Part I, II, III and IV. Composed by Alex Poelman. The Best Original Compo...(+)
Part I, II, III and
IV. Composed by Alex
Poelman. The Best
Original Compositions for
Concert Band/Catalogue
Master Works Vol. 1.
Molenaar Masterpieces.
Recorded on The Seven
Wonders of the Ancient
World (ML.311080720).
Full set. Duration 20
minutes, 58 seconds.
Published by Molenaar
Edition (ML.012792100).
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.AMP-449-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.AMP-449-010
For
Euphonium and Band.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Set (Score &
Parts). Composed 2017.
Anglo Music Press #AMP
449-010. Published by
Anglo Music Press
(BT.AMP-449-010).
English-German-French-
Dutch.
The
Legend of Spirit
Island was
commissioned by the Twin
Ports Wind Orchestra,
Duluth, Minnesota (Mark
Whitlock, conductor), to
honour the euphonium
player, Dick Carlson. The
piece takes its title
from a local legend about
Spirit Island, which lies
in a gap of the St. Louis
River called Spirit Lake.
The legend tells the
story of Chaska, the son
of a Dakota Chief, and
Wetona, the daughter of
Ojibwe Chief Buckado. He
was handsome and she was
beautiful; it
wasn’t long before
they fell in love. This
is a challenging
euphonium solo in which
the versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical
sections.
The
Legend of Spirit
Island werd
geschreven in opdracht
van de het Twin Ports
Wind Orchestra uit
Duluth, Minnesota
(dirigent Mark Whitlock)
als eerbetoon aan
euphoniumspeler Dick
Carlson. De titel van het
werk is afkomstig van een
lokale legende over
Spirit Island, dat dicht
bij Duluth in een
verbreding van de St.
Louis River Spirit Lake
¬ligt. Deze legende
gaat over Chaska, de zoon
van een
Dakota-opperhoofd, en
Wetona, de dochter van
Ojibwe-opperhoofd
Buckado. Hij was knap en
zij was mooi; het duurde
niet lang of de twee
waren verliefd op elkaar.
De uitdagende
euphoniumsolo biedt de
solist de mogelijkheid om
expressieve melodieën
te verkennen en zijn of
haarspeelvaardigheid te
demonstreren.
The Legend of
Spirit Island wurde
vom Twin Ports Wind
Orchestra aus Duluth,
Minnesota (Dirigent: Mark
Whitlock), in Auftrag
gegeben, um den
Euphoniumspieler Dick
Carlson zu ehren. Der
Titel des Stückes
leitet sich von einer
Legende über die Insel
Spirit Island ab, die in
einem Bereich des St.
Louis River liegt, der
Spirit Lake genannt wird.
Die Legende handelt von
Chaska, dem Sohn eines
Dakota-Häuptlings, und
Wetona, der Tochter des
Ojibwe-Häuptlings
Buckado. Er war gut
aussehend und sie war
schön, und so dauerte
es nicht lange, bis sie
sich ineinander
verliebten. In diesem
anspruchsvollen Stück
kann der Euphonium-Solist
sehr ausdrucksvolle
melodische Sequenzen,
aber auchenergiegeladene,
technische Abschnitte
erkunden.
The Legend of
Spirit Island è
stata commissionata dalla
Twin Ports Wind
Orchestra, Duluth,
Minnesota (Mark Whitlock,
direttore), per onorare
il suonatore di eufonio
Dick Carlson. Il titolo
si ispira da una leggenda
locale sullo spirito
dell’isola, che si
troverebbe in un punto
del fiume St.Louis
chiamato Spirit Lake. La
leggenda racconta la
storia di Chaska, il
figlio di Dakota Chief, e
Wetona,la figlia di
Ojibwe Chief Buckado. Lui
era bello e lei era
bellissima; non passò
molto tempo prima che si
innamorassero. Un brano
per eufonio solista molto
impegnativo nel quale un
solista con versatilit
può esplorare sequenze
melodiche molto
espressive, oltre a
sezioni
tecnicheenergiche.
Beyond the Summit Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé FJH
By Brian Balmages. Arranged by Brian Balmages. Concert Band/Wind Ensemble. FJH ...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Concert
Band/Wind Ensemble. FJH
Concert Band. Opening
with a soft rhythmic
motive in the percussion,
the piece builds to a
grand thematic statement.
A beautiful lyrical
section includes several
melodic statements that
are then intertwined in
the powerful concluding
material. Experience the
musical and emotional
intensity you've come to
expect from Brian
Balmages! Score for this
title: B1237S. Extra part
for this title: B1237P.
Concert Band. Level:
Grade 4. Score and Set of
Parts. Published by The
FJH Music Company Inc.
Band concert band - Level 5 SKU: KJ.WB443F Composed by Mark Camphouse. Sc...(+)
Band concert band - Level
5
SKU: KJ.WB443F
Composed by Mark
Camphouse. Score only.
Neil A. Kjos Music
Company #WB443F.
Published by Neil A. Kjos
Music Company
(KJ.WB443F).
UPC:
084027042373.
Commi
ssioned by the Twin Ports
Wind Orchestra of Duluth,
Minnesota, this work
honors the life and
legacy of one if its own
members, James
Stellmaker, who enjoyed a
long and distinguished
career as a public school
music educator in Duluth.
In contrast to a typical
elegy, Twin Ports
Overture has a
celebratory feel,
sparkling and colorful.
Brass is prominent in
many parts of the work,
especially featuring Mr.
Stellmaker's instrument,
the trombone. The
well-known hymn Praise Ye
the Lord, The Almighty,
which was played at his
memorial service, is
featured prominently
throughout the work.
Concert Band (Score) - Grade 4 SKU: HL.44013339 Euphonium and Concert ...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44013339
Euphonium and Concert
Band Score. Composed
by Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover. 20
pages. Duration 480
seconds. Anglo Music
Press #AMP449140.
Published by Anglo Music
Press (HL.44013339).
UPC:
888680922955.
The
Legend of Spirit Island
was commissioned by the
Twin Ports Wind
Orchestra, Duluth,
Minnesota (Mark Whitlock,
conductor), to honour the
euphonium player, Dick
Carlson. The piece takes
its title from a local
legend about Spirit
Island, which lies in a
gap ofthe St. Louis River
called Spirit Lake. The
legend tells the story of
Chaska, the son of a
Dakota Chief, and Wetona,
the daughter ofOjibwe
Chief Buckado. He was
handsome and she was
beautiful; it wasn't long
before they fell in love.
This is a challenging
euphonium solo in which
the versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical sections.
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.44013338 <...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.44013338
Euphonium and Concert
Band Score and Parts.
Composed by Philip
Sparke. Anglo Music
Concert Band. Classical.
Softcover. Duration 480
seconds. Anglo Music
Press #AMP449010.
Published by Anglo Music
Press (HL.44013338).
The Legend of
Spirit Island was
commissioned by the Twin
Ports Wind Orchestra,
Duluth, Minnesota (Mark
Whitlock, conductor), to
honour the euphonium
player, Dick Carlson. The
piece takes its title
from a local legend about
Spirit Island, which lies
in a gap ofthe St. Louis
River called Spirit Lake.
The legend tells the
story of Chaska, the son
of a Dakota Chief, and
Wetona, the daughter
ofOjibwe Chief Buckado.
He was handsome and she
was beautiful; it wasn't
long before they fell in
love. This is a
challenging euphonium
solo in which the
versatile soloist can
explore very expressive
melodic sequences, as
well as energetic,
technical sections.
By Don Colquitt. For Concert Band. Full set (score and parts). Conductor's score...(+)
By Don Colquitt. For
Concert Band. Full set
(score and parts).
Conductor's score only
available separately: see
item C1002s. Grade 1.5.
Conductor's score and set
of parts
Blazing Bones of the West! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
(Trombone Section Feature (Featuring: The Magnificent Seven / How the West Was W...(+)
(Trombone Section Feature
(Featuring: The
Magnificent Seven / How
the West Was Won (Main
Title) / Blazing
Saddles)). Arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band; Part(s);
Score; SmartMusic. Pop
Young Band. Movie; Pop.
Grade 2.
(The United States National Anthem). Composed by Francis Scott Key, music attrib...(+)
(The United States
National Anthem).
Composed by Francis Scott
Key, music attributed to
John Stafford Smith.
Arranged by Jack Bullock.
Concert Band. Concert
Band; Part(s); Score.
Belwin Concert Band.
Form: Transcription.
Patriotic. Grade 2.5. 114
pages. Published by
Belwin Music
Military Parade Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Twin Towers Music Publications
By Brian Rhodes. For Concert Band. Full set (score and parts). Conductor's score...(+)
By Brian Rhodes. For
Concert Band. Full set
(score and parts).
Conductor's score only
available separately: see
item C1029s. Grade 1.5.
Conductor's score and set
of parts. Published by
Twin Towers Music
Publications
Cleopatra Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-140 The Last Queen...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1216342-140
The Last Queen of
Egypt. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2021. 39 pages.
De Haske Publications
#DHP 1216342-140.
Published by De Haske
Publications
(BT.DHP-1216342-140).
English-German-French-
Dutch.
Queen
Cleopatra ruled Egypt for
over 20 years. She is one
of antiquity’s
best-known women, in
particular because of her
relationships with Julius
Caesar and, above all,
Mark-Anthony, but also
because the cause of her
death remainsa mystery.
The work is split into
three parts and performed
without breaks. The first
section begins with a
bright introduction
representing
Mark-Anthony. Dynamic in
nature and reminiscent of
military music, this
characterises theRoman
general. But soon after,
another theme emerges,
softer and more melodic,
symbolising
Cleopatra’s
femininity. The two
characters then combine
on a faster tempo. The
middle section of the
work depicts the love
thatMark-Anthony and
Cleopatra feel for each
other. This passionate
relationship lasted ten
years and produced three
children. This is
expressed by a warm and
intense theme, just like
the beauty of the
Egyptian queen. The third
andlast section opens in
a determined and military
mood. Mark-Anthony and
Cleopatra were often
apart, the Roman general
was often away on a
campaign. They met up in
Alexandria to celebrate
their triumph. But, as
the targets of
thejealousy and ambition
of Octavius, Julius
Caesar’s son, the
lovers are trapped and
await the inevitable
conquest of Egypt by the
Romans. When Mark-Anthony
heard the false news that
Cleopatra had committed
suicide, he ended his
ownlife. The Queen of
Egypt, for her part, was
imprisoned shortly
afterwards. The two
lovers remain one of
History’s most
famous couples. This
piece was commissioned by
the Wind Orchestra of the
town of Antony, near
Paris, directedby
Philippe Rossignol, to
mark its 90th
anniversary.
Konin
gin Cleopatra heerste
meer dan twintig jaar
lang over Egypte. Ze is
een van de bekendste
vrouwen uit de oudheid,
vanwege haar relatie met
Julius Caesar en vooral
die met Marcus Antonius,
maar ook omdat de oorzaak
van haardood altijd een
mysterie is gebleven. Dit
werk bestaat uit drie in
elkaar overlopende delen.
Het eerste deel begint
met de levendige
introductie van Marcus
Antonius. Met het
dynamische en enigszins
militaire karakter van de
muziekwordt de Romeinse
generaal krachtig
neergezet. Snel daarna
doemt een zachter en
melodieuzer thema op een
weerspiegeling van
Cleopatra’s
vrouwelijkheid. De twee
persoonlijkheden gaan
vervolgens samen verder
in een vlotter tempo.Het
middelste deel beschrijft
de liefde die Marcus
Antonius en Cleopatra
voor elkaar voelden. Hun
hartstochtelijke relatie
duurde tien jaar en
bracht drie kinderen
voort. Dit wordt
uitgedrukt in een warm en
intens thema waarintevens
de schoonheid van de
Egyptische koningin
doorschemert. Het derde
en laatste deel opent
vastberaden en in
militaire sfeer. Marcus
Antonius en Cleopatra
waren vaak bij elkaar
vandaan: de generaal was
geregeld weg om strijd
tevoeren. In
Alexandrië vierden ze
samen hun triomf, maar de
jaloezie en ambitie van
Octavius, de zoon van
Julius Caesar, gooide
roet in het eten. De
geliefden werden in de
val gelokt en de
onvermijdelijke
verovering van Egypte
doorde Romeinen volgde al
snel. Toen Marcus
Antonius het onjuiste
bericht kreeg dat
Cleopatra zelfmoord had
gepleegd, maakte hij een
eind aan zijn eigen
leven: de koningin van
Egypte werd op haar beurt
kort daarna
gevangengezet. Detwee
geliefden behoren tot de
beroemdste stellen uit de
wereldgeschiedenis.
Cleopatra werd in
opdracht geschreven om
het negentigjarig bestaan
van het blaasorkest uit
de gemeente Antony dicht
bij Parijs te markeren.
Dat orkestbracht het
onder leiding van
Philippe Rossignol in
première.
Kö
nigin Kleopatra regierte
über 20 Jahre lang
Ägypten. Sie ist eine
der bekanntesten Frauen
der Antike, insbesondere
aufgrund ihrer
Beziehungen zu Julius
Cäsar und vor allem zu
Marcus Antonius aber auch
aufgrund
ihrerrätselhaften
Todesursache. Das Werk
besteht aus drei
Abschnitten, die ohne
Unterbrechung gespielt
werden. Der erste
Abschnitt beginnt mit
einer strahlenden
Einleitung, die Marcus
Antonius darstellt. Die
martialische und
dynamischeMusik
beschreibt den
römischen Feldherrn.
Doch bald darauf erklingt
ein neues Thema, das
sanfter und melodischer
ist und Kleopatras
Weiblichkeit
symbolisiert. Die beiden
Charaktere verschmelzen
schließlich in einem
schnellerenTempo. Der
Mittelteil des Werkes
beschreibt die Liebe, die
Marcus Antonius und
Kleopatra füreinander
empfinden. Die
leidenschaftliche
Beziehung der beiden
dauerte zehn Jahre lang
und aus ihr gingen drei
Kinder hervor. Dafür
stehtein warmes und
intensives Thema, das
auch die Schönheit der
ägyptischen Königin
beschreibt. Der dritte
und letzte Abschnitt
beginnt mit einer
entschlossenen und
kriegerischen Stimmung.
Marcus Antonius und
Kleopatra waren
oftmalsgetrennt, wenn
sich der römische
Feldherr auf Feldzügen
befand. In Alexandria
trafen sie sich, um ihren
Sieg zu feiern. Doch sie
waren Opfer der
Eifersucht und der
ehrgeizigen Ambitionen
von Octavius, Julius
Cäsars Sohn, wurden
ineine Falle gelockt und
mussten auf die
bevorstehende Eroberung
Ägyptens durch die
Römer warten. Als
Marcus Antonius die
Nachricht vom
vermeintlichen Selbstmord
Kleopatras erhielt, nahm
er sich selbst das Leben.
Die Königin
vonÄgypten wurde
ihrerseits kurz darauf
inhaftiert. Die beiden
zählen zu den
berühmtesten
Liebespaaren der
Geschichte. Dieses
Stück wurde vom
Orchestre
d’Harmonie de la
Ville d’Antony aus
der Nähe von Paris,
das von PhilippeRossignol
geleitet wird,
anlässlich seines
90-jährigen
Jubiläums in Auftrag
gegeben.
Cleopatra Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-010 The Last Queen...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1216342-010
The Last Queen of
Egypt. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216342-010. Published by
De Haske Publications
(BT.DHP-1216342-010).
English-German-French-
Dutch.
Queen
Cleopatra ruled Egypt for
over 20 years. She is one
of antiquity’s
best-known women, in
particular because of her
relationships with Julius
Caesar and, above all,
Mark-Anthony, but also
because the cause of her
death remainsa mystery.
The work is split into
three parts and performed
without breaks. The first
section begins with a
bright introduction
representing
Mark-Anthony. Dynamic in
nature and reminiscent of
military music, this
characterises theRoman
general. But soon after,
another theme emerges,
softer and more melodic,
symbolising
Cleopatra’s
femininity. The two
characters then combine
on a faster tempo. The
middle section of the
work depicts the love
thatMark-Anthony and
Cleopatra feel for each
other. This passionate
relationship lasted ten
years and produced three
children. This is
expressed by a warm and
intense theme, just like
the beauty of the
Egyptian queen. The third
andlast section opens in
a determined and military
mood. Mark-Anthony and
Cleopatra were often
apart, the Roman general
was often away on a
campaign. They met up in
Alexandria to celebrate
their triumph. But, as
the targets of
thejealousy and ambition
of Octavius, Julius
Caesar’s son, the
lovers are trapped and
await the inevitable
conquest of Egypt by the
Romans. When Mark-Anthony
heard the false news that
Cleopatra had committed
suicide, he ended his
ownlife. The Queen of
Egypt, for her part, was
imprisoned shortly
afterwards. The two
lovers remain one of
History’s most
famous couples. This
piece was commissioned by
the Wind Orchestra of the
town of Antony, near
Paris, directedby
Philippe Rossignol, to
mark its 90th
anniversary.
Konin
gin Cleopatra heerste
meer dan twintig jaar
lang over Egypte. Ze is
een van de bekendste
vrouwen uit de oudheid,
vanwege haar relatie met
Julius Caesar en vooral
die met Marcus Antonius,
maar ook omdat de oorzaak
van haardood altijd een
mysterie is gebleven. Dit
werk bestaat uit drie in
elkaar overlopende delen.
Het eerste deel begint
met de levendige
introductie van Marcus
Antonius. Met het
dynamische en enigszins
militaire karakter van de
muziekwordt de Romeinse
generaal krachtig
neergezet. Snel daarna
doemt een zachter en
melodieuzer thema op een
weerspiegeling van
Cleopatra’s
vrouwelijkheid. De twee
persoonlijkheden gaan
vervolgens samen verder
in een vlotter tempo.Het
middelste deel beschrijft
de liefde die Marcus
Antonius en Cleopatra
voor elkaar voelden. Hun
hartstochtelijke relatie
duurde tien jaar en
bracht drie kinderen
voort. Dit wordt
uitgedrukt in een warm en
intens thema waarintevens
de schoonheid van de
Egyptische koningin
doorschemert. Het derde
en laatste deel opent
vastberaden en in
militaire sfeer. Marcus
Antonius en Cleopatra
waren vaak bij elkaar
vandaan: de generaal was
geregeld weg om strijd
tevoeren. In
Alexandrië vierden ze
samen hun triomf, maar de
jaloezie en ambitie van
Octavius, de zoon van
Julius Caesar, gooide
roet in het eten. De
geliefden werden in de
val gelokt en de
onvermijdelijke
verovering van Egypte
doorde Romeinen volgde al
snel. Toen Marcus
Antonius het onjuiste
bericht kreeg dat
Cleopatra zelfmoord had
gepleegd, maakte hij een
eind aan zijn eigen
leven: de koningin van
Egypte werd op haar beurt
kort daarna
gevangengezet. Detwee
geliefden behoren tot de
beroemdste stellen uit de
wereldgeschiedenis.
Cleopatra werd in
opdracht geschreven om
het negentigjarig bestaan
van het blaasorkest uit
de gemeente Antony dicht
bij Parijs te markeren.
Dat orkestbracht het
onder leiding van
Philippe Rossignol in
première.
Kö
nigin Kleopatra regierte
über 20 Jahre lang
Ägypten. Sie ist eine
der bekanntesten Frauen
der Antike, insbesondere
aufgrund ihrer
Beziehungen zu Julius
Cäsar und vor allem zu
Marcus Antonius aber auch
aufgrund
ihrerrätselhaften
Todesursache. Das Werk
besteht aus drei
Abschnitten, die ohne
Unterbrechung gespielt
werden. Der erste
Abschnitt beginnt mit
einer strahlenden
Einleitung, die Marcus
Antonius darstellt. Die
martialische und
dynamischeMusik
beschreibt den
römischen Feldherrn.
Doch bald darauf erklingt
ein neues Thema, das
sanfter und melodischer
ist und Kleopatras
Weiblichkeit
symbolisiert. Die beiden
Charaktere verschmelzen
schließlich in einem
schnellerenTempo. Der
Mittelteil des Werkes
beschreibt die Liebe, die
Marcus Antonius und
Kleopatra füreinander
empfinden. Die
leidenschaftliche
Beziehung der beiden
dauerte zehn Jahre lang
und aus ihr gingen drei
Kinder hervor. Dafür
stehtein warmes und
intensives Thema, das
auch die Schönheit der
ägyptischen Königin
beschreibt. Der dritte
und letzte Abschnitt
beginnt mit einer
entschlossenen und
kriegerischen Stimmung.
Marcus Antonius und
Kleopatra waren
oftmalsgetrennt, wenn
sich der römische
Feldherr auf Feldzügen
befand. In Alexandria
trafen sie sich, um ihren
Sieg zu feiern. Doch sie
waren Opfer der
Eifersucht und der
ehrgeizigen Ambitionen
von Octavius, Julius
Cäsars Sohn, wurden
ineine Falle gelockt und
mussten auf die
bevorstehende Eroberung
Ägyptens durch die
Römer warten. Als
Marcus Antonius die
Nachricht vom
vermeintlichen Selbstmord
Kleopatras erhielt, nahm
er sich selbst das Leben.
Die Königin
vonÄgypten wurde
ihrerseits kurz darauf
inhaftiert. Die beiden
zählen zu den
berühmtesten
Liebespaaren der
Geschichte. Dieses
Stück wurde vom
Orchestre
d’Harmonie de la
Ville d’Antony aus
der Nähe von Paris,
das von PhilippeRossignol
geleitet wird,
anlässlich seines
90-jährigen
Jubiläums in Auftrag
gegeben.
Hear Them Jingle Bells! Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
(Featuring: Hear Them Bells / Jingle Bells). Arranged by Michael Story and Micha...(+)
(Featuring: Hear Them
Bells / Jingle Bells).
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score.
Belwin Very Beginning
Band. Form: Medley.
Christmas; Winter. Grade
.5. 132 pages. Published
by Belwin Music
(Featuring: Hear Them Bells / Jingle Bells). Arranged by Michael Story and Micha...(+)
(Featuring: Hear Them
Bells / Jingle Bells).
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Score. Belwin Very
Beginning Band. Form:
Medley. Christmas;
Winter. Grade .5. 16
pages. Published by
Belwin Music
Three Welsh Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
(Featuring: A Gentle Maid in Secret Sigh'd / St. David's Day / The Ash Grove). A...(+)
(Featuring: A Gentle Maid
in Secret Sigh'd / St.
David's Day / The Ash
Grove). Arranged by Todd
Stalter. Concert Band.
Concert Band; Part(s);
Score. Challenger Band
Series. Folk. Grade 1.5.
128 pages. Published by
Alfred Music
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496.
Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
By Victor Lopez. By Victor Lopez. For Concert Band. Concert Band. Belwin Young B...(+)
By Victor Lopez. By
Victor Lopez. For Concert
Band. Concert Band.
Belwin Young Band. Level:
2.5 (Easy to Medium Easy)
(grade 2.5). Conductor
Score and Parts. Duration
4:35:00. Published by
Alfred Publishing.
Concert Band Baritone Treble Clef SKU: AP.41357 22 Full Band Arrangeme...(+)
Concert Band Baritone
Treble Clef
SKU:
AP.41357
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Baritone
Treble Clef).
Composed by John O'Reilly
and Mark Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41357.
Published by Alfred Music
(AP.41357).
ISBN
9780739098004. UPC:
038081462509.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Bassoon SKU: AP.41355 22 Full Band Arrangements Correlate...(+)
Concert Band Bassoon
SKU: AP.41355
22 Full Band
Arrangements Correlated
to Accent on Achievement
(Bassoon). Composed
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41355.
Published by Alfred Music
(AP.41355).
ISBN
9780739097984. UPC:
038081462486.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Baritone Bass Clef SKU: AP.41977 22 Full Band Arrangement...(+)
Concert Band Baritone
Bass Clef
SKU:
AP.41977
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Baritone
Bass Clef). Composed
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41977.
Published by Alfred Music
(AP.41977).
ISBN
9780739099254. UPC:
038081463971.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Oboe SKU: AP.41364 22 Full Band Arrangements Correlated t...(+)
Concert Band Oboe
SKU:
AP.41364
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Oboe).
Composed by John O'Reilly
and Mark Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41364.
Published by Alfred Music
(AP.41364).
ISBN
9780739098073. UPC:
038081462578.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Baritone Saxophone SKU: AP.41358 22 Full Band Arrangement...(+)
Concert Band Baritone
Saxophone
SKU:
AP.41358
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Baritone
Saxophone). Composed
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41358.
Published by Alfred Music
(AP.41358).
ISBN
9780739098011. UPC:
038081462516.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Alto Clarinet SKU: AP.41353 22 Full Band Arrangements Cor...(+)
Concert Band Alto
Clarinet
SKU:
AP.41353
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Alto
Clarinet). Composed
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41353.
Published by Alfred Music
(AP.41353).
ISBN
9780739097960. UPC:
038081462462.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Composed
by Alan Lee Silva. SWS.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 36 pages.
Duration 4 minutes, 18
seconds. Carl Fischer
Music #CPS135F. Published
by Carl Fischer Music
(CF.CPS135F).
ISBN
9780825888496. UPC:
798408088491. 9x12
inches.
Triangle of
the Tempest is a
fast-moving composition
with interesting rhythmic
challenges and dynamic
color shifts. Starting
with syncopated figures
over a repeated
eight-measure
progression, the piece
builds in intensity as
more sections and layers
are added. The second
part changes tone and is
led by a heroic trumpet
melody with a soaring
woodwind obligato. The
themes intertwine and the
material develops into a
dramatic conclusion with
a final explosive
ensemble hit.
Action-packed and full of
rhythmic drive, this
piece is a good choice
for contest or festival
performance.
Composed by
Alan Lee Silva. SWS FS.
Carl Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
12+12+6+12+12+12+6+6+4+4+
6+6+12+12+12+6+6+9+9+6+9+
12+4+2+6+2+6+2+15+36
pages. Duration 4
minutes, 18 seconds. Carl
Fischer Music #CPS135.
Published by Carl Fischer
Music (CF.CPS135).
ISBN 9780825888489.
UPC: 798408088484. 9x12
inches.
Triangle of
the Tempest is a
fast-moving composition
with interesting rhythmic
challenges and dynamic
color shifts. Starting
with syncopated figures
over a repeated
eight-measure
progression, the piece
builds in intensity as
more sections and layers
are added. The second
part changes tone and is
led by a heroic trumpet
melody with a soaring
woodwind obligato. The
themes intertwine and the
material develops into a
dramatic conclusion with
a final explosive
ensemble hit.
Action-packed and full of
rhythmic drive, this
piece is a good choice
for contest or festival
performance.
(Twinkle, Twinkle, Little Star). Arranged by Steve Frank. Concert Band. Conc...(+)
(Twinkle, Twinkle, Little
Star). Arranged by Steve
Frank. Concert Band.
Concert
Band; Part(s); Score.
Alfred
Debut Series. Rock. Grade
1.
126 pages. Published by
Alfred Music
Band concert band - Grade 4 SKU: KJ.E1456F Composed by Barry Toombs. Solo...(+)
Band concert band - Grade
4
SKU: KJ.E1456F
Composed by Barry Toombs.
Solos/ensembles.
Conservatory Editions.
Sacred. Score. Neil A.
Kjos Music Company
#E1456F. Published by
Neil A. Kjos Music
Company (KJ.E1456F).
Psalm XIX: The
Heavens Declare was
written by the Italian
composer, writer, and
theorist Benedetto
Marcello (1686-1739). By
profession Marcello
served as a governor and
chamber-lain in Italy,
although he is well-known
for his harsh satires of
contemporary coposers,
such as Vivaldi and
Lotti, As a composer,
Marcello was ingenious
and imaginative; his
works include opera
librettos, concertos,
vocal music, and psalm
settings in cantana
style. This particular
psalm setting has become
popular for organ, and,
thanks to the talent of
arranger Barry Toombs, is
part of the repertoire of
the Westwind Brass. Mr.
Toombs's brass quintet
arrangement of The
Heavens Declare calls for
the optional B Piccolo
Trumpet in the 1st
Trumpet part. It is
preferred that the 1st
trumpet player use a
piccolo trumpet. However,
if one is not available,
B trumpet may be uses as
a substitute.