Five States of Change Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-342-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-342-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2012.
Anglo Music Press #AMP
342-010. Published by
Anglo Music Press
(BT.AMP-342-010).
9x12
inches.
English-German-French-Dut
ch.
Five States
of Change was
commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing band
repertoire.The composer
writes: The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu
Xing*, which has no
exact translation but can
mean, for example,
five elements, five
phases or five
states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine andastrology,
and in simple terms tries
to create various cyclic
relationships between
five elements in all
walks of life.An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of
emotions:- Meditation -
Sorrow - Fear - Anger -
Joy - (Meditation) etc.
and thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So Five States
of Change has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
*in full Wu zhong liu
xing zhi chi or
the five types of chi
dominating at different
times
Five
States of Change is
geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum)te
Arnhem,als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
repertoire voor
blaasorkesten.De
componist schrijft: Het
idee voor het werk kwam
in mij op toen ik een
artikel las over een
takbinnen de Chinese
filosofie waarvan denaam
wordt afgekort tot Wu
Xing* - waar geen
exacte vertaling voor is,
maar wat zoveel betekent
als vijf elementen,
vijf fasen of vijf
stadia van verandering.
Het gaat om eenwezenlijk
onderdeel van alle
componenten binnen
hetChinese gedachtegoed,
inclusief de wetenschap,
filosofie, geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementendie
in ieders leven een rol
spelen.Een voorbeeld:
Aarde - Metaal - Water-
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal, metaal
verandert in vloeistof
(water) door verhitting,
water helpt bomen te
groeien, houtdat brandt
creëert vuur, en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf wasik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aandit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op. Five
States of
Changebestaat uit
vijf delen die betrekking
hebben op de emotionele
cyclus. Ik heb geprobeerd
de muziek op natuurlijke
wijzete laten ontstaan,
met zo weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van
hetvoorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het
werk.
Five
States of Change
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem(Holland),
in Anerkennung derer
außerordentlichen
Bemühungen um die
Entwicklung des
Blasorchester-Repertoires
. Der Komponist
über sein Werk: Die
Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung
derchinesischen
Philosophie, die
abgekürzt Wu
Xing* heißt, was
nicht wörtlich
übersetzt werden
kann, aber so viel wie
fünf Elemente,
fünf Phasen
oder fünf
Stadien der
Verwandlung bedeutet.
DiesesPrinzip nimmt eine
zentrale Position im
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach
ausgedrückt, werden
damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen
zwischenfünf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthält die
Erde Metall, das sich bei
Erhitzung
verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)und
zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen:Meditation
- Trauer - Angst -
Ärger - Freude -
(Meditation) usw.Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolleemotionale
Reise“ durch ein
Musikstück
darstellen könnte.
Folglich besteht Five
States of Change aus
fünf gleichen
Abschnitten, die diesen
Kreislauf der
Gefühle grob
nachzeichnen. Ich habe
versucht, die Musik
organischwachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis. *Abkürzung
für Wu zhongliu
xing zhi chi oder
Die fünf Arten
von Chi, die zu
unterschiedlichen Zeiten
dominieren
L’idea
di comporre questo brano
è venuta a Philip
Sparke leggendo un
articolo sulla filosofi a
cinese che si basa su
cicli di cinque elementi,
fasi e stadi di
cambiamento. A Sparke
interessavano in
particolare il flusso dei
sentimenti come la
meditazione, il lutto, la
paura, la rabbia e la
gioia. A partire da
questi elementi ha
composto un
impressionante
“viaggioâ€
musicale suddiviso in
cinque sezioni,
tematicamente intrecciate
tra loro, quasi a voler
formare un cerchio.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-342-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-342-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 61 pages.
Anglo Music Press #AMP
342-140. Published by
Anglo Music Press
(BT.AMP-342-140).
9x12
inches.
English-German-French-Dut
ch.
Five States
of Change was
commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing band
repertoire.The composer
writes: The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu
Xing*, which has no
exact translation but can
mean, for example,
five elements, five
phases or five
states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine andastrology,
and in simple terms tries
to create various cyclic
relationships between
five elements in all
walks of life.An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of
emotions:- Meditation -
Sorrow - Fear - Anger -
Joy - (Meditation) etc.
and thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So Five States
of Change has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
*in full Wu zhong liu
xing zhi chi or
the five types of chi
dominating at different
times
Five
States of Change is
geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum)te
Arnhem,als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
repertoire voor
blaasorkesten.De
componist schrijft: Het
idee voor het werk kwam
in mij op toen ik een
artikel las over een
takbinnen de Chinese
filosofie waarvan denaam
wordt afgekort tot Wu
Xing* - waar geen
exacte vertaling voor is,
maar wat zoveel betekent
als vijf elementen,
vijf fasen of vijf
stadia van verandering.
Het gaat om eenwezenlijk
onderdeel van alle
componenten binnen
hetChinese gedachtegoed,
inclusief de wetenschap,
filosofie, geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementendie
in ieders leven een rol
spelen.Een voorbeeld:
Aarde - Metaal - Water-
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal, metaal
verandert in vloeistof
(water) door verhitting,
water helpt bomen te
groeien, houtdat brandt
creëert vuur, en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf wasik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aandit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op. Five
States of
Changebestaat uit
vijf delen die betrekking
hebben op de emotionele
cyclus. Ik heb geprobeerd
de muziek op natuurlijke
wijzete laten ontstaan,
met zo weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van
hetvoorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het
werk.
Five
States of Change
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem(Holland),
in Anerkennung derer
außerordentlichen
Bemühungen um die
Entwicklung des
Blasorchester-Repertoires
. Der Komponist
über sein Werk: Die
Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung
derchinesischen
Philosophie, die
abgekürzt Wu
Xing* heißt, was
nicht wörtlich
übersetzt werden
kann, aber so viel wie
fünf Elemente,
fünf Phasen
oder fünf
Stadien der
Verwandlung bedeutet.
DiesesPrinzip nimmt eine
zentrale Position im
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach
ausgedrückt, werden
damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen
zwischenfünf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthält die
Erde Metall, das sich bei
Erhitzung
verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)und
zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen:Meditation
- Trauer - Angst -
Ärger - Freude -
(Meditation) usw.Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolleemotionale
Reise“ durch ein
Musikstück
darstellen könnte.
Folglich besteht Five
States of Change aus
fünf gleichen
Abschnitten, die diesen
Kreislauf der
Gefühle grob
nachzeichnen. Ich habe
versucht, die Musik
organischwachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis. *Abkürzung
für Wu zhongliu
xing zhi chi oder
Die fünf Arten
von Chi, die zu
unterschiedlichen Zeiten
dominieren
L’idea
di comporre questo brano
è venuta a Philip
Sparke leggendo un
articolo sulla filosofi a
cinese che si basa su
cicli di cinque elementi,
fasi e stadi di
cambiamento. A Sparke
interessavano in
particolare il flusso dei
sentimenti come la
meditazione, il lutto, la
paura, la rabbia e la
gioia. A partire da
questi elementi ha
composto un
impressionante
“viaggioâ€
musicale suddiviso in
cinque sezioni,
tematicamente intrecciate
tra loro, quasi a voler
formare un cerchio.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-340-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-340-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 44 pages.
Anglo Music Press #AMP
340-140. Published by
Anglo Music Press
(BT.AMP-340-140).
9x12
inches.
English-German-French-Dut
ch.
Of Skies,
Rivers, Lakes and
Mountains was
commissioned by the
Northern California Band
Directors' Association to
honour their 50th
Anniversary in 2012. The
first performance was
given by the
Association’s 2012
Honor Band, conducted by
Dr Royce Trevis, in the
Harlen Adams Theater,
California State
University, Chico,
California, on 4th
February that year.The
brief for the commission
asked for a piece that
celebrated the United
States’ natural
resources and composer
Philip Sparke turned to
Katharine Lee
Bates’s lyrics for
the song America the
Beautiful, of which
the first and last verses
are:O beautiful for
spacious skies,For amber
waves of grain,For
purplemountain
majestiesAbove the
fruited plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaThe three
movements each take their
title from these
verses:1. O Beautiful
for Spacious Skies:
Opening with filigree
woodwind figuring, this
movement aims to recreate
the light and lightness
of a spring sky, birds
and blossoms floating on
gentle breezes.2. From
Sea to Shining Sea: A
vivacious celebration of
water bubbling in
streams, rivers and
lakes.3. For Purple
Mountain Majesties: A
slow final movement
representing an
awe-inspiring range of
mountains
Of
Skies, Rivers, Lakes and
Mountains is
geschreven in opdracht
van de Northern
California Band
Directors' Association,
ter gelegenheid van het
vijftigjarig jubileum van
deze organisatie, dat in
2012 werd gevierd. De
première werd op 4
februari van dat jaar
onder leiding van
dirigent Royce Trevis
uitgevoerd door de
Association’s 2012
Honor Band, in het Harlen
Adams Theater, California
State University, Chico,
Californië.De
componist kreeg het
verzoek een werk te
schrijven dat een lofzang
zou zijn op alles wat de
natuur van Verenigde
Staten te bieden heeft.
Philip Sparke gebruikte
de tekst van Katharine
Lee Bates voor de song
America the
Beautiful, waarvan
heteerste en laatste
couplet als volgt
luiden:O beautiful for
spacious skies,For amber
waves of grain,For purple
mountain majestiesAbove
the fruited
plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaDe titels van
de drie delen van de
compositie zijn ontleend
aan deze coupletten:1.
O Beautiful for
Spacious Skies: Dit
deel, dat opent met
verfijnde figuren in het
hout, is een poging om
het licht en de lichtheid
van een lentehemel te
herscheppen, met
vogeltjes en bloesems die
wiegen in een milde
bries.2. From Sea to
Shining Sea: Een
levendige ode aan water
dat stroomt in beken,
rivieren en meren3.
For Purple Mountain
Majesties: Een
langzaam laatste deel
waarin het beeld wordt
opgeroepen van een
indrukwekkende bergketen
Of Skies,
Rivers, Lakes and
Mountains wurde von
der Northern California
Band Director’s
Association
(Dirigentenverband
Nord-Kaliforniens) zum
50-jährigen
Jubiläum im Jahr 2012
in Auftrag gegeben. Die
Uraufführung mit dem
Ehrenorchester 2012 des
Verbands fand am 4.
Februar desselben Jahre
unter der Leitung von Dr.
Royce Trevis im Halen
Adams Theater an der
California State
University, Chico
Kalifornien) statt.Der
Kompositionsauftrag
verlangte ein Stück zu
Ehren der Reichtümer
der Natur Amerikas. Der
Komponist Philip Sparke
wählte daher die erste
und letzte Strophe aus
Katherine Lee
Bates’ Text zum
Lied America the
Beautiful, die da
lauten:O beautiful for
spaciousskies,For amber
waves of grain,For purple
mountain majestiesAbove
the fruited
plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaDie Titel der
drei Sätze stammen
alle aus diesen
Strophen:1. O
Beautiful for Spacious
Skies (O
wunderschön, der weite
Himmel): Mit filigranen
Figuren im Holz
beginnend, will dieser
Satz das Licht und die
Leichtigkeit des
Frühlingshimmels, die
Vögel und von einer
sanften Brise getragene
Blüten zum Leben
erwecken.2. From Sea
to Shining Sea (Vom
Meer zum strahlenden
Meer): Mit lebhafter
Musik wird hier in
Flüssen, Bächen und
Seen sprudelndes Wasser
zelebriert.3. For
Purple Mountain
Majesties (Die
Erhabenheit der purpurrot
leuchtenden Berge): Der
langsame Schlusssatz
richtet den Blick auf
ehrfurchtgebietende
Gebirge.
Brass Band - Grade 5 SKU: HL.44010989 Brass Band - Score Only. Com...(+)
Brass Band - Grade 5
SKU: HL.44010989
Brass Band - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2011.
Anglo Music Press
#AMP338130. Published by
Anglo Music Press
(HL.44010989).
Evolution was commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing brass band
repertoire. The composer
writes:-The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu Xing,
which has no exact
translation but can mean,
for example, five
elements, five phases or
five states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine and astrology,
and in simpleterms tries
to create various cyclic
relationships between
five elements in all
walks of life. An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of emotions:
Meditation - Sorrow -
Fear - Anger - Joy -
(Meditation) etc. and
thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So
Evolution has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
Evolution
is geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum) te
Arnhem, als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
brassbandrepertoire.De
componist schrijft:Het
idee voor
Evolution kwam in mij
op toen ik een artikel
las over een tak binnen
de Chinese filosofie
waarvan de naam wordt
afgekort tot Wu Xing -
waar geen exacte
vertaling voor is, maar
wat zoveel betekent als
vijf elementen, vijf
fasen of vijf stadia van
verandering. Het gaat om
een wezenlijk onderdeel
van allecomponenten
binnen het Chinese
gedachtegoed, inclusief
de wetenschap, filosofie,
geneeskunst en
astrologie. Simpel gezegd
draait het om het creeren
van diverse cyclische
verbanden tussen vijf
elementen die in ieders
leven een rol spelen. Een
voorbeeld: Aarde - Metaal
- Water - Hout - Vuur -
(Aarde) enz. In deze
cyclus bevat aarde
metaal; metaal verandert
in vloeistof (water) door
verhitting; water helpt
bomen te groeien; hout
dat brandt creeert vuur;
en vuur produceert as
(aarde). Zo blijft de
cyclus voortgaan. Zelf
was ik vooral
geinteresseerd in de
cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aan dit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op.
Evolution bestaat
uit vijf delen die
betrekking hebben op de
emotionele cyclus. Ik heb
geprobeerd de muziek op
natuurlijke wijze te
laten ontstaan, met zo
weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van het
voorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het werk,
waarmee de cyclus wordt
afgerond.
Evolution
wurde von Kunstfactor fur
die vierte Abteilung der
Hollandischen Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem
(Holland), in Anerkennung
ihrer ausserordentlichen
Bemuhungen um die
Entwicklung des
Brass-Band-Repertoires.De
r Komponist uber sein
Werk:Die Idee zu diesem
Stuck kam mir beim Lesen
eines Artikels uber eine
Richtung der chinesischen
Philosophie, die
abgekurzt Wu Xing heisst,
was nicht wortlich
ubersetzt werden kann,
aber so viel wie funf
Elemente, funf Phasen
oder funf Stadien der
Verwandlung bedeutet.
Dieses Prinzip nimmt eine
zentrale Positionim
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach ausgedruckt,
werden damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen zwischen funf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthalt die Erde
Metall, das sich bei
Erhitzung verflussigt
(Wasser); Wasser lasst
Baume wachsen, deren Holz
verbrennt (Feuer) und zu
Asche wird (Erde), womit
der Kreislauf von neuem
beginnt.Mich
interessierte besonders
der Kreislauf von
Gefuhlen: Meditation -
Trauer - Angst - Arger -
Freude - (Meditation)
usw. Ich dachte mir, dass
dieser Kreislauf eine
wirkungsvolle emotionale
Reise durch ein
Musikstuck darstellen
konnte. Folglich besteht
Evolution aus funf
gleichen Abschnitten, die
diesen Kreislauf der
Gefuhle grob
nachzeichnen. Ich habe
versucht, die Musik
organisch wachsen zu
lassen mit moglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eroffnung vollendet am
Schluss des Werkes den
Kreis.
Evolution
est une commande de
l'institut Kunstfactor
pour la 4e division des
Championnats neerlandais
de Brass Band en 2011.
Cette oeuvre est dediee a
Jappie Dijkstra et au
Music Information Centre
(MUI) d'Arnhem, aux
Pays-Bas, en hommage a
leur role exceptionnel
dans le developpement du
repertoire pour Brass
Band. Le compositeur
ecrit :L'idee de cette
composition m'est venue
alors que je lisais un
article sur un aspect de
la philosophie chinoise,
connu sous l'abreviation
de Wu Xing, qu'il est
impossible de traduire
litteralement mais qui
peut signifier, par
exemple, cinq elements,
cinq phases ou cinq etats
de changement. Toute
chose dans l'univers est
le fruitd'un cycle de
creation (ou
d'engendrement) et de
domination (ou controle).
Ce concept est essentiel
a tous les elements de la
pensee chinoise, y
compris les sciences, la
philosophie, la medecine
et l'astrologie et, en
termes simples, il
represente les multiples
rapports cycliques qui
existent entre cinq
elements lies a l'univers
et a toute chose dans
l'univers, donc a
l'homme.Evoquons le cycle
de la creation : Terre -
Metal - Eau - Bois - Feu
- (Terre) etc. la terre
contient des mineraux,
source de metal, le metal
peut etre fondu et se
liquefie, l'eau arrose et
fait pousser les arbres,
le bois brule et produit
du feu, le feu produit
des cendres, une sorte de
terre, dans une dynamique
cyclique
perpetuelle.Parmi tous
les cycles existants,
celui des emotions
eveilla particulierement
mon interet : Meditation
- Chagrin - Peur - Colere
- Joie - (Meditation)
etc. et je me suis dit
que ce principe cyclique
pourrait etre a la source
d'un puissant et
emotionnel voyage
musical. Evolution
se compose donc de cinq
parties egales qui
refletent assez librement
ce cycle des emotions.
J'ai essaye de faire en
sorte que la musique se
developpe de maniere
fluide et naturelle, avec
un minimum de
repetitions. Chaque
mouvement s'ouvre a
partir des elements
musicaux qui parachevent
le mouvement precedent,
tandis que le motif
premier reapparait.
Brass Band - Grade 5 SKU: HL.44010988 Brass Band - Score and Parts...(+)
Brass Band - Grade 5
SKU: HL.44010988
Brass Band - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2011.
Anglo Music Press
#AMP338030. Published by
Anglo Music Press
(HL.44010988).
Evolution was commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing brass band
repertoire. The composer
writes:-The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu Xing,
which has no exact
translation but can mean,
for example, five
elements, five phases or
five states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine and astrology,
and in simpleterms tries
to create various cyclic
relationships between
five elements in all
walks of life. An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of emotions:
Meditation - Sorrow -
Fear - Anger - Joy -
(Meditation) etc. and
thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So
Evolution has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
Evolution
is geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum) te
Arnhem, als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
brassbandrepertoire.De
componist schrijft:Het
idee voor
Evolution kwam in mij
op toen ik een artikel
las over een tak binnen
de Chinese filosofie
waarvan de naam wordt
afgekort tot Wu Xing -
waar geen exacte
vertaling voor is, maar
wat zoveel betekent als
vijf elementen, vijf
fasen of vijf stadia van
verandering. Het gaat om
een wezenlijk onderdeel
van allecomponenten
binnen het Chinese
gedachtegoed, inclusief
de wetenschap, filosofie,
geneeskunst en
astrologie. Simpel gezegd
draait het om het creeren
van diverse cyclische
verbanden tussen vijf
elementen die in ieders
leven een rol spelen. Een
voorbeeld: Aarde - Metaal
- Water - Hout - Vuur -
(Aarde) enz. In deze
cyclus bevat aarde
metaal; metaal verandert
in vloeistof (water) door
verhitting; water helpt
bomen te groeien; hout
dat brandt creeert vuur;
en vuur produceert as
(aarde). Zo blijft de
cyclus voortgaan. Zelf
was ik vooral
geinteresseerd in de
cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aan dit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op.
Evolution bestaat
uit vijf delen die
betrekking hebben op de
emotionele cyclus. Ik heb
geprobeerd de muziek op
natuurlijke wijze te
laten ontstaan, met zo
weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van het
voorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het werk,
waarmee de cyclus wordt
afgerond.
Evolution
wurde von Kunstfactor fur
die vierte Abteilung der
Hollandischen Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem
(Holland), in Anerkennung
ihrer ausserordentlichen
Bemuhungen um die
Entwicklung des
Brass-Band-Repertoires.De
r Komponist uber sein
Werk:Die Idee zu diesem
Stuck kam mir beim Lesen
eines Artikels uber eine
Richtung der chinesischen
Philosophie, die
abgekurzt Wu Xing heisst,
was nicht wortlich
ubersetzt werden kann,
aber so viel wie funf
Elemente, funf Phasen
oder funf Stadien der
Verwandlung bedeutet.
Dieses Prinzip nimmt eine
zentrale Positionim
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach ausgedruckt,
werden damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen zwischen funf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthalt die Erde
Metall, das sich bei
Erhitzung verflussigt
(Wasser); Wasser lasst
Baume wachsen, deren Holz
verbrennt (Feuer) und zu
Asche wird (Erde), womit
der Kreislauf von neuem
beginnt.Mich
interessierte besonders
der Kreislauf von
Gefuhlen: Meditation -
Trauer - Angst - Arger -
Freude - (Meditation)
usw. Ich dachte mir, dass
dieser Kreislauf eine
wirkungsvolle emotionale
Reise durch ein
Musikstuck darstellen
konnte. Folglich besteht
Evolution aus funf
gleichen Abschnitten, die
diesen Kreislauf der
Gefuhle grob
nachzeichnen. Ich habe
versucht, die Musik
organisch wachsen zu
lassen mit moglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eroffnung vollendet am
Schluss des Werkes den
Kreis.
Evolution
est une commande de
l'institut Kunstfactor
pour la 4e division des
Championnats neerlandais
de Brass Band en 2011.
Cette oeuvre est dediee a
Jappie Dijkstra et au
Music Information Centre
(MUI) d'Arnhem, aux
Pays-Bas, en hommage a
leur role exceptionnel
dans le developpement du
repertoire pour Brass
Band. Le compositeur
ecrit :L'idee de cette
composition m'est venue
alors que je lisais un
article sur un aspect de
la philosophie chinoise,
connu sous l'abreviation
de Wu Xing, qu'il est
impossible de traduire
litteralement mais qui
peut signifier, par
exemple, cinq elements,
cinq phases ou cinq etats
de changement. Toute
chose dans l'univers est
le fruitd'un cycle de
creation (ou
d'engendrement) et de
domination (ou controle).
Ce concept est essentiel
a tous les elements de la
pensee chinoise, y
compris les sciences, la
philosophie, la medecine
et l'astrologie et, en
termes simples, il
represente les multiples
rapports cycliques qui
existent entre cinq
elements lies a l'univers
et a toute chose dans
l'univers, donc a
l'homme.Evoquons le cycle
de la creation : Terre -
Metal - Eau - Bois - Feu
- (Terre) etc. la terre
contient des mineraux,
source de metal, le metal
peut etre fondu et se
liquefie, l'eau arrose et
fait pousser les arbres,
le bois brule et produit
du feu, le feu produit
des cendres, une sorte de
terre, dans une dynamique
cyclique
perpetuelle.Parmi tous
les cycles existants,
celui des emotions
eveilla particulierement
mon interet : Meditation
- Chagrin - Peur - Colere
- Joie - (Meditation)
etc. et je me suis dit
que ce principe cyclique
pourrait etre a la source
d'un puissant et
emotionnel voyage
musical. Evolution
se compose donc de cinq
parties egales qui
refletent assez librement
ce cycle des emotions.
J'ai essaye de faire en
sorte que la musique se
developpe de maniere
fluide et naturelle, avec
un minimum de
repetitions. Chaque
mouvement s'ouvre a
partir des elements
musicaux qui parachevent
le mouvement precedent,
tandis que le motif
premier reapparait.
And Still, the Spirit Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-425-010 Spirit of the Sequ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-425-010
Spirit of the
Sequoia. Composed by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2016.
Anglo Music Press #AMP
425-010. Published by
Anglo Music Press
(BT.AMP-425-010).
English-German-French-
Dutch.
This work
was commissioned by Dr.
Robert Oertli from
Möhlin, Switzerland,
and is based on an
earlier composition
called Spirit of the
Sequoia. The piece is
inspired by how the human
spirit can gain from
setbacks: we become
stronger after adversity.
Sparke used the
Californian redwood tree
as a metaphor for this
basic idea. The
remarkable life cycle of
these amazing trees
involves them dropping
seeds to the ground,
which require heat to
open their shells and
germinate; the seeds
require destruction in
order to procreate. This
piece is particularly
suitable for younger
bands - one of the last
wishes of the initial
commissioner.
Dit
werk is geschreven in
opdracht van dr. Robert
Oertli uit het Zwitserse
Möhlin. Het is een
vereenvoudigde versie van
een eerdere compositie:
Spirit of the
Sequoia. De muziek is
ge nspireerd op de wijze
waarop mensen hun
voordeel doen met
tegenslag vaak komen we
er sterker uit. Sparke
gebruikte de
Californische sequoiaboom
als metafoor voor dit
basisidee. In hun
opmerkelijke levenscyclus
laten deze bijzondere
bomen zaden op de grond
vallen, die vervolgens
hitte nodig hebben om
open te barsten en te
kiemen; de bomen hebben
dus eigenlijk een ramp
nodig om zich voort te
planten. Deze compositie
is geschikt voor jongere
orkesten dit was een van
de laatste wensen van
deaanvankelijke
opdrachtgever.
Dieses Werk
basiert auf der
Komposition Spirit of
the Sequoia, welche
von Dr. Robert Oertli aus
Möhlin (Schweiz) in
Auftrag gegeben wurde.
Sparke nutzte den
kalifornischen Mammutbaum
als Metapher für seine
Grundidee: Der
bemerkenswerte
Lebenszyklus dieser
erstaunlichen Bäume
hängt damit zusammen,
dass seine Samen auf die
Erde fallen und Wärme
benötigen, damit sich
ihre Schale öffnet und
sie zu keimen beginnen.
Waldbrände
zerstören den
Mutterbaum,
ermöglichen aber
paradoxerweise das
Sprießen der Samen,
welche die Zerstörung
zur Fortpflanzung
benötigen. Auf
ähnliche Weise kann
die menschliche Seele
profitieren: Wir gehen
gestärkt aus einem
Unglück hervor. And
Still, theSpirit
eignet sich besonders
für jüngere
Orchester einem der
letzten Wünsche des
Auftraggebers
entsprechend.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-425-140 Spirit of the Sequ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-425-140
Spirit of the
Sequoia. Composed by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2016. Anglo Music Press
#AMP 425-140. Published
by Anglo Music Press
(BT.AMP-425-140).
English-German-French-
Dutch.
This work
was commissioned by Dr.
Robert Oertli from
Möhlin, Switzerland,
and is based on an
earlier composition
called Spirit of the
Sequoia. The piece is
inspired by how the human
spirit can gain from
setbacks: we become
stronger after adversity.
Sparke used the
Californian redwood tree
as a metaphor for this
basic idea. The
remarkable life cycle of
these amazing trees
involves them dropping
seeds to the ground,
which require heat to
open their shells and
germinate; the seeds
require destruction in
order to procreate. This
piece is particularly
suitable for younger
bands - one of the last
wishes of the initial
commissioner.
Dit
werk is geschreven in
opdracht van dr. Robert
Oertli uit het Zwitserse
Möhlin. Het is een
vereenvoudigde versie van
een eerdere compositie:
Spirit of the
Sequoia. De muziek is
ge nspireerd op de wijze
waarop mensen hun
voordeel doen met
tegenslag vaak komen we
er sterker uit. Sparke
gebruikte de
Californische sequoiaboom
als metafoor voor dit
basisidee. In hun
opmerkelijke levenscyclus
laten deze bijzondere
bomen zaden op de grond
vallen, die vervolgens
hitte nodig hebben om
open te barsten en te
kiemen; de bomen hebben
dus eigenlijk een ramp
nodig om zich voort te
planten. Deze compositie
is geschikt voor jongere
orkesten dit was een van
de laatste wensen van
deaanvankelijke
opdrachtgever.
Dieses Werk
basiert auf der
Komposition Spirit of
the Sequoia, welche
von Dr. Robert Oertli aus
Möhlin (Schweiz) in
Auftrag gegeben wurde.
Sparke nutzte den
kalifornischen Mammutbaum
als Metapher für seine
Grundidee: Der
bemerkenswerte
Lebenszyklus dieser
erstaunlichen Bäume
hängt damit zusammen,
dass seine Samen auf die
Erde fallen und Wärme
benötigen, damit sich
ihre Schale öffnet und
sie zu keimen beginnen.
Waldbrände
zerstören den
Mutterbaum,
ermöglichen aber
paradoxerweise das
Sprießen der Samen,
welche die Zerstörung
zur Fortpflanzung
benötigen. Auf
ähnliche Weise kann
die menschliche Seele
profitieren: Wir gehen
gestärkt aus einem
Unglück hervor. And
Still, theSpirit
eignet sich besonders
für jüngere
Orchester einem der
letzten Wünsche des
Auftraggebers
entsprechend.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-422-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-422-140
Composed by Philip
Sparke. Elite Series.
Score Only. Composed
2015. Anglo Music Press
#AMP 422-140. Published
by Anglo Music Press
(BT.AMP-422-140).
English-German-French-
Dutch.
Three
Washington Statues
was commissioned by the
United States Army Band
â??Pershings Ownâ?,
led by Colonel Thomas H.
Palmatier. Washington
D.C. contains some of the
worldâ??s most iconic
monuments, memorials and
statues. Philip Sparke
has chosenthree of these
as the inspiration for
this piece: â??The
Lincoln Memorialâ?? in
the form of a Greek Doric
temple in which the
composer depicts the
grandeur of this
monument; â??The Martin
Luther King, Jr.
Memorialâ?? on which
steps the iconic speech
â??I havea dreamâ?? was
given - the music is both
reverential as well as
powerful referring to
Martin Luther Kingsâ??
speech; and the
â??Encoreâ?? statue in
memory of the world
famousAfrican-American
composer, pianist and
bandleader Duke
Ellington. In this
finalmovement, Philip
Sparke catches the
virtuosic, energetic and
unique dynamism of
Ellingtonsâ??
music.
Three
Washington Statues is
geschreven in opdracht
van de United States Army
Band â??Pershingâ??s
Ownâ?? en de leider van
dit orkest, kolonel
Thomas H. Palmatier.
Washington D.C. is het
decor van een aantal van
de meest iconische
monumenten,gedenktekens
en standbeelden van de
VS. Componist Philip
Sparke heeft er drie
uitgekozen als inspiratie
voor dit werk: The
Lincoln Memorial, in de
vorm van een Griekse
Dorische tempel, waarin
de grandeur van het
monument wordt verklankt;
het MartinLuther King Jr.
Memorial, het gebouw waar
de iconische toespraak
â??I have a dreamâ??
ooit weerklonk de sfeer
is respectvol en
eerbiedig, maar de muziek
weerspiegelt tevens de
karakteristiekekracht die
ervan uitgaat; en het
beeld â??Encoreâ??
vancomponist, pianist en
bandleider Duke Ellington
in dit laatste deel geeft
Philip Sparke de
virtuoze, energieke,
unieke en dynamische
stijl van Ellingtons
muziek
weer.
Three
Washington Statues
wurde von der United
States Army Band
Pershings Ownâ??, die
von Oberst Thomas H.
Palmatier geleitet wird,
in Auftrag gegeben.
Washington D.C. besitzt
einige der
weltberühmtesten
Bauwerke, Denkmäler
und Statuen. PhilipSparke
hat drei von diesen als
Inspiration für dieses
Stück genommen. So
beschreibt er die
Erhabenheit des Lincoln
Memorialâ??, das mit
seinen dorischen
Säulen in Form eines
griechischen Tempels
erbaut wurde. Das Martin
Luther King, Jr.
Memorialâ??erinnert an
die legendäre Rede
Martin Luther Kings I
have a dreamâ?? (Ich
habe einen Traumâ??).
Die ehrfurchtsvolle und
zugleich kraftvolle Musik
ist ein Tribut an diese
Rede. Die
StatueEncoreâ?? erinnert
an den weltbekannten
afroamerikanischenKomponi
sten, Pianisten und
Bandleader Duke
Ellington. In diesem
letzten Satz fängt
Philip Sparke die
virtuose, energiegeladene
und einzigartige Dynamik
von Duke Ellingtons Musik
ein.
Co
mmissionato dalla banda
dellâ??esercito
statunitense, condotta
dal colonnello Thomas H.
Palmatier, Three
Washington Statues
è un brano dedicato ad
alcuni dei più noti e
iconici monumenti
americani mai realizzati.
Philip Sparke ha
scelto,difatti, di
musicare la stentoreit
del Lincoln Memorial,
della statua di Martin
Luther King di West
Potomac Park e di quella
dedicata al gigante della
musica afro-americana
Duke Ellington.
Second to None Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-417-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-417-140
Composed by Philip
Sparke. Elite Series.
Score Only. Composed
2015. 20 pages. Anglo
Music Press #AMP 417-140.
Published by Anglo Music
Press (BT.AMP-417-140).
English-German-French-
Dutch.
Second to
None is a perfectly
suitable title for this
work, though it actually
refers to “Nulli
Secundusâ€, the
motto of the British
Corps of Army Music, who
gave the commission to
Philip Sparke. The piece
opens with a fanfare,
followed by two short
quotes from two of the
Corp’s own marches
and a festive
Vivace. A more
legato central section
creates a nice contrast
before the work closes
with the opening fanfare.
A perfect affair!
De titel Second
to None past heel goed
bij dit werk, maar
verwijst eigenlijk naar
‘Nulli
Secundus’, het
motto van British Army
Corps of Music, het
orkest dat Philip Sparke
de opdracht voor dit werk
gaf. Second to None opent
met een fanfare. Daarna
volgen twee korte citaten
uit twee van de eigen
marsen van het orkest en
een feestelijke Vivace.
Een meer legato deel
creëert een mooi
contrast voordat het werk
wordt afgesloten met de
openingsfanfare. Van
begin tot einde
prachtig!
Secon
d to None
(Unübertroffen“)
wurde zum 20-jährigen
Jubiläum der
britischen Armee
komponiert. Das
feierliche Werk honoriert
die musikalische
Tradition des Corps,
indem es auf einige
seiner eigenen
berühmten Märsche,
wie beispielsweise The
Corps of Army Music Slow
March (Greg Machin)
und The Music
Makers (Ian
Mitchell), anspielt.
Second to None
kann auch in einer
kürzeren Fassung
gespielt werden und ist
ein ideales
Erönungsstück
für jedes festliche
Konzert.
Second to None
(Secondo a nessuno) è
un titolo perfetto per
questo lavoro, anche se
in realt si riferisce a
“Nulli
Secundusâ€, il motto
del British Corps of Army
Music, che lo ha
commissionato a Philip
Sparke. Il brano si apre
con una fanfara, seguita
da due brevi citazioni,
prese da due delle marce
del Corpo e da un gioioso
Vivace. Una sezione
centrale, che da più
spazio al legato, crea un
piacevole contrasto con
la fanfara iniziale prima
della chiusura del brano.
Un connubio perfetto!
Second to None Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-417-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-417-010
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2015.
Anglo Music Press #AMP
417-010. Published by
Anglo Music Press
(BT.AMP-417-010).
English-German-French-
Dutch.
Second to
None is a perfectly
suitable title for this
work, though it actually
refers to “Nulli
Secundusâ€, the
motto of the British
Corps of Army Music, who
gave the commission to
Philip Sparke. The piece
opens with a fanfare,
followed by two short
quotes from two of the
Corp’s own marches
and a festive
Vivace. A more
legato central section
creates a nice contrast
before the work closes
with the opening fanfare.
A perfect affair!
De titel Second
to None past heel goed
bij dit werk, maar
verwijst eigenlijk naar
‘Nulli
Secundus’, het
motto van British Army
Corps of Music, het
orkest dat Philip Sparke
de opdracht voor dit werk
gaf. Second to None opent
met een fanfare. Daarna
volgen twee korte citaten
uit twee van de eigen
marsen van het orkest en
een feestelijke Vivace.
Een meer legato deel
creëert een mooi
contrast voordat het werk
wordt afgesloten met de
openingsfanfare. Van
begin tot einde
prachtig!
Secon
d to None
(Unübertroffen“)
wurde zum 20-jährigen
Jubiläum der
britischen Armee
komponiert. Das
feierliche Werk honoriert
die musikalische
Tradition des Corps,
indem es auf einige
seiner eigenen
berühmten Märsche,
wie beispielsweise The
Corps of Army Music Slow
March (Greg Machin)
und The Music
Makers (Ian
Mitchell), anspielt.
Second to None
kann auch in einer
kürzeren Fassung
gespielt werden und ist
ein ideales
Erönungsstück
für jedes festliche
Konzert.
Second to None
(Secondo a nessuno) è
un titolo perfetto per
questo lavoro, anche se
in realt si riferisce a
“Nulli
Secundusâ€, il motto
del British Corps of Army
Music, che lo ha
commissionato a Philip
Sparke. Il brano si apre
con una fanfara, seguita
da due brevi citazioni,
prese da due delle marce
del Corpo e da un gioioso
Vivace. Una sezione
centrale, che da più
spazio al legato, crea un
piacevole contrasto con
la fanfara iniziale prima
della chiusura del brano.
Un connubio perfetto!
Hypernikon Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1196114-140 More Than Conq...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1196114-140
More Than
Conquerors. Composed
by Jan Van der Roost.
Brilliant Marches.
Concert March. Score
Only. Composed 2019. 23
pages. De Haske
Publications #DHP
1196114-140. Published by
De Haske Publications
(BT.DHP-1196114-140).
English-German-French-
Dutch.
The Greek
word
‘hypernikon’
roughly translates as
‘More Than
Conquerors’, the
motto of Gordon College
in Wenham, Massachusetts
the commissioner of this
piece. The work is
inspired by David
Rox’s very own
name the first two
letters of his name, D
and A, sets the first
theme is in D major, with
these notes being the
tonic and dominant of the
scale. After the stately
intrada, the tempo
accelerates and the
festive feel of the march
emerges. The trio melody
serves as a beautiful
contrast before finally
ending with the opening
theme in a grand
tutti.
Het
Griekse woord
‘hypernikon’
betekent zoveel als
‘meer dan
veroveraars’ en
More Than
Conquerors is de
lijfspreuk van het Gordon
College in Wenham,
Massachussets (VS). Het
eerste thema is gebaseerd
op de noten die in de
naam David Rox terug te
vinden zijn. Na deze
plechtige intrada
wordt het tempo
opgedreven en komt de
mars op gang met
feestelijke klanken. De
triomelodie contrasteert
mooi met dit alles: aan
het slot wordt het
openingsthema hernomen in
een groots
tutti.
Das
griechische Wort
hypernikon“
bedeutet grob
übersetzt mehr als
Eroberer“, was auch
das Motto Auftraggebers,
das Gordon College in
Wenham, Massachussets
(USA), ist. Das erste
Thema basiert auf Noten,
die man in David Rox'
Namen findet. Nach einer
imposanten Intrada
wird das Tempo schneller
und ein festlicher Marsch
erklingt. Die
Trio-Melodie bildet einen
wunderschönen
Kontrast, bevor das
Stück schließlich
mit dem Anfangsthema in
einer großen
Tutti-Orchestrierung
wiederkehrt.
Hypernikon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1196114-010 More Than Conq...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1196114-010
More Than
Conquerors. Composed
by Jan Van der Roost.
Brilliant Marches.
Concert March. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1196114-010.
Published by De Haske
Publications
(BT.DHP-1196114-010).
English-German-French-
Dutch.
The Greek
word
‘hypernikon’
roughly translates as
‘More Than
Conquerors’, the
motto of Gordon College
in Wenham, Massachusetts
the commissioner of this
piece. The work is
inspired by David
Rox’s very own
name the first two
letters of his name, D
and A, sets the first
theme is in D major, with
these notes being the
tonic and dominant of the
scale. After the stately
intrada, the tempo
accelerates and the
festive feel of the march
emerges. The trio melody
serves as a beautiful
contrast before finally
ending with the opening
theme in a grand
tutti.
Het
Griekse woord
‘hypernikon’
betekent zoveel als
‘meer dan
veroveraars’ en
More Than
Conquerors is de
lijfspreuk van het Gordon
College in Wenham,
Massachussets (VS). Het
eerste thema is gebaseerd
op de noten die in de
naam David Rox terug te
vinden zijn. Na deze
plechtige intrada
wordt het tempo
opgedreven en komt de
mars op gang met
feestelijke klanken. De
triomelodie contrasteert
mooi met dit alles: aan
het slot wordt het
openingsthema hernomen in
een groots
tutti.
Das
griechische Wort
hypernikon“
bedeutet grob
übersetzt mehr als
Eroberer“, was auch
das Motto Auftraggebers,
das Gordon College in
Wenham, Massachussets
(USA), ist. Das erste
Thema basiert auf Noten,
die man in David Rox'
Namen findet. Nach einer
imposanten Intrada
wird das Tempo schneller
und ein festlicher Marsch
erklingt. Die
Trio-Melodie bildet einen
wunderschönen
Kontrast, bevor das
Stück schließlich
mit dem Anfangsthema in
einer großen
Tutti-Orchestrierung
wiederkehrt.
Celebration Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Organ - Grade 3 SKU: BT.DHP-1135255-010 For ...(+)
Concert Band/Harmonie and
Organ - Grade 3
SKU:
BT.DHP-1135255-010
For Organ and Concert
Band. Composed by
Satoshi Yagisawa. Concert
and Contest Collection
CBHA. Opening Pieces. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135255-010. Published by
De Haske Publications
(BT.DHP-1135255-010).
9x12 inches.
English-German-French-Dut
ch.
This piece was
composed in 2009 for a
commission by Shinjuku
Bunka Center to
commemorate its thirty
years since its
opening.It is an
impressive work with a
brilliant, bright
fanfare, and the stately
sound of the church organ
reverberating through the
concert hall. The first
performance was given by
Hiroko Takahashi, a house
organist of the center,
with Shinjuku City Wind
Orchestra conducted by
Shigeto Ishizu. Original
works for church organ
and wind orchestra are
surprisingly scarce. This
is a fresh opening piece,
to be followed by an
organ solo which might
lead to a
march.
Dit werk is
in 2009 gecomponeerd in
opdracht van het Shinjuku
Bunka Center, ter
gelegenheid van het
dertigjarig bestaan van
dit concert- en
cultuurgebouw. Het is een
indrukwekkend stuk muziek
met een schitterende,
stralende fanfare,
waarbij de orgelklanken
door de concertzaal
schallen. De première
werd gespeeld door Hiroko
Takahashi, huisorganist
van het centrum, en het
Shinjuku City Wind
Orchestra onder leiding
van Shigeto Ishizu.
Verrassend genoeg zijn er
niet veel oorspronkelijke
composities voor orgel en
blaasorkest geschreven.
Gelukkig is dit een mooie
aanvulling op het
repertoire. Dit levendige
openingswerk kan
bijvoorbeeld heel goed
worden gevolgd door een
solowerkvoor orgel,
waarna een mars op het
programma zou kunnen
staan.
Dieses
Stück wurde im Auftrag
des Shinjuku Bunka
Centers komponiert, zu
Ehren des 30-jährigen
Jubiläum der
Eröffnung dieses
Kultur- und
Konzertzentrums in Tokio.
Celebration
Fanfare ist ein
eindrucksvolles Werk mit
einer brillanten,
strahlenden Fanfare und
einer Kirchenorgel, deren
feierlicher Klang durch
den Konzertsaal hallt.
Bei der Uraufführung
spielte Hiroko Takahashi,
der Hausorganist des
Zentrums, zusammen mit
dem Shinjuku City Wind
Orchestra unter der
Leitung von Shigeto
Ishizu. Originalwerke
für Kirchenorgel und
Blasorchester sind
überraschenderweise
sehr rar. Dieses Stück
eignet sich perfekt als
Eröffnungsstück,
dem ein Orgelsolo und
dann eventuell einMarsch
folgen könnte.
Celebration Fanfare Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie and Organ - Grade 3 SKU: BT.DHP-1135255-140 For ...(+)
Concert Band/Harmonie and
Organ - Grade 3
SKU:
BT.DHP-1135255-140
For Organ and Concert
Band. Composed by
Satoshi Yagisawa. Concert
and Contest Collection
CBHA. Opening Pieces.
Score Only. Composed
2013. 20 pages. De Haske
Publications #DHP
1135255-140. Published by
De Haske Publications
(BT.DHP-1135255-140).
9x12 inches.
English-German-French-Dut
ch.
This piece was
composed in 2009 for a
commission by Shinjuku
Bunka Center to
commemorate its thirty
years since its
opening.It is an
impressive work with a
brilliant, bright
fanfare, and the stately
sound of the church organ
reverberating through the
concert hall. The first
performance was given by
Hiroko Takahashi, a house
organist of the center,
with Shinjuku City Wind
Orchestra conducted by
Shigeto Ishizu. Original
works for church organ
and wind orchestra are
surprisingly scarce. This
is a fresh opening piece,
to be followed by an
organ solo which might
lead to a
march.
Dit werk is
in 2009 gecomponeerd in
opdracht van het Shinjuku
Bunka Center, ter
gelegenheid van het
dertigjarig bestaan van
dit concert- en
cultuurgebouw. Het is een
indrukwekkend stuk muziek
met een schitterende,
stralende fanfare,
waarbij de orgelklanken
door de concertzaal
schallen. De première
werd gespeeld door Hiroko
Takahashi, huisorganist
van het centrum, en het
Shinjuku City Wind
Orchestra onder leiding
van Shigeto Ishizu.
Verrassend genoeg zijn er
niet veel oorspronkelijke
composities voor orgel en
blaasorkest geschreven.
Gelukkig is dit een mooie
aanvulling op het
repertoire. Dit levendige
openingswerk kan
bijvoorbeeld heel goed
worden gevolgd door een
solowerkvoor orgel,
waarna een mars op het
programma zou kunnen
staan.
Dieses
Stück wurde im Auftrag
des Shinjuku Bunka
Centers komponiert, zu
Ehren des 30-jährigen
Jubiläum der
Eröffnung dieses
Kultur- und
Konzertzentrums in Tokio.
Celebration
Fanfare ist ein
eindrucksvolles Werk mit
einer brillanten,
strahlenden Fanfare und
einer Kirchenorgel, deren
feierlicher Klang durch
den Konzertsaal hallt.
Bei der Uraufführung
spielte Hiroko Takahashi,
der Hausorganist des
Zentrums, zusammen mit
dem Shinjuku City Wind
Orchestra unter der
Leitung von Shigeto
Ishizu. Originalwerke
für Kirchenorgel und
Blasorchester sind
überraschenderweise
sehr rar. Dieses Stück
eignet sich perfekt als
Eröffnungsstück,
dem ein Orgelsolo und
dann eventuell einMarsch
folgen könnte.
Song of Friendship Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-452-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-452-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
March. Score Only.
Composed 2017. Anglo
Music Press #AMP 452-140.
Published by Anglo Music
Press (BT.AMP-452-140).
English-German-French-
Dutch.
Song of
Friendship was
commissioned by the
Concert Band of Jumonji
University, Saitama,
Japan and their
conductor, Yutaka
Nishida. The commission
marked the 50th year of
Yutaka Nishida’s
involvement with bands as
a player, conductor and
radio presenter. The
ceremonial Song of
Friendship opens with
an extended fanfare,
largely featuring the
brass section. This leads
to the main theme, which
develops slowly until it
is played by the full
band. A change of key
signals a contrasting
central section
containing a quiet
woodwind chorale, which
grows until the return of
the triumphant sounding
main theme. Elements of
the opening fanfare then
close the
work.
Song of
Friendship werd
geschreven voor het
harmonieorkest van de
Jumonji University in
Saitama, Japan, en
dirigent Yutaka Nishida.
De opdracht markeerde
tevens het vijftigste
jaar dat Yutaka Nishida
al actief was met
blaasorkesten als
muzikant, dirigent en
radiopresentator. Song
of Friendship opent
met een uitgebreide
fanfare waarin vooral de
kopersectie aan het woord
is. Dit gedeelte leidt
naar het hoofdthema, dat
geleidelijk verder wordt
uitgewerkt tot het door
het volledige orkest
wordt gespeeld. Een
modulatie kondigt een
contrasterend middendeel
aan, met een rustig
koraal in het hout dat
zich verder ontwikkelt
tot aan de terugkeer van
hettriomfantelijk
klinkende hoofdthema. Het
werk wordt afgesloten met
elementen uit de
openingsfanfare.
Song of
Friendship wurde vom
Blasorchester der Jumonji
University in Saitama
(Japan) und seinem
Dirigenten Yutaka Nishida
in Auftrag gegeben. Das
Auftragswerk steht auch
für Yutaka Nishidas
über 50-jähriges
Engagement im Bereich der
Blasmusik als Musiker,
Dirigent und
Radiomoderator. Das
feierliche Stück
Song of Friendship
beginnt mit einer
ausgedehnten Fanfare, die
vor allem die
Blechbläser
herausstellt. Diese
führt zum Hauptthema,
das sich langsam
entwickelt, bis es
schließlich vom
gesamten Orchester
gespielt wird. Ein
Tonartwechsel leitet den
gegensätzlichen
Hauptteil mit einem
ruhigen Choral in den
Holzbläsern ein, der
sich bis zur Wiederkehr
destriumphierenden
Hauptthemas langsam
weiterentwickelt. Das
Werk endet mit Elementen
aus der
Eröffnungsfanfare.
Il celebrativo
Song of Friendship
si apre con un esteso
tema di fanfara che
presenta ampiamente la
sezione degli ottoni.
Questo conduce al tema
principale, che si
sviluppa gradualmente
fino
all’esecuzione da
parte di tutta la banda.
Un cambio di tonalit
anticipa una contrastante
sezione centrale che
contiene un calmo corale
di legni che cresce fino
al ritorno trionfante del
tema principale. Gli
elementi musicali della
fanfara d’apertura
concludono
l’opera.
Composed by
Gordon Jacob. Band Music.
Score only. Duration
15:30. Published by G & M
Brand Music Publishers
(CN.S11158).
A
powerful work. An opening
fanfare leads directly to
an Allegro risoluto,
which exudes
determination and
forthrightness. The
second movement follows
without a break and is a
continuous plaint in
which the melody seems
forever seeking
resolution like a
troubled soul searching
for respite. Only in the
closing bars does peace
seem to take over. The
final movement, marked
Allegro non troppo,
starts with a cheering
fanfare that leads to a
bright and breezy romp,
with a rustic feel about
it. When the fanfare
reappears we are suddenly
immersed in exaltations
of joy that really give a
feeling of optimism as we
proceed to the end of the
piece via a short
Coda.
With this
Symphony, Gordon Jacob
proclaims his absolute
mastery of idiom and
instrumentation with a
triumphant rejoicing.
Written in 1978 as a
commission from Arthur
Doyle (hence the AD in
the title, a typical
piece of Jacob wit), it
lay virtually unplayed
save for the efforts of
his Estate, Troy Peterson
and Geoffrey Brand and
CBDNA (College Band
Directors Association,
USA), who between them
ensured that it was
professionally recorded
in 1994 and published in
1995. There is little
point in indulging in
semantics as to whether
the piece is a Symphony.
It is Jacob's approach to
his tuneful, folk-based
material which is
symphonic: weighty in
exposition and
development, sonorous and
expressive in the slow
movement, with a
scherzo-like last
movement and a giocoso
coda. After a brilliant
opening fanfare, the
quick triple-meter first
theme (Allegro Risoluto)
is introduced on
clarinets, punctuated
with brass. It is soon
followed by a contrasting
melody for saxophone. In
all this material the
interval of a 4th is
prominent, and throughout
the work the 4th and 7th
are important. Perhaps it
is the frequent use of
the 7th which gives a
feeling of restlessness
without resolution which
pervades this movement as
the themes are dissected
and developed. The second
movement follows directly
after a horn bridge.
Still the melody outlines
the 7th and the ear is
not satisfied until the
full band (with organ),
comes to rest in Bb
major. This point of
repose and the magic
pianissimo which follows
shortly after when the
slow theme is re-stated,
are the apex of the
Symphony's construction.
Soon, however, we are
transported, via a
fanfare, into a
helter-skelter 9/8 romp:
rustic, English, and
almost vulgar, this theme
is thrown around the
group before exploding
into a boisterous 2/4
coda.
My Lord, What A
Mornin' - Full Score.
Composed by Carl
Strommen. Arranged by
Carl Strommen. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CPS13F.
Published by Carl Fischer
Music (CF.CPS13F).
ISBN 9780825843617.
UPC: 798408043612. 9 X 12
inches.
Commissione
d by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC. Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer. She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization's Hall of
Fame. Other honors
include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South Carolina.
It is to this legacy that
the Phi Beta Mu
fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris' love of
the hymn song that
prompted this arrangement
of My Lord, What a
Momin'. Commissioned
by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC.Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer.She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization’s
Hall of Fame. Other
honors include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South
Carolina.It is to this
legacy that the Phi Beta
Mu fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris’
love of the hymn song
that prompted this
arrangement of My Lord,
What a Momin’.
Hypernikon Orchestre d'harmonie - Intermédiaire De Haske Publications
Score & Parts Concert Band (SCORE+PARTS) - Grade 4 SKU: HL.4005854 Mor...(+)
Score & Parts Concert
Band (SCORE+PARTS) -
Grade 4
SKU:
HL.4005854
More
Than Conquerors.
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert, March.
Softcover. Duration 225
seconds. Published by De
Haske Publications
(HL.4005854).
UPC:
888680932435. 9.0x12.0
inches.
The Greek
word
“hypernikonâ€
roughly translates as
“More Than
Conquerors,†the
motto of Gordon College
in Wenham, Massachusetts
-- the commissioner of
this piece. The work is
inspired by David Rox's
very own name -- the
first two letters of his
name, D and A, sets the
first theme is in D
major, with these notes
being the tonic and
dominant of the scale.
After the stately
intrada, the tempo
accelerates and the
festive feel of the march
emerges. The trio melody
serves as a beautiful
contrast before finally
ending with the opening
theme in a grand
tutti.
Concert Band (Score & Parts) - Grade 3.5 SKU: HL.4004715 Composed by Mich...(+)
Concert Band (Score &
Parts) - Grade 3.5
SKU: HL.4004715
Composed by Michael Oare.
MusicWorks Grade 3.
Festival. Softcover.
Published by Hal Leonard
(HL.4004715).
UPC:
888680617233. 9x12
inches.
Commissione
d by the Virginia Band
and Orchestra Directors
Association to
commemorate its 75th
anniversary,
Presidential Suite
recognizes the rich
historical heritage of
Virginia, particularly as
the birthplace of eight
United States presidents.
Using a suite format, the
work focuses on three of
the founding fathers. The
first movement, Mount
Vernon, is a serene
musical impression of the
home of George
Washington.
Monticello is the
second movement and
portrays the stately
style of music typical of
Thomas Jefferson's time.
The suite concludes with
Montpelier, the
home of James Madison,
and uses bold and
majestic motifs to
portray the broad and
magnificent landscape of
Madison's estate.
Duration: c 5:30.
Concordia Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064074-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064074-010
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064074-010. Published by
De Haske Publications
(BT.DHP-1064074-010).
9x12 inches.
English-German-French-Dut
ch.
This unusual
concert work,
commissioned by the
concert band ?Harmonie
Concorde? from Sanem in
Luxembourg, is built on
two basic ideas: the
evolution of the economic
and social context of
this Luxembourg city with
its strong mining
industry and the European
concept, which is clearly
present in this very
small but prosperous
country with its many
European institutes. This
is musically expressed in
a few quotes from the
European hymn Ode to Joy,
the closing of
Beethoven?s Ninth
Symphony and from the Te
Deum by Charpentier ?
widely known as the
signature tune for
Eurovision broadcasts. A
work of true
unity.
Aan dit
concertwerk - geschreven
voor de Harmonie Concorde
uit Sanem in Luxemburg -
liggen twee
basisideeën ten
grondslag. Als eerste de
sociaal-economische
context van het stadje:
de mijnbouw heeft
decennialang mensen uit
diverselanden
aangetrokken, met name
Portugal. Dit wordt ge
llustreerd door de
verwerking van een
authentiek arbeidslied
uit dat land. De tweede
pijler is de Europese
gedachte die in Luxemburg
duidelijk aanwezig is.
Dit komt muzikaal
totuiting in een
dynamische thematiek en
citaatjes uit Ode an
die Freude van
Beethoven en het Te
Deum van Charpentier
- de herkenningstune voor
Eurovisie-uitzendingen.
Concordia, een
werk dat verschillende
elementenin zich
verenigt, staat symbool
voor eenheid.
Zwei
Bilder des Landes
Luxemburg bilden die
Grundlage dieses
ungewöhnlichen Werkes:
Zunächst beschreiben
schöne, teilweise
düstere Klänge die
Bergbauregion Luxemburg
und ihre vielen
Gastarbeiter.Mit Zitaten
aus Beethovens Ode an
die Freude und
Charpentiers Te
Deum wird Luxemburg
als Sitz einiger
wichtiger europäischer
Institutionen
vorgestellt. Der
gemeinsame Nenner und
Inspiration zum Titel
Concordia -
lateinisch für Einheit
- ist das funktionierende
Miteinander
vielfältiger Kulturen
und Interessen in so
einem kleinen
Land.
Concordia
è un brano
commissionato a Jan Van
der Roost
dall’Orchestra di
Fiati Concorde di Sanem
in Lussemburgo. Questo
inusuale brano da
concerto si appoggia su
due elementi principali:
l’evoluzione del
contesto economico e
sociale di questa citt
lussemburghese situata in
una regione mineraria, e
l’ideale europeo
evidenziato da una ricca
gamma di suoni e
dall’utilizzo di
qualche frammento
dell’Inno alla
Gioia e del Te
Deum.
Concordia Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064074-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064074-140
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. De Haske
Publications #DHP
1064074-140. Published by
De Haske Publications
(BT.DHP-1064074-140).
9x12 inches.
English-German-French-Dut
ch.
This unusual
concert work,
commissioned by the
concert band ?Harmonie
Concorde? from Sanem in
Luxembourg, is built on
two basic ideas: the
evolution of the economic
and social context of
this Luxembourg city with
its strong mining
industry and the European
concept, which is clearly
present in this very
small but prosperous
country with its many
European institutes. This
is musically expressed in
a few quotes from the
European hymn Ode to Joy,
the closing of
Beethoven?s Ninth
Symphony and from the Te
Deum by Charpentier ?
widely known as the
signature tune for
Eurovision broadcasts. A
work of true
unity.
Zwei Bilder
des Landes Luxemburg
bilden die Grundlage
dieses ungewöhnlichen
Werkes: Zunächst
beschreiben schöne,
teilweise düstere
Klänge die
Bergbauregion Luxemburg
und ihre vielen
Gastarbeiter.Mit Zitaten
aus Beethovens Ode an
die Freude und
Charpentiers Te
Deum wird Luxemburg
als Sitz einiger
wichtiger europäischer
Institutionen
vorgestellt. Der
gemeinsame Nenner und
Inspiration zum Titel
Concordia -
lateinisch für Einheit
- ist das funktionierende
Miteinander
vielfältiger Kulturen
und Interessen in so
einem kleinen
Land.
Concordia
è un brano
commissionato a Jan Van
der Roost
dall’Orchestra di
Fiati Concorde di Sanem
in Lussemburgo. Questo
inusuale brano da
concerto si appoggia su
due elementi principali:
l’evoluzione del
contesto economico e
sociale di questa citt
lussemburghese situata in
una regione mineraria, e
l’ideale europeo
evidenziato da una ricca
gamma di suoni e
dall’utilizzo di
qualche frammento
dell’Inno alla
Gioia e del Te
Deum.
Concordia Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1064074-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 3
SKU:
BT.DHP-1064074-040
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064074-040. Published by
De Haske Publications
(BT.DHP-1064074-040).
9x12 inches.
English-German-French-Dut
ch.
This unusual
concert work,
commissioned by the
concert band ?Harmonie
Concorde? from Sanem in
Luxembourg, is built on
two basic ideas: the
evolution of the economic
and social context of
this Luxembourg city with
its strong mining
industry and the European
concept, which is clearly
present in this very
small but prosperous
country with its many
European institutes. This
is musically expressed in
a few quotes from the
European hymn Ode to Joy,
the closing of
Beethoven?s Ninth
Symphony and from the Te
Deum by Charpentier ?
widely known as the
signature tune for
Eurovision broadcasts. A
work of true
unity.
Zwei Bilder
des Landes Luxemburg
bilden die Grundlage
dieses ungewöhnlichen
Werkes: Zunächst
beschreiben schöne,
teilweise düstere
Klänge die
Bergbauregion Luxemburg
und ihre vielen
Gastarbeiter.Mit Zitaten
aus Beethovens Ode an
die Freude und
Charpentiers Te
Deum wird Luxemburg
als Sitz einiger
wichtiger europäischer
Institutionen
vorgestellt. Der
gemeinsame Nenner und
Inspiration zum Titel
Concordia -
lateinisch für Einheit
- ist das funktionierende
Miteinander
vielfältiger Kulturen
und Interessen in so
einem kleinen
Land.
Concordia
è un brano
commissionato a Jan Van
der Roost
dall’Orchestra di
Fiati Concorde di Sanem
in Lussemburgo. Questo
inusuale brano da
concerto si appoggia su
due elementi principali:
l’evoluzione del
contesto economico e
sociale di questa citt
lussemburghese situata in
una regione mineraria, e
l’ideale europeo
evidenziato da una ricca
gamma di suoni e
dall’utilizzo di
qualche frammento
dell’Inno alla
Gioia e del Te
Deum.
Flashing Winds Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0890152-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-0890152-010
Composed by Jan Van der
Roost. Sovereign Series.
Set (Score & Parts).
Composed 1989. De Haske
Publications #DHP
0890152-010. Published by
De Haske Publications
(BT.DHP-0890152-010).
This flashing
piece was commissioned by
'Het muziekverbond van
West-Vlaanderen' and is
dedicated to the
'Arlequino'
youthband.Colourfully and
effectfully
instrumentated, this
piece speeds towards its
finale without any tempo
changes. The
chord-blocks, which
characterized the
introduction, unite this
virtuoso piece by
reappearing in the
end.
Dit flitsende
werk werd geschreven in
opdracht van Het
Muziekverbond van
West-Vlaanderen en is
opgedragen aan het
jeugdorkest
Arlequino. Het is een
effectvol en kleurrijk ge
nstrumenteerd nummer, dat
na een korte inleiding
zonder tempoveranderingen
doorraast tot het slot.
De akkoordblokken die de
introductie kenmerkten,
komen bij het einde
terug, zodat dit virtuoze
werk aldus eeneenheid
vormt.
Diese
temperamentvolle
Komposition wurde im
Auftrag des
Westflämischen
Musikverbandes
geschrieben und ist dem
Jugendorchester Arlequino
gewidmet. Es ist ein
effektvolles und farbig
instrumentiertes Werk.
Die Akkordblöcke, die
die
Einleitungkennzeichnen,
werden am Ende wieder
aufgenommen, sodass diese
virtuose Komposition ein
Ganzes
bildet.
Commissi
onato dal Muziekverbond
van West-Vlaanderen e
dedicato alla giovane
banda Arlecchino,
Flashing Winds
è un brano esplosivo,
variopinto ed
egregiamente arrangiato.
Ricco di cambi di tempo,
si contraddistingue per
il finale
virtuosistico.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002208-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002208-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002208-010.
Published by De Haske
Publications
(BT.DHP-1002208-010).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in 2001.The
second movement focuses
on ARPAD, the actual
founder of the Hungarian
State. It starts with an
atmospherical passage,
evoking his grandmother,
Emese, who dreamt about
his future destination.
One of Arpad’s
opponents, the Bulgarian
Prince Zalan, was chased
away after a fight. After
this, Arpad officially
named the territory
“Magyarorszag.â€
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
River City Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1155623-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1155623-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Score
Only. Composed 2015. 12
pages. De Haske
Publications #DHP
1155623-140. Published by
De Haske Publications
(BT.DHP-1155623-140).
English-German-French-
Dutch.
Sacramento,
in the American state of
California, is also known
as River City - which is
also the name of the
concert band that
commissioned Jacob de
Haan to write this
sonorous, lyrical work on
the occasion of the 37th
Annual ACB National
Convention, which took
place in 2015 in Rancho
Cordova. All of the fun
that the musicians will
have with the rich
melodic material provided
for all instrument groups
will immediately radiate
into the audience!
Sacramento is een
stad in de Amerikaanse
staat Californië. De
stad staat ook wel bekend
als River City. Het
gelijknamige
harmonieorkest gaf Jacob
de Haan de opdracht dit
sonore, lyrische werk te
schrijven ter gelegenheid
van de 37ste Jaarlijkse
ACB Nationale Conventie
in 2015 in Rancho
Cordova. Met dit rijke
melodische materiaal is
plezier verzekerd voor
zowel muzikanten als
publiek!
River
City ist der
inoffizielle Name der
kalifonischen Stadt
Sacramento und auch der
Name des Blasorchesters,
in dessen Auftrag
lyrische Werk
anlässlich der 37.
Jacob de Haan dieses
klangvolle, Jährlichen
ACB Convention 2015 in
Rancho Cordova schrieb.
Der große
Spielspaß, den die
Musiker mit dem
reichhaltigen melodischen
Material haben werden,
das gerecht auf alle
Instrumentengruppen
verteilt ist, ist absolut
ansteckend!
Sacramento, nello
Stato della California,
è anche conosciuta
come River City. River
City è anche il nome
della banda da concerto
che ha commissionato a
Jacob de Haan la
scrittura di questo
lavoro sonoro e lirico in
occasione della 37°
Annual ACB National
Convention, che ha avuto
luogo nel 2015 a Rancho
Cordova. Il divertimento
che i musicisti avranno
con il ricco materiale
melodico, assegnato a
tutti i gruppi
strumentali, si irradier
immediatamente al
pubblico!
Donar Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175742-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1175742-010
Composed by Jan Van der
Roost. Brilliant Marches.
Concert Piece. Set (Score
& Parts). Composed 2017.
De Haske Publications
#DHP 1175742-010.
Published by De Haske
Publications
(BT.DHP-1175742-010).
English-German-French-
Dutch.
This noble
concert march was
commissioned by the
Musikverein Heek,
Germany, for its 125th
anniversary. In German
mythology, Donar
is the God of Thunder,
and in the area around
Heek, ‘Thunder
Mountain’ is a
household name. The work
begins with a stately
opening, followed by a
beautiful trio melody
with rhythmical and
energetic sections. This
is a march that features
and showcases a range of
musical aspects. It is
perfect as an opener or
to create variety during
a concert.
Deze
nobele concertmars werd
geschreven in opdracht
van de Duitse Musikverein
Heek, ter gelegenheid van
het 125-jarig bestaan van
deze vereniging in 2017.
De première vond onder
leiding van de componist
op 2 september plaats in
de gemeente Heek.
Donar is de
dondergod uit de
Germaanse mythologie en
er is een specifieke
reden voor de keuze van
deze naam: in de regio
rond Heek is de
‘Donderberg’
een begrip, zodat deze
titel zeer toepasselijk
is. Het lage register
komt een paar keer
duidelijk op de voorgrond
om de donder en bliksem
weer te geven. Het werk
begint echter met een
plechtstatige
‘entree’ een
godheid waardig! De
triomelodie daarentegen
is naar de
loffelijkegewoonte van
Jan Van der Roost
zangerig en melodieus.
Kortom: dit is een mars
die diverse muzikale
aspecten bevat en
etaleert.
Dieser
prachtvolle Konzertmarsch
wurde vom Musikverein
Heek aus Deutschland
anlässlich seines
125-jährigen Bestehens
in Auftrag gegeben. In
der germanischen
Mythologie ist
Donar“ der Gott des
Donners, und in der
Gegend um Heek ist
Donnerberg“ ein
gebräuchlicher
Begriff. Das Werk beginnt
mit einer
majestätischen
Einleitung, gefolgt von
einer wunderschönen
Trio-Melodie mit
rhythmischen und
schwungvollen
Abschnitten. In diesem
Marsch werden
verschiedene musikalische
Aspekte verwendet. Er
eignet sich bestens als
Eröffnungsstück
oder um während eines
Konzertes für
Abwechslung zu
sorgen.
Questa
elegante marcia da
concerto è stata
commissionata dal
Musikverein di Heek in
Germania per il suo
125° anniversario.
Nella mitologia tedesca
Donar è il
Signore dei Tuoni e
nell’area intorno
ad Heek ‘Thunder
Mountain’ è un
nome familiare.
L’opera inizia con
un’introduzione
maestosa, seguita da un
bellissimo trio melodico
dalle sezioni ritmiche ed
energiche. Questa marcia
presenta una vasta gamma
di aspetti musicali ed
è perfetta come brano
d’apertura o per
creare variet
all’interno di un
concerto.
Composed by
Stuart Johnson. Band
Music. Score only.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.S11103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
Composed by
Stuart Johnson. Band
Music. Score and parts.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.R10103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.