Concert
Band, Grade 4, 8:00
Score. Composed by
Franco Cesarini. Editions
Franco Cesarini.
Classical, Concert Band,
Festival. Softcover.
Duration 480 seconds. Hal
Leonard #EFC030-SC.
Published by Hal Leonard
(HL.4008696).
UPC:
196288190523.
â€
œMay your trails be
crooked, winding,
lonesome, dangerous,
leading to the most
amazing view. May your
mountains rise into and
above the clouds.â€
– Edward Abbey
Notes from the Road was
commissioned to Franco
Cesarini by the music
Federation of the Canton
of Thurgau, Switzerland,
as compulsorypiece for
the second category of
the Canton Festival in
2023. The piece is
written in the typical
form of an Italian
overture, with the
sequence of
veloce-lento-veloce
tempi. Reflections on
life and the street as
its metaphor were the
driving elements in
composing this piece. The
way represents a symbol
characteristic to many
cultures, so much so that
the verb “to
walk†or the word
“pathâ€
indicate a way of being
in life and of fulfilling
oneself. “Making
one's way†means
affirming oneself;
“Having a
way†indicates
one's own and personal
approach. The road is the
most beautiful metaphor
of life: there is a
departure, a destination,
and in the middle lies a
path that is sometimes
winding, with challenges
to overcome and
directions to take. An
introspective piece, an
invitation to each of us
to reflect on our own
“pathâ€.
Diamond Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-354-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-354-010
Euphonium Concerto No.
3. Composed by Philip
Sparke. Elite Series. Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 354-010. Published
by Anglo Music Press
(BT.AMP-354-010).
9x12
inches.
English-German-French-Dut
ch.
Diamond
Concerto was
commissioned by
Musikverein Mörschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven
Mead’s special
euphonium sound in his
head throughout the
composition process and
made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMörschied lies to
the west of Frankfurt am
Main in the area known as
the German Road of
Precious Stones, which is
famous for its thriving
gem industry. Because of
this it was decided to
give the commission a
local connection by
choosing the title,
Diamond Concerto.
Each of the three
movements is named after
a famous diamond:1 EARTH
STARis rather stern in
mood, opening with a free
fantasy for the soloist
over a static chord from
the band. This leads to
an Allegro Moderato in
minor mode where small
motives are gradually
repeated and developed by
both band and soloist.2
OCEAN DREAMuses a varied
quote from the
composer’s
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven
Mead’s suggestion,
in bebop style and takes
the form of a jazz waltz.
The quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Mörschied - met
dirigent Eric Grandjean -
voor een speciaal concert
met Steven Mead als
gastsolist. De
wereldpremière vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarrièr
e.Het plaatsje
Mörschied ligt ten
westen van Frankfurt am
Main, in het gebied dat
bekendstaat als de
Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van
Sparke’s werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben
für den Musikverein
Mörschied, westlich
von Frankfurt am Main an
der Deutschen
Edelsteinstraße
gelegen, wurde jeder der
drei Sätze von
Diamond Concerto
nach einem berühmten
Diamanten benannt: 1
EARTH STAR ist eher
stimmungstechnisch ein
Stern. Der Satz beginnt
mit einer freien Fantasie
des Solisten über
einem statischen Akkord
des Orchesters. Dieses
führt zu einem Allegro
Moderato in Moll, in
welchem kurze Motive von
sowohl Orchester als auch
Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthält, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthält
eine Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen
Holzbläsern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist für Euphonium und
Klavier erhältlich
(AMP 374-401) sowie
für Euphonium und
Brass Band (AMP 354-030).
An American Elegy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 11:10. Published
by Manhattan Beach Music.
An American Elegy Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor Full
Score. Duration 11:10.
Published by Manhattan
Beach Music.
Concert Band Concert Band - Grade 0.5 SKU: FJ.B1480S Score Only. C...(+)
Concert Band Concert Band
- Grade 0.5
SKU:
FJ.B1480S
Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Beginning Band.
Score. Duration 1:30. The
FJH Music Company Inc
#98-B1480S. Published by
The FJH Music Company Inc
(FJ.B1480S).
English.
This
evocative fanfare is part
of the exciting Measures
of Success Performance
Series and correlates
with the very beginning
of Book 1, Opus 3. Using
limited ranges and no
eighth notes in the
winds, this is an ideal
piece for first-year
students. From the
powerful opening
statement to the inviting
harmonic progressions
that follow, you will be
shocked that something
this compelling can be so
accessible to the
youngest of students!
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-043-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-043-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2003. 32 pages.
Anglo Music Press #AMP
043-140. Published by
Anglo Music Press
(BT.AMP-043-140).
These eight
little solos are intended
to supply easy,
descriptive pieces for
the beginner horn player
which are not only
beneficial for technical
development but will also
be useful performance
material. The tunes are
characteristically
horn-like in nature.
A Huntingdon
Celebration ist eine
kurze, lebhafte
Ouvertüre. In dieser
abwechslungsreichen
Komposition erscheinen
verschiedene Themen und
Phrasen einmal in
einzelnen
Instrumentengruppen, dann
spielt wieder das gesamte
Blasorchester. Die
Fanfare der Eröffnung
rundet schließlich ein
Werk ab, mit dem Sie Ihr
Ensemble von vielen
Seiten präsentieren
können. So setzen Sie
Ihre Musiker ins rechte
Licht!
Questo breve e
vivace brano
d’apertura è
ideale per iniziare un
concerto.
L’incipit è
scandito da un tema in
stile di fanfara eseguito
dai clarinetti e dai
sassofoni, sostenuto
dall’intera banda.
Dopo un corale centrale
più lento, ritorna il
tempo originale seguito
dalla fanfara
d’apertura che
riappare portando il
brano ad una trionfale
chiusura.
Fanfare Mi-Chi-Bi-Ki Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094666-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094666-010
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Opening Pieces. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094666-010. Published by
De Haske Publications
(BT.DHP-1094666-010).
9x12 inches.
English-German-French-Dut
ch.
Mi-Chi-Bi-Kiâ
œ ist der Name einer
Bronzestatue, die in der
japanischen Stadt
Yokohama steht. Dieses
Denkmal, das als Symbol
für den Frieden auf
der Welt errichtet wurde,
inspirierte den
japanischen Komponisten
Satoshi Yagisawa zu
diesem Werk. Ein
glanzvolles Eröff
nungsstück, das die
Herzen der Zuhörer auf
der ganzen Welt öff
nen wird!
Fanfare Mi-Chi-Bi-Ki Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094666-140 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094666-140
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Opening Pieces. Score
Only. Composed 2009. 12
pages. De Haske
Publications #DHP
1094666-140. Published by
De Haske Publications
(BT.DHP-1094666-140).
9x12 inches.
English-German-French-Dut
ch.
Mi-Chi-Bi-Kiâ
œ ist der Name einer
Bronzestatue, die in der
japanischen Stadt
Yokohama steht. Dieses
Denkmal, das als Symbol
für den Frieden auf
der Welt errichtet wurde,
inspirierte den
japanischen Komponisten
Satoshi Yagisawa zu
diesem Werk. Ein
glanzvolles Eröff
nungsstück, das die
Herzen der Zuhörer auf
der ganzen Welt öff
nen wird!
Caribbean Clarinets Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000853-010 Composed by Dagmar...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000853-010
Composed by Dagmar
Kildevann. Set (Score &
Parts). 62 pages. Gobelin
Music Publications #GOB
000853-010. Published by
Gobelin Music
Publications
(BT.GOB-000853-010).
Whether you
listen to ‘Caribbean
Clarinets’, or you are
a member of the
orchestra, or you have
perhaps even one of the
solo parts in this
composition, you will
imagine yourself in a sun
bathed paradise on
earth. Dagmar
Kildevann has given you a
free trip to the
Caribbean in this solo
piece for the entire
clarinet section. This is
as cheap as it gets!
You can feel the sun,
taste the dishes and
enjoy the wonderful
music. The clarinets
are put in the limelight
and are given the
opportunity to shine in a
glorious ‘Beguine’
and an inviting
‘Samba’.
Parasol, lounge-chair,
drink, being transported
to another world by the
music, in short :
enjoy!
Of je nu
luistert naar de
‘Caribbean
Clarinets’, in het
orkest zit of zelfs één
van de solopartijen voor
je rekening neemt, je
waant je in een
zonovergoten
paradijsje. Dagmar
Kildevann geeft u in deze
solo, voor de hele
klarinet-sectie,een
gratis reisje naar het
Caribisch gebied.
Goedkoper kan bijna niet!
Je voelt de zon,
proeft de gerechten en
geniet van de heerlijke
muziek. De
klarinetten worden in het
zonnetje gezet en kunnen
schitterenin een
heerlijke ‘Beguine’
en een uitnodigende
‘Samba’.
Parasolletje, ligstoel,
drankje, wegdromen op de
muziek, kortom. genieten
maar!
Caribbean Clarinets Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000853-140 Composed by Dagmar...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000853-140
Composed by Dagmar
Kildevann. Score Only. 32
pages. Gobelin Music
Publications #GOB
000853-140. Published by
Gobelin Music
Publications
(BT.GOB-000853-140).
Whether you
listen to ‘Caribbean
Clarinets’, or you are
a member of the
orchestra, or you have
perhaps even one of the
solo parts in this
composition, you will
imagine yourself in a sun
bathed paradise on
earth. Dagmar
Kildevann has given you a
free trip to the
Caribbean in this solo
piece for the entire
clarinet section. This is
as cheap as it gets!
You can feel the sun,
taste the dishes and
enjoy the wonderful
music. The clarinets
are put in the limelight
and are given the
opportunity to shine in a
glorious ‘Beguine’
and an inviting
‘Samba’.
Parasol, lounge-chair,
drink, being transported
to another world by the
music, in short :
enjoy!
Of je nu
luistert naar de
‘Caribbean
Clarinets’, in het
orkest zit of zelfs één
van de solopartijen voor
je rekening neemt, je
waant je in een
zonovergoten
paradijsje. Dagmar
Kildevann geeft u in deze
solo, voor de hele
klarinet-sectie,een
gratis reisje naar het
Caribisch gebied.
Goedkoper kan bijna niet!
Je voelt de zon,
proeft de gerechten en
geniet van de heerlijke
muziek. De
klarinetten worden in het
zonnetje gezet en kunnen
schitterenin een
heerlijke ‘Beguine’
en een uitnodigende
‘Samba’.
Parasolletje, ligstoel,
drankje, wegdromen op de
muziek, kortom. genieten
maar!
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-140 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-140
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
145-140. Published by
Anglo Music Press
(BT.AMP-145-140).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV
208),welche die
berühmte Arie
Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Sheep May Safely Graze Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-010 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-010
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
145-010. Published by
Anglo Music Press
(BT.AMP-145-010).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV 208),
welche die berühmte
Arie Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Gate 11 Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000513-140 Composed by John E...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000513-140
Composed by John Emerson
Blackstone. Score Only.
32 pages. Gobelin Music
Publications #GOB
000513-140. Published by
Gobelin Music
Publications
(BT.GOB-000513-140).
Gate 11
is a piece by John
Emerson, inspired by the
mood of a bustling
airport in which
passengers dream quietly
of the loved ones that
await at the end of their
journey. Equally
accessible to young and
old alike, Gate 11
is an atmospheric piece
ideal for concert
performance.
Music van John
Miles was een favoriet
nummer van Blackstone.
Met totaal andere noten
maar in dezelfde vorm
sfeer schreef de
componist zelf Gate 11.
De compositie refereert
aan de altijd weer
gejaagde en luidruchtige
taferelen op een
luchthaven en dan vooral
bij het inchecken. Toch
zijn er ook andere
passagiers die geduldig
wachten en in stilte
wegdromen… Al
uitkijkend naar de
ontmoeting met een
langverwachte geliefde...
Gate 11: afwisselend om
te spelen en prachtig om
naar te
luisteren!
Mit
völlig anderen Noten,
aber derselben Form wie
sein Lieblingslied
Music von John
Miles schreib John
Emerson Blackstone dieses
attraktive Werk für Jung
und Alt. Der Titel
Gate 11 ist ein
Verweis auf die
Atmosphäre an einem
Flughafen, wo einerseits
Hektik herrscht, es
andererseits aber auch
Menschen gibt, die still
vor sich hin träumen von
geliebten Menschen, die
am Ende ihrer Reise auf
sie warten.
Music
de John Miles était
l’un des tubes
préférés de John
Emerson Blackstone. Avec
des lignes mélodiques
différentes mais en
conservant la même
structure afin de
recréer une atmosphère
identique, il composa
Gate 11. Cette
œuvre se réfère des
scènes presque toujours
bruyantes dans un
aéroport, en particulier
lors de
l’enregistrement. Ces
moments de grande
agitation cèdent
cependant leur place des
motifs plus doux,
incitant la rêverie. Une
invitation au voyage ne
pas décliner
!
John Emerson
Blacksone ha scritto
questo piacevole brano
con note diverse, ma con
la stessa forma della sua
canzone preferita, Music
di John Miles. Il titolo,
Gate 11, riporta
all’atmosfera in un
aeroporto, dove storie e
destini si intrecciano in
un’atmosfera frenetica
ma capace anche di dare
spazio a momenti più
rilassati, che invitano a
sognare. Un invito a
viaggiare che non si può
rifiutare!
Concert Band/Harmonie and Percussion Solo - Grade 3 SKU: BT.DHP-1124904-140(+)
Concert Band/Harmonie and
Percussion Solo - Grade 3
SKU:
BT.DHP-1124904-140
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2012. 28
pages. De Haske
Publications #DHP
1124904-140. Published by
De Haske Publications
(BT.DHP-1124904-140).
9x12 inches.
English-German-French-Dut
ch.
This concertino
was written to a
commission by Japanese
percussionist Kazuko
Ogawa as an addition to
Satoshi Yagisawa’s
concerto series (trumpet,
trombone, marimba,
saxophone, and clarinet
with wind orchestra). The
world premiere was
performed by Kasukabe
Kyoei Junior and Senior
High School Wind
Orchestra with guest
percussionist Kazuko
Ogawa, conducted by
Jotaro Tsuga, director of
the orchestra in 2009.
The effective usage of
the solo percussion and
elegant orchestration has
been greatly appreciated
since the premiere.
Satoshi Yagisawa’s
style has been dramatic
but in this piece a new
XXXX of writing can be
found.Grade 5 for the
soloist
Dit
concertino is in opdracht
geschreven voor de
Japanse slagwerker Kazuko
Ogawa - als aanvulling op
Satoshi Yagisawa’s
concertserie (trompet,
trombone, marimba,
saxofoon en klarinet met
harmonieorkest). De
wereldpremière werd
uitgevoerddoor het
Kasukabe Kyoei Junior and
Senior High School Wind
Orchestra, samen met
gastslagwerker Kazuko
Ogawa. Het geheel stond
onder leiding van Jotaro
Tsuga, die in 2009
dirigent van het
betreffende orkest was.
De effectievetoepassing
van het solistische
slagwerk en de elegante
orkestratie zijn sinds de
première alom
geprezen. Satoshi
Yagisawa’s stijl
was altijd vrij
theatraal, maar in dit
werk hanteert hij een
nieuw idioom.Grad 5 for
the soloist
Dieses
Concertino wurde im
Auftrag des japanischen
Percussionisten Kazuko
Ogawa als Ergänzung
von Satoshi Yagisawas
Concerto-Reihe
geschrieben (Concerto
für Trompete, Posaune,
Marimaphon, Saxophon
sowie Klarinette und
Blasorchester). Die
Welturaufführung wurde
vom Blasorchester der
Kasukabe Kyoei Junior and
Senior High School
gespielt; als
Gast-Perkussionist
spielte Kazuko Ogawa und
am Pult stand Jotaro
Tsuga, der Dirigent des
Orchesters im Jahr 2009.
Der wirkungsvolle Einsatz
von Solo-Percussion
kombiniert mit einer
eleganten Orchestrierung
fand großen Anklang
seit der Premiere.
Satoshi Yagisawas Stil
ist eigentlich als
dramatisch bekannt, aber
in diesem Stück
kannman eine ganz neue
Seite seiner
Kompositionskunst
erkennen.Schwierigkeitsgr
ad des Solisten: Grade 5
Light-walk Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000218-010 Composed by Barrie...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000218-010
Composed by Barrie Gott.
Arranged by Klaas van der
Woude. Set (Score &
Parts). 83 pages. Gobelin
Music Publications #GOB
000218-010. Published by
Gobelin Music
Publications
(BT.GOB-000218-010).
Change your
band into a Big Band with
the swinging sounds of
this composition. It
is a transcription by top
arranger Klaas van der
Woude of original light
music by Barrie Gott.
Various instruments can
play the solo in this
versatile piece, and
there is even an
invitation to
improvise! . The
audience will find it
impossible to keep still
as your band plays the
rhythmic Light-walk.
However, that's no
problem: dancing is
allowed!
Stil
blijven zitten is
onmogelijk bij dit
ritmische en swingende
Light-walk.
Aanstekelijk!
Light-walk Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000218-140 Composed by Barrie...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000218-140
Composed by Barrie Gott.
Arranged by Klaas van der
Woude. Score Only. 14
pages. Gobelin Music
Publications #GOB
000218-140. Published by
Gobelin Music
Publications
(BT.GOB-000218-140).
Change your
band into a Big Band with
the swinging sounds of
this composition. It
is a transcription by top
arranger Klaas van der
Woude of original light
music by Barrie Gott.
Various instruments can
play the solo in this
versatile piece, and
there is even an
invitation to
improvise! . The
audience will find it
impossible to keep still
as your band plays the
rhythmic Light-walk.
However, that's no
problem: dancing is
allowed!
Stil
blijven zitten is
onmogelijk bij dit
ritmische en swingende
Light-walk.
Aanstekelijk!
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003SSC C...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003SSC
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Study score
only. Amis Musical Circle
#AMC-WB-003SSC. Published
by Amis Musical Circle
(AI.AMC-WB-003SSC).
8.5 x 11
inches.
The 1818
publication of Francis
Johnson's A Collection of
New Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003 Comp...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Score and Parts.
Amis Musical Circle
#AMC-WB-003. Published by
Amis Musical Circle
(AI.AMC-WB-003).
The 1818
publication of Francis
Johnson's A Collection of
New Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003SCO C...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003SCO
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Conductor score.
Amis Musical Circle
#AMC-WB-003SCO. Published
by Amis Musical Circle
(AI.AMC-WB-003SCO).
11
x 17 inches.
The
1818 publication of
Francis Johnson's A
Collection of New
Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
Fantasia Helvetica Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175760-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175760-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2017.
De Haske Publications
#DHP 1175760-010.
Published by De Haske
Publications
(BT.DHP-1175760-010).
English-German-French-
Dutch.
Pfarreimusik
Wünnewil-Flamatt
requested a new work to
be commissioned for the
celebration of its 111th
anniversary. They asked
the composer to create a
piece lasting
approximately 11 minutes
and 11 seconds. The band
asked Jan Van der Roost
to reflect on a number of
aspects from the past, as
well as the current state
of affairs. The piece
contains lyrical
movements, cheerful and
jubilant parts, as well
as light introverted
sequences. Fantasia
Helvetica is a varied
concert piece with a
number of challenging
passages, but is also fun
to
play!
Pfarreimusik
Wünnewil-Flamatt uit
Zwitserland gaf de
opdracht voor dit werk om
haar 111-jarig bestaan
gestalte te geven en
verzocht de componist om
er een ongeveer elf
minuten en elf seconden
durende compositie van te
maken. Verder vroeg het
orkest Jan Van der Roost
om een aantal aspecten
uit het verleden en de
huidige samenstelling
(als bloeiende vereniging
met veel jeugd) weer te
geven. Het werk bevat
lyrische momenten en
opgewekte tot zelfs
uitbundige delen, maar
ook ingetogen passages.
Al met al is Fantasia
Helvetica een
afwisselend en welluidend
concertwerk met een paar
uitdagende passages, maar
het draait vooral om het
speelplezier!
Die
Pfarreimusik
Wünnewil-Flamatt gab
aus Anlass ihres
111-jährigen Bestehens
ein neues Werk in
Auftrag. Sie baten den
Komponisten, ein Stück
zu komponieren, das etwa
elf Minuten und elf
Sekunden dauert. Jan Van
der Roost sollte
außerdem einige
Aspekte aus der
Geschichte des Orchesters
sowie aktuelle Ereignisse
darstellen. Das Stück
enthält lyrische
Passagen, fröhliche
und triumphierende
Abschnitte sowie leicht
introvertierte Sequenzen.
Fantasia Helvetica
ist ein
abwechslungsreiches
Konzertstück mit
einigen anspruchsvollen
Passagen, aber es macht
vor allem Spaß, es zu
spielen!
Fantasia Helvetica Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175760-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175760-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2017. 52
pages. De Haske
Publications #DHP
1175760-140. Published by
De Haske Publications
(BT.DHP-1175760-140).
English-German-French-
Dutch.
Pfarreimusik
Wünnewil-Flamatt
requested a new work to
be commissioned for the
celebration of its 111th
anniversary. They asked
the composer to create a
piece lasting
approximately 11 minutes
and 11 seconds. The band
asked Jan Van der Roost
to reflect on a number of
aspects from the past, as
well as the current state
of affairs. The piece
contains lyrical
movements, cheerful and
jubilant parts, as well
as light introverted
sequences. Fantasia
Helvetica is a varied
concert piece with a
number of challenging
passages, but is also fun
to
play!
Pfarreimusik
Wünnewil-Flamatt uit
Zwitserland gaf de
opdracht voor dit werk om
haar 111-jarig bestaan
gestalte te geven en
verzocht de componist om
er een ongeveer elf
minuten en elf seconden
durende compositie van te
maken. Verder vroeg het
orkest Jan Van der Roost
om een aantal aspecten
uit het verleden en de
huidige samenstelling
(als bloeiende vereniging
met veel jeugd) weer te
geven. Het werk bevat
lyrische momenten en
opgewekte tot zelfs
uitbundige delen, maar
ook ingetogen passages.
Al met al is Fantasia
Helvetica een
afwisselend en welluidend
concertwerk met een paar
uitdagende passages, maar
het draait vooral om het
speelplezier!
Die
Pfarreimusik
Wünnewil-Flamatt gab
aus Anlass ihres
111-jährigen Bestehens
ein neues Werk in
Auftrag. Sie baten den
Komponisten, ein Stück
zu komponieren, das etwa
elf Minuten und elf
Sekunden dauert. Jan Van
der Roost sollte
außerdem einige
Aspekte aus der
Geschichte des Orchesters
sowie aktuelle Ereignisse
darstellen. Das Stück
enthält lyrische
Passagen, fröhliche
und triumphierende
Abschnitte sowie leicht
introvertierte Sequenzen.
Fantasia Helvetica
ist ein
abwechslungsreiches
Konzertstück mit
einigen anspruchsvollen
Passagen, aber es macht
vor allem Spaß, es zu
spielen!
Hunting Scenes Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-010 An Epic Tone P...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135460-010
An Epic Tone Poem
based on Taiwanese
Traditional Melodies.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135460-010. Published by
De Haske Publications
(BT.DHP-1135460-010).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
often-dramatic concert
band works are not only
played in his homeland of
Japan, but also
throughout Asia and
further a_x001F_field.
The commission for this
work in fact came from
Taiwan, upon which
Yagisawa drew inspiration
from the traditional
hunting songs of the
Taroko, a people native
to Eastern Taiwan.
De indrukwekkende
werken van Satoshi
Yagisawa worden niet
enkel in zijn thuisland
Japan veel gespeeld, maar
staan intussen wereldwijd
op het programma. In dit
werk, dat hij schreef in
opdracht van de Taiwain
Clinic, haalde de
componist zijn inspiratie
uit traditionale
jachtliederen van de
Taroko stam in
Oost-Taiwan.
Die
oft dramatischen
Blasorchesterwerke von
Satoshi Yagisawa werden
nicht nur in seiner
Heimat Japan, sondern in
ganz Asien und
darüber hinaus
gespielt. Aus Taiwan kam
der Auftrag zu diesem
Werk, zu dem er sich von
den traditionellen
Jagdliedern des in
Osttaiwan beheimateten
Volkes der Taroko
inspirieren ließ.
La fama delle
composizioni di Satoshi
Yagisawa, spesso di
carattere drammatico, ha
oltrepassato i
confi_x001E_ni del suo
paese natale, il
Giappone. La musica di
Yagisawa è conosciuta
ed apprezzata in tutto
l’estremo oriente
e da Taiwan è arrivato
l’incarico di
comporre Hunting
Scenes che, come
rivela il titolo, si
ispira alla caccia in
generale e a tradizionali
canzoni venatorie in
particolare.
Hunting Scenes Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-140 An Epic Tone P...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135460-140
An Epic Tone Poem
based on Taiwanese
Traditional Melodies.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Score Only. Composed
2013. 32 pages. De Haske
Publications #DHP
1135460-140. Published by
De Haske Publications
(BT.DHP-1135460-140).
9x12 inches.
English-German-French-Dut
ch.
Satoshi
Yagisawa’s
often-dramatic concert
band works are not only
played in his homeland of
Japan, but also
throughout Asia and
further a_x001F_field.
The commission for this
work in fact came from
Taiwan, upon which
Yagisawa drew inspiration
from the traditional
hunting songs of the
Taroko, a people native
to Eastern Taiwan.
De indrukwekkende
werken van Satoshi
Yagisawa worden niet
enkel in zijn thuisland
Japan veel gespeeld, maar
staan intussen wereldwijd
op het programma. In dit
werk, dat hij schreef in
opdracht van de Taiwain
Clinic, haalde de
componist zijn inspiratie
uit traditionale
jachtliederen van de
Taroko stam in
Oost-Taiwan.
Die
oft dramatischen
Blasorchesterwerke von
Satoshi Yagisawa werden
nicht nur in seiner
Heimat Japan, sondern in
ganz Asien und
darüber hinaus
gespielt. Aus Taiwan kam
der Auftrag zu diesem
Werk, zu dem er sich von
den traditionellen
Jagdliedern des in
Osttaiwan beheimateten
Volkes der Taroko
inspirieren ließ.
La fama delle
composizioni di Satoshi
Yagisawa, spesso di
carattere drammatico, ha
oltrepassato i
confi_x001E_ni del suo
paese natale, il
Giappone. La musica di
Yagisawa è conosciuta
ed apprezzata in tutto
l’estremo oriente
e da Taiwan è arrivato
l’incarico di
comporre Hunting
Scenes che, come
rivela il titolo, si
ispira alla caccia in
generale e a tradizionali
canzoni venatorie in
particolare.
Oregon Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0890139-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0890139-140
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1989. De Haske
Publications #DHP
0890139-140. Published by
De Haske Publications
(BT.DHP-0890139-140).
In
Oregon entführt
Sie Jacob de Haan auf
eine abenteuerliche
Zugfahrt durch die
faszinierende Landschaft
einer der nordwestlichen
Staaten Amerikas. Ein
langsames Thema in Moll,
gepaart mit Variationen
in Western- und
Rockrhythmen und
melodiösen Passagen
sind nur einige der
Elemente, die diese Reise
so spannend und
abwechslungsreich
gestalten.
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1145537-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1145537-015
Composed by Dizzy
Stratford. De Haske
Flexible Series. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145537-015. Published by
De Haske Publications
(BT.DHP-1145537-015).
English-German-French-
Dutch.
Behind the
telling title is an
enthralling melody and an
infectious rhythm. Add
into the mix clapping
hands and stomping feet
and it’s a
complete success. To keep
the musicians’
hands (and feet) free to
play, the audience is
invited to clap and
stompalong!
Achter
de veelzeggende titel
Clap Your Hands and
Stamp Your Feet gaat
een pakkende melodie in
een aanstekelijk ritme
schuil. Voeg aan deze
combinatie van elementen
het klappen in de handen
en stampen met de voeten
toe, en een succesformule
isgeboren. Om de handen
(en voeten) van de
muzikanten vrij te houden
voor het bespelen van de
instrumenten, kunt u het
publiek inschakelen om
mee te stampen en te
klappen!
Hinter
dem vielsagenden Titel
Klatsch in die Hände
und stampf mit den
Füßen“
verbirgt sich eine
packende Melodie in einem
ansteckenden Rhythmus.
Fügt man dieser
Kombination noch
Händeklatschen und
Fußstampfen hinzu, ist
der Erfolg perfekt!
BeimHändeklatschen und
Stampfen darf dann gerne
das Publikum
mithelfen!
Still, Still, Still Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Concert band - Grade 3 SKU: CL.026-4554-00 Arranged by Huckeby. Concert B...(+)
Concert band - Grade 3
SKU:
CL.026-4554-00
Arranged by Huckeby.
Concert Band.
Build-A-Band. Score and
set of parts. Composed
2017. Duration 3 minutes,
24 seconds. C.L.
Barnhouse #026-4554-00.
Published by C.L.
Barnhouse
(CL.026-4554-00).
The famous
Austrian holiday folk
carol is set in a unique
and inviting style and
adapted for use by bands
with unique
instrumentation. Subtle
melodic lines in this
holiday lullaby, paint a
calm and serene musical
portrait with all the
delightful images of the
holiday season. Includes
parts for optional vocal
solo, duet or choir. This
wonderful arrangement is
destined to become a
standard in the holiday
band repertoire.
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Still, Still, Still Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 3 SKU: CL.026-4554-01 Arranged by Huckeby. Concert B...(+)
Concert band - Grade 3
SKU:
CL.026-4554-01
Arranged by Huckeby.
Concert Band.
Build-A-Band. Extra full
score. Composed 2017.
Duration 3 minutes, 24
seconds. C.L. Barnhouse
#026-4554-01. Published
by C.L. Barnhouse
(CL.026-4554-01).
The famous
Austrian holiday folk
carol is set in a unique
and inviting style and
adapted for use by bands
with unique
instrumentation. Subtle
melodic lines in this
holiday lullaby, paint a
calm and serene musical
portrait with all the
delightful images of the
holiday season. Includes
parts for optional vocal
solo, duet or choir. This
wonderful arrangement is
destined to become a
standard in the holiday
band repertoire.
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Osakan Jubilee Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1155610-010 Grand Overture...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1155610-010
Grand Overture.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2015.
De Haske Publications
#DHP 1155610-010.
Published by De Haske
Publications
(BT.DHP-1155610-010).
English-German-French-
Dutch.
In 2014,
Philharmonic Winds OSAKAN
(Japan) celebrated its
fifteenth anniversary for
which this work was
composed. From the very
beginning, Yoshihoro
Kimura has been the
artistic leader of the
ensemble. Jan Van der
Roost became the
band’s first guest
conductor in 2013. In
this spectacular work the
composer looks back at
one of his most famous
earlier works
‘Apollo', and to
Adolphe Sax, the Belgian
inventor of the
saxophone.
Dieses
Werk wurde 2014
anlässlich des
15-jährigen
Jubiläums der
Philharmonic Winds OSAKAN
(Japan) komponiert.
Yoshihiro Kimura war von
Beginn an
künstlerischer Leiter
des Ensembles, Jan Van
der Roost 2013 der erste
Gastdirigent. In diesem
eindrucksvollen Werk
blickt der Komponist auf
Apollo, eines
seiner berühmtesten
früheren Werke,
zurück, und erinnert
an Adolphe Sax, den
belgischen Erfinder des
Saxophons.
Nel
2014 la Filarmonica di
fiati OSAKAN (Giappone)
ha festeggiato i quindici
anni di vita per i quali
è stato composto
questo brano. Sin
dall’inizio,
Yoshihoro Kimura è
stato la guida artistica
dell’ensemble. Jan
Van der Roost è
diventato il primo
direttore ospite della
banda nel 2013. In questo
brano spettacolare il
compositore guarda
indietro ad uno dei suoi
più famosi primi
lavori
‘Apollo’, e
a Adolphe Sax,
l’inventore belga
del sassofono.