Rukkilillemaa.
Composed by Rob Goorhuis.
Score Only. Composed
2014. 32 pages. Gobelin
Music Publications #GOB
001210-140. Published by
Gobelin Music
Publications
(BT.GOB-001210-140).
9x12 inches.
English-Dutch.
Sinc
e 1968, the blue
cornflower has been the
national flower of
Estonia. During the
Soviet rule, this flower
also served as a symbol
of the resistance. For
this reason, composer Rob
Goorhuis gave this
work—which is based
on Estonian folk
melodies—the title
The Land of the
Cornflower.Estonia
has a rich folk dance
tradition. The dance
melodies are often
related to the folk music
of surrounding countries
or even further away, for
example the padespaan, a
corruption of the term
Pas d’Espagne (Spanish
dance). In The Land of
the Cornflower, Rob
Goorhuis gives us an
impression of Estonia,
and then brings the folk
melodies Kohaanu¹ka,
Minoorne labajalgand
Padespaan into the
limelight.The work was
commissioned by the
Vabariiklik
Orkestrijuhtide
Puhkpilliorkester
(conductor Bert Langeler)
De blauwe
korenbloem is sinds 1968
de nationale bloem van
Estland. Tijdens de
Sovjetoverheersing was
deze bloem tevens het
symbool van het verzet.
Daarom gaf componist Rob
Goorhuis dit werk, dat is
gebaseerd op Estse
volksmelodieën, de titel
The Land of the
Cornflower.Estland
kent een rijke traditie
van volksdansen. De
melodieën waarop gedanst
wordt, zijn vaak verwant
met de volksmuziek van
omringende landen en
zelfs van verder weg,
bijvoorbeeld de
padespaan, een
verbastering van Pas
d’Espagne - oftewel
Spaanse dans. In The
Land of the
Cornflower geeft Rob
Goorhuis een impressie
van Estland en brengt hij
achtereenvolgens de
volksmelodieën
‘Kohaanu¹ka’,‘Mino
orne labajalg’ en
‘Padespaan’ voor het
voetlicht.Het werk is
geschreven voor het
Vabariiklik
Orkestrijuhtide
Puhkpilliorkester, dat
onder leiding staat van
Bert Langeler.
Seit 1968 ist die
blaue Kornblume die
Nationalblume Estlands.
Während der
Sowjetherrschaft diente
diese Blume auch als
Symbol des Widerstands.
Vor diesem Hintergrund
wählte der Komponist Rob
Goorhuis für sein auf
estnischen Volksliedern
basierendes Werk den
Titel The Land of the
Cornflower - Das Land
der Kornblume“.Estland
hat eine reiche
Volkstanz-Tradition. Die
Tanzmelodien sind oft mit
der Volksmusik der
umliegenden Länder oder
sogar weiter entfernten
Regionen verwandt - so
ist zum Beispiel
Padespaan eine
Verballhornung von Pas
d’Espagne (spanischer
Tanz).In The Land of
the Cornflower
vermittelt Rob Goorhuis
einen Eindruck von
Estland, um dann
dieVolksliedmelodien
Kohaanuška,
Minoorne labajalg und
Padespaan ins
Rampenlicht zu
rücken.Das Werk wurde
vom estnischen
Blasorchester Vabariiklik
Orkestrijuhtide
Puhkpilliorkester
(Dirigent: Bert Langeler)
in Auftrag gegeben.
Dance of the Whale Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-375-010 A Ballet for the E...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-375-010
A
Ballet for the Endangered
Species. Composed by
Philip Sparke. Anglo
Music Midway Series. Set
(Score & Parts). Composed
2014. Anglo Music Press
#AMP 375-010. Published
by Anglo Music Press
(BT.AMP-375-010).
English-German-French-
Dutch.
Dance of
the Whale was
commissioned by the
Spanish music foundation,
Musica et Orbi, at the
instigation of its
president, Frank De
Vuyst. It is part of a
unique project which
involved nine composers
each writing a short
movement, describing
ananimal of the
composers’ choice,
to form a suite called
Bestiarium. A
consortium of bands
around the world helped
to fund the project and
the world premiere of the
suite took place in March
2013 in Medell n,
Colombia. Dance of the
Whaleuses the tenor
instruments of the band
to describe a lazy and
graceful dance by a blue
whale and is dedicated to
endangered species around
the world.
Dance
of the Whale werd
geschreven in opdracht
van de Spaanse
muziekstichting Musica et
Orbi, op initiatief van
zijn voorzitter, Frank De
Vuyst. Het is onderdeel
van een uniek project;
negen componisten
schreven elk een kort
deel waarin een dier naar
keuze het onderwerp
vormde. Zo vormen ze
samen de suite genaamd
Bestiarium. De
wereldpremière van de
suite vond plaats in
maart 2013 in Medell n,
Colombia. Dance of the
Whale gebruikt de
tenorinstrumenten van het
orkest om de gracieuze
dans te beschrijven van
een blauwe vinvis. Het
werk is gewijd aan
bedreigde diersoorten
over de hele
wereld.
Das
Stück Dance of the
Whale (Tanz des
Wales“) ist Teil
eines einzigartigen
Projekts, in das neun
Komponisten eingebunden
waren. Jeder Komponist
sollte ein Tier seiner
Wahl musikalisch in einem
kurzen Satz darstellen.
Das Ergebnis war eine
Suite namens
Bestiarium.
Dance of the Whale
setzt Tenorinstrumente
ein, um den trägen und
zugleich anmutigen Tanz
eines Blauwals zu
beschreiben. Das Werk ist
den bedrohten Tierarten
auf der ganzen Welt
gewidmet.
Dance of
the Whale (La danza della
balena) è parte di un
unico progetto che
coinvolge nove
compositori, ognuno dei
quali scrive un breve
movimento descrivendo un
animale a sua scelta, per
formare una suite che
prende il nome di
Bestiarium. Un gruppo di
bande da tutto il mondo
ha aiutato a sostenere il
progetto e la prima
esecuzione assoluta della
suite ha avuto luogo nel
marzo del 2013 a Medell n
in Colombia. Dance of the
Whale utilizza gli
strumenti tenori della
banda per descrivere una
pigra e aggraziata danza
di una balenottera
azzurra ed è dedicato
alle specie in via di
estinzione in tutto il
mondo.
Dance of the Whale Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-375-140 A Ballet for the E...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-375-140
A
Ballet for the Endangered
Species. Composed by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2014. Anglo Music Press
#AMP 375-140. Published
by Anglo Music Press
(BT.AMP-375-140).
English-German-French-
Dutch.
Dance of
the Whale was
commissioned by the
Spanish music foundation,
Musica et Orbi, at the
instigation of its
president, Frank De
Vuyst. It is part of a
unique project which
involved nine composers
each writing a short
movement, describing
ananimal of the
composers’ choice,
to form a suite called
Bestiarium. A
consortium of bands
around the world helped
to fund the project and
the world premiere of the
suite took place in March
2013 in Medell n,
Colombia. Dance of the
Whaleuses the tenor
instruments of the band
to describe a lazy and
graceful dance by a blue
whale and is dedicated to
endangered species around
the world.
Dance
of the Whale werd
geschreven in opdracht
van de Spaanse
muziekstichting Musica et
Orbi, op initiatief van
zijn voorzitter, Frank De
Vuyst. Het is onderdeel
van een uniek project;
negen componisten
schreven elk een kort
deel waarin een dier naar
keuze het onderwerp
vormde. Zo vormen ze
samen de suite genaamd
Bestiarium. De
wereldpremière van de
suite vond plaats in
maart 2013 in Medell n,
Colombia. Dance of the
Whale gebruikt de
tenorinstrumenten van het
orkest om de gracieuze
dans te beschrijven van
een blauwe vinvis. Het
werk is gewijd aan
bedreigde diersoorten
over de hele
wereld.
Das
Stück Dance of the
Whale (Tanz des
Wales“) ist Teil
eines einzigartigen
Projekts, in das neun
Komponisten eingebunden
waren. Jeder Komponist
sollte ein Tier seiner
Wahl musikalisch in einem
kurzen Satz darstellen.
Das Ergebnis war eine
Suite namens
Bestiarium.
Dance of the Whale
setzt Tenorinstrumente
ein, um den trägen und
zugleich anmutigen Tanz
eines Blauwals zu
beschreiben. Das Werk ist
den bedrohten Tierarten
auf der ganzen Welt
gewidmet.
Dance of
the Whale (La danza della
balena) è parte di un
unico progetto che
coinvolge nove
compositori, ognuno dei
quali scrive un breve
movimento descrivendo un
animale a sua scelta, per
formare una suite che
prende il nome di
Bestiarium. Un gruppo di
bande da tutto il mondo
ha aiutato a sostenere il
progetto e la prima
esecuzione assoluta della
suite ha avuto luogo nel
marzo del 2013 a Medell n
in Colombia. Dance of the
Whale utilizza gli
strumenti tenori della
banda per descrivere una
pigra e aggraziata danza
di una balenottera
azzurra ed è dedicato
alle specie in via di
estinzione in tutto il
mondo.
Concert Band - Grade 2 SKU: AP.49171S Composed by Douglas E. Wagner. Conc...(+)
Concert Band - Grade 2
SKU: AP.49171S
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble. Belwin Young
Band. Form: Ballade.
Folk. Score. 16 pages.
Duration 3:20. Belwin
Music #00-49171S.
Published by Belwin Music
(AP.49171S).
ISBN
9781470646820. UPC:
038081564999.
English.
The
worldwide pandemic of
2020 left in its wake
devastating numbers of
lives lost, resulting in
unspeakable suffering for
families coping with the
grief for their now
absent loved ones. This
is especially true for
the first responders,
frontline personnel,
doctors, nurses,
scientists, medical
support teams, and
healthcare staff members
whose selfless dedication
and devotion to caring
for others tragically
resulted in their own
passing. Guided by their
personal, deep sense of
duty and obligation to
heal and help, they put
themselves in harm's way,
paying the ultimate price
so that others might
live. Celebrate their
lives with Douglas
Wagner's composition, We
Will Remember Them.
May their bright
stars ever spread the
night sky, piercing the
darkness to continue
bringing light, hope, and
inspiration to us all.
At the going down
of the sun and in the
morning, we will remember
them. (3:20).
Concert Band - Grade 2 SKU: AP.49171 Composed by Douglas E. Wagner. Conce...(+)
Concert Band - Grade 2
SKU: AP.49171
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble. Belwin Young
Band. Form: Ballade.
Score and Part(s). 78
pages. Duration 3:20.
Belwin Music #00-49171.
Published by Belwin Music
(AP.49171).
ISBN
9781470646813. UPC:
038081564982.
English.
The
worldwide pandemic of
2020 left in its wake
devastating numbers of
lives lost, resulting in
unspeakable suffering for
families coping with the
grief for their now
absent loved ones. This
is especially true for
the first responders,
frontline personnel,
doctors, nurses,
scientists, medical
support teams, and
healthcare staff members
whose selfless dedication
and devotion to caring
for others tragically
resulted in their own
passing. Guided by their
personal, deep sense of
duty and obligation to
heal and help, they put
themselves in harm's way,
paying the ultimate price
so that others might
live. Celebrate their
lives with Douglas
Wagner's composition, We
Will Remember Them.
May their bright
stars ever spread the
night sky, piercing the
darkness to continue
bringing light, hope, and
inspiration to us all.
At the going down
of the sun and in the
morning, we will remember
them. (3:20).
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Elephant Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127F Composed by Peter Sciaino. Sw...(+)
Band concert band - Grade
1
SKU: CF.BPS127F
Composed by Peter
Sciaino. Sws. Bps. Full
score. 12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127F. Published by
Carl Fischer Music
(CF.BPS127F).
ISBN
9781491156216. UPC:
680160914753. 9 x 12
inches.
Program
Notes Elephant is,
of course, inspired by
the incredible mammals of
the same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gate and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Finding My Way Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4856-00 Composed by Jarvis. Young Concert Band. Comma...(+)
Grade 2
SKU:
CL.011-4856-00
Composed by Jarvis. Young
Concert Band. Command
Series. Score and set of
parts. Composed 2020.
Duration 3 minutes, 1
second. C.L. Barnhouse
#011-4856-00. Published
by C.L. Barnhouse
(CL.011-4856-00).
This original
rock-style power ballad
is a musical journey for
young people of all ages!
Finding My Way begins
with a lyrical statement,
tentative at first, which
gradually grows in
confidence. The ballad
finds its way in the
second theme, building
into a bold and
affirmative musical
statement that drives to
a joyous conclusion.
Lyrical melodies
accompanied by gentle
rock rhythms are laid
over percussion parts
that combine to give the
presence of a full drum
set backing up the band
in this fun piece. Find
YOUR way, and rock
on!
About
C.L. Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Arranged by Ludwig Minkus
and ed./arr. by William
McDermott/ Libretto by
Sergei Khudekov. Full
Orchestra, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A888801.
Published by
LudwigMasters
Publications
(AP.36-A888801).
ISBN
9798888529911. UPC:
659359989490.
English.
The ballet
La Bayadère (The
Temple Dancer or The
Temple Maiden) was
created in 1877 for famed
French choreographer
Marius Petipa to music by
Ludwig Minkus
(1826-1917). In four act
and seven tableaux, the
ballet tells the story of
the bayadère Nikiya
and the warrior Solor,
lovers who are beset by
jealous rivals, arranged
marriages beyond their
control, murder, an
opium-fueled
hallucination of the
afterlife, and a vengeful
god that destroys the
temple and everybody in
it as revenge for
Nikiya's murder. It was
first performed on
February 4, 1877, by the
Imperial Ballet in St.
Petersburg, Russia. It
was hailed as a success
and masterpiece
immediately after the
premiere, particularly
The Kingdom of the Shades
scene in Act II, an
excerpt which remains a
major standalone work for
the ballet repertoire.
Modern performances of La
Bayadère are almost
always derived from a
1941 version sated for
the Kirov/Mariinsky
Ballet by Vladimir
Ponomarev and Vakhtang
Chabukiani, which
incorporates additional
music by Minkus, Drigo,
and Pugni. Act II takes
place after Nikiya is
killed by a concealed
venomous snake. A
depressed Solor smokes
opium, resulting in a
vision of Nikiya's spirit
dwelling in the Kingdom
of the Shades, a nirvana
in the Himalayas. The two
lovers reconcile among
the shades of other
bayadères in a Pas de
deux, then Solor is
awakened just in time for
his arranged marriage to
another woman. This
orchestration of Act II
has been completed by
William McDermott.
Instrumentation: 2.2.2.2:
4.2.3.0: Timp.Perc(2):
Harp: Str (4-4-3-3-3 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Finding My Way Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4856-01 Composed by Jarvis. Young Concert Band. Extra...(+)
Grade 2
SKU:
CL.011-4856-01
Composed by Jarvis. Young
Concert Band. Extra full
score. C.L. Barnhouse
#011-4856-01. Published
by C.L. Barnhouse
(CL.011-4856-01).
This original
rock-style power ballad
is a musical journey for
young people of all ages!
Finding My Way begins
with a lyrical statement,
tentative at first, which
gradually grows in
confidence. The ballad
finds its way in the
second theme, building
into a bold and
affirmative musical
statement that drives to
a joyous conclusion.
Lyrical melodies
accompanied by gentle
rock rhythms are laid
over percussion parts
that combine to give the
presence of a full drum
set backing up the band
in this fun piece. Find
YOUR way, and rock
on!
Band concert band - Grade 3 SKU: CF.CPS250 Composed by Peter Sciaino. Set...(+)
Band concert band - Grade
3
SKU: CF.CPS250
Composed by Peter
Sciaino. Set of Score and
Parts.
27+12+12+6+12+12+12+6+6+6
+6+4+4+8+8+8+4+4+6+6+6+4+
12+4+2+6+10 pages.
Duration 4 minutes, 40
seconds. Carl Fischer
Music #CPS250. Published
by Carl Fischer Music
(CF.CPS250).
ISBN
9781491159576. UPC:
680160918164.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
Kaleidoscope Sky Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 3 SKU: CF.CPS250F Composed by Peter Sciaino. Fu...(+)
Band concert band - Grade
3
SKU: CF.CPS250F
Composed by Peter
Sciaino. Full score. 27
pages. Carl Fischer Music
#CPS250F. Published by
Carl Fischer Music
(CF.CPS250F).
ISBN
9781491159583. UPC:
680160918171.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
Masked Orchestre d'harmonie - Intermédiaire Activist Music
Concert Band (SCORE) - Grade 5 SKU: HL.4007249 Movement 3 from Suspend...(+)
Concert Band (SCORE) -
Grade 5
SKU:
HL.4007249
Movement 3 from
Suspended for Symphonic
Band and Pre-recorded
Soundscape. Composed
by Alex Shapiro. Activist
Music. Concert.
Softcover. Duration 300
seconds. Published by
Activist Music
(HL.4007249).
UPC:
840126969481.
9.0x12.0x0.087
inches.
“Mask
ed†by Alex Shapiro
is composed in the exact
shape of a Classical
Minuet and Trio waltz,
though the
music––a
whimsical if somewhat
demented masked ball (or,
balls, in this
case)––bear
s little connection to
that of Mozart or Haydn.
Historically, third
movement Minuets gave way
to the joke-like Scherzo,
and the Trio section tips
its hat to some welcome
levity. This is one of
four movements in
Suspended, a piece is
composed in the tradition
of an 18th century
Classical symphony: four
contrasting movements
which serve specific
functions and reveal a
story. The work begins in
absolute rage and chaos,
then alternates between
moments of grief and
bleakness. Grim reality
shifts to a macabre,
circus-like insanity, and
by the end, flickers of
genuine hope contrast a
pervasive sense of dread,
and finally arrive at
more optimistic
possibilities. To perform
the piece, you'll need an
audio system capable of
playing the prerecorded
audio tracks from a
laptop computer via a
small digital audio
interface connected to an
audio mixer. Download
information is provided
in the printed piece.
Masked Orchestre d'harmonie - Intermédiaire Activist Music
Score and Parts Concert Band (SCORE+PARTS) - Grade 5 SKU: HL.4007248 M...(+)
Score and Parts Concert
Band (SCORE+PARTS) -
Grade 5
SKU:
HL.4007248
Movement 3 from
Suspended for Symphonic
Band and Pre-recorded
Soundscape. Composed
by Alex Shapiro. Activist
Music. Concert. Duration
300 seconds. Published by
Activist Music
(HL.4007248).
UPC:
840126969474.
9.0x12.0x0.831
inches.
“Mask
ed†by Alex Shapiro
is composed in the exact
shape of a Classical
Minuet and Trio waltz,
though the
music––a
whimsical if somewhat
demented masked ball (or,
balls, in this
case)––bear
s little connection to
that of Mozart or Haydn.
Historically, third
movement Minuets gave way
to the joke-like Scherzo,
and the Trio section tips
its hat to some welcome
levity. This is one of
four movements in
Suspended, a piece is
composed in the tradition
of an 18th century
Classical symphony: four
contrasting movements
which serve specific
functions and reveal a
story. The work begins in
absolute rage and chaos,
then alternates between
moments of grief and
bleakness. Grim reality
shifts to a macabre,
circus-like insanity, and
by the end, flickers of
genuine hope contrast a
pervasive sense of dread,
and finally arrive at
more optimistic
possibilities. To perform
the piece, you'll need an
audio system capable of
playing the prerecorded
audio tracks from a
laptop computer via a
small digital audio
interface connected to an
audio mixer. Download
information is provided
in the printed piece.
(An Irish Ballad). By Michael William Balfe (1808-1870). Arranged by Frank Erick...(+)
(An Irish Ballad). By
Michael William Balfe
(1808-1870). Arranged by
Frank Erickson. Concert
Band. Concert Band. Frank
Erickson Publications.
Grade 2. Conductor Score
and Parts. 134 pages.
Published by Alfred Music
Publishing
Concert Band - Grade 2 SKU: WE.GMM266SC Composed by Gregory B. Rudgers. F...(+)
Concert Band - Grade 2
SKU: WE.GMM266SC
Composed by Gregory B.
Rudgers. Full score.
Duration 3 minutes 55
seconds. Midwest Music
#GMM266SC. Published by
Midwest Music
(WE.GMM266SC).
Composer
Rudgers here draws a
delightful fantasy
treatment from the
mid-1800's folk song
about grizzled old
mountain man Dan Tucker.
Opening aggressively with
a short fanfare based on
the main melodic motive
of the song, the work
soon segues into a
tender, beautifully
harmonized ballad. This
lyrical section gives way
to a hoedown replete with
a foot-stomping,
hand-clapping section
that is fun for all
players. Don't miss this
highly creative and
entertaining take on a
classic piece of
Americana!
Concert band (Flute 1,
Flute 2, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb
Trumpet/Cornet 1, Bb
Trumpet/Cornet 2, Horn in
F 1, Horn in F 2,
Trombone 1, Trombone 2,
Trombone 3) - grade 2.5
SKU: CN.R10133
Composed by S. Johnson.
Arranged by Stuart
Johnson. Band Music.
Score and parts. Duration
3:00. Published by G & M
Brand Music Publishers
(CN.R10133).
The waltzes of
Johann Strauss were meant
for dancing and this
delightful piece is no
exception.
Johann
Strauss (the younger) was
only six when he wrote
his first waltz and it
was obvious at an early
stage that he would rival
and outshine his father.
His waltzes were meant
for dancing - the opening
bar is for partners to
bow by way of
introduction to each
other - and when the
Emporor Waltz was written
in 1888, Strauss was
director of the Imperial
Court Balls in
Vienna.
Concert band (Flute 1,
Flute 2, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb
Trumpet/Cornet 1, Bb
Trumpet/Cornet 2, Horn in
F 1, Horn in F 2,
Trombone 1, Trombone 2,
Trombone 3) - grade 2.5
SKU: CN.S11133
Composed by S. Johnson.
Arranged by Stuart
Johnson. Band Music.
Score only. Duration
3:00. Published by G & M
Brand Music Publishers
(CN.S11133).
The waltzes of
Johann Strauss were meant
for dancing and this
delightful piece is no
exception.
Johann
Strauss (the younger) was
only six when he wrote
his first waltz and it
was obvious at an early
stage that he would rival
and outshine his father.
His waltzes were meant
for dancing - the opening
bar is for partners to
bow by way of
introduction to each
other - and when the
Emporor Waltz was written
in 1888, Strauss was
director of the Imperial
Court Balls in
Vienna.
Natural Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.48193S As Recorded by Imagine Dragons...(+)
Concert Band - Grade 2.5
SKU: AP.48193S
As Recorded by Imagine
Dragons. Composed by
Ben McKee, Dan Reynolds,
Daniel Platzman, Justin
Tranter, Mattias Larsson,
Robin Fredriksson, and
Wayne Sermon. Arranged by
Michael Kamuf. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Pop/Rock;
Radio. Score. 20 pages.
Duration 2:45. Alfred
Music #00-48193S.
Published by Alfred Music
(AP.48193S).
UPC:
038081558905.
English.
From their
fourth studio album
Origins, Imagine Dragons'
tune Natural is a
powerful rock anthem.
With a soulful alto
saxophone solo at the
start, the groove
launches the energetic
theme building to an
invigorating conclusion.
Used by ESPN for their
2018 College Football
broadcasts, this became
the band's fifth number
one song in the U.S.
Strong and commanding!
(2:45) This title
available in MakeMusic
Cloud.
Natural Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.48193 As Recorded by Imagine Dragons<...(+)
Concert Band - Grade 2.5
SKU: AP.48193
As Recorded by Imagine
Dragons. Composed by
Ben McKee, Dan Reynolds,
Daniel Platzman, Justin
Tranter, Mattias Larsson,
Robin Fredriksson, and
Wayne Sermon. Arranged by
Michael Kamuf. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Pop Young Band. Pop/Rock;
Radio. Score and Part(s).
238 pages. Duration 2:45.
Alfred Music #00-48193.
Published by Alfred Music
(AP.48193).
UPC:
038081558899.
English.
From their
fourth studio album
Origins, Imagine Dragons'
tune Natural is a
powerful rock anthem.
With a soulful alto
saxophone solo at the
start, the groove
launches the energetic
theme building to an
invigorating conclusion.
Used by ESPN for their
2018 College Football
broadcasts, this became
the band's fifth number
one song in the U.S.
Strong and commanding!
(2:45) This title is
available in MakeMusic
Cloud.
Concert Band/Harmonie - Grade 3 SKU: BT.1793-10-140-MS Composed by Desmon...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1793-10-140-MS
Composed by Desmond
Child, George Karakoglou,
Jon Bon Jovi, Max Martin,
and Richie Sambora.
Arranged by Wolfgang
Wössner. Ovation
Series. Pop & Rock. Score
Only. Composed 2010. 36
pages. Music Sales
#1793-10-140 MS.
Published by Music Sales
(BT.1793-10-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Wolfgang
Wössner has created
yet another energetic and
exciting medley for
concert band, following
in the footsteps of his
previous successful
medley, Bryan Adams - The
Best of Me. This time
Wössner has moulded
four hits by the American
rock band Bon Jovi into
one sensational work.
Combining Runaway,
It’s My Life,
Livin’ On a Prayer
and You Give Love a Bad
Name, creates an
incredibly fun medley
that will rock your next
concert!
Na
Bryan Adams - The Best
of Me en
Grönemeyer!
doet Wolfgang Wössner
het weer: een geweldige
medley schrijven in het
pop- en rockgenre. Deze
keer nam hij vier hits
van de Amerikaanse
rockband Bon Jovi. De
medley begintmet
Runaway uit 1983.
Daarna volgen de hits
It’s My
Life en
Livin’ on a
Prayer uit het jaar
1999. You Give Love a
Bad Name uit 1986
rondt deze sterke medley
mooi af. Schud die haren
los en rocken
mar…!
Nach
Bryan Adams - The Best of
Me und Grönemeyer! hat
Wolfgang Wössner ein
neues Medley für
Blasorchester im
Pop-Rock-Genre geschaff
en. Diesmal nahm er sich
vier Hits der
amerikanischen Rockband
Bon Jovi vor. Das Medley
beginnt mit Runaway von
1983. Dem folgen die
Songs It’s My Life
aus dem Jahr 1999 sowie
Livin’ on a
Prayer. You Give Love a
Bad Name von 1986
vervollständigt dieses
starke Medley, mit dem
Sie die Bühne rocken
werden!
Dopo il
grande successo ottenuto
con i precedenti medley -
Bryan Adams - The Best of
Me e Grönemeyer!,
Wolfgang Wössner
propone un nuovo medley
che riprende quattro
successi della band
americana Bon Jovi.
Questo gruppo
leggendario, fondato da
Jon Bon Jovi, ammalia il
pubblico sia con serene
ballate, sia con brani di
rock sfrenato. Questo
medley include: Runaway
(1983), It’s My
Life (1999),
Livin’ on a Prayer
e You Give Love a Bad
Name (1986).
Irish Ayre For Winds Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Irish Ayre for Winds by Warren Barker. Concert Band. Concert Band. Alfred Concer...(+)
Irish Ayre for Winds by
Warren Barker. Concert
Band. Concert Band.
Alfred Concert Band.
Form: Ballade. Grade 3.
Conductor Score and
Parts. 130 pages.
Published by Alfred Music
Publishing
The Cherry Tree Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.49504S Composed by 15th Century Ballad. ...(+)
Concert Band - Grade 1.5
SKU: AP.49504S
Composed by 15th Century
Ballad. Arranged by Brian
Beck (ASCAP). Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Form:
Ballade; Chorale. Folk.
Score. Alfred Music
#00-49504S. Published by
Alfred Music (AP.49504S).
ISBN 9781470649777.
UPC: 038081570556.
English.
The Cherry
Tree is a beautiful and
lyrical folk song dating
back as early as the 15th
century in the English
Midlands. Having traveled
all around western
Europe, this folk tune
eventually found its way
to America, gaining
popularity in the South
in early 1900s and again
in the 1960s. This
setting, by composer
Brian Beck, captures the
beauty and simplicity of
the original ballad while
encouraging musical
expression and smooth
phrasing. (3:21)
Correlated to Sound
Innovations, Book 1,
Level 5. This title is
available in MakeMusic
Cloud.
The Cherry Tree Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.49504 Composed by 15th Century Ballad. A...(+)
Concert Band - Grade 1.5
SKU: AP.49504
Composed by 15th Century
Ballad. Arranged by Brian
Beck (ASCAP). Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Form:
Ballade; Chorale. Folk.
Score and Part(s). Alfred
Music #00-49504.
Published by Alfred Music
(AP.49504).
ISBN
9781470649760. UPC:
038081570549.
English.
The Cherry
Tree is a beautiful and
lyrical folk song dating
back as early as the 15th
century in the English
Midlands. Having traveled
all around western
Europe, this folk tune
eventually found its way
to America, gaining
popularity in the South
in early 1900s and again
in the 1960s. This
setting, by composer
Brian Beck, captures the
beauty and simplicity of
the original ballad while
encouraging musical
expression and smooth
phrasing. (3:21)
Correlated to Sound
Innovations, Book 1,
Level 5. This title is
available in MakeMusic
Cloud.
Composed by Richard
Summers. Young Band. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+4+6+2+1+4+2+2+20
pages. Duration 2
minutes, 24 seconds. Carl
Fischer Music #YPS140.
Published by Carl Fischer
Music (CF.YPS140).
ISBN 9780825895708.
UPC: 798408095703. 9 x 12
inches. Key: Bb
major.
Based on
Streets of Laredo, the
popular cowboy ballad
from the American West,
composer Richard Summers
has crafted a delightful
set of variations. After
a bold fanfare
introduction, the theme
is stated in a lush
chorale setting. The
piece then goes through
several variations that
utilize the theme in
unique rhythmic and
harmonic ways.
Composed by Richard
Summers. Young Band. Full
score. With Standard
notation. 20 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS140F. Published
by Carl Fischer Music
(CF.YPS140F).
ISBN
9780825896323. UPC:
798408096328. 9 x 12
inches.
Based on
Streets of Laredo, the
popular cowboy ballad
from the American West,
composer Richard Summers
has crafted a delightful
set of variations. After
a bold fanfare
introduction, the theme
is stated in a lush
chorale setting. The
piece then goes through
several variations that
utilize the theme in
unique rhythmic and
harmonic ways.
The Nutcracker Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Curnow Music
Concert Band/Harmonie - Grade 1.5 SKU: BT.CMP-0414-00-010 Composed by Pet...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.CMP-0414-00-010
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Mike Hannickel. Sinfonia
Series. Set (Score &
Parts). Composed 2000.
Curnow Music #CMP
0414-00-010. Published by
Curnow Music
(BT.CMP-0414-00-010).
Everyone loves
the NUTCRACKER! The
immense and unprecedented
popularity of this ballet
seems to be without
limit. Now your Grade 1
band can experience the
joy of playing the themes
they know so well. This
extremely flexible
arrangement can be used
in so many ways!! Play it
all, or leave out
selected movements. Use
the optional tag ending,
or skip it. Due to the
flexibility of this
arrangement, THE
NUTCRACKER is great for
programming early in the
school year (while you're
still discovering the
capabilities of this
year's band). Also,
notice the suggested
changes in the Notes to
the Director, which make
this arrangement more
flexible yet! You just
can't lose with
MikeHannickel's
arrangement of
Tchaikowky's NUTCRACKER
SUITE.
Here comes Bobby the Bear Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Gobelin Music Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000477-010 Composed by Andr...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000477-010
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 58
pages. Gobelin Music
Publications #GOB
000477-010. Published by
Gobelin Music
Publications
(BT.GOB-000477-010).
Rock music is
always a success. And
when it is supported
verbally as it is done in
this composition, the
party can begin.
Bobby is a friendly
circus animal that has
seen a lot of the world.
There is nothing left to
wish for and his freedom
from worries radiates
from this rock march by
Andreas Ludwig Schulte.
Rockmuziek doet
het altijd goed. Als het
zoals in deze compositie
ook nog verbaal wordt
ondersteund kan het feest
beginnen.
Bobby
is een goedaardig dier
dat door zijn circus
bestaan al heel wat van
de wereld heeft
gezien.Hij heeft niets
meer te wensen en die
zorgeloosheid straalt af
in deze rockmarch van
Andreas Ludwig
Schulte.
Concert Band/Harmonie - Grade 1.5 SKU: BT.GOB-000477-140 Composed by Andr...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.GOB-000477-140
Composed by Andreas
Ludwig Schulte. Score
Only. 8 pages. Gobelin
Music Publications #GOB
000477-140. Published by
Gobelin Music
Publications
(BT.GOB-000477-140).
Rock music is
always a success. And
when it is supported
verbally as it is done in
this composition, the
party can begin.
Bobby is a friendly
circus animal that has
seen a lot of the world.
There is nothing left to
wish for and his freedom
from worries radiates
from this rock march by
Andreas Ludwig Schulte.
Rockmuziek doet
het altijd goed. Als het
zoals in deze compositie
ook nog verbaal wordt
ondersteund kan het feest
beginnen.
Bobby
is een goedaardig dier
dat door zijn circus
bestaan al heel wat van
de wereld heeft
gezien.Hij heeft niets
meer te wensen en die
zorgeloosheid straalt af
in deze rockmarch van
Andreas Ludwig
Schulte.
Lanigan's Ball Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4 SKU: CF.SPS70 Composed by Ed Kiefer. Set of S...(+)
Band concert band - Grade
4
SKU: CF.SPS70
Composed by Ed Kiefer.
Set of Score and Parts.
With Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+4+4+9+9+9+9+6
+12+6+6+2+6+6+6+36 pages.
Duration 5 minutes, 45
seconds. Carl Fischer
Music #SPS70. Published
by Carl Fischer Music
(CF.SPS70).
ISBN
9781491143520. UPC:
680160901029. Key: C
minor.
Irish music
is always interesting to
composers and band
musicians. It fits well
with a concert band and
is fun to play. Ed Kiefer
starts with a solo
clarinet on the jig
Lanigan's Ball that
builds and builds to a
dramatic presentation of
the folk song, before
leading a section of
repose based on the song
Binnorie. The percussion
is highlighted in a
build-up to the climax
where the tunes are
combined for a dramatic
conclusion.