A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
Love's Old Sweet Song Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Molloy. Arranged by Andrew Glover. Concert band. Spotlight Series. Audio reco...(+)
By Molloy. Arranged by
Andrew Glover. Concert
band. Spotlight Series.
Audio recording available
separately (item
CL.WFR354). Grade 3.
Score and set of parts.
Composed 2007. Duration 2
minutes, 41 seconds.
Published by C.L.
Barnhouse
Grade 3 SKU: CL.012-3480-75 Composed by Sweet. Arranged by Glover. Concer...(+)
Grade 3
SKU:
CL.012-3480-75
Composed by Sweet.
Arranged by Glover.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR340 & CL.WFR366).
Oversized, spiral-bound
score. Composed 2006.
Duration 3 minutes, 16
seconds. Opus III Wind
Orchestra Publications
#012-3480-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3480-75).
The big-top
comes to life with this
exciting circus march.
Unlike many circus
marches, technical
demands are modest,
making this accessible to
the majority of bands.
Composed during Al
Sweet's tenure as
bandleader for the
Ringling Bros. circus,
this classic march is
finally available in a
modern concert band
edition which keeps the
color and feel of the
original. Audiences and
performers alike will
thrill to the sounds of
this exciting march.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Score Only Concert Band (Score) - Grade 3 SKU: HL.4005413 By Guns N' Rose...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4005413
By Guns N'
Roses. Arranged by Paul
Murtha. Young Concert
Band. Classic Rock.
Softcover. Published by
Hal Leonard (HL.4005413).
UPC: 888680723156.
9.0x12.0x0.04
inches.
This
classic rocker from 1987
was featured on the Guns
N' Roses debut album, and
became their first #1
chart hit. Still popular
30 years later, this is
sure to be a blast from
the past for the audience
members and a fun piece
for the band as well.
Composed by
George Sweet. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+1+2+3+16+2
pages. Duration 2
minutes, 49 seconds. Carl
Fischer Music #YPS214.
Published by Carl Fischer
Music (CF.YPS214).
ISBN 9781491152331.
UPC: 680160909834. Key:
Bb major.
This new
piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.
Composed
by George Sweet. Young
Band (YPS). Full score.
With Standard notation.
16 pages. Carl Fischer
Music #YPS214F. Published
by Carl Fischer Music
(CF.YPS214F).
ISBN
9781491153017. UPC:
680160910519.
This
new piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496.
Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Ghost in the Machine Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by George Sweet. Young Band. Score and part(s). 24 172 pages. Duration ...(+)
Composed by George Sweet.
Young Band. Score and
part(s). 24 172 pages.
Duration 2 minutes, 29
seconds. Carl Fischer
#YPS0145. Published by
Carl Fischer (CF.YPS145).
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
On the Movieset Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000758-140 Composed by John E...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000758-140
Composed by John Emerson
Blackstone. Score Only.
36 pages. Gobelin Music
Publications #GOB
000758-140. Published by
Gobelin Music
Publications
(BT.GOB-000758-140).
Glitter and
glamour, good-looking
people, a lot of Bling
Bling and fast cars
images like these will
cross our minds when we
think of the movie world.
However, reality proves
to be different : as a
rule, a tremendous amount
of work will have been
done on the set before a
film is ready to be shown
on the big screen. A
visit to an actual movie
set inspired John Emerson
Blackstone to write a
composition bearing the
same name. He had both
seen a number of
characteristic attributes
and heard the typical
phrases used in film
making, and he
incorporated them into
‘On the Movie Set’
.
In the first
part, ‘The
Clapboard’, a
‘director’s
assistant’ is supposed
to shout “Quieton the
set’” and
“Action!”, as is done
before a real scene is
shot. Subsequently, in
order to create the right
atmosphere, the clacking
of a ‘Clapboard’
should be heard.
During a romantic scene
we should be transported
to another world by means
of sweet sounds in the
background, so romantic
music is of course heard
in the next part, ‘Love
Scene’. At the end
of a long working day
‘It’s a wrap’ is
called on the set to
inform everyone that the
filming on that day is
completed.
Now
there is only one more
thing left to dream of :
an Oscar.....
Perf. Note: The use
of the right props will
add to the performance
and appreciation of ‘On
the Movie Set’. A red
carpet and a glamorous
reception should give
your audience the feeling
they are attending a real
‘opening night’!
‘Glamour’ en
‘Glitter’, mooie
mensen, veel ‘bling
bling’ en snelle
auto’s. Zomaar een
aantal zaken waar we aan
denken als het om de
filmwereld gaat. Maar
voordat de film klaar is
voor de bioscoop moet er
doorgaans hard gewerkt
wordentijdens het draaien
op de filmset. Een
bezoekje op een filmset
inspireerde John Emerson
Blackstone tot het
schrijven van ‘On the
Movieset’. Hij zag een
aantal zeer
karakteristieke
attributen en hoorde
kreten die hij
verwerktein deze
compositie.
In
het eerste deel: ‘The
Clapboard’, is het de
bedoeling dat de
assistent van de
regisseur ‘de bekende
kreten’ (Quiet on the
set of And Action!)
roept, voordat er een
take opgenomen wordt.
Daarnamoet natuurlijk met
een ‘Clapboard’
geklakt worden. Bij
een ‘Love Scene’
hoort uiteraard
sfeerverhogende
romantische muziek. Want
zwijmelen bij een film
gaat nu eenmaal niet
zonder zoete klanken.
Aan het einde van
eenlange dag klinkt
altijd ‘It’s a
wrap’. Dit betekent dat
het laatste shot van de
dag gemaakt is.
Nu maar hopen dat er een
oscar in het verschiet
ligt.
Perf.
Note: Het gebruik van
de juiste rekwisieten
zalde uitvoering en
waardering van ‘On the
Movieset’ ten goede
komen. Een rode loper en
een chique ontvangst
zullen uw gasten een echt
‘premi?re’ gevoel
geven.
On the Movieset Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000758-010 Composed by John E...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000758-010
Composed by John Emerson
Blackstone. Set (Score &
Parts). Gobelin Music
Publications #GOB
000758-010. Published by
Gobelin Music
Publications
(BT.GOB-000758-010).
Glitter and
glamour, good-looking
people, a lot of Bling
Bling and fast cars
images like these will
cross our minds when we
think of the movie world.
However, reality proves
to be different : as a
rule, a tremendous amount
of work will have been
done on the set before a
film is ready to be shown
on the big screen. A
visit to an actual movie
set inspired John Emerson
Blackstone to write a
composition bearing the
same name. He had both
seen a number of
characteristic attributes
and heard the typical
phrases used in film
making, and he
incorporated them into
‘On the Movie Set’
.
In the first
part, ‘The
Clapboard’, a
‘director’s
assistant’ is supposed
to shout “Quieton the
set’” and
“Action!”, as is done
before a real scene is
shot. Subsequently, in
order to create the right
atmosphere, the clacking
of a ‘Clapboard’
should be heard.
During a romantic scene
we should be transported
to another world by means
of sweet sounds in the
background, so romantic
music is of course heard
in the next part, ‘Love
Scene’. At the end
of a long working day
‘It’s a wrap’ is
called on the set to
inform everyone that the
filming on that day is
completed.
Now
there is only one more
thing left to dream of :
an Oscar.....
Perf. Note: The use
of the right props will
add to the performance
and appreciation of ‘On
the Movie Set’. A red
carpet and a glamorous
reception should give
your audience the feeling
they are attending a real
‘opening night’!
‘Glamour’ en
‘Glitter’, mooie
mensen, veel ‘bling
bling’ en snelle
auto’s. Zomaar een
aantal zaken waar we aan
denken als het om de
filmwereld gaat. Maar
voordat de film klaar is
voor de bioscoop moet er
doorgaans hard gewerkt
wordentijdens het draaien
op de filmset. Een
bezoekje op een filmset
inspireerde John Emerson
Blackstone tot het
schrijven van ‘On the
Movieset’. Hij zag een
aantal zeer
karakteristieke
attributen en hoorde
kreten die hij
verwerktein deze
compositie.
In
het eerste deel: ‘The
Clapboard’, is het de
bedoeling dat de
assistent van de
regisseur ‘de bekende
kreten’ (Quiet on the
set of And Action!)
roept, voordat er een
take opgenomen wordt.
Daarnamoet natuurlijk met
een ‘Clapboard’
geklakt worden. Bij
een ‘Love Scene’
hoort uiteraard
sfeerverhogende
romantische muziek. Want
zwijmelen bij een film
gaat nu eenmaal niet
zonder zoete klanken.
Aan het einde van
eenlange dag klinkt
altijd ‘It’s a
wrap’. Dit betekent dat
het laatste shot van de
dag gemaakt is.
Nu maar hopen dat er een
oscar in het verschiet
ligt.
Perf.
Note: Het gebruik van
de juiste rekwisieten
zalde uitvoering en
waardering van ‘On the
Movieset’ ten goede
komen. Een rode loper en
een chique ontvangst
zullen uw gasten een echt
‘premi?re’ gevoel
geven.
Sweet Sunset Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie and Oboe Solo - Grade 2.5 SKU: BT.DHP-1094724-140 C...(+)
Concert Band/Harmonie and
Oboe Solo - Grade 2.5
SKU:
BT.DHP-1094724-140
Composed by Jan de Haan.
Solo Spectrum. Solo &
Concerto. Score Only.
Composed 2009. 12 pages.
De Haske Publications
#DHP 1094724-140.
Published by De Haske
Publications
(BT.DHP-1094724-140).
9x12 inches.
English-German-French-Dut
ch.
Sunset - the
sun heads towards the
western horizon and
slowly slips from view.
The sky creates a
dazzling display of
yellows, oranges, and
reds, before turning a
calm blue, then purple,
and finally black. Such
sunsets inspired Jan de
Haan to write this piece
for solo oboe and concert
band. It is dedicated to
his daughter, Hermanda.
Zonsondergang. De
zon verdwijnt langzaam
aan de westelijke
horizon. De hemel is in
rode en oranje kleuren
getooid... Deze prachtige
aanblik was de inspiratie
voor dit ontroerende
solowerk voor hobo en
harmonieorkest. Jan de
Haan schreefhet in de
herfst van 2008 en droeg
het op aan zijn dochter
Hermanda.
Sonnenun
tergang: Die Sonne
verschwindet langsam am
westlichen Horizont. Der
Himmel ist in Rot- und
Orangetöne getaucht.
Dieser oft erlebte, aber
immer wieder aufs Neue
prachtvolle Anblick
bildete die Quelle der
Inspiration für ein
ruhiges, aber intensives
und damit sehr
eindrucksvolles Solowerk
für Oboe und
Blasorchester, das Jan de
Haan im Herbst 2008
seiner Tochter Hermanda
widmete.
Il
tramonto del sole ispira
da sempre pittori,
fotografi , scrittori,
poeti e anche
compositori. Jan de Haan
si è lasciato sedurre
da questo istante
meraviglioso, quando il
cielo inventa infinite
sfumature di arancio e
rosso, su uno sfondo
appena visibile di
azzurro. Spettacolo
grandioso che si ripete
da sempre, ma che non
finisce mai di stupire.
In Sweet Sunset il
ruolo principale è
affi dato
all’oboe.
Sweet Sunset Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Oboe Solo - Grade 2.5 SKU: BT.DHP-1094724-010 C...(+)
Concert Band/Harmonie and
Oboe Solo - Grade 2.5
SKU:
BT.DHP-1094724-010
Composed by Jan de Haan.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094724-010. Published by
De Haske Publications
(BT.DHP-1094724-010).
9x12 inches.
English-German-French-Dut
ch.
Sunset - the
sun heads towards the
western horizon and
slowly slips from view.
The sky creates a
dazzling display of
yellows, oranges, and
reds, before turning a
calm blue, then purple,
and finally black. Such
sunsets inspired Jan de
Haan to write this piece
for solo oboe and concert
band. It is dedicated to
his daughter, Hermanda.
Zonsondergang. De
zon verdwijnt langzaam
aan de westelijke
horizon. De hemel is in
rode en oranje kleuren
getooid... Deze prachtige
aanblik was de inspiratie
voor dit ontroerende
solowerk voor hobo en
harmonieorkest. Jan de
Haan schreefhet in de
herfst van 2008 en droeg
het op aan zijn dochter
Hermanda.
Sonnenun
tergang: Die Sonne
verschwindet langsam am
westlichen Horizont. Der
Himmel ist in Rot- und
Orangetöne getaucht.
Dieser oft erlebte, aber
immer wieder aufs Neue
prachtvolle Anblick
bildete die Quelle der
Inspiration für ein
ruhiges, aber intensives
und damit sehr
eindrucksvolles Solowerk
für Oboe und
Blasorchester, das Jan de
Haan im Herbst 2008
seiner Tochter Hermanda
widmete.
Il
tramonto del sole ispira
da sempre pittori,
fotografi , scrittori,
poeti e anche
compositori. Jan de Haan
si è lasciato sedurre
da questo istante
meraviglioso, quando il
cielo inventa infinite
sfumature di arancio e
rosso, su uno sfondo
appena visibile di
azzurro. Spettacolo
grandioso che si ripete
da sempre, ma che non
finisce mai di stupire.
In Sweet Sunset il
ruolo principale è
affi dato
all’oboe.
By Johann Sebastian Bach. Arranged by Alfred Reed. Sacred,transcription. Concert...(+)
By Johann Sebastian Bach.
Arranged by Alfred Reed.
Sacred,transcription.
Concert Band. Bach Series
arranged by Alfred Reed.
Level: Grade 3. Score and
set of parts. Composed
1976. Duration 0:03:55.
Published by C.L.
Barnhouse.
Performed by The Canadian Brass. Arranged by John Moss. Score and full set of pa...(+)
Performed by The Canadian
Brass. Arranged by John
Moss. Score and full set
of parts. Canadian Brass
Concert Band. Size 9x12
inches. Published by Hal
Leonard.
For Concert Band - Score Only. Composed by Eric Whitacre (1970-). Arranged by ...(+)
For Concert Band - Score
Only.
Composed by Eric Whitacre
(1970-). Arranged by
senbichler-Bryant and
Verena
Mö. Eric Whitacre
Concert
Band. Children, Concert
Band.
Softcover. 14 pages.
Published
by Hal Leonard
Goodnight Moon Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Arranged for Grade 3-4 Concert Band - Score Only. Composed by Eric Whitacre (1...(+)
Arranged for Grade 3-4
Concert
Band - Score Only.
Composed by
Eric Whitacre (1970-).
Arranged by Michael
Markowski.
Eric Whitacre Concert
Band.
Children, Concert.
Softcover.
Published by Hal Leonard
Christmas Treasures Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Kjos Music Company
By Bruce Pearson. Edited by Chuck Elledge. For concert band. Concert Band. Score...(+)
By Bruce Pearson. Edited
by Chuck Elledge. For
concert band. Concert
Band. Score and set of
parts. Published by Neil
A. Kjos Music Company.
Level: Grade 1.5.
I Say A Little Prayer Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1206249-010 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1206249-010
As performed by Burt
Bacharach. Composed
by Burt Bacharach.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2020. De Haske
Publications #DHP
1206249-010. Published by
De Haske Publications
(BT.DHP-1206249-010).
This
bittersweet song from
1967 is a real classic,
partly due to the
rendition by two queens
of soul, Dionne Warwick
and later also Aretha
Franklin. The theme was
very topical at the time:
A woman is concerned
about her husband
fighting in the Vietnam
War, and thinks about him
during her day-to-day
worries. Top arranger
Peter Kleine Schaars
created a tasteful and
carefully orchestrated
version. His arrangement
stays true to the
original colour and feel
of the song, and, as a
grade 3 piece, is still
perfectly playable for
most bands.
Deze
bitterzoete song uit 1967
is een echte klassieker,
mede doordat het door
twee soulkoninginnen,
Dionne Warwick en later
ook Aretha Franklin, werd
vertolkt. De thematiek
was destijds erg actueel:
een vrouw maakt zich
tijdens haar dagelijkse
beslommeringen zorgen om
haar man, die in de
Vietnamoorlog vecht.
Toparrangeur Peter Kleine
Schaars maakte er een
smaakvolle en zorgvuldig
georkestreerde versie
van. Zijn arrangement
blijft trouw aan de
originele kleur en feel
van de song, en is in
graad 3 toch voor de
meeste harmonieorkesten
probleemloos
speelbaar.
Dieses
bittersüße Lied aus
dem Jahr 1967 ist ein
echter Klassiker, was
teilweise auf die
Interpretationen der
beiden Queens of
Soul“ Dionne
Warwick und später
auch Aretha Franklin
zurückzuführen ist.
Das Thema war zu der
damaligen Zeit sehr
aktuell: Eine Frau macht
sich Sorgen um ihren
Mann, der im Vietnamkrieg
kämpft und denkt
während ihrer
Alltagssorgen an ihn.
Top-Arrangeur Peter
Kleine Schaars schuf eine
stilvolle und
sorgfältig
orchestrierte Version.
Sein Arrangement im
Schwierigkeitsgrad 3 hat
die ursprüngliche
Klangfarbe und Stimmung
des Liedes beibehalten
und ist für die
meisten Blasorchester gut
spielbar.
I Say A Little Prayer Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1206249-140 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1206249-140
As performed by Burt
Bacharach. Composed
by Burt Bacharach.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2020. 14 pages. De Haske
Publications #DHP
1206249-140. Published by
De Haske Publications
(BT.DHP-1206249-140).
This
bittersweet song from
1967 is a real classic,
partly due to the
rendition by two queens
of soul, Dionne Warwick
and later also Aretha
Franklin. The theme was
very topical at the time:
A woman is concerned
about her husband
fighting in the Vietnam
War, and thinks about him
during her day-to-day
worries. Top arranger
Peter Kleine Schaars
created a tasteful and
carefully orchestrated
version. His arrangement
stays true to the
original colour and feel
of the song, and, as a
grade 3 piece, is still
perfectly playable for
most bands.
Deze
bitterzoete song uit 1967
is een echte klassieker,
mede doordat het door
twee soulkoninginnen,
Dionne Warwick en later
ook Aretha Franklin, werd
vertolkt. De thematiek
was destijds erg actueel:
een vrouw maakt zich
tijdens haar dagelijkse
beslommeringen zorgen om
haar man, die in de
Vietnamoorlog vecht.
Toparrangeur Peter Kleine
Schaars maakte er een
smaakvolle en zorgvuldig
georkestreerde versie
van. Zijn arrangement
blijft trouw aan de
originele kleur en feel
van de song, en is in
graad 3 toch voor de
meeste harmonieorkesten
probleemloos
speelbaar.
Dieses
bittersüße Lied aus
dem Jahr 1967 ist ein
echter Klassiker, was
teilweise auf die
Interpretationen der
beiden Queens of
Soul“ Dionne
Warwick und später
auch Aretha Franklin
zurückzuführen ist.
Das Thema war zu der
damaligen Zeit sehr
aktuell: Eine Frau macht
sich Sorgen um ihren
Mann, der im Vietnamkrieg
kämpft und denkt
während ihrer
Alltagssorgen an ihn.
Top-Arrangeur Peter
Kleine Schaars schuf eine
stilvolle und
sorgfältig
orchestrierte Version.
Sein Arrangement im
Schwierigkeitsgrad 3 hat
die ursprüngliche
Klangfarbe und Stimmung
des Liedes beibehalten
und ist für die
meisten Blasorchester gut
spielbar.
Concert Band - Grade 1 SKU: AP.BD9813 Featuring: Sweet Betsy from Pike...(+)
Concert Band - Grade 1
SKU: AP.BD9813
Featuring: Sweet Betsy
from Pike / The Streets
of Laredo / The Lone
Prairie / Little Brown
Jug. Arranged by
James D. Ployhar. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Folk. Score and Part(s).
126 pages. Duration 2:04.
Belwin Music #00-BD9813.
Published by Belwin Music
(AP.BD9813).
UPC:
029156908336.
English.
From radio
to motion pictures to
television, all have
glamorized what we know
as The Wild West, but the
folk songs from that era
have lived on in an
unaltered state. They
tell stories of the
lives, loves, and losses
of the brave souls who
ventured into a then
uncharted landscape. Here
is a musical salute to
that time and its people,
featuring SWEET BETSY
FROM PIKE, THE STREETS OF
LAREDO, THE LONE PRAIRIE,
and LITTLE BROWN JUG.
Head 'em up and move 'em
out! (2:04).
Concert Band - Grade 1 SKU: AP.BD9813C Featuring: Sweet Betsy from Pik...(+)
Concert Band - Grade 1
SKU: AP.BD9813C
Featuring: Sweet Betsy
from Pike / The Streets
of Laredo / The Lone
Prairie / Little Brown
Jug. Arranged by
James D. Ployhar. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Folk. Score. 12 pages.
Duration 2:04. Belwin
Music #00-BD9813C.
Published by Belwin Music
(AP.BD9813C).
UPC:
029156908343.
English.
From radio
to motion pictures to
television, all have
glamorized what we know
as The Wild West, but the
folk songs from that era
have lived on in an
unaltered state. They
tell stories of the
lives, loves, and losses
of the brave souls who
ventured into a then
uncharted landscape. Here
is a musical salute to
that time and its people,
featuring SWEET BETSY
FROM PIKE, THE STREETS OF
LAREDO, THE LONE PRAIRIE,
and LITTLE BROWN JUG.
Head 'em up and move 'em
out! (2:04).
Children of the Atom Orchestre d'harmonie [Conducteur] - Intermédiaire Excelcia Music Publishing
Concert Band Concert Band - Grade 3.5 SKU: XC.RCB1910FS Composed by Georg...(+)
Concert Band Concert Band
- Grade 3.5
SKU:
XC.RCB1910FS
Composed
by George Sweet. Rhapsody
Band Series. Concert and
Contest. Classical,
Acoustic. Score. Excelcia
Music Publishing
#RCB1910FS. Published by
Excelcia Music Publishing
(XC.RCB1910FS).
UPC:
812598031577. 9 x 12
inches.
Children of
the Atom is the
composer's homage to the
comic book-based summer
blockbusters that are
currently popular in
theaters. Composer George
Sweet brings his unique
and refreshing harmonic
ideas to life in this
exciting work for concert
band!