Procession of Nations Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Lovebird Music
By Traditional. Arranged by David Lovrien. For concert band. A versatile and use...(+)
By Traditional. Arranged
by David Lovrien. For
concert band. A versatile
and useful medley of
national anthems. Concert
medley. Full score and
set of parts. Duration
8:00. Published by
Lovebird Music. (110)
Level: Grade 3
(Intermediate).
I Shall Love But Thee Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1185844-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1185844-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2018.
De Haske Publications
#DHP 1185844-010.
Published by De Haske
Publications
(BT.DHP-1185844-010).
English-German-French-
Dutch.
I Shall
Love But Thee is an
occasional work in the
literal sense of the
word, since it was
originally written on the
occasion of the
composer’s
youngest son’s
wedding. The texts, by
William Shakespeare,
inspired Jan Van der
Roost to compose profound
and appealing music,
largely in the style of
Henry Purcell (in the
first part) and Georg
Friedrich Handel (in the
second
part)—although no
literal quotations have
been used. The rather
rare combination of
soprano and concert band
makes this piece a unique
addition to the
repertoire!
I
Shall Love But Thee
is in de letterlijke zin
van het woord een
gelegenheidswerk, want
het werd oorspronkelijk
geschreven naar
aanleiding van het
huwelijk van de jongste
zoon van de componist. De
teksten zijn van William
Shakespeare: Jan Van der
Roost werd erdoor ge
nspireerd tot het
creëren van
indringende en
aansprekende muziek, die
in stilistisch opzicht
doet denken aan Henry
Purcell (in het eerste
deel) en Georg Friedrich
Händel (in het tweede
deel), twee componisten
die op teksten van
Shakespeare hebben
gecomponeerd ook al zijn
er geen letterlijke
citaten gebruikt. De vrij
zeldzame combinatie van
sopraan en harmonieorkest
maakt dit werk een unieke
aanwinst voor
hetrepertoire!
I Shall Love
But Thee ist ein
Gelegenheitswerk im
eigentlichen Sinn, denn
der Komponist hat es
ursprünglich aus
Anlass der Hochzeit
seines jüngsten Sohnes
geschrieben. Die Texte
stammen von William
Shakespeare und haben Jan
Van der Roost dazu
inspiriert, eine
tiefgründige und
ansprechende Musik im
Stil der großen
Meister zu komponieren.
Stilistisch erinnert sie
an Henry Purcell (im
ersten Teil) und an Georg
Friedrich Händel (im
zweiten Teil), auch wenn
keine literarischen
Zitate verwendet wurden.
Durch die eher seltene
Kombination von Sopran
und Blasorchester stellt
das Stück eine
einzigartige Bereicherung
für das Repertoire
dar!
I
Shall Love But Thee'
(Amerò soltanto
te) è stata
scritta originariamente
in occasione del
matrimonio del figlio
più giovane del
compositore Jan van der
Roost. I testi di William
Shakespeare hanno
ispirato Van der Roost a
comporre musica nello
stile di Purcell e
Händel. La
combinazione di soprano e
banda rende questo pezzo
un'aggiunta unica al
repertorio!
I Shall Love But Thee Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1185844-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1185844-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2018. 20
pages. De Haske
Publications #DHP
1185844-140. Published by
De Haske Publications
(BT.DHP-1185844-140).
English-German-French-
Dutch.
I Shall
Love But Thee is an
occasional work in the
literal sense of the
word, since it was
originally written on the
occasion of the
composer’s
youngest son’s
wedding. The texts, by
William Shakespeare,
inspired Jan Van der
Roost to compose profound
and appealing music,
largely in the style of
Henry Purcell (in the
first part) and Georg
Friedrich Handel (in the
second
part)—although no
literal quotations have
been used. The rather
rare combination of
soprano and concert band
makes this piece a unique
addition to the
repertoire!
I
Shall Love But Thee
is in de letterlijke zin
van het woord een
gelegenheidswerk, want
het werd oorspronkelijk
geschreven naar
aanleiding van het
huwelijk van de jongste
zoon van de componist. De
teksten zijn van William
Shakespeare: Jan Van der
Roost werd erdoor ge
nspireerd tot het
creëren van
indringende en
aansprekende muziek, die
in stilistisch opzicht
doet denken aan Henry
Purcell (in het eerste
deel) en Georg Friedrich
Händel (in het tweede
deel), twee componisten
die op teksten van
Shakespeare hebben
gecomponeerd ook al zijn
er geen letterlijke
citaten gebruikt. De vrij
zeldzame combinatie van
sopraan en harmonieorkest
maakt dit werk een unieke
aanwinst voor
hetrepertoire!
I Shall Love
But Thee ist ein
Gelegenheitswerk im
eigentlichen Sinn, denn
der Komponist hat es
ursprünglich aus
Anlass der Hochzeit
seines jüngsten Sohnes
geschrieben. Die Texte
stammen von William
Shakespeare und haben Jan
Van der Roost dazu
inspiriert, eine
tiefgründige und
ansprechende Musik im
Stil der großen
Meister zu komponieren.
Stilistisch erinnert sie
an Henry Purcell (im
ersten Teil) und an Georg
Friedrich Händel (im
zweiten Teil), auch wenn
keine literarischen
Zitate verwendet wurden.
Durch die eher seltene
Kombination von Sopran
und Blasorchester stellt
das Stück eine
einzigartige Bereicherung
für das Repertoire
dar!
I
Shall Love But Thee'
(Amerò soltanto
te) è stata
scritta originariamente
in occasione del
matrimonio del figlio
più giovane del
compositore Jan van der
Roost. I testi di William
Shakespeare hanno
ispirato Van der Roost a
comporre musica nello
stile di Purcell e
Händel. La
combinazione di soprano e
banda rende questo pezzo
un'aggiunta unica al
repertorio!
Song of Adoration Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053781-010 Fantasy on Lob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053781-010
Fantasy on Lobe den
Herren (Praise to the
Lord, the Almighty).
Composed by Roland
Kernen. Musica Sacra.
Hymns & Chorals. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053781-010. Published by
De Haske Publications
(BT.DHP-1053781-010).
English-German-French-
Dutch.
The melody
Praise to the Lord, the
Almighty (heard in
Bach’s cantata BWV
137) has its origin in
17th century Germany, and
is included in the
hymnbook
Freylinghausen’s
Geistreiches Gesangbuch.
This hymnbook originates
from the beginning of the
18th century and is
considered one of the
most significant
collections of Lutheran
chorales published in
Bach’s time.This
beautiful new work for
concert band is based on
the internationally known
and loved chorale and
will make an ideal serene
interlude in any
concert.
De
koraalmelodie Lobe den
Herren uit Johann
Sebastian Bachs cantate
BWV 137 ontstond in de
zeventiende eeuw in
Duitsland en is opgenomen
in het gezangboek
Freylinghausen’s
Geistreiches
Gesangbuch.Dit gezangboek
is begin achttiendeeeuw
samengesteld en wordt
beschouwd als een van de
belangrijkste
verzamelingen lutherse
koralen die ten tijde van
Bach zijn gepubliceerd.
Deze prachtige fantasie
voor blaasorkest van de
internationaal bekende en
populaire
koraalmelodievormt een
aangenaam intermezzo in
elk
concert.
Roland
Kernen schuf eine
ausgezeichnete
Bearbeitung für
Blasorchester des Chorals
Lobe den Herren, den
mächtigen König der
Ehren. Das beliebte Lied
hat seinen Ursprung in
Deutschland im 17.
Jahrhundert. Johann
Sebastian Bach nahm es in
seine Kantate BWV 137 auf
und in der englischen
Ãœbersetzung wurde es
schließlich
international bekannt.
Mit dieser oft und gerne
gesungenen Melodie
gewinnen Sie nicht nur zu
kirchlichen Anlässen
die Herzen Ihres
Publikums.
Song of Adoration Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053781-140 Fantasy on Lob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053781-140
Fantasy on Lobe den
Herren (Praise to the
Lord, the Almighty).
Composed by Roland
Kernen. Musica Sacra.
Hymns & Chorals. Score
Only. Composed 2005. 20
pages. De Haske
Publications #DHP
1053781-140. Published by
De Haske Publications
(BT.DHP-1053781-140).
English-German-French-
Dutch.
The melody
Praise to the Lord, the
Almighty (heard in
Bach’s cantata BWV
137) has its origin in
17th century Germany, and
is included in the
hymnbook
Freylinghausen’s
Geistreiches Gesangbuch.
This hymnbook originates
from the beginning of the
18th century and is
considered one of the
most significant
collections of Lutheran
chorales published in
Bach’s time.This
beautiful new work for
concert band is based on
the internationally known
and loved chorale and
will make an ideal serene
interlude in any
concert.
De
koraalmelodie Lobe den
Herren uit Johann
Sebastian Bachs cantate
BWV 137 ontstond in de
zeventiende eeuw in
Duitsland en is opgenomen
in het gezangboek
Freylinghausen’s
Geistreiches
Gesangbuch.Dit gezangboek
is begin achttiendeeeuw
samengesteld en wordt
beschouwd als een van de
belangrijkste
verzamelingen lutherse
koralen die ten tijde van
Bach zijn gepubliceerd.
Deze prachtige fantasie
voor blaasorkest van de
internationaal bekende en
populaire
koraalmelodievormt een
aangenaam intermezzo in
elk
concert.
Roland
Kernen schuf eine
ausgezeichnete
Bearbeitung für
Blasorchester des Chorals
Lobe den Herren, den
mächtigen König der
Ehren. Das beliebte Lied
hat seinen Ursprung in
Deutschland im 17.
Jahrhundert. Johann
Sebastian Bach nahm es in
seine Kantate BWV 137 auf
und in der englischen
Ãœbersetzung wurde es
schließlich
international bekannt.
Mit dieser oft und gerne
gesungenen Melodie
gewinnen Sie nicht nur zu
kirchlichen Anlässen
die Herzen Ihres
Publikums.
The Golden Sixties Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1175842-140 You Can't Hu...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1175842-140
You Can't Hurry Love -
Son-Of-A-Preacher Man -
Stand By Me - Think.
Arranged by Richard
Johnsen. DHP Pop, Film
and Show. Pop & Rock.
Score Only. Composed
2017. 25 pages. De Haske
Publications #DHP
1175842-140. Published by
De Haske Publications
(BT.DHP-1175842-140).
The 1960s is
one of the most
fascinating eras in the
history of popular music.
Many great hits from then
have been turned into new
versions during later
decades after initial
success. But everyone,
both young and old,
remembers the original
songs well. Richard
Johnsen has made great
arrangements of You
Can't Hurry Love,
Son-of-A-Preacher
Man, Stand By
Me and Think,
for this spectacular
medley, The Golden
Sixties.
De
jaren zestig: een
fascinerend tijdperk uit
de geschiedenis van de
popmuziek. Veel grote
hits uit die periode zijn
in de decennia die erop
volgden verschillende
keren in een nieuw jasje
gestoken, maar iedereen
jong en oud kent ook de
originele songs. Richard
Johnsen bewerkte You
Can't Hurry Love,
Son-Of-A-Preacher
Man, Stand By
Me en Think,
waarmee hij deze fraaie
en spectaculaire medley
The Golden Sixties
in het leven
riep.
Die 1960er
Jahre gehören zu den
faszinierendsten Zeiten
in der Geschichte der
Popmusik. Viele bekannte
Hits aus dieser Zeit
erschienen in den
Jahrzehnten nach ihrem
ursprünglichen Erfolg
mehrmals in neuen
Versionen. Aber jeder,
sowohl die Jungen als
auch die Alten, erinnert
sich auch noch an die
Originalversion der
Songs. Richard Johnsen
hat tolle Arrangements
von You Can't Hurry
Love,
Son-Of-A-Preacher
Man, Stand By
Me und Think
geschrieben und das
fantastische Medley
The Golden Sixties
erstellt.
Gli anni
’60 sono uno dei
periodi più
affascinanti per la
musica pop. Molte hit di
quegli anni, dopo il
successo inziale, sono
state riviste in nuove
versioni negli ultimi
decenni. Ma proprio
tutti, sia giovani che
meno giovani, ricordano
molto bene la versione
originale. Richard
Johnsen ha sapientemente
arrangiato per questo
spettacolare medley i
brani You Can't Hurry
Love,
Son-Of-A-Preacher
Man, Stand By
Me e
Think.
The Golden Sixties Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1175842-010 You Can't Hu...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1175842-010
You Can't Hurry Love -
Son-Of-A-Preacher Man -
Stand By Me - Think.
Arranged by Richard
Johnsen. DHP Pop, Film
and Show. Pop & Rock. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175842-010. Published by
De Haske Publications
(BT.DHP-1175842-010).
The 1960s is
one of the most
fascinating eras in the
history of popular music.
Many great hits from then
have been turned into new
versions during later
decades after initial
success. But everyone,
both young and old,
remembers the original
songs well. Richard
Johnsen has made great
arrangements of You
Can't Hurry Love,
Son-of-A-Preacher
Man, Stand By
Me and Think,
for this spectacular
medley, The Golden
Sixties.
De
jaren zestig: een
fascinerend tijdperk uit
de geschiedenis van de
popmuziek. Veel grote
hits uit die periode zijn
in de decennia die erop
volgden verschillende
keren in een nieuw jasje
gestoken, maar iedereen
jong en oud kent ook de
originele songs. Richard
Johnsen bewerkte You
Can't Hurry Love,
Son-Of-A-Preacher
Man, Stand By
Me en Think,
waarmee hij deze fraaie
en spectaculaire medley
The Golden Sixties
in het leven
riep.
Die 1960er
Jahre gehören zu den
faszinierendsten Zeiten
in der Geschichte der
Popmusik. Viele bekannte
Hits aus dieser Zeit
erschienen in den
Jahrzehnten nach ihrem
ursprünglichen Erfolg
mehrmals in neuen
Versionen. Aber jeder,
sowohl die Jungen als
auch die Alten, erinnert
sich auch noch an die
Originalversion der
Songs. Richard Johnsen
hat tolle Arrangements
von You Can't Hurry
Love,
Son-Of-A-Preacher
Man, Stand By
Me und Think
geschrieben und das
fantastische Medley
The Golden Sixties
erstellt.
Gli anni
’60 sono uno dei
periodi più
affascinanti per la
musica pop. Molte hit di
quegli anni, dopo il
successo inziale, sono
state riviste in nuove
versioni negli ultimi
decenni. Ma proprio
tutti, sia giovani che
meno giovani, ricordano
molto bene la versione
originale. Richard
Johnsen ha sapientemente
arrangiato per questo
spettacolare medley i
brani You Can't Hurry
Love,
Son-Of-A-Preacher
Man, Stand By
Me e
Think.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
By Don Colquitt. For Concert Band. Full set (score and parts). Conductor's score...(+)
By Don Colquitt. For
Concert Band. Full set
(score and parts).
Conductor's score only
available separately: see
item C1002s. Grade 1.5.
Conductor's score and set
of parts
Mixed Choir SKU: CF.CFD16 Composed by Charles H. Gabriel, Conrad Kocher, ...(+)
Mixed Choir
SKU:
CF.CFD16
Composed by
Charles H. Gabriel,
Conrad Kocher, Dennis
Allen, Fanny J. Crosby,
John Bacchus Dykes, John
Darwell, Lelia Morris,
Lowell Mason, Phoebe
Knapp, Robert Lowry,
Samuel Wesley,
Traditional, Various,
Walter Knapp, and William
H. Doane. Arranged by Bob
Burroughs, Dana Mengel,
Dennis Allen, Elizabeth
Campbell, Hal H. Hopson,
Ken Berg, Melodie Tunney,
Patrick M. Liebergen,
Ruth Elaine Schram, Stan
Pethel, and Walter Knapp.
Jewel Case. Carl Fischer
Concert Band Recordings.
Audio CD. With Standard
notation. Carl Fischer
Music #CFD16. Published
by Carl Fischer Music
(CF.CFD16).
ISBN
9780825860164. UPC:
798408060169.
Since
the beginning of the
Protestant Reformation,
hymns have been the tie
binding the hearts and
spirits of Christians
together. With their
beautiful melodies and
poetically penned words,
hymns are the universal
language of Christian
worship, the bond that
draws believers together
from all walks of life
and across the world.
With texts of faith and
inspiration, hymns speak
to present time with
words of assurance of
hope, and help direct us
toward the future in
glory. Next to the Bible,
they have endured as the
timeless voice of the
Christian faith, teaching
and inspiring believers
throughout generations.
In this collection of
“favoritesâ€
we offer listeners a
compilation of the
genre’s most
beloved and inspirational
hymns of faith. Arranged
by some of today’s
most distinguished church
music icons, the hymns in
this collection will
thrill and comfort the
faithful listener.
Drawing upon the words
and melodies of some of
the world’s
greatest hymn writers,
including Fanny Crosby,
Charles Wesley, and
Martin Luther, the
arrangers in this
collection maintain each
work’s original
integrity while
beautifully transporting
each hymn into the realm
of today’s modern
worship world. From the
stirring strains of
“Amazing
Grace†to the
majestic power of
“Holy, Holy,
Holy,†this
collection will inspire
Christian worshipers.
La Forza Del Destino Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
(Ouverture/Overture). By Giuseppe Verdi (1813-1901). Arranged by P Stalmeier. Fo...(+)
(Ouverture/Overture). By
Giuseppe Verdi
(1813-1901). Arranged by
P Stalmeier. For Concert
Band. Arrangements of
Classical Opera and
Operetta Overtures /
Arrangements of Classical
Pieces. Classic
Arrangement. Grade 6.
Score and Parts.
Published by Molenaar
Edition
Love in the Garden Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084548-010 From Boris God...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084548-010
From Boris
Godunov. Composed by
Modest Petrovich
Mussorgsky. Arranged by
Wil van der Beek. Great
Classics. Classical. Set
(Score & Parts). Composed
2008. De Haske
Publications #DHP
1084548-010. Published by
De Haske Publications
(BT.DHP-1084548-010).
9x12 inches.
English-German-French-Dut
ch.
The most
important work by the
Russian composer Modest
Moussorgsky (1839-1881)
is undoubtedly his
masterly opera Boris
Godunov. A number of
years after the
composer’s death,
this opera was
re-orchestrated by
Rimsky-Korsakov, with his
romantic version being
quiet different from the
original score by
Moussorgsky. ‘Love
in the Garden’ is
a lovely quiet moment
from the opera, a
beautiful duet between
Marina and Dmitri. Add a
little romance to any
concert with this
attractive arrangement
for concert
band.
Het
belangrijkste werk van de
Russische componist
Modest Mussorgsky
(1839-1881) is
ongetwijfeld zijn
magistrale opera Boris
Godunov. Een aantal
jaren na de dood van de
componist werd deze opera
door Rimsky-Korsakov
bewerkten opnieuw
georkestreerd, zijn
romantische versie week
behoorlijk af van de
originele partituur van
Moussorgsky. Love in
the Garden vormt in
de opera een rustpunt,
het is een prachtig duet
tussen Marina en Dmitri
(ook wel Grigorigenaamd).
Wil van der Beek maakte
er een fraai arrangement
van voor
harmonieorkest.
Da
s bedeutendste Werk von
Modest Mussorgski ist
zweifellos seine Oper
Boris Godunov.
Einige Jahre nach
Mussorgskis Tod wurde die
Oper von seinem Kollegen
Rimski-Korsakow neu
orchestriert. Aus seiner
romantischen Version, die
ziemlich von der
Originalpartitur
abweicht, nahm sich Wil
van der Beek das
zärtliche Duett von
Marina und Dmitri/Grigori
in der Gartenszene vor
und bearbeitete es
geschickt für
Blasorchester.
March. By Karl L. King. Arranged by Andrew Glover. Concert Band. Heritage of the...(+)
March. By Karl L. King.
Arranged by Andrew
Glover. Concert Band.
Heritage of the March.
Level: Grade 3.5. Score
and set of parts.
Composed 1999. Duration
0:02:05. Published by
C.L. Barnhouse.
Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
(I. Old Friends and The Adventure Begins / II. Axe or Sword? / III. Song of the ...(+)
(I. Old Friends and The
Adventure Begins / II.
Axe or Sword? / III. Song
of the Lonely Mountain /
IV. The Dwarf Lords / V.
Dreaming of Bag End). By
Howard Shore. Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Part(s); Score. Pop
Concert Band.
(I. Old Friends / The Adventure Begins / II. Axe or Sword? / III. Song of the Lo...(+)
(I. Old Friends / The
Adventure Begins / II.
Axe or Sword? / III. Song
of the Lonely Mountain /
IV. The Dwarf Lords / V.
Dreaming of Bag End). By
Howard Shore. Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Score. Pop Concert
Band. Form: Suite. Folk;
Movie. Grade 3. 40 pages.
Published by Alfred Music
Publishing
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
To The Pied Piper Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
By William Himes. Edited by Bruce Pearson. For concert band. Concert Band. Stand...(+)
By William Himes. Edited
by Bruce Pearson. For
concert band. Concert
Band. Standard of
Excellence in Concert.
Level: Grade 1.5. Score
and set of parts.
Published by Neil A. Kjos
Music Company.
Alpine Legion Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Lovebird Music
By David Lovrien. For concert band. Light-spirited Bavarian march. March. Full s...(+)
By David Lovrien. For
concert band.
Light-spirited Bavarian
march. March. Full score
and set of parts.
Duration 3:30. Published
by Lovebird Music. (101)
Level: Grade 3
(Intermediate).
Score Only Concert Band (Score) - Grade 3 SKU: HL.4002996 Composed by Alf...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4002996
Composed
by Alfred Reed. Arranged
by Robert Longfield.
MusicWorks Grade 3.
Concert. 24 pages.
Published by Hal Leonard
(HL.4002996).
UPC:
884088505936.
9.0x12.0x0.071
inches.
Alfred Reed
(1921-2005) was one of
America's most prolific
and frequently performed
composers. The Hounds of
Spring was composed in
1980 and was inspired by
the poem “Atalanta in
Calydon” by Algernon
Charles Swinburne. In
this concert overture,
Reed captures the
elements of youthful
exuberance and tenderness
of love expressed in the
poem. Remaining true in
form and intent to the
original, Robert
Longfield has masterfully
shortened and adapted
this work for younger
bands. Dur: 5:30.
By John Philip Sousa. Arranged by David Lovrien/James Gann. For concert band. So...(+)
By John Philip Sousa.
Arranged by David
Lovrien/James Gann. For
concert band. Sousa's
long-lost march,
available at last. March.
Full score and set of
parts. Duration 2:30.
Published by Lovebird
Music. (105)
Level: Grade 4
(Intermediate).
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
The Dream of Love Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.013-0117-00 Schottische. Band. Score and set of pa...(+)
Grade 3
SKU:
CL.013-0117-00
Schottische. Band.
Score and set of parts.
Composed 1896. C.L.
Barnhouse #013-0117-00.
Published by C.L.
Barnhouse
(CL.013-0117-00).
Note: This is a
reprint from a vintage
publication of 1896. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Due to the era of
this work, saxophone and
double-reed parts are not
published. Parts for Eb
Horns are included; no F
Horn parts are published
for this work. If a C
Piccolo/C Flute part was
not published originally,
one has been subsequently
added by our editorial
staff.
Over The Waves Waltz Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Sobre Las Olas. Composed by Juventino Rosas (1868-1894). Arranged by Robe...(+)
Sobre Las Olas.
Composed by Juventino
Rosas (1868-1894).
Arranged by Robert
Longfield. Classic
Concert Band. Gems of the
Concert Band. Score and
parts. Duration 0:02:50.
Published by C.L.
Barnhouse
(CL.012-4518-00).
The Garden of Love Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.013-0291-00 Caprice. Composed by Sanglear. Band. S...(+)
Grade 3
SKU:
CL.013-0291-00
Caprice. Composed
by Sanglear. Band. Score
and set of parts.
Composed 1903. C.L.
Barnhouse #013-0291-00.
Published by C.L.
Barnhouse
(CL.013-0291-00).
Note: This is a
reprint from a vintage
publication of 1903. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Parts for Eb Horns
are included; no F Horn
parts are published for
this work. If a C
Piccolo/C Flute part was
not published originally,
one has been subsequently
added by our editorial
staff.
La Terre Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 6 SKU: BT.GOB-000851-140 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.GOB-000851-140
Composed by Rob Goorhuis.
Score Only. 61 pages.
Gobelin Music
Publications #GOB
000851-140. Published by
Gobelin Music
Publications
(BT.GOB-000851-140).
In the
composition 'La terre'
several aspects of Earth
have been translated into
sounds in an associative
manner. The first part
depicts Nature, Mother
Earth, stability, the
soil which is the source
of life. Earth symbolizes
tradition, rituals,
fertility. In the music
of the composition this
can be heard in tonic and
ostinato passages.
Furthermore, human
emotions such as
gladness, sorrow, wonder,
resignation, hope and
despair, indissolubly
connected as they are to
mankind's life on earth,
are musically reflected
in sudden gusts of
expression. Earth for us
human beings is the solid
ground on which
everything in life takes
place. In the second part
different moodsare evoked
in a sort of toccata. Now
and then the music sounds
fragmented, at other
times as a solid whole.
The robustness of the
music in this part has
its roots in the earth,
originates from it. It
reflects stability and
strength, but love and
nostalgia are also
present in soft and
fragile tones. 'La terre'
is a musical narrative
about Earth, in which
music has been given
ample room to show its
many-sided beauty.
In het werk La
terre worden op een
associatieve manier
allerlei elementen in
klanken vertaald. De
grondstoffen voor de
instrumenten zijn de
bouwstoffen voor de
compositie. Het eerste
gedeelte schildert de
natuur, moeder aarde,
houvast,de grond, waaruit
alles voortkomt. De grond
staat voor traditie,
rituelen, vruchtbaarheid.
In de muziek vertaalt
zich dit in grondtonige
passages, ostinato, maar
ook de windvlagen van de
inspiratie. De reflecties
van menselijkeemoties,
verbonden aan de aarde,
het leven op de aarde,
zijn o.a.: blijdschap,
verdriet, verwondering,
berusting, hoop, wanhoop.
De aarde is de vaste
grond, waarop alles zich
voltrekt. In het tweede
deel wordt gespeeld met
destemmingen in een soort
toccata. Soms
verbrokkelt, dan weer als
een massief geheel. De
robuustheid van de klank
is gegrond op de aarde,
komt er uit voort. Er
klinkt houvast en kracht
in door, maar ook de
liefde en nostalgie
wordtervaren in de zachte
en broze klanken. La
terre is het verhaal van
de aarde, waaruit muziek
oprijst in zijn
veelzijdige
schoonheid.