...(+)
1st Movement from
Symphony No. 5 in C
minor, Op. 67. By Ludwig
van Beethoven. Arranged
by Joseph Kreines. (Full
Score). Boosey and Hawkes
Concert Band. 40 pages.
Published by Boosey &
Hawkes.
$10.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Allegro Con Brio Orchestre d'harmonie Boosey and Hawkes
1st Movement from Symphony No. 5 in C minor, Op. 67. By Ludwig van Beethoven. Ar...(+)
1st Movement from
Symphony No. 5 in C
minor, Op. 67. By Ludwig
van Beethoven. Arranged
by Joseph Kreines. (BAND
SET). Boosey and Hawkes
Concert Band. Published
by Boosey & Hawkes.
$85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 5 in C Minor Orchestre d'harmonie [Conducteur et Parties séparées] C.L. Barnhouse
1st Movement (excerpt). Composed by Ludwig van Beethoven (1770-1827). Arr...(+)
1st Movement
(excerpt). Composed
by Ludwig van Beethoven
(1770-1827). Arranged by
Stanton. Build-A-Band.
Score and set of parts.
Duration 1 minute, 58
seconds. Published by
C.L. Barnhouse
(CL.026-4305-00).
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony nr. 5 c sharp- minor Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
(4. Adagietto). Composed by Gustav Mahler (1860-1911). Arranged by Christiaan Ja...(+)
(4. Adagietto). Composed
by Gustav Mahler
(1860-1911). Arranged by
Christiaan Janssen. For
Concert Band. Grade 5.
Full score. Duration
11:00. Published by Baton
Music
$32.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Symphony nr. 9 E minor Orchestre d'harmonie [Conducteur] Baton Music
(2. Largo). Composed by Antonin Dvorak (1841-1904). Arranged by Marc Koninkx. Fo...(+)
(2. Largo). Composed by
Antonin Dvorak
(1841-1904). Arranged by
Marc Koninkx. For Concert
Band. Grade 5. Full
score. Duration 13:00.
Published by Baton Music
$34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Symphony nr. 9 E minor Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Baton Music
(2. Largo). By Antonin Dvorak (1841-1904). Arranged by Marc Koninkx. For concert...(+)
(2. Largo). By Antonin
Dvorak (1841-1904).
Arranged by Marc Koninkx.
For concert band. Grade
5. Full score and set of
parts. Duration 13:00.
Published by Baton Music
$189.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Symphony nr. 9 E minor Orchestre d'harmonie [Conducteur et Parties séparées] Baton Music
(4. Allegro con fuoco). Composed by Antonin Dvorak (1841-1904). Arranged by Marc...(+)
(4. Allegro con fuoco).
Composed by Antonin
Dvorak (1841-1904).
Arranged by Marc Koninkx.
For Concert Band. Grade
5. Full score and set of
parts. Duration 12:00.
Published by Baton Music
$212.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Symphony nr. 9 E minor Orchestre d'harmonie [Conducteur] Baton Music
(1. Adagio - Allegro molto). Composed by Antonin Dvorak (1841-1904). Arranged by...(+)
(1. Adagio - Allegro
molto). Composed by
Antonin Dvorak
(1841-1904). Arranged by
Marc Koninkx. For Concert
Band. Grade 5. Full
score. Duration 12:30.
Published by Baton Music
$34.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Maritime Overture Orchestre d'harmonie [Conducteur et Parties séparées] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, 1st Bassoon, 2n...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute, 1st
Oboe, 2nd Oboe, 1st
Bassoon, 2nd Bassoon,
Solo Bb Clarinet, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet, Bb Bass
Clarinet, Bb Contra Bass
Clarinet, Eb Alto
Saxophone, Bb Tenor
Saxophone, Eb Barito) -
grade 5 SKU:
CN.R10011 Composed by
John Ireland. Band Music.
Score and parts. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.R10011).
Cast your self
into a storm at sea with
this fantastic piece from
John Ireland. Turbulent
rhythmic motives launch
the work to blend into a
more lyrical melody
contrasting the opening.
Don't be fooled though;
the first rhythmic motive
provides the underlay, a
reminder that the calm
surface of the sea is
only masking the swirling
water
underneath!
A
Maritime Overture was
written in 1944 and
published in 1946. This
edition was published in
1988. The score was
prepared from the
composer's full draft by
Norman Richardson, and
uses the same material as
Tritons - a Symphonic
Prelude for orchestra
dating from the early
1900s. The development of
the material however is
different in each piece.
The work is conceived in
F major - but it is 24
bars before Ireland
establishes this
tonality. Fortissimo
chords of B-flat major
open the work, and the
Overture hovers between G
minor and B-flat as a
restless rhythmic motif
is introduced. As soon as
F major is finally
established it is
contradicted as the music
fragments, but the key is
allowed a further 4 bars
to consolidate before
more lyrical interplay
leads to a second idea,
introduced by flutes and
oboes in C major. Marked
'espressivo e ben
cantando' this is a
complete contrast to the
opening, although the
first rhythmic motif
provides the underlay - a
reminder after the
opening storms that the
calm surface of the sea
is only masking the
swirling water
underneath. A Maritime
Overture has a freer
approach to form than say
the first movement of a
symphony might allow,
enabling Ireland to
introduce a totally new
central section marked
'poco meno mosso' in F
minor. A bold cornet (not
trumpet) heralds this new
idea, in a passage marked
'with freedom' and
perhaps for the only time
there is a true
tranquility in the
sextuplet accompaniment.
Thus the restlessness is
suspended, but not for
long, as the opening
storm returns and a
recapitulation allows the
F major theme and the
second theme - this time
in the sub-dominant
(B-flat) - to reassert
themselves. $115.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony #5 in C Minor (1st Mvt.) Orchestre d'harmonie [Conducteur et Parties séparées] C.L. Barnhouse
Composed by Ludwig van Beethoven (1770-1827). Arranged by Donald W. Stauffer. Co...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Donald W.
Stauffer. Concert band.
Score and set of parts.
Composed 2003. Published
by C.L. Barnhouse
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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