Concert Band; Concert Band Set (Score) - Grade 4 SKU: HL.4007945 For C...(+)
Concert Band; Concert
Band Set (Score) - Grade
4
SKU: HL.4007945
For Concert Band,
Grade 4, 14:17 Score.
Composed by Otto M.
Schwarz. Concert.
Softcover. Duration 857
seconds. Hal Leonard
#SDP041.21-01. Published
by Hal Leonard
(HL.4007945).
Stories, sagas
and legends--who among us
doesn't know them? Always
delivered with a tinge of
brutality, these
cautionary tales are a
legacy of moral education
from times past:
inquisitive children
alone in the forest are
generally eaten by a
witch; the
“Soup-Kasperâ€
of Hoffmann's
Struwwelpeter dies from
starvation rather than
eating his soup; anyone
letting in strangers
usually gets devoured;
anyone who plays with
matches gets burned; and
thumb-suckers get their
thumbs cut off. The list
of unfortunate demises is
almost endless.In the
tale of The Pied Piper of
Hamelin, parents lose
their children through
greed, ridicule, scorn
and a failure to
appreciate art. There is
still a street in the
town of Hamelin in which
neither drumming nor
playing has not been
allowed since 130
children disappeared into
a mountain, never to be
seen again. This
composition by Otto M.
Schwarz opens with
exactly this scene,
taking us back to the
year 1284. As in many
towns at the time,
Hamelin in Germany
suffered with hygiene
problems--rats and mice
began to multiply
rapidly, and the town was
overrun with the plague.
There appeared a man
dressed in colorful
clothes who promised the
locals to free them from
this burden. They agreed
and settled on a fee.
Then the man pulled out a
pipe and began to play.
When the rats and mice
heard this, they followed
him. He led the animals
into the Weser River,
where they all drowned.
Back in town, the people
refused to pay him. They
didn't recognize this
man's skills and
knowledge and were only
prepared to pay for
simple labour. A pact
with the devil was made,
which led to the Pied
Piper leaving the town in
a furious rage. One
Sunday, when many people
were at church, he
returned, took out his
flute and began to play.
The town's children were
so enchanted by his
playing that they
followed him. He led them
out of the town and
disappeared with them
forever into a mountain.
Of all the children, only
two survived--however one
was mute, and one was
blind. In the street from
which the children left
Hamelin, music may no
longer be played in
memory of this event.
The Spirit of the Sequoia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
The Spirit of the Sequoia (Grade 4 - Score and Parts). By Philip Sparke (1951-)....(+)
The Spirit of the Sequoia
(Grade 4 - Score and
Parts). By Philip Sparke
(1951-). For Concert
Band. Anglo Music Concert
Band. Grade 4. Anglo
Music Press #AMP067.
Published by Anglo Music
Press
And Still, the Spirit Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
(Easier Version of Spirit of the Sequoia). Composed by Philip Sparke (195...(+)
(Easier Version of
Spirit of the
Sequoia). Composed by
Philip Sparke (1951-). De
Haske Concert Band.
Festival. Softcover.
Published by De Haske
Publications
(HL.44012829).
Concert Band - Grade 5 SKU: KJ.JB118F Composed by Jack Stamp. Band/Repert...(+)
Concert Band - Grade 5
SKU: KJ.JB118F
Composed by Jack Stamp.
Band/Repertoire. Score.
Neil A. Kjos Music
Company #JB118F.
Published by Neil A. Kjos
Music Company
(KJ.JB118F).
UPC:
084027053553.
Writt
en as a companion piece
with Border Dance
(JB117), Stranger At My
Door is written in memory
of Peg Bowden, a resident
of southern Arizona, who
was active in groups
assisting migrants by
providing food, shelter,
clothing and medical
assistance. Peg's book
Stranger At My Door
chronicles her
involvements with a
migrant who appeared at
her doorstep one
Christmas Eve in
desperate need. Composer
Jack Stamp opens this
tone poem with a
rendition of O Little
Town Of Bethlehem
accompanied out of time
by a haunting melody in
the low winds. An
original melody, Peg's
Theme and the hymn tune
Bera (The Hymn of the
Good Samaritan from 1849)
are first presented
plainly, then interwoven
in a rhythmic fantasia of
fugato fragments. Peg's
Theme returns in its
fully-harmonized form and
the work ends in peaceful
introspection. Solos for
Flute, Clarinet, Bassoon,
and Bass Clarinet, as
well as solis for
trumpets and trombones
are featured. Although
Stranger At My Door
incorporates a well known
Christmas carol, it is
appropriate for all
seasons due to its
timeless message of
selflessness in the face
of danger.
Stranger At My Door Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Kjos Music Company
Concert Band - Grade 5 SKU: KJ.JB118 Composed by Jack Stamp. Band/Reperto...(+)
Concert Band - Grade 5
SKU: KJ.JB118
Composed by Jack Stamp.
Band/Repertoire. Score
and parts. Neil A. Kjos
Music Company #JB118.
Published by Neil A. Kjos
Music Company (KJ.JB118).
UPC:
084027053539.
Writt
en as a companion piece
with Border Dance
(JB117), Stranger At My
Door is written in memory
of Peg Bowden, a resident
of southern Arizona, who
was active in groups
assisting migrants by
providing food, shelter,
clothing and medical
assistance. Peg's book
Stranger At My Door
chronicles her
involvements with a
migrant who appeared at
her doorstep one
Christmas Eve in
desperate need. Composer
Jack Stamp opens this
tone poem with a
rendition of O Little
Town Of Bethlehem
accompanied out of time
by a haunting melody in
the low winds. An
original melody, Peg's
Theme and the hymn tune
Bera (The Hymn of the
Good Samaritan from 1849)
are first presented
plainly, then interwoven
in a rhythmic fantasia of
fugato fragments. Peg's
Theme returns in its
fully-harmonized form and
the work ends in peaceful
introspection. Solos for
Flute, Clarinet, Bassoon,
and Bass Clarinet, as
well as solis for
trumpets and trombones
are featured. Although
Stranger At My Door
incorporates a well known
Christmas carol, it is
appropriate for all
seasons due to its
timeless message of
selflessness in the face
of danger.
And Still, the Spirit Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-425-010 Spirit of the Sequ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-425-010
Spirit of the
Sequoia. Composed by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2016.
Anglo Music Press #AMP
425-010. Published by
Anglo Music Press
(BT.AMP-425-010).
English-German-French-
Dutch.
This work
was commissioned by Dr.
Robert Oertli from
Möhlin, Switzerland,
and is based on an
earlier composition
called Spirit of the
Sequoia. The piece is
inspired by how the human
spirit can gain from
setbacks: we become
stronger after adversity.
Sparke used the
Californian redwood tree
as a metaphor for this
basic idea. The
remarkable life cycle of
these amazing trees
involves them dropping
seeds to the ground,
which require heat to
open their shells and
germinate; the seeds
require destruction in
order to procreate. This
piece is particularly
suitable for younger
bands - one of the last
wishes of the initial
commissioner.
Dit
werk is geschreven in
opdracht van dr. Robert
Oertli uit het Zwitserse
Möhlin. Het is een
vereenvoudigde versie van
een eerdere compositie:
Spirit of the
Sequoia. De muziek is
ge nspireerd op de wijze
waarop mensen hun
voordeel doen met
tegenslag vaak komen we
er sterker uit. Sparke
gebruikte de
Californische sequoiaboom
als metafoor voor dit
basisidee. In hun
opmerkelijke levenscyclus
laten deze bijzondere
bomen zaden op de grond
vallen, die vervolgens
hitte nodig hebben om
open te barsten en te
kiemen; de bomen hebben
dus eigenlijk een ramp
nodig om zich voort te
planten. Deze compositie
is geschikt voor jongere
orkesten dit was een van
de laatste wensen van
deaanvankelijke
opdrachtgever.
Dieses Werk
basiert auf der
Komposition Spirit of
the Sequoia, welche
von Dr. Robert Oertli aus
Möhlin (Schweiz) in
Auftrag gegeben wurde.
Sparke nutzte den
kalifornischen Mammutbaum
als Metapher für seine
Grundidee: Der
bemerkenswerte
Lebenszyklus dieser
erstaunlichen Bäume
hängt damit zusammen,
dass seine Samen auf die
Erde fallen und Wärme
benötigen, damit sich
ihre Schale öffnet und
sie zu keimen beginnen.
Waldbrände
zerstören den
Mutterbaum,
ermöglichen aber
paradoxerweise das
Sprießen der Samen,
welche die Zerstörung
zur Fortpflanzung
benötigen. Auf
ähnliche Weise kann
die menschliche Seele
profitieren: Wir gehen
gestärkt aus einem
Unglück hervor. And
Still, theSpirit
eignet sich besonders
für jüngere
Orchester einem der
letzten Wünsche des
Auftraggebers
entsprechend.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-425-140 Spirit of the Sequ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-425-140
Spirit of the
Sequoia. Composed by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2016. Anglo Music Press
#AMP 425-140. Published
by Anglo Music Press
(BT.AMP-425-140).
English-German-French-
Dutch.
This work
was commissioned by Dr.
Robert Oertli from
Möhlin, Switzerland,
and is based on an
earlier composition
called Spirit of the
Sequoia. The piece is
inspired by how the human
spirit can gain from
setbacks: we become
stronger after adversity.
Sparke used the
Californian redwood tree
as a metaphor for this
basic idea. The
remarkable life cycle of
these amazing trees
involves them dropping
seeds to the ground,
which require heat to
open their shells and
germinate; the seeds
require destruction in
order to procreate. This
piece is particularly
suitable for younger
bands - one of the last
wishes of the initial
commissioner.
Dit
werk is geschreven in
opdracht van dr. Robert
Oertli uit het Zwitserse
Möhlin. Het is een
vereenvoudigde versie van
een eerdere compositie:
Spirit of the
Sequoia. De muziek is
ge nspireerd op de wijze
waarop mensen hun
voordeel doen met
tegenslag vaak komen we
er sterker uit. Sparke
gebruikte de
Californische sequoiaboom
als metafoor voor dit
basisidee. In hun
opmerkelijke levenscyclus
laten deze bijzondere
bomen zaden op de grond
vallen, die vervolgens
hitte nodig hebben om
open te barsten en te
kiemen; de bomen hebben
dus eigenlijk een ramp
nodig om zich voort te
planten. Deze compositie
is geschikt voor jongere
orkesten dit was een van
de laatste wensen van
deaanvankelijke
opdrachtgever.
Dieses Werk
basiert auf der
Komposition Spirit of
the Sequoia, welche
von Dr. Robert Oertli aus
Möhlin (Schweiz) in
Auftrag gegeben wurde.
Sparke nutzte den
kalifornischen Mammutbaum
als Metapher für seine
Grundidee: Der
bemerkenswerte
Lebenszyklus dieser
erstaunlichen Bäume
hängt damit zusammen,
dass seine Samen auf die
Erde fallen und Wärme
benötigen, damit sich
ihre Schale öffnet und
sie zu keimen beginnen.
Waldbrände
zerstören den
Mutterbaum,
ermöglichen aber
paradoxerweise das
Sprießen der Samen,
welche die Zerstörung
zur Fortpflanzung
benötigen. Auf
ähnliche Weise kann
die menschliche Seele
profitieren: Wir gehen
gestärkt aus einem
Unglück hervor. And
Still, theSpirit
eignet sich besonders
für jüngere
Orchester einem der
letzten Wünsche des
Auftraggebers
entsprechend.
Grade
4 - Score Only.
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert
Piece. Score Only.
Composed 2004. 28 pages.
Anglo Music Press
#AMP067. Published by
Anglo Music Press
(HL.44004957).
UPC:
073999693393.
8.5x11.0x0.073
inches.
The
commissioner of this work
requested a piece that
characterized humankind's
ability to overcome
personal tragedy, a
scenario which often
leaves one with a
philosophy of serenity.
The composer decided to
use the analogy of the
sequoia, a generic name
for the huge redwood
trees, particularly the
Californian redwood. The
remarkable life cycle of
these amazing trees
involves them dropping
seeds to the ground which
require heat to open
their shells and
germinate. The redwood
forests are frequently
subject to fires which
can destroy the mother
tree but ironically also
provide the impetus for
their seeds to spring
into life; the trees
actually need a disaster
to procreate. In a
similar way, the human
spirit can actually gain
from setbacks - we become
stronger after adversity.
The music falls into
sections which can
broadly be characterised
as doubt, conflict,
catharsis, inner calm
and, finally,
triumph.
The Best Moment Of The Day Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4935-00 Composed by Romeyn. Young Concert Band. Score...(+)
Grade 2
SKU:
CL.011-4935-00
Composed by Romeyn. Young
Concert Band. Score and
set of parts. C.L.
Barnhouse #011-4935-00.
Published by C.L.
Barnhouse
(CL.011-4935-00).
Look no further
for the quintessential
concert opener for your
young band! A powerful
opening fanfare leads to
a warm and flowing theme
introduced by the
clarinets. As the music
develops, a secondary
theme is introduced,
proud and heroic in
nature. This theme is
fully explored amid
varied harmonic
structures and driving
rhythms. Finally, the
music ends as it began,
with the powerful fanfare
presented even stronger
this time. Varied
textures, memorable
themes, and fresh,
contemporary harmonies
hold the interest of the
listener, while providing
some valuable teaching
opportunities. A strong
choice for concert or
festival performance!
Grade 2 SKU: CL.011-4935-01 Composed by Romeyn. Young Concert Band. Extra...(+)
Grade 2
SKU:
CL.011-4935-01
Composed by Romeyn. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4935-01. Published
by C.L. Barnhouse
(CL.011-4935-01).
Look no further
for the quintessential
concert opener for your
young band! A powerful
opening fanfare leads to
a warm and flowing theme
introduced by the
clarinets. As the music
develops, a secondary
theme is introduced,
proud and heroic in
nature. This theme is
fully explored amid
varied harmonic
structures and driving
rhythms. Finally, the
music ends as it began,
with the powerful fanfare
presented even stronger
this time. Varied
textures, memorable
themes, and fresh,
contemporary harmonies
hold the interest of the
listener, while providing
some valuable teaching
opportunities. A strong
choice for concert or
festival performance!
Composed by
Carol Brittin Chambers.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
16+4+8+16+16+4+4+4+4+4+4+
8+8+8+4+4+6+6+6+8+2+2+2+6
+12+24+4 pages. Duration
3 minutes, 55 seconds.
Carl Fischer Music
#CPS226. Published by
Carl Fischer Music
(CF.CPS226).
ISBN
9781491152522. UPC:
680160910021.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
The Wayfaring Stranger Orchestre d'harmonie [Conducteur] - Intermédiaire RWS Music Company
Grade 4 SKU: CL.RWS-2202-01 (Mvt. 1 from The American Folk Odyssey)(+)
Grade 4
SKU:
CL.RWS-2202-01
(Mvt. 1 from The
American Folk
Odyssey). Arranged by
Robert W. Smith. Concert
Band. Extra full score.
Composed 2022. RWS Music
Company #RWS-2202-01.
Published by RWS Music
Company (CL.RWS-2202-01).
Based on the
American folk song Poor
Wayfaring Stranger, this
work for euphonium and
band is a movement from
The American Folk
Odyssey, a suite for
various soloists and
concert band. Beginning
with a mysterious and
lyrical statement of the
haunting melody, the
piece quickly transitions
to the high seas in
homage to the early
Americans that journeyed
by ship to the American
continent. The sea chanty
setting provides
technically rich and
effective environment to
feature the euphonium
with full band
interaction while
engaging the audience.
Following a virtuosic
cadenza, the movement
concludes in a powerful
musical flurry leaving
the soloist, band and
audience breathless!
The Wayfaring Stranger Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire RWS Music Company
Grade 4 SKU: CL.RWS-2202-00 (Mvt. 1 from The American Folk Odyssey)(+)
Grade 4
SKU:
CL.RWS-2202-00
(Mvt. 1 from The
American Folk
Odyssey). Arranged by
Robert W. Smith. Concert
Band. Score and set of
parts. Composed 2022. RWS
Music Company
#RWS-2202-00. Published
by RWS Music Company
(CL.RWS-2202-00).
Based on the
American folk song Poor
Wayfaring Stranger, this
work for euphonium and
band is a movement from
The American Folk
Odyssey, a suite for
various soloists and
concert band. Beginning
with a mysterious and
lyrical statement of the
haunting melody, the
piece quickly transitions
to the high seas in
homage to the early
Americans that journeyed
by ship to the American
continent. The sea chanty
setting provides
technically rich and
effective environment to
feature the euphonium
with full band
interaction while
engaging the audience.
Following a virtuosic
cadenza, the movement
concludes in a powerful
musical flurry leaving
the soloist, band and
audience breathless!
Concert Band - Grade 2 SKU: AP.48191S As Featured on Netflix's Origina...(+)
Concert Band - Grade 2
SKU: AP.48191S
As Featured on
Netflix's Original Series
Stranger Things.
Composed by Giorgio
Moroder and Keith Forsey.
Arranged by Patrick
Roszell. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Movie;
Pop; TV. Score. 16 pages.
Duration 2:15. Alfred
Music #00-48191S.
Published by Alfred Music
(AP.48191S).
ISBN
9781470653866. UPC:
038081557977.
English.
This retro
blast from the past made
its debut in the 1984
fantasy movie and went on
to the hit the top of the
pop charts in the U.S.
The tune was also
featured in the season 3
finale of the Netflix
original series Stranger
Things as the kids from
Hawkins, Indiana attempt
to save the world. A
techno pop groove is the
basis for the charming
familiar melody. This
title is available in
MakeMusic Cloud.
(2:15).
Concert Band - Grade 2 SKU: AP.48191 As Featured on Netflix's Original...(+)
Concert Band - Grade 2
SKU: AP.48191
As Featured on
Netflix's Original Series
Stranger Things.
Composed by Giorgio
Moroder and Keith Forsey.
Arranged by Patrick
Roszell. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Movie;
Pop; TV. Score and
Part(s). 210 pages.
Duration 2:15. Alfred
Music #00-48191.
Published by Alfred Music
(AP.48191).
ISBN
9781470653859. UPC:
038081557960.
English.
This retro
blast from the past made
its debut in the 1984
fantasy movie and went on
to the hit the top of the
pop charts in the U.S.
The tune was also
featured in the season 3
finale of the Netflix
original series Stranger
Things as the kids from
Hawkins, Indiana attempt
to save the world. A
techno pop groove is the
basis for the charming
familiar melody. This
title is available in
MakeMusic Cloud.
(2:15).
(Movement 1 from Three Folk Song Settings for Band). Arranged by Andrew B...(+)
(Movement 1 from Three
Folk Song Settings for
Band). Arranged by
Andrew Boysen, Jr..
Concert Band. Concert
Band; Score. Alfred
Concert Band. Folk. Grade
4. 12 pages. Published by
Alfred Music
Catalyst Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4758-01 Composed by Romeyn. Concert Band. Extra full ...(+)
Grade 3
SKU:
CL.012-4758-01
Composed by Romeyn.
Concert Band. Extra full
score. Composed 2019.
Opus III Wind Orchestra
Publications
#012-4758-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4758-01).
Driving
rhythms, contemporary
harmonies, stark
contrasts, and
multi-meter are the
Catalyst for excitement
and intrigue in this epic
programmatic work by Rob
Romeyn. We begin with an
explosion of rhythmic
energy and motion. From
here, an intriguing
melodic theme is
introduced amid a lighter
texture. As the music
develops, this melodic
theme is expanded upon
rhythmically and through
a variety of harmonic
variations. A secondary
theme enters with a light
and almost transparent
quality, offering an
opportunity to showcase
expressive musicality in
a mature setting. Further
development then ensues,
with the music growing
ever stronger and
stronger, with the
emotion practically
leaping off of the page.
We end with a
hair-raising contemporary
sounding ending that is
sure to have your
audience on their feet.
Do not miss this
outstanding addition to
the repertoire for
concert or festival
use!
Catalyst Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4758-00 Composed by Romeyn. Concert Band. Score and s...(+)
Grade 3
SKU:
CL.012-4758-00
Composed by Romeyn.
Concert Band. Score and
set of parts. Composed
2019. Opus III Wind
Orchestra Publications
#012-4758-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4758-00).
Driving
rhythms, contemporary
harmonies, stark
contrasts, and
multi-meter are the
Catalyst for excitement
and intrigue in this epic
programmatic work by Rob
Romeyn. We begin with an
explosion of rhythmic
energy and motion. From
here, an intriguing
melodic theme is
introduced amid a lighter
texture. As the music
develops, this melodic
theme is expanded upon
rhythmically and through
a variety of harmonic
variations. A secondary
theme enters with a light
and almost transparent
quality, offering an
opportunity to showcase
expressive musicality in
a mature setting. Further
development then ensues,
with the music growing
ever stronger and
stronger, with the
emotion practically
leaping off of the page.
We end with a
hair-raising contemporary
sounding ending that is
sure to have your
audience on their feet.
Do not miss this
outstanding addition to
the repertoire for
concert or festival
use!
Composed by Singleton/Bert Kaempfert. Arranged by Harald Suilen. For concert ban...(+)
Composed by
Singleton/Bert Kaempfert.
Arranged by Harald
Suilen. For concert band.
Mixed Choir and
Band/Catalogue Real Big
Band Sound Vol. 1/Slow
Fox/Summer
Concert/Arrangements of
Modern Light Music/Slow
Movements. Real Big Band
Sound. Recorded on Always
Look on the Bright Side
(ML.311043720). Grade 3.
Full set. Duration 4
minutes, 32 seconds.
Published by Molenaar
Edition
Concert Band (Score) - Grade 4 SKU: HL.48024515 For Band and Optional ...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.48024515
For
Band and Optional Chorus
Windependence Series -
Master Level (Grade
4). Arranged by
Dwight Bigler.
Windependence Master
Level. Concert.
Softcover. 48 pages.
Boosey & Hawkes
#M051664009. Published by
Boosey & Hawkes
(HL.48024515).
UPC:
888680900366.
9.0x12.0x0.145
inches.
The classic
early American folk songs
′Cluck Old
Hen′, ′Poor
Wayfarin' Stranger′
and ′Sourwood
Mountain′ are
beautifully set for band
and chorus in this
appealing concert suite.
Arranged with various
performance options
available, these songs
may be performed
individually as well as
together in a suite
format. In addition,
these can be performed
with band alone, chorus
and piano alone, or with
combined groups. Recorded
by the Virginia Tech
Choirs and Symphonic Wind
Ensemble, conducted by
Dwight Bigler –
Moss Arts Center,
Virginia Tech, March 26,
2017.
Pre-Pop Orchestre d'harmonie [Conducteur] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 1.5 SKU: BT.DHP-1012634...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade
1.5
SKU:
BT.DHP-1012634-216
Composed by Kees Vlak.
Flexible 4 Series.
Original Light Music.
Score Only. Composed
2001. De Haske
Publications #DHP
1012634-216. Published by
De Haske Publications
(BT.DHP-1012634-216).
Pre-Pop is has
is a five-movement work
composed for beginner
bands and can be played
with a minimum of four
players (+ percussion).
It is of course also
suitable for a full
beginner band. The five
contrasting movements are
titled: March of the
Planets, Lonely Stranger,
Pagode, Lost in the World
and Hot Pepper Boogie.
Your players are certain
to enjoy playing this
work of great contrasts.
Pre-Pop
ist ein attraktives
fünfsätziges Werk,
das sich für
Anfängerorchester
unterschiedlicher
Besetzungen eignet. Auf
einen modern klingenden
‚Astronauten-Marsch
’ mit viel
Schlagzeug folgt eine
langsame Ballade, in der
die Einsamkeit der
unbekannten Welt
musikalisch spürbar
wird. Mit Pagode
schließt sich ein
ruhiger Satz mit
orientalischem Einschlag
an, bevor der langsame
Walzer Lost in the
Wind dem Publikum
erlaubt, seinen Gedanken
freien Lauf zu lassen.
Den Schluss dieser
leichten,
abwechslungsreichen,
abwechslungsreich
Komposition macht ein
schwung- und
temperamentvoller
Klassiker: der
Boogie-Woogie.
Pre-Pop Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1012634-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1012634-015
Composed by Kees Vlak.
Flexible 4 Series.
Original Light Music. Set
(Score & Parts). Composed
2001. De Haske
Publications #DHP
1012634-015. Published by
De Haske Publications
(BT.DHP-1012634-015).
Pre-Pop is has
is a five-movement work
composed for beginner
bands and can be played
with a minimum of four
players (+ percussion).
It is of course also
suitable for a full
beginner band. The five
contrasting movements are
titled: March of the
Planets, Lonely Stranger,
Pagode, Lost in the World
and Hot Pepper Boogie.
Your players are certain
to enjoy playing this
work of great contrasts.
Pre-Pop
ist ein attraktives
fünfsätziges Werk,
das sich für
Anfängerorchester
unterschiedlicher
Besetzungen eignet. Auf
einen modern klingenden
‚Astronauten-Marsch
’ mit viel
Schlagzeug folgt eine
langsame Ballade, in der
die Einsamkeit der
unbekannten Welt
musikalisch spürbar
wird. Mit Pagode
schließt sich ein
ruhiger Satz mit
orientalischem Einschlag
an, bevor der langsame
Walzer Lost in the
Wind dem Publikum
erlaubt, seinen Gedanken
freien Lauf zu lassen.
Den Schluss dieser
leichten,
abwechslungsreichen,
abwechslungsreich
Komposition macht ein
schwung- und
temperamentvoller
Klassiker: der
Boogie-Woogie.
Of Heroes And Demons Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4434-75 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 4
SKU:
CL.012-4434-75
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR388). Oversized,
spiral-bound score.
Composed 2016. Duration 6
minutes, 8 seconds. Opus
III Wind Orchestra
Publications
#012-4434-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4434-75).
An epic
programmatic work that
captures the fight
between good and evil.
The work opens with a
heroic fanfare that
commands attention. From
here the music subsides
into a beautifully lyric
chorale section. Our
musical story begins to
unfold as the demons
theme is introduced. The
theme is developed and
expanded, creating a
feeling of unresolved
conflict, ultimately
leading to a thunderous
conclusion. From here,
the heroic theme returns,
stronger and more
developed this time as
our battle between good
and evil comes to its
conclusion, but not
before a brief final
battle creating a
dramatic end to the piece
that will have your
audiences on their feet.
Destined to be a classic
for concert and festival
use, cross cueing is used
to insure success in most
performance settings.
Don't miss this
exceptional addition to
the concert band
repertoire.
Of Heroes And Demons Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4434-00 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 4
SKU:
CL.012-4434-00
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR388). Score and set
of parts. Composed 2016.
Duration 6 minutes, 8
seconds. Opus III Wind
Orchestra Publications
#012-4434-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4434-00).
An epic
programmatic work that
captures the fight
between good and evil.
The work opens with a
heroic fanfare that
commands attention. From
here the music subsides
into a beautifully lyric
chorale section. Our
musical story begins to
unfold as the demons
theme is introduced. The
theme is developed and
expanded, creating a
feeling of unresolved
conflict, ultimately
leading to a thunderous
conclusion. From here,
the heroic theme returns,
stronger and more
developed this time as
our battle between good
and evil comes to its
conclusion, but not
before a brief final
battle creating a
dramatic end to the piece
that will have your
audiences on their feet.
Destined to be a classic
for concert and festival
use, cross cueing is used
to insure success in most
performance settings.
Don’t miss this
exceptional addition to
the concert band
repertoire.