Chapters of Life Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Tuba Solo - Grade 6 SKU: BT.DHP-1115083-140 ...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 6
SKU:
BT.DHP-1115083-140
For Tuba solo & Wind
orchestra. Composed
by Marco Putz. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2011. 72 pages.
De Haske Publications
#DHP 1115083-140.
Published by De Haske
Publications
(BT.DHP-1115083-140).
9x12 inches.
English-German-French-Dut
ch.
Chapters of
Life is a moving
concerto that musically
carries the positive
message that even
life’s hardest
knocks don’t mean
the end. In three
movements: Wild Days,
To Dana and
Chapters of Life,
the solo trombone and
solo tuba enter into a
dialogue and the alto
flute is also given an
opportunity to
shine.News: Selected as a
FINALIST in the 2012 ITEA
Composition Contest (USA)
Chapters of
Life is een roerend
concert met een positieve
boodschap. Al zijn de
tegenslagen nog zo groot,
ze hoeven niet het einde
te betekenen...
Chapters of Life
brengt deze boodschap
bijzonder goed over. In
de driedelen Wild
Days, To Dana en
Chapters of Life
horen we een dialoog
tussen een trombone en
een tuba. En ook een
altfluit mag zich van
zijn beste kant laten
zien.Geselecteerd als
FINALIST bij de 2012 ITEA
CompositionContest
(USA)
Chapters
of Life ist ein
bewegendes Konzert, das
die positive Botschaft,
dass auch die schwersten
Schicksalsschläge
nicht das Ende des Lebens
bedeuten, musikalisch gut
herüberbringt“.
In den drei Sätzen -
Wild Days, To Dana
und Chapters of
Life betitelt - tritt
eine Solo-Posaune mit der
Solo-Tuba in den Dialog
und auch eine Altflöte
darf sich solistisch
präsentieren.Aktuelles
: Das Werk steht in der
Endauswahl des ITEA
Wettbewerbs der
Kompositionen 2012
(USA)
Chapters of
Life ci ricorda che i
momenti difficili che
incontriamo nel corso
della vita sono solamente
temporanei. Dovremmo, al
contrario, apprezzare
maggiormente ogni giorno,
con i suoi alti e bassi,
concentrandoci
soprattutto sugli aspetti
positivi. E’
l’ottimismo con il
quale tutti noi dovremmo
affrontare la vita, che
è evocato in questo
brano in tre movimenti,
To Dana, A Celebration
of Life e Chapters
of Life.News:
Selected as a FINALIST in
the 2012 ITEA Composition
Contest (USA).
Chapters of Life Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Tuba Solo - Grade 6 SKU: BT.DHP-1115083-010 ...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 6
SKU:
BT.DHP-1115083-010
For Tuba solo & Wind
orchestra. Composed
by Marco Putz. Solo
Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115083-010. Published by
De Haske Publications
(BT.DHP-1115083-010).
9x12 inches.
English-German-French-Dut
ch.
Chapters of
Life is a moving
concerto that musically
carries the positive
message that even
life’s hardest
knocks don’t mean
the end. In three
movements: Wild Days,
To Dana and
Chapters of Life,
the solo trombone and
solo tuba enter into a
dialogue and the alto
flute is also given an
opportunity to
shine.News: Selected as a
FINALIST in the 2012 ITEA
Composition Contest (USA)
Chapters of
Life is een roerend
concert met een positieve
boodschap. Al zijn de
tegenslagen nog zo groot,
ze hoeven niet het einde
te betekenen...
Chapters of Life
brengt deze boodschap
bijzonder goed over. In
de driedelen Wild
Days, To Dana en
Chapters of Life
horen we een dialoog
tussen een trombone en
een tuba. En ook een
altfluit mag zich van
zijn beste kant laten
zien.Geselecteerd als
FINALIST bij de 2012 ITEA
CompositionContest
(USA)
Chapters
of Life ist ein
bewegendes Konzert, das
die positive Botschaft,
dass auch die schwersten
Schicksalsschläge
nicht das Ende des Lebens
bedeuten, musikalisch gut
herüberbringtâ€
. In den drei Sätzen
- Wild Days, To
Dana und Chapters
of Life betitelt -
tritt eine Solo-Posaune
mit der Solo-Tuba in den
Dialog und auch eine
Altflöte darf sich
solistisch
präsentieren.Aktuelles
: Das Werk steht in der
Endauswahl des ITEA
Wettbewerbs der
Kompositionen 2012
(USA)
Chapters of
Life ci ricorda che i
momenti difficili che
incontriamo nel corso
della vita sono solamente
temporanei. Dovremmo, al
contrario, apprezzare
maggiormente ogni giorno,
con i suoi alti e bassi,
concentrandoci
soprattutto sugli aspetti
positivi. E’
l’ottimismo con il
quale tutti noi dovremmo
affrontare la vita, che
è evocato in questo
brano in tre movimenti,
To Dana, A Celebration
of Life e Chapters
of Life.News:
Selected as a FINALIST in
the 2012 ITEA Composition
Contest (USA).
Concert Band (SCORE+PARTS) SKU: HL.4007645 Composed by Bert Appermont. Be...(+)
Concert Band
(SCORE+PARTS)
SKU:
HL.4007645
Composed
by Bert Appermont.
Beriato Music Concert
Band Set. Concert.
Softcover. Duration 369
seconds. Beriato Music
#033372. Published by
Beriato Music
(HL.4007645).
UPC:
196288074915. 9.0x12.0
inches.
This
composition is based on
the life of the German
cavalry general Hans
Michael Elias von
Obentraut (1574-1625),
who was known for his
nerve, loyalty and
courage. The figure Van
Obentraut is closely
connected to the town of
Seelze, where he died a
heroic death and where a
monument was erected in
his honor. The work
consists of four
movements in which
various aspects of this
historical figure are
featured. What is extra
special about this work
is the fact that its firs
movement (Hymn for a
Hero) had been made
available as an easy
version for flexible
band. This makes it
possible for a youth of
beginner band to play
along with a band of
adults or advanced
players. This hymn can
also be played as a
separate piece.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Ross Roy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0971085-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0971085-010
Composed by Jacob De
Haan. Inspiration Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1997. De Haske
Publications #DHP
0971085-010. Published by
De Haske Publications
(BT.DHP-0971085-010).
Jacob de Haan
was commissioned to
compose this concert
piece by the St. Peters
Wind Symphony from
Brisbane, Australia. Ross
Roy is the monumental
late 19th century villa
where St. Peters Lutheran
College was founded in
1945. The villa has
always remained the
school symbol. In this
composition, Jacob de
Haan sees the Ross Roy as
a metaphor for the years
spent at school (a
monument in time), where
one's personality is
formed. So, the opening
theme the artist calls
the Ross Roy theme
initially has monumental
characteristics.The
rhythmic motion, which
strides along in the
lower register and
percussion at the
beginning of the next
section is typical of
Tempo di Marcia.
Thismovement, accompanied
by repetitions of sound,
is a metaphor for the
structure and discipline
in school. This is the
introduction to a march
theme, symbolic of
passing through the
classes up to the final
examinations.Then, the
Ross Roy theme is dealt
with again, now in a
playful, humorous
variation. As if the
composer is saying there
should also be time for a
smile in school. The same
theme can be heard in
major key and a slower
tempo in the following
section, expressing pride
and self-confidence. This
is also the introduction
to the expressive middle
section that represents
love, friendship and
understanding.We then
return to the march theme
in a slightly altered
construction. The
oriental sounds,
constituting the
modulation to the final
theme, are symbols of the
diversity of cultures in
the school. The
characteristic final
theme first sounds
solemn, but turns into a
festive apotheosis. It is
no coincidence that the
final cadence is
reminiscent of the close
to a traditional
overture, for the school
years can be considered
the overture to the rest
of one's life. The
premiere of Ross Roy was
conducted by Jacob de
Haan in Brisbane, on
August 22, 1997.
Ross Roy is de
naam van de monumentale
villa in Brisbane
(Australië) waar in
1945 het St. Peters
Lutheran College is
gesticht. In opdracht van
het collegeorkest
componeerde Jacob de Haan
dit gevarieerde
concertwerk vol
metaforen.De structuur en
discipline van de school
horen we in de met
toonherhaling gepaard
gaande ritmische beweging
in basregister en
slagwerk. Het volgende,
martiale thema staat
symbool voor het
doorlopen van de klassen.
Een
schertsende,humoristische
versie van het hoofdthema
ontbreekt niet: op school
moet immers ook tijd zijn
voor vrolijkheid. Het
karakteristieke slotthema
mondt uit in een
feestelijke
apotheose.
Ross
Roy ist der Name
einer monumentalen Villa
in Brisbane, Australien,
in der 1945 das St. Peter
Lutheran College
gegründet wurde. Im
Auftrag dieses
Schulorchesters
komponierte Jacob de Haan
dieses Konzertwerk, das
voll von Metaphern ist.
Die Struktur und
Disziplin dieser Schule
hören wir in der mit
Tonwiederholungen
gepaarten rhythmischen
Bewegung des
Bassregisters und des
Schlagwerks. Das folgende
martialische Thema steht
als Symbol für das
Durchlaufen der Klassen
bis zum Ende der
Schulzeit. Eine
scherzhafte,
humoristische Version des
Hauptthemas darf nicht
fehlen, denn in der
Schule muss auch Zeit
für kleine Späße
und Lachen sein! Das
charakteristische
Schlussthemamündet in
einem festlichen
Höhepunkt.
Commissionato
dalla St. Peter’s
Wind Symphony Orchestra
di Brisbane, è
dedicato alla monumentale
villa tardo-ottocentesca
dove il collegio
dell’orchestra ha
avuto la sua storica
sede. Metafora degli anni
della formazione, è
caratterizzato da un
finale in stile
ouverture, come se gli
anni della scuola
rappresentassero una
sorta di ouverture al
resto della vita.
David Bowie: Life on Mars Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0890132-010 Arranged by Frank...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0890132-010
Arranged by Frank
Bernaerts. De Haske Pop
Collection. Concert
Piece. Set (Score &
Parts). Composed 1989. De
Haske Publications #DHP
0890132-010. Published by
De Haske Publications
(BT.DHP-0890132-010).
The recent
passing of pop icon David
Bowie led to a wave of
sadness and disbelief
worldwide. Bowie's music
and personality
influenced the music
industry internationally
over several decades. His
thought provoking
experiments and
continuous search for
innovation made him a
respected figure around
the world. This song
Life on Mars is
one of the hits that made
Bowie immortal.
Het recente
overlijden van popicoon
David Bowie leidde
wereldwijd tot een golf
van droefheid en
ongeloof. Zijn muziek en
persoonlijkheid hebben de
internationale
muziekindustrie gedurende
een paar decennia be
nvloed. Zijn tot nadenken
stemmende experimenten en
blijvende zoektocht naar
vernieuwing maakten hem
een gerespecteerde figuur
over de hele wereld. De
song Life on Mars
is een van de hits die
Bowie onsterfelijk hebben
gemaakt.
Der Tod
der Pop-Ikone David Bowie
führte weltweit zu
einer Welle von Trauer
und Fassungslosigkeit.
Bowies Musik und
Persönlichkeit
beeinflusste über
mehrere Jahrzehnte hinweg
die internationale
Musikbranche. Seine
provozierenden
Gedankenexperimente und
seine unaufhörliche
Suche nach Innovation
machten ihn weltweit zu
einer angesehenen
Persönlichkeit. Das
Lied Life on Mars
gehört zu den Hits,
die Bowie unsterblich
machten.
La recente
scomparsa del Duca Bianco
ha gettato nello
sconforto il mondo
intero. Icona pop tra le
più influenti dello
scorso secolo, Bowie è
stato uno dei pochi
grandi artisti capaci di
sperimentare e di
sorprendere fino
all’ultimo giorno
della propria vita. Per
celebrare la sua
camaleontica capacit di
esplorare una quantit
impressionante di generi
e stili, proponiamo una
delle sue più note ed
emozionanti ballate.
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0890132-215 Arra...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0890132-215
Arranged by Frank
Bernaerts. De Haske Pop
Collection. Festive and
Solemn Music. Score Only.
Composed 1989. De Haske
Publications #DHP
0890132-215. Published by
De Haske Publications
(BT.DHP-0890132-215).
The recent
passing of pop icon David
Bowie led to a wave of
sadness and disbelief
worldwide. Bowie's music
and personality
influenced the music
industry internationally
over several decades. His
thought provoking
experiments and
continuous search for
innovation made him a
respected figure around
the world. This song
Life on Mars is
one of the hits that made
Bowie immortal.
Het recente
overlijden van popicoon
David Bowie leidde
wereldwijd tot een golf
van droefheid en
ongeloof. Zijn muziek en
persoonlijkheid hebben de
internationale
muziekindustrie gedurende
een paar decennia be
nvloed. Zijn tot nadenken
stemmende experimenten en
blijvende zoektocht naar
vernieuwing maakten hem
een gerespecteerde figuur
over de hele wereld. De
song Life on Mars
is een van de hits die
Bowie onsterfelijk hebben
gemaakt.
Der Tod
der Pop-Ikone David Bowie
führte weltweit zu
einer Welle von Trauer
und Fassungslosigkeit.
Bowies Musik und
Persönlichkeit
beeinflusste über
mehrere Jahrzehnte hinweg
die internationale
Musikbranche. Seine
provozierenden
Gedankenexperimenteund
seine unaufhörliche
Suche nach Innovation
machten ihn weltweit zu
einer angesehenen
Persönlichkeit. Das
Lied Life on Mars
gehört zu den Hits,
die Bowie unsterblich
machten.
La recente
scomparsa del Duca Bianco
ha gettato nello
sconforto il mondo
intero. Icona pop tra le
più influenti dello
scorso secolo, Bowie è
stato uno dei pochi
grandi artisti capaci di
sperimentare e di
sorprendere fino
all’ultimo giorno
dellapropria vita. Per
celebrare la sua
camaleontica capacit di
esplorare una quantit
impressionante di generi
e stili, proponiamo una
delle sue più note ed
emozionanti ballate.
Concert Band/Harmonie/Fanfare - Grade 3 SKU: HL.44001460 Arranged by Fran...(+)
Concert
Band/Harmonie/Fanfare -
Grade 3
SKU:
HL.44001460
Arranged
by Frank Bernaerts. De
Haske Concert Band.
Festive and Solemn Music.
Score Only. Composed
1989. Hal Leonard
#890132. Published by Hal
Leonard (HL.44001460).
UPC: 073999520781.
6.75x10.5
inches.
The recent
passing of pop icon David
Bowie led to a wave of
sadness and disbelief
worldwide. Bowie's music
and personality
influenced the music
industry internationally
over several decades. His
thought provoking
experiments and
continuous search for
innovation made him a
respected figure around
the world. This song
Life on Mars is
one of the hits that made
Bowie immortal.
Het recente
overlijden van popicoon
David Bowie leidde
wereldwijd tot een golf
van droefheid en
ongeloof. Zijn muziek en
persoonlijkheid hebben de
internationale
muziekindustrie gedurende
een paar decennia
beinvloed. Zijn tot
nadenken stemmende
experimenten en blijvende
zoektocht naar
vernieuwing maakten hem
een gerespecteerde figuur
over de hele wereld. De
song Life on Mars
is een van de hits die
Bowie onsterfelijk hebben
gemaakt.
Der Tod
der Pop-Ikone David Bowie
fuhrte weltweit zu einer
Welle von Trauer und
Fassungslosigkeit. Bowies
Musik und Personlichkeit
beeinflusste uber mehrere
Jahrzehnte hinweg die
internationale
Musikbranche. Seine
provozierenden
Gedankenexperimenteund
seine unaufhorliche Suche
nach Innovation machten
ihn weltweit zu einer
angesehenen
Personlichkeit. Das Lied
Life on Mars
gehort zu den Hits, die
Bowie unsterblich
machten.
Le deces
recent de l'icone du pop
David Bowie a provoque
une vague de tristesse et
d'incredulite dans le
monde entier. La musique
et personnalite de Bowie
ont influence l'industrie
musicale internationale
pendant plusieurs
decennies. Ses
experiences suscitant a
la reflexion et sa
recherche continuelle a
l'innovation l'ont rendu
respecte partout au
monde. Cette chanson,
Life on Mars, est
l'un des tubes qui ont
rendu Bowie immortel.
La recente
scomparsa del Duca Bianco
ha gettato nello
sconforto il mondo
intero. Icona pop tra le
piu influenti dello
scorso secolo, Bowie e
stato uno dei pochi
grandi artisti capaci di
sperimentare e di
sorprendere fino
all'ultimo giorno
dellapropria vita. Per
celebrare la sua
camaleontica capacita di
esplorare una quantita
impressionante di generi
e stili, proponiamo una
delle sue piu note ed
emozionanti ballate.
Arranged
by Frank Bernaerts. De
Haske Concert Band.
Festive and Solemn Music.
Score Only. Composed
1989. De Haske
Publications #890132.
Published by De Haske
Publications
(HL.44001461).
UPC:
073999014617. 6.75x10.5
inches.
The recent
passing of pop icon David
Bowie led to a wave of
sadness and disbelief
worldwide. Bowie's music
and personality
influenced the music
industry internationally
over several decades. His
thought provoking
experiments and
continuous search for
innovation made him a
respected figure around
the world. This song
Life on Mars is
one of the hits that made
Bowie immortal.
Het recente
overlijden van popicoon
David Bowie leidde
wereldwijd tot een golf
van droefheid en
ongeloof. Zijn muziek en
persoonlijkheid hebben de
internationale
muziekindustrie gedurende
een paar decennia
beinvloed. Zijn tot
nadenken stemmende
experimenten en blijvende
zoektocht naar
vernieuwing maakten hem
een gerespecteerde figuur
over de hele wereld. De
song Life on Mars
is een van de hits die
Bowie onsterfelijk hebben
gemaakt.
Der Tod
der Pop-Ikone David Bowie
fuhrte weltweit zu einer
Welle von Trauer und
Fassungslosigkeit. Bowies
Musik und Personlichkeit
beeinflusste uber mehrere
Jahrzehnte hinweg die
internationale
Musikbranche. Seine
provozierenden
Gedankenexperimenteund
seine unaufhorliche Suche
nach Innovation machten
ihn weltweit zu einer
angesehenen
Personlichkeit. Das Lied
Life on Mars
gehort zu den Hits, die
Bowie unsterblich
machten.
Le deces
recent de l'icone du pop
David Bowie a provoque
une vague de tristesse et
d'incredulite dans le
monde entier. La musique
et personnalite de Bowie
ont influence l'industrie
musicale internationale
pendant plusieurs
decennies. Ses
experiences suscitant a
la reflexion et sa
recherche continuelle a
l'innovation l'ont rendu
respecte partout au
monde. Cette chanson,
Life on Mars, est
l'un des tubes qui ont
rendu Bowie immortel.
La recente
scomparsa del Duca Bianco
ha gettato nello
sconforto il mondo
intero. Icona pop tra le
piu influenti dello
scorso secolo, Bowie e
stato uno dei pochi
grandi artisti capaci di
sperimentare e di
sorprendere fino
all'ultimo giorno
dellapropria vita. Per
celebrare la sua
camaleontica capacita di
esplorare una quantita
impressionante di generi
e stili, proponiamo una
delle sue piu note ed
emozionanti ballate.
Prince of Denmark's March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-027-010 (The Trumpet Vol...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-027-010
(The Trumpet
Voluntary). Composed
by Jeremiah Clarke.
Arranged by Philip
Sparke. Debut Series
(Anglo). Set (Score &
Parts). Composed 2001.
Anglo Music Press #AMP
027-010. Published by
Anglo Music Press
(BT.AMP-027-010).
Jeremiah Clarke
(c. 1674-1707) belongs to
the generation of English
composers following that
of Henry Purcell. Not
much is known about his
early life, but by 1685
he was a chorister of the
Chapel Royal, a group of
liturgical musicians
attached to the court. He
held the post of organist
at Winchester College
from 1692 but later
returned to London as
Master of the Choristers
at St Paul’s
Cathedral. The Prince of
Denmark’s March is
perhaps his best-known
work and was originally
written for harpsichord,
although Clarke later
included it in a
collection of pieces for
wind
instruments.
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-027-140 (The Trumpet Vol...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-027-140
(The Trumpet
Voluntary). Composed
by Jeremiah Clarke.
Arranged by Philip
Sparke. Debut Series
(Anglo). Score Only.
Composed 2001. 20 pages.
Anglo Music Press #AMP
027-140. Published by
Anglo Music Press
(BT.AMP-027-140).
Jeremiah Clarke
(c. 1674-1707) belongs to
the generation of English
composers following that
of Henry Purcell. Not
much is known about his
early life, but by 1685
he was a chorister of the
Chapel Royal, a group of
liturgical musicians
attached to the court. He
held the post of organist
at Winchester College
from 1692 but later
returned to London as
Master of the Choristers
at St Paul’s
Cathedral. The Prince of
Denmark’s March is
perhaps his best-known
work and was originally
written for harpsichord,
although Clarke later
included it in a
collection of pieces for
wind
instruments.
Band concert band - Grade 3 SKU: KJ.WB163RG Composed by Ralph Hultgren. E...(+)
Band concert band - Grade
3
SKU: KJ.WB163RG
Composed by Ralph
Hultgren. Edited by Bruce
Pearson and Wendy Barden.
Standard of Excellence in
Concert. Resource Guide.
Neil A. Kjos Music
Company #WB163RG.
Published by Neil A. Kjos
Music Company
(KJ.WB163RG).
Celebration of
Life is an evocative
grade 3 composition that
uses characteristic
melodies to depict
aspects of Jewish
culture. A special
feature of the work is
the inclusion of sung
passages which express
both the painful
suffering and joyful hope
that have been part of
the history of the Jewish
people. Originally
written for Sydney,
Australia's Moriah
College High School
Concert Band and their
Roberta Goot, composer
Ralph Hultgren's
newly-edited version is a
significant addition to
the intermediate concert
band repertoire.
About Standard
of Excellence in
Concert
Th
e Standard of Excellence
In Concert series
presents exceptional
arrangements,
transcriptions, and
original concert and
festival pieces for
beginning and
intermediate band. Each
selection is correlated
to a specific page in the
Standard of Excellence
Band Method, reinforcing
and expanding skills and
concepts introduced in
the method up to that
point. Exciting parts
with extensive
cross-cueing are
presented for every
player. Accessible
ranges, appropriate
rhythmic challenges, and
creative percussion
section writing enhance
the pedagogical value of
the series.
Sold
individually, each In
Concert selection
includes a full Conductor
Score and enough student
parts for large symphonic
bands. Each student part
also includes correlated
Warm-Up Studies. The
Conductor Score comes
complete with rehearsal
suggestions, a composer
biography, program notes,
a rehearsal piano part,
several
ready-to-duplicate
worksheets and a
duplicable written
quiz.
All the While Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198F Composed by Tyler Arcari. You...(+)
Band Concert Band - Grade
2
SKU: CF.YPS198F
Composed by Tyler Arcari.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS198F.
Published by Carl Fischer
Music (CF.YPS198F).
ISBN 9781491152867.
UPC:
680160910366.
All
the While was inspired
by a very special person
in Tyler Arcari's life.
Director's will be happy
to find many
opportunities for
emotional and passionate
playing with plenty of
fun in the middle for
young bands. All the
While gives students a
number of chances to
work on expressive
playing during the
beginning and ending
sections, and offers a
light rhythmic middle
section for
contrast. Program
Notes:All the While is a
bit of a personal piece
for me. I was inspired to
write it by a very
special person in my
life. It might be a
young-band piece but I
feel that it has the
capacity for great
emotion and passionate
playing as well as a
little fun in the middle.
Sometimes it is difficult
to tell people how you
feel, even if you have
known them for a long
time. I think sometimes
we say in our heads that
“I have felt this
way for a long
time,†and all the
while never being able to
put it to words.About the
work:The piece opens with
a flute and alto
saxophone duet. This
melody trades off at m.
10 with the addition of
new voices and harmonies
building in intensity all
the way to m. 28. I
personally like to use
extended phrases in this
section, though it looks
like it would just
utilize four-measure
phrases. I feel this adds
to the momentum building
in dynamic intensity.
Measure 28 is a subito
change beginning with a
prominent Timpani solo.
The following section
should be played as
lightly as possible to
avoid a lumbering feel.
In mm. 68- 70, the agogic
accents should not be
very heavy, but more
pointed in their momentum
to m. 70.Measures
70–76 should be
taken with metric liberty
bringing out all of the
moving parts in the low
brass. The low brass
really adds the
foundation of momentum
for the rest of the band
here. Measure 76 to the
end, though a repetition
of material from the
beginning, should be
played as the high point
of the piece and familiar
conclusion.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-282-140 Quelle est cette o...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-282-140
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2009. 16
pages. Anglo Music Press
#AMP 282-140. Published
by Anglo Music Press
(BT.AMP-282-140).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Blasorchester sehr
schön zur Geltung.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-282-010 Quelle est cette o...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-282-010
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
Anglo Music Press #AMP
282-010. Published by
Anglo Music Press
(BT.AMP-282-010).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Blasorchester sehr
schön zur Geltung.
All the While Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS198 Composed by Tyler Arcari. Youn...(+)
Band Concert Band - Grade
2
SKU: CF.YPS198
Composed by Tyler Arcari.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
8+2+8+8+2+4+10+4+2+4+4+8+
12+6+3+1+1+4+2+16+4
pages. Duration 2
minutes, 14 seconds. Carl
Fischer Music #YPS198.
Published by Carl Fischer
Music (CF.YPS198).
ISBN 9781491152188.
UPC: 680160909681. Key: C
minor.
All the
While was inspired by
a very special person in
Tyler Arcari's life.
Directors will be happy
to find many
opportunities for
emotional and passionate
playing with plenty of
fun in the middle for
young bands. All the
While gives students a
number of chances to
work on expressive
playing during the
beginning and ending
sections, and offers a
light rhythmic middle
section for
contrast. Program
Notes:All the While is a
bit of a personal piece
for me. I was inspired to
write it by a very
special person in my
life. It might be a
young-band piece but I
feel that it has the
capacity for great
emotion and passionate
playing as well as a
little fun in the middle.
Sometimes it is difficult
to tell people how you
feel, even if you have
known them for a long
time. I think sometimes
we say in our heads that
“I have felt this
way for a long
time,†and all the
while never being able to
put it to words.About the
work:The piece opens with
a flute and alto
saxophone duet. This
melody trades off at m.
10 with the addition of
new voices and harmonies
building in intensity all
the way to m. 28. I
personally like to use
extended phrases in this
section, though it looks
like it would just
utilize four-measure
phrases. I feel this adds
to the momentum building
in dynamic intensity.
Measure 28 is a subito
change beginning with a
prominent Timpani solo.
The following section
should be played as
lightly as possible to
avoid a lumbering feel.
In mm. 68- 70, the agogic
accents should not be
very heavy, but more
pointed in their momentum
to m. 70.Measures
70–76 should be
taken with metric liberty
bringing out all of the
moving parts in the low
brass. The low brass
really adds the
foundation of momentum
for the rest of the band
here. Measure 76 to the
end, though a repetition
of material from the
beginning, should be
played as the high point
of the piece and familiar
conclusion.
Frida's Whiskers Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000777-010 Composed by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000777-010
Composed by David Well.
Set (Score & Parts). 80
pages. Gobelin Music
Publications #GOB
000777-010. Published by
Gobelin Music
Publications
(BT.GOB-000777-010).
David Well
composed 'Frida's
Whiskers' in
commemoration of his own
cat, who met an untimely
end. Frida (whose
real name was 'Godefrida
van Coopersburg thoe
Nieuwenhuys') was a
lively creature, who led
a playful and
uncomplicated life.
She used to sleep in
her basket for hours, but
when she woke up she
upset the entire house
and its furnishing.
Curtains were
inspected from top to
bottom and flower pots
fell from window-sills
just like that!
Outside, in the open air
she was in her element.
She used to frolic,
bouncing into the
air. After such
playful moods she would
return to her basket
tired but satisfied
where, being the cleanly
cat that shewas, she
subjected her entire
body, whiskers included,
to a thorough wash.
David Well
componeerde 'Frida's
Whiskers' ter
nagedachtenis aan zijn
erg jong gestorven
kat. Frida (haar
volledige naam luidde
'Godefrida van
Coopersburg thoe
Nieuwenhuys') was een
levenslustig beestje dat
een speels en
onbekommerdleven
leidde. Zo kon ze
vaak urenlang in haar
mand liggen te slapen tot
op zeker moment het
complete huis en haar
inrichting onveilig
gemaakt werden.
Gordijnen werden van
onder tot boven
ge?nspecteerd en
bloempottenvielen pardoes
uit de vensterbank.
In de buitenlucht was ze
in haar element. Ze
sprong soms met alle
poten tegelijk de lucht
in. Na een speelse
bui keerde ze moe maar
voldaan terug in haar
mand waar, zo proper
alsze was, het hele
lichaam, inclusief
snorharen, aan een
grondige wasbeurt werden
onderworpen.
Frida's Whiskers Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000777-140 Composed by David ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000777-140
Composed by David Well.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
000777-140. Published by
Gobelin Music
Publications
(BT.GOB-000777-140).
David Well
composed 'Frida's
Whiskers' in
commemoration of his own
cat, who met an untimely
end. Frida (whose
real name was 'Godefrida
van Coopersburg thoe
Nieuwenhuys') was a
lively creature, who led
a playful and
uncomplicated life.
She used to sleep in
her basket for hours, but
when she woke up she
upset the entire house
and its furnishing.
Curtains were
inspected from top to
bottom and flower pots
fell from window-sills
just like that!
Outside, in the open air
she was in her element.
She used to frolic,
bouncing into the
air. After such
playful moods she would
return to her basket
tired but satisfied
where, being the cleanly
cat that shewas, she
subjected her entire
body, whiskers included,
to a thorough wash.
David Well
componeerde 'Frida's
Whiskers' ter
nagedachtenis aan zijn
erg jong gestorven
kat. Frida (haar
volledige naam luidde
'Godefrida van
Coopersburg thoe
Nieuwenhuys') was een
levenslustig beestje dat
een speels en
onbekommerdleven
leidde. Zo kon ze
vaak urenlang in haar
mand liggen te slapen tot
op zeker moment het
complete huis en haar
inrichting onveilig
gemaakt werden.
Gordijnen werden van
onder tot boven
ge?nspecteerd en
bloempottenvielen pardoes
uit de vensterbank.
In de buitenlucht was ze
in haar element. Ze
sprong soms met alle
poten tegelijk de lucht
in. Na een speelse
bui keerde ze moe maar
voldaan terug in haar
mand waar, zo proper
alsze was, het hele
lichaam, inclusief
snorharen, aan een
grondige wasbeurt werden
onderworpen.
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Grade
4 - Score and Parts.
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert.
Set (Score & Parts).
Composed 2008. Duration
480 seconds. Anglo Music
Press #AMP224-010.
Published by Anglo Music
Press (HL.44010858).
Music for Life
was commissioned by the
members of Community Band
South in Pittsburgh to
celebrate their 20th
anniversary. The band's
motto, Music for a
Lifetime, provided the
inspiration for the
title. It is a work
always full of life and
vitality, even in its
more reflective moments.
Because of this, the
piece is almost totally
melodic, relying little
on development or other
formal devices. A series
of lively melodic
statements precedes a
slower central section,
designed to showcase the
band's talented clarinet
section. But the moment
of reflection is
short-lived and the
livelier music returns to
end the work in the same
spirit that it
started.
Grade
4 - Score Only.
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert.
Score Only. Composed
2008. Anglo Music Press
#AMP224. Published by
Anglo Music Press
(HL.44010859).
Music for Life
was commissioned by the
members of Community Band
South in Pittsburgh to
celebrate their 20th
anniversary. The band's
motto, Music for a
Lifetime, provided the
inspiration for the
title. It is a work
always full of life and
vitality, even in its
more reflective moments.
Because of this, the
piece is almost totally
melodic, relying little
on development or other
formal devices. A series
of lively melodic
statements precedes a
slower central section,
designed to showcase the
band's talented clarinet
section. But the moment
of reflection is
short-lived and the
livelier music returns to
end the work in the same
spirit that it
started.
Kingdom Adventures Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Joshua V. Hinkel. Concert Band. Concert Band; Part(s); Score. Alfred Debut Se...(+)
By Joshua V. Hinkel.
Concert Band. Concert
Band; Part(s); Score.
Alfred Debut Series.
Form: Overture. Grade 1.
122 pages. Published by
Alfred Music Publishing
Forever Climbing Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Anthem of Hope. Composed by Larry Clark. Score and part(s). 28 290 page...(+)
Anthem of Hope.
Composed by Larry Clark.
Score and part(s). 28
290 pages. Duration 5
minutes, 38 seconds. Carl
Fischer #CPS0189.
Published by Carl Fischer
(CF.CPS189).
The Good Life Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.44980 Composed by Rob Grice. Concert Band;...(+)
Concert Band - Grade 1
SKU: AP.44980
Composed by Rob Grice.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Alfred Debut Series.
Score and Part(s). 106
pages. Duration 2:15.
Alfred Music #00-44980.
Published by Alfred Music
(AP.44980).
UPC:
038081518947.
English.
The Good
Life was written to honor
the music teachers that
make a positive
difference in the lives
of their students. Their
actions inspire students
to imagine their own
potential to become the
best that they can be.
(2:15) This title is
available in MakeMusic
Cloud.