For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
A Sacred Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet ...(+)
By Brant Karrick. For
Concert Band (Piccolo,
Flute 1/2, Oboe, Bassoon,
Clarinet in Bb 1/2,
Clarinet in Bb 3, Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1, Trumpet
in Bb 2/3, Horn in F 1/2,
Trombone 1, Trombone 2/3,
Euphonium, (Baritone
T.C.), Tuba,). Band
Music. Pioneer Band
Series. Grade 3. Score
and parts. Duration 7:20.
Published by C. Alan
Publications
Call of the Valley Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135394-010 Bad Orb Impres...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135394-010
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135394-010. Published by
De Haske Publications
(BT.DHP-1135394-010).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Call of the Valley Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135394-140 Bad Orb Impres...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135394-140
Bad Orb
Impressions. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2013. 24 pages. De Haske
Publications #DHP
1135394-140. Published by
De Haske Publications
(BT.DHP-1135394-140).
9x12 inches.
English-German-French-Dut
ch.
The inspiration
for this three-part work
goes back to the
International European
Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing off_x001E_stage
and a little march for
brass and _x001D_flutes.
The third movement is a
parade in which the
various sections of the
ensemble head towards the
stage from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition.
Jacob
de Haan haalde zijn
inspiratie voor dit
driedelige werk bij het
Hessische kuuroord Bad
Orb en het tweejaarlijkse
Blaasmuziekfestival van
de Europese Jeugd,
waarvan hij meerdere
keren beschermheer was.
In het werk verwerkte de
componist verschillende
e_x001D_ecten die
betrekking hebben op het
festival. Zo hoort men in
de vallei verschillende
orkesten door elkaar
spelen, een indrukwekkend
e_x001D_ect dat ook in de
compositie werd verwerkt.
Ook kan men ervoor kiezen
om tijdens het werk het
orkest op te splitsen en
het podium te laten
verlaten en marcherend
weer richting podium te
stappen. Een spectaculair
en vernieuwend
werk!
Die
Inspiration für
dieses dreiteilige Werk
geht auf das
Internationale
Blasmusikfest der Jugend
Europas zurück,
dessen Schirmherr schon
mehrfach Jacob de Haan
war. Es beginnt in
festlich marschierendem
Tempo, gefolgt von
sakraler Musik, abseits
der Bühne
spielenden
Instrumentengruppen und
einem kleinen Marsch
für Blechbläser
und Flöten. Der dritte
Satz ist eine Parade, bei
der sich das geteilte
Orchester aus
verschiedenen Richtungen
auf die Bühne zu
bewegt. Auch ohne die
effektvolle
Positionierung der
Musiker ist Call of
the Valley ein
eindrucksvolles
Blasorchesterwerk.
Un
festival di musica per
_x001E_ati per banda
giovanile che si tiene a
Hesse in Germania, e al
quale Jacob de Haan ha
più volte partecipato
in veste di giurato, è
servito da ispirazione
per comporre questo
brano. L’inizio
vede un tempo festivo che
simboleggia
l’arrivo delle
bande. Sonorit maestose
disegnano un concerto di
musica sacra, seguite da
suoni che evocano le
interpretazioni di varie
orchestre. Un gruppo di
sax interpreta un piccolo
valzer, un altro gruppo
che unisce ottoni,
_x001D_auti e ottavino
suona una piccola marcia.
Nel _x001E_finale
dell’opera,
l’orchestra
riprende i temi dei due
gruppi.
Call of the Valley Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011903 Composed by Jacob...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.44011903
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert, Contest,
Festival. Published by De
Haske Publications
(HL.44011903).
UPC:
884088950385. 9x12
inches.
The
inspiration for this
three-part work goes back
to the International
European Youth Wind Music
Festival, of which the
patron has been Jacob de
Haan several times. It
begins in a festive march
tempo, then sacred music,
instrumental groups
playing offstage and a
little march for brass
and flutes. The third
movement is a parade in
which the various
sections of the ensemble
head towards the stage
from different
directions. Even without
the effective
choreography of the
musicians, Call of the
Valley is an
impressive concert band
composition. Duration:
5:15.
The Sacred Spheres Orchestre d'harmonie [Conducteur et Parties séparées] Peters
Composed by Tyler S. Grant. Concert Band; Performance Music Ensemble. Tyler ...(+)
Composed by Tyler S.
Grant.
Concert Band; Performance
Music Ensemble. Tyler S.
Grant
Music Works. Score and
Part(s). Edition Peters
#98-
TSGB026. Published by
Edition
Peters
Concert Band Pending - Advanced; Grade 5 SKU: PE.TSGB026S Composed by Tyl...(+)
Concert Band Pending -
Advanced; Grade 5
SKU:
PE.TSGB026S
Composed
by Tyler S. Grant.
Concert Band; Performance
Music Ensemble. Tyler S.
Grant Music Works. Score.
Edition Peters
#98-TSGB026S. Published
by Edition Peters
(PE.TSGB026S).
UPC:
038081585109.
The
Sacred Spheres by Tyler
S. Grant is written in
two contrasting
movements. The title of
the first movement, From
Harmony, from heav'nly
harmony..., comes
directly from the first
line of John Dryden's
poem, A Song for St.
Cecilia's Day. The first
few notes musically
depict the beginning of
the universal framework
described in the text
through delicate textures
and orchestrations that
develop as the movement
progresses. The second
stanza of the poem
highlights the capacity
for musical elements to
inspire passion, which is
represented at the climax
of the first movement.
The second
movement, Cries, hark the
foe comes, picks up the
poem from the third
stanza, highlighting the
spectrum of emotions that
can be summoned by
various instruments. The
beginning of the movement
highlights the trumpet's
loud clangor along with
drums that inspire war
and conflict. The
movement transitions to a
section of mourning
through the sound of a
warbling flute. The
ending of the movement
combines the final
stanzas along with the
Grand Chorus to
recapitulate earlier
material and create a
celebratory and impactful
finale.
Commissioned by a
consortium of bands in
honor of Randall O.
Coleman; Recorded by the
Kennesaw State University
Wind Ensemble.
Arranged by Hill. Concert
Band. Heritage of the
March Series. Audio
recording available
separately (item
CL.WFR101). Sacred,
Transcription. Score and
set of parts. Composed
1984. Duration 5 minutes,
55 seconds. Opus III Wind
Orchestra Publications
#012-1742-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-1742-00).
This piece is
one of those little
pearls of music.
It’s an excellent
arrangement, written to
feature either solo flute
or the entire flute
section.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Two Holiday Classics Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
(Flute Section Feature). By Peter Ilyich Tchaikovsky and George Frideric Handel....(+)
(Flute Section Feature).
By Peter Ilyich
Tchaikovsky and George
Frideric Handel. Arranged
by John O'reilly. Concert
Band. Concert Band;
Part(s); Score. Accent on
Achievement. Form:
Medley. Christmas;
Sacred; Secular; Winter.
Grade 1. 120 pages.
Published by Alfred Music
Publishing
A Chorale Prelude. By James Swearingen. Sacred. Concert Band. Level: Grade 3. Sc...(+)
A Chorale Prelude. By
James Swearingen. Sacred.
Concert Band. Level:
Grade 3. Score and set of
parts. Composed 2003.
Duration 0:02:47.
Published by C.L.
Barnhouse.
Wexford Carol Orchestre d'harmonie - Facile Alfred Publishing
(Movement 1 from Christmas Suite). Arranged by Benjamin Tucker. Concert B...(+)
(Movement 1 from
Christmas Suite).
Arranged by Benjamin
Tucker. Concert Band.
Concert Band; Part(s);
Score. Young Symphonic.
Christmas; Sacred;
Winter. Grade 2. 132
pages. Published by
Alfred Music Publishing
Joy To the World Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.013-0097-00 Grand Sacred Potpourri. Arranged by Ba...(+)
Grade 3
SKU:
CL.013-0097-00
Grand Sacred
Potpourri. Arranged
by Barnhouse. Band. Score
and set of parts.
Composed 1894. C.L.
Barnhouse #013-0097-00.
Published by C.L.
Barnhouse
(CL.013-0097-00).
Note: This is a
reprint from a vintage
publication of 1894. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Parts for Eb Horns
are included; no F Horn
parts are published for
this work. If a C
Piccolo/C Flute part was
not published originally,
one has been subsequently
added by our editorial
staff.
Grade 5 SKU: CL.012-1486-01 Composed by Hill. Concert Band. Extra full sc...(+)
Grade 5
SKU:
CL.012-1486-01
Composed by Hill. Concert
Band. Extra full score.
Composed 1977. Opus III
Wind Orchestra
Publications
#012-1486-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-1486-01).
Winner of the
ABA Ostwald Award! An
exciting three movement
work that alternates
highly dissonant
contemporary sounds with
allusions to archaic
modes and dance forms.
Solo sections for flute,
clarinet and trumpet. I.
May Danse II. Danse
Macabre III.
Estampie.
Grade 5 SKU: CL.012-1486-00 Composed by Hill. Concert Band. Score and set...(+)
Grade 5
SKU:
CL.012-1486-00
Composed by Hill. Concert
Band. Score and set of
parts. Composed 1977.
Opus III Wind Orchestra
Publications
#012-1486-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-1486-00).
Winner of the
ABA Ostwald Award! An
exciting three movement
work that alternates
highly dissonant
contemporary sounds with
allusions to archaic
modes and dance forms.
Solo sections for flute,
clarinet and trumpet. I.
May Danse II. Danse
Macabre III.
Estampie.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-140 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-140
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
145-140. Published by
Anglo Music Press
(BT.AMP-145-140).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV
208),welche die
berühmte Arie
Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-010 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-010
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
145-010. Published by
Anglo Music Press
(BT.AMP-145-010).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV 208),
welche die berühmte
Arie Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
My Victory Won Orchestre d'harmonie - Intermédiaire Alfred Publishing
Concert Band - Grade 3.5 SKU: AP.49520 A Meditaition on the Hymn, Be T...(+)
Concert Band - Grade 3.5
SKU: AP.49520
A
Meditaition on the Hymn,
Be Thou My Vision.
Composed by Todd Stalter
(ASCAP). Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Hymn; Sacred. Score and
Part(s). Duration 3:56.
Alfred Music #00-49520.
Published by Alfred Music
(AP.49520).
ISBN
9781470649449. UPC:
038081570228.
English.
My Victory
Won, by Todd Stalter,
explores melodic and
metaphorical aspects of
the hymn, Be Thou My
Vision. Taking
inspiration from the
little-known third verse
of the hymn, the bold,
percussive introduction
soon gives way to a
contemplative section
featuring unique and
interesting timbres, and
a passage for solo flute.
The work ends in a
triumphant, unabashed
burst of energy and
affirmation. (3:56) This
title is available in
MakeMusic Cloud.
Grade 3 SKU: CL.013-0208-00 Sacred March. Composed by Barnhouse. B...(+)
Grade 3
SKU:
CL.013-0208-00
Sacred March.
Composed by Barnhouse.
Band. Score and set of
parts. Composed 1900.
C.L. Barnhouse
#013-0208-00. Published
by C.L. Barnhouse
(CL.013-0208-00).
Note: This is a
reprint from a vintage
publication of 1900. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Due to the era of
this work, saxophone and
double-reed parts are not
published. Parts for Eb
Horns are included; no F
Horn parts are published
for this work. If a C
Piccolo/C Flute part was
not published originally,
one has been subsequently
added by our editorial
staff.
Grade 3 SKU: CL.013-0267-00 Sacred March. Composed by J. S. Taylor...(+)
Grade 3
SKU:
CL.013-0267-00
Sacred March.
Composed by J. S. Taylor.
Band. Score and set of
parts. Composed 1902.
C.L. Barnhouse
#013-0267-00. Published
by C.L. Barnhouse
(CL.013-0267-00).
Note: This is a
reprint from a vintage
publication of 1902. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Due to the era of
this work, saxophone
parts are not published.
Parts for Eb Horns are
included; no F Horn parts
are published for this
work. If a C Piccolo/C
Flute part was not
published originally, one
has been subsequently
added by our editorial
staff.
