Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Arranged by Menno
Haantjes. Set (Score &
Parts). 78 pages. Gobelin
Music Publications #GOB
000981-010. Published by
Gobelin Music
Publications
(BT.GOB-000981-010).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain ..
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain.
Arranged by Menno
Haantjes. Score Only. 12
pages. Gobelin Music
Publications #GOB
000981-140. Published by
Gobelin Music
Publications
(BT.GOB-000981-140).
Isaac Watts
(1674-1748) wrote the
lyrics of There is a land
of pure delight and is
known as the Father of
English Hymnody.
Watts was for the English
hymn as Ambrose was for
the medieval Latin hymn
and what Martin Luther
was for the German
chorale. He wrote
about 750 songs, and some
of them survide the
ravahes of time. (Joy To
The World, When I survey
the wondrous cross, I
sing the Mighty Power of
God)
There is a
Land of Pure Delight is
usually in
English-speaking areas
sung on Luther Orlando
Emerson's melody
('Ascription'). Here
is used a traditional
English melody
('Mendip').
There is a land of pure
delight Wheresaints
immortal Reign.
Infinite day excludes the
night, And pleasures
banish pain ..
Isaac Watts
(1674-1748) schreef de
tekst van ‘There is a
land of pure delight’,
en staat bekend als de
'Father of English
Hymnody' (Vader van het
gezang). Watts was
voor het Engelse gezang
wat Ambrosius was voor de
middeleeuwseLatijnse
hymne in de getijden en
wat Maarten Luther was
voor het Duitse koraal.
Hij schreef ongeveer 750
liederen, waarvan een
aantal de tand des tijds
overleefden. (Joy to the
World, When I survey the
wondrous cross, I singthe
mighty Power of
God)
'There is a
Land of Pure Delight'
wordt in Engelstalige
gebieden meestal op een
melodie van Luther
Orlando Emerson gezongen
('Ascription'). In
Nederland is het lied
opgenomen in het
'Liedboekder Kerken'
(gez. 290). Hier wordt
gebruik gemaakt van een
Engelse traditionele
melodie
('Mendip').
There
is a land of pure
delight Where saints
immortal reign.
Infinite day excludes the
night, And
pleasuresbanish pain.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
Concert Band - Grade 4 SKU: ML.013773070 Greatest hits by Whitney Hous...(+)
Concert Band - Grade 4
SKU: ML.013773070
Greatest hits by
Whitney Houston.
Composed by G. Merrill/N.
Ashford/V. Simpson/M.
Walden/S. Rubicam.
Arranged by Lorenzo
Bocci. Full set. Molenaar
Edition #013773070.
Published by Molenaar
Edition (ML.013773070).
Whitney
Elizabeth Houston
(Newark, 9 August 1963 -
Beverly Hills, 11
February 2012) was an
American singer, model
and actress. According to
Guiness World Records,
Houston is the singer
with the most awards of
all time and is one of
the best-selling artists
ever with 220 million
records sold worldwide.
In this medley: I'm Every
Woman, How will I Know
and I Wanna Dance with
Somebody.
Whitney
Elizabeth Houston
(Newark, 9 augustus 1963
– Beverly Hills, 11
februari 2012) was een
Amerikaans zangeres,
model en actrice. Houston
is volgens Guiness World
Records de zangeres met
de meeste prijzen aller
tijden en is een van de
bestverkopende artiesten
ooit met 220 miljoen
verkochte platen
wereldwijd. In deze
medley: I'm Every Woman,
How will I Know en I
Wanna Dance with
Somebody.
Whitney
Elizabeth Houston
(Newark, 9 août 1963 -
Beverly Hills, 11
février 2012) était une
chanteuse, mannequin et
actrice américaine.
Selon le Guiness World
Records, Houston est la
chanteuse la plus
récompensée de tous les
temps et l'une des
artistes ayant vendu le
plus de disques, avec 220
millions de disques
vendus dans le monde.
Dans ce medley : I'm
Every Woman, How will I
Know et I Wanna Dance
with
Somebody.
Whitney
Elizabeth Houston
(Newark, 9. August 1963 -
Beverly Hills, 11.
Februar 2012) war eine
amerikanische Sängerin,
Model und Schauspielerin.
Laut Guiness World
Records ist Houston die
Sängerin mit den meisten
Auszeichnungen aller
Zeiten und mit weltweit
220 Millionen verkauften
Tonträgern eine der
meistverkauften
Künstlerinnen aller
Zeiten. In diesem Medley:
I'm Every Woman, How will
I Know und I Wanna Dance
with Somebody.
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204).
ISBN
9781491152249. UPC:
680160909742. Key: D
minor.
Avalonâ€
Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
Avalon Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F).
ISBN
9781491152928. UPC:
680160910427.
Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2
SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor.
Band Concert Band - Grade 2 SKU: CF.YPS200F Composed by Matthew R. Putnam...(+)
Band Concert Band - Grade
2
SKU: CF.YPS200F
Composed by Matthew R.
Putnam. Young Band (YPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS200F.
Published by Carl Fischer
Music (CF.YPS200F).
Score Only Concert Band (Score) - Grade 3 SKU: HL.4004962 Composed by Geo...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4004962
Composed
by George Butterworth.
Arranged by Robert
Longfield. MusicWorks
Grade 3. Softcover.
Published by Hal Leonard
(HL.4004962).
UPC:
888680653521.
9.0x12.0x0.059
inches.
Written by
British composer George
Butterworth in 1913, this
classic work is based on
two folk songs -
“The Banks of Green
Willow†and
“Green
Bushes†(the latter
also appearing in works
by Grainger and Vaughan
Williams). Butterworth
died in World War I at
the age of 31, and this
composition remains his
most popular, regarded as
an anthem for
“Unknown
Soldiers.†Here is
a masterful setting for
winds adapted by Robert
Longfield. Dur: 3:50.
Concert band (Flute 1,
Flute 2/Piccolo, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, Horn in F 1/2, Horn in
F 3/4, Trombone 1/2,
Trombone) - grade 3
SKU: CN.S11293
Composed by Peter
Meechan. Score only.
Duration 4:15. Published
by G & M Brand Music
Publishers (CN.S11293).
Inspired by the
release of Nelson Mandela
in the early 1990s, Hymn
for Africa pays tribute
to the sense of dignity
and peace that he brought
not only to South Africa,
but around the entire
globe. As the beautifully
lush chorale unfolds,
quietly undulating drums
murmur in the distance
and gradually build into
a rousing
climax.
Hymn for
Africa was written as
part of a project known
as Brass Band Aid. When I
was asked to compose a
piece with relevance to
Africa for the project, I
began to think of all the
things that I associate
with Africa. I have vivid
memories from my
childhood of the
hard-hitting news reports
from the famines of the
early/mid 1980's (and the
concerts that followed).
I also associate Africa
with amazing animal life
- the many species from
snakes to birds to lions,
with their many colours.
But more than these
associations, there is
one memory that stands
out amongst all others.
The release of Nelson
Mandela in the early
1990's had a profound
effect not only in South
Africa, but all over the
continent of Africa, as
well as the World as a
whole. The fact that one
man can achieve this with
peace and great dignity
will always be an
inspiration, not only to
me, but many, many
millions of humans around
the globe. Hymn for
Africa is inspired by
this sense of dignity and
peace. A simple eight bar
melody is the basis of
the composition. A drone
is then added, before a
chorale, and finally a
rousing climax when the
percussion and full band
enter. The piece
dedicated to Bob and
Briony Thompson in
admiration.
Badlands Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS119 Composed by Peter Terry. Begin...(+)
Band concert band - Grade
1
SKU: CF.BPS119
Composed by Peter Terry.
Beginning Band (BPS). Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+1
+2+2+12+2 pages. Carl
Fischer Music #BPS119.
Published by Carl Fischer
Music (CF.BPS119).
ISBN 9781491152058.
UPC:
680160909551.
Badla
nds occur throughout the
world, and are
represented by dramatic
terrain created
by sediment that
is deposited in
layers,
then solidifies and
 is eroded over
millions of years. These
processes leave stark,
but
beautiful structures
in a harsh and alien
landscape. BadlandsÂ
opens with a first theme
that depicts the stark
emptiness of the badland
terrain. This moves to a
brooding, mysterious
second theme followed by
variations on this
theme. A brief lyrical
theme and a return to
the second theme follow.
The piece ends with a
return of the first theme
for a dramatic
finish. Badlands occur
throughout the world, but
many of the most striking
are in Canada and the
United States. This
dramatic terrain is
created by sediment that
is deposited in layers,
then solidifies and is
eroded over millions of
years. These processes
leave stark, but
beautiful structures in a
harsh and alien
landscape. The regions
known as badlands are
frequently difficult to
impossible to navigate on
foot and are often
considered to be sacred
lands by cultures that
live in these regions.
Badlands opens with a
first theme that depicts
the stark emptiness of
the badland terrain. This
moves to a brooding,
mysterious second theme
followed by variations on
this theme. A brief
lyrical theme and a
return to the second
theme follow. The piece
ends with a return of the
first theme for a
dramatic finish.I enjoyed
writing this piece and
hope your students will
enjoy playing these
contrasting styles.
Additionally, I hope that
you will find the piece
beneficial in teaching
important musical
concepts.Peter Terry,
2018.
Badlands Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS119F Composed by Peter Terry. Begi...(+)
Band concert band - Grade
1
SKU: CF.BPS119F
Composed by Peter Terry.
Beginning Band (BPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #BPS119F.
Published by Carl Fischer
Music (CF.BPS119F).
ISBN 9781491152737.
UPC:
680160910236.
Badla
nds occur throughout the
world, and are
represented by dramatic
terrain created
by sediment that
is deposited in
layers,
then solidifies and
 is eroded over
millions of years. These
processes leave stark,
but
beautiful structures
in a harsh and alien
landscape. BadlandsÂ
opens with a first theme
that depicts the stark
emptiness of the badland
terrain. This moves to a
brooding, mysterious
second theme followed by
variations on this
theme. A brief lyrical
theme and a return to
the second theme follow.
The piece ends with a
return of the first theme
for a dramatic
finish. Badlands occur
throughout the world, but
many of the most striking
are in Canada and the
United States. This
dramatic terrain is
created by sediment that
is deposited in layers,
then solidifies and is
eroded over millions of
years. These processes
leave stark, but
beautiful structures in a
harsh and alien
landscape. The regions
known as badlands are
frequently difficult to
impossible to navigate on
foot and are often
considered to be sacred
lands by cultures that
live in these regions.
Badlands opens with a
first theme that depicts
the stark emptiness of
the badland terrain. This
moves to a brooding,
mysterious second theme
followed by variations on
this theme. A brief
lyrical theme and a
return to the second
theme follow. The piece
ends with a return of the
first theme for a
dramatic finish.I enjoyed
writing this piece and
hope your students will
enjoy playing these
contrasting styles.
Additionally, I hope that
you will find the piece
beneficial in teaching
important musical
concepts.Peter Terry,
2018.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155660-010 You Know Iâ??...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155660-010
You Know Iâ??m No
Good, Valerie, Love Is a
Losing Game, Back to
Black, Rehab.
Composed by Amy
Winehouse. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Concert
Piece. Set (Score and
Parts). Composed 2015. De
Haske Publications #DHP
1155660-010. Published by
De Haske Publications
(BT.DHP-1155660-010).
English-German-French-
Dutch.
On July 23
2011, the news of the
death of Amy Winehouse
shocked the entire world.
What could have been one
of the most impressive
careers in the history of
pop and modern soul, was
halted by a tragic event
which no one will forget.
The best way tohonour Amy
Winehouse now is through
her music. A Tribute
to Amy Winehouse
includes all of the songs
which earned her cult
status and made her
unforgettable You Know
Iâ??m No Good, Valerie,
Love Is a Losing Game,
Back to Black
andRehab.
Op 23 juli 2011
werd de wereld
opgeschrikt door het
nieuws over de dood van
Amy Winehouse. Aan wat
een van de meest
indrukwekkende
carrières in de
geschiedenis van de pop
en moderne soul had
kunnen worden, kwam op
tragische wijze een eind.
De bestemanier om Amy
Winehouse nu in ere te
houden, is door middel
van haar muziek. A
Tribute to Amy
Winehouse omvat alle
songs waarmee ze haar
cultstatus verwierf en
waardoor ze onvergetelijk
werd: You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black en
Rehab.
Die
Nachricht vom Tod Amy
Winehouses am 23. Juli
2011 schockierte die
ganze Welt. Was die
beeindruckendste Karriere
in der Geschichte der
Pop- und modernen
Soulmusik hätte werden
können, wurde durch
ein tragisches Ereignis
beendet, das
niemandvergessen wird.
Man kann Amy Winehouse am
besten mit ihrer Musik
ehren. A Tribute to
Amy Winehouse umfasst
alle Songs, durch die sie
Kultstatus erreicht hat
und die sie unvergesslich
machen You Know Iâ??m
No Good, Valerie, Love Is
a LosingGame, Back to
Black und
Rehab.
Il
23 luglio 2011
lâ??improvvisa scomparsa
di Amy Winehouse
sconvolse il mondo
intero. La sua morte ha
stroncato una delle
più promettenti
carriere della storia del
modern soul. Solo
attraverso la sua musica
è possibile tenere
viva la fiamma
creativadella popstar
britannica. Per questo
è stato pensato A
Tribute to Amy
Winehouse è un
medley che raccoglie le
canzoni che ne hanno reso
la breve quanto intensa
carriera indimenticabile:
You Know Iâ??m No
Good, Valerie,
Love Is aLosing
Game, Back to
Black and
Rehab.
Composed by
Michael J. Miller. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+2+4+5+4+4+4+8+12+6+
6+1+1+10+16+4+4+4+2
pages. Duration 3
minutes, 9 seconds. Carl
Fischer Music #YPS205.
Published by Carl Fischer
Music (CF.YPS205).
ISBN 9781491152256.
UPC: 680160909759. Key: F
major.
Cornish
Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Composed
by Michael J. Miller.
Young Band (YPS). Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS205F.
Published by Carl Fischer
Music (CF.YPS205F).
ISBN 9781491152935.
UPC:
680160910434.
Corni
sh Coastal Walk is a
beautiful new composition
depicting the majestic
cliffs and coastline of
the Cornwall region in
England. Composer Michael
Miller provides young
bands with an opportunity
to stretch their musical
muscles with this lush
and tuneful piece in 3/4
time. Directors will find
in this piece a strong
vehicle to teach
phrasing, beauty of tone,
and musicianship to young
bands. In the far
southwest of England
reaching out towards the
Celtic Sea is the county
Cornwall. A peninsula,
Cornwall is surrounded by
some of the
world’s most
picturesque scenery
including beaches,
cliffs, and rolling
hills. Separated from the
rest of England by the
river Tamar, the Cornish
take great pride in their
culture including the
pasty (a stuffed pastry
and preferred lunch of
miners), Cornish cream
tea (not to be confused
with rival Devon cream
tea where the cream goes
under the jam), and well
known national heritage
sights such as Rough Tor
(Cornwall’s
highest point), and
Tintagel Castle (rumored
birth place of King
Arthur).In the spring and
summer of 2017, I had the
pleasure to visit
Cornwall, while my wife
was a visiting scholar at
the University of Exeter
in the neighboring county
of Devon. One July
afternoon, while she was
making field observations
(she’s a Cultural
Anthropologist), I
decided to take a stroll
along the cliffs as was
recommended by a friend.
I set out from Boscastle,
a small inlet village
where one can enjoy the
most delicious black
currant ice cream, and I
trekked up and down the
cliffs for three or four
miles before finally
arriving in Tintagel. I
had planned to continue
on to Trebarwith Strand,
home of the fantastic
Port William tavern, but
greatly underestimated
the difficulty of the
terrain.Along my walk I
witnessed some of the
most breathtaking views I
have ever seen. The coast
of this particular region
of Cornwall is both
majestic and peaceful. It
is frighteningly
powerful, but also loving
and kind. It is the type
of place where people
have for years looked out
over the sea longing for
their loved ones to
return. I hope this music
brings you the same inner
peace I found on my hike
that day.This piece is
dedicated to Neil and his
sidekick Derek, without
whom I might have been
just another tourist.
Whistle While You Work Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053972-140 From Snow Whit...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053972-140
From Snow White and
the Seven Dwarfs.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Score Only. Composed
2005. 28 pages. De Haske
Publications #DHP
1053972-140. Published by
De Haske Publications
(BT.DHP-1053972-140).
9x12 inches.
The
1937 Walt Disney-film
Snow White and the Seven
Dwarfs has fascinated and
touched many generations
with its unforgettable
fairy tale figures. The
timeless music is also
captivating with the
catchy song Whistle While
You Work being a song
know by young and old
alike throughout the
world. This version for
concert band will ensure
your audience leave the
concert hall with a
spring in their step!
De Walt
Disney-film Snow White
and the Seven Dwarfs
(Sneeuwwitje en de
zeven dwergen) uit
1937 heeft met zijn
onvergetelijke
sprookjespersonages al
verschillende generaties
geboeid en vertederd. Ook
de tijdloze muziekis nog
altijd de moeite waard:
de aanstekelijke song
Whistle While You
Work brengt de
luisteraar meteen in een
goed
humeur!
Whistle
While You Work ist
eines der bezaubernden
Lieder aus dem
Walt-Disney-
Filmklassiker
Schneewittchen von
1937.
Schneewittchen war
weltweit der absolut
erfolgreichste Film der
30er Jahre und wurde erst
von Vom Winde
verweht
übertroffen. Mit
Ich pfeif ein kleines
Lied, wie der Gesang
der sieben Zwerge in der
deutschen Fassung
heißt, könnaen Sie
nun in einer
unterhaltsamen
Bearbeitung fröhlich
stimmen.
Uno
dei film tra i più
conosciuti
dell’industria
cinematografica,
Biancaneve e i Sette
Nani, primo
lungometraggio della Walt
Disney, ha saputo
catturare
l’immaginazione di
intere generazioni.
L’animazione è
piena di grazia e finezza
e i personaggi, ognuno a
modo proprio, restano
indimenticabili. La
musica è deliziosa e
alcune canzoni tra le
quali Whistle While
You Work sono
divenute inni al
buonumore.
Whistle While You Work Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053972-010 From Snow Whit...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053972-010
From Snow White and
the Seven Dwarfs.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053972-010. Published by
De Haske Publications
(BT.DHP-1053972-010).
9x12 inches.
The
1937 Walt Disney-film
Snow White and the Seven
Dwarfs has fascinated and
touched many generations
with its unforgettable
fairy tale figures. The
timeless music is also
captivating with the
catchy song Whistle While
You Work being a song
know by young and old
alike throughout the
world. This version for
concert band will ensure
your audience leave the
concert hall with a
spring in their step!
De Walt
Disney-film Snow White
and the Seven Dwarfs
(Sneeuwwitje en de
zeven dwergen) uit
1937 heeft met zijn
onvergetelijke
sprookjespersonages al
verschillende generaties
geboeid en vertederd. Ook
de tijdloze muziekis nog
altijd de moeite waard:
de aanstekelijke song
Whistle While You
Work brengt de
luisteraar meteen in een
goed
humeur!
Whistle
While You Work ist
eines der bezaubernden
Lieder aus dem
Walt-Disney-
Filmklassiker
Schneewittchen von
1937.
Schneewittchen war
weltweit der absolut
erfolgreichste Film der
30er Jahre und wurde erst
von Vom Winde
verweht
übertroffen. Mit
Ich pfeif ein kleines
Lied, wie der Gesang
der sieben Zwerge in der
deutschen Fassung
heißt, könnaen Sie
nun in einer
unterhaltsamen
Bearbeitung fröhlich
stimmen.
Uno
dei film tra i più
conosciuti
dell’industria
cinematografica,
Biancaneve e i Sette
Nani, primo
lungometraggio della Walt
Disney, ha saputo
catturare
l’immaginazione di
intere generazioni.
L’animazione è
piena di grazia e finezza
e i personaggi, ognuno a
modo proprio, restano
indimenticabili. La
musica è deliziosa e
alcune canzoni tra le
quali Whistle While
You Work sono
divenute inni al
buonumore.
Songs From The Great War Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4705-00 The Music Of World War I. Arranged by ...(+)
Grade 3
SKU:
CL.012-4705-00
The
Music Of World War I.
Arranged by Glover.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR394). Score and set
of parts. Composed 2018.
Duration 6 minutes, 57
seconds. Opus III Wind
Orchestra Publications
#012-4705-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4705-00).
Marking the
centennial of World War
I, also known as The
Great War, this medley
highlights seven songs
popular during this era:
It’s A Long Way To
Tipperary, Good Morning,
Mr. Zip-Zip-Zip, Roses Of
Picardy, How Ya Gonna
Keep ‘Em Down On
The Farm? Keep The Home
Fires Burning, Pack Up
Your Troubles In Your Old
Kit Bag, and Over There!
Perfect for
Veteran’s Day,
Memorial Day, or any
concert situation, and
especially well-suited
for adult community
bands. First class!
Songs From The Great War Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4705-01 The Music Of World War I. Arranged by ...(+)
Grade 3
SKU:
CL.012-4705-01
The
Music Of World War I.
Arranged by Glover.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR394). Extra full
score. Composed 2018.
Duration 6 minutes, 57
seconds. Opus III Wind
Orchestra Publications
#012-4705-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4705-01).
Marking the
centennial of World War
I, also known as The
Great War, this medley
highlights seven songs
popular during this era:
It’s A Long Way To
Tipperary, Good Morning,
Mr. Zip-Zip-Zip, Roses Of
Picardy, How Ya Gonna
Keep ‘Em Down On
The Farm? Keep The Home
Fires Burning, Pack Up
Your Troubles In Your Old
Kit Bag, and Over There!
Perfect for
Veteran’s Day,
Memorial Day, or any
concert situation, and
especially well-suited
for adult community
bands. First class!
Town of the Seven Hills Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1175782-010 Suite for Co...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1175782-010
Suite for Concert
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2017. De Haske
Publications #DHP
1175782-010. Published by
De Haske Publications
(BT.DHP-1175782-010).
English-German-French-
Dutch.
This
4-movement suite tells
the story of the
beautiful French town
‘Tulle’ that
was built on seven hills,
just like Rome and
Lisbon. The composer
depicts the history of
the town, as well as
important events such as
the bloodbath during
World War II, the fabric
‘tulle’
after which the town is
named and the festive
annual fair. Since Tulle
is also known for the
production of accordions,
the composer added an
‘ad libitum’
accordion part. A really
charming and stylish
concert or contest
work!
Deze suite
in vier delen vertelt het
verhaal van het mooie
Franse stadje Tulle, dat
net als Rome en Lissabon
gebouwd is op zeven
heuvels. De componist
beschrijft de
geschiedenis van Tulle,
met aandacht voor
belangrijke
gebeurtenissen als het
bloedbad in de Tweede
Wereldoorlog, de
fijnmazige stof tule, die
naar het stadje genoemd
is, en een feestelijke
jaarkermis. Omdat Tulle
ook bekendstaat om de
accordeons die er
vervaardigd worden, heeft
de componist een ad
libitum
accordeonpartij bij dit
werk geschreven. Een
charmant en stijlvol
concert- of
wedstrijdwerk!
Questa suite
composta di 4 movimenti
racconta la storia della
bellissima citt francese
di “Tulleâ€
costruita su sette
colline, come Roma e
Lisbona. Il compositore
racconta la storia della
citt e i suoi eventi
importanti come il bagni
di sangue durante la
Seconda Guerra Mondiale,
la fabbrica di
“tulleâ€, dopo
i quali la citt è
stata chiamata e la fiera
annuale estiva. Dal
momento che Tulle è
noto anche per la
produzione di
fisarmoniche, il
compositore ha aggiunto
una parte di fisarmonica
“ad libitumâ€.
Un concerto veramente aff
ascinante ed elegante o
un brano adatto ad un
concorso.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1175782-140 Suite for Co...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1175782-140
Suite for Concert
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2017. De Haske
Publications #DHP
1175782-140. Published by
De Haske Publications
(BT.DHP-1175782-140).
English-German-French-
Dutch.
This
4-movement suite tells
the story of the
beautiful French town
‘Tulle’ that
was built on seven hills,
just like Rome and
Lisbon. The composer
depicts the history of
the town, as well as
important events such as
the bloodbath during
World War II, the fabric
‘tulle’
after which the town is
named and the festive
annual fair. Since Tulle
is also known for the
production of accordions,
the composer added an
‘ad libitum’
accordion part. A really
charming and stylish
concert or contest
work!
Deze suite
in vier delen vertelt het
verhaal van het mooie
Franse stadje Tulle, dat
net als Rome en Lissabon
gebouwd is op zeven
heuvels. De componist
beschrijft de
geschiedenis van Tulle,
met aandacht voor
belangrijke
gebeurtenissen als het
bloedbad in de Tweede
Wereldoorlog, de
fijnmazige stof tule, die
naar het stadje genoemd
is, en een feestelijke
jaarkermis. Omdat Tulle
ook bekendstaat om de
accordeons die er
vervaardigd worden, heeft
de componist een ad
libitum
accordeonpartij bij dit
werk geschreven. Een
charmant en stijlvol
concert- of
wedstrijdwerk!
Questa suite
composta di 4 movimenti
racconta la storia della
bellissima citt francese
di “Tulleâ€
costruita su sette
colline, come Roma e
Lisbona. Il compositore
racconta la storia della
citt e i suoi eventi
importanti come il bagni
di sangue durante la
Seconda Guerra Mondiale,
la fabbrica di
“tulleâ€, dopo
i quali la citt è
stata chiamata e la fiera
annuale estiva. Dal
momento che Tulle è
noto anche per la
produzione di
fisarmoniche, il
compositore ha aggiunto
una parte di fisarmonica
“ad libitumâ€.
Un concerto veramente aff
ascinante ed elegante o
un brano adatto ad un
concorso.
Isn't She Lovely? Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125254-140 Composed by Stevi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125254-140
Composed by Stevie
Wonder. Arranged by
Hideaki Miura. New Sounds
for Concert Band. Pop &
Rock. Score Only.
Composed 2012. 24 pages.
De Haske Publications
#DHP 1125254-140.
Published by De Haske
Publications
(BT.DHP-1125254-140).
9x12 inches.
English-German-French-Dut
ch.
“Isnâ€
™t she lovelyâ€
sang Stevie Wonder in
1976 on the birth of his
daughter Aisha. Since the
song never appeared as a
single it became known
chiefly through radio
airplay and continues to
be a much-loved tune
throughout the world.
Hideaki Miura’s
fabulous arrangement for
concert band is sure to
win the heart of your
audience!
Ist
sie nicht
entzückend“ sang
Stevie Wonder 1976
anlässlich der Geburt
seiner Tochter Aisha. Da
der Song nie als Single
erschien, wurde er vor
allem über das Radio
bekannt und blieb über
die Jahre hinweg in den
Ohren und Herzen der
Menschen auf der ganzen
Welt lebendig.
Entzücken Sie Ihr
Publikum mit der
gelungenen
Blasorchesterbearbeitung
von Hideaki Miura!
“Non è
splendida….â€
cantava Stevie Wonder nel
1976 dopo la nascita
della figlia Aisha. Una
meravigliosa ballata
romantica, dai testi
commoventi che i non
giovanissimi ricordano
aver ascoltato
innumerevoli volte alla
radio. Incantate il
pubblico con questo
arrangiamento molto
riuscito firmato Hideaki
Miura!
Isn't She Lovely? Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125254-010 Composed by Stevi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125254-010
Composed by Stevie
Wonder. Arranged by
Hideaki Miura. New Sounds
for Concert Band. Pop &
Rock. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125254-010. Published by
De Haske Publications
(BT.DHP-1125254-010).
9x12 inches.
English-German-French-Dut
ch.
“Isnâ€
™t she lovelyâ€
sang Stevie Wonder in
1976 on the birth of his
daughter Aisha. Since the
song never appeared as a
single it became known
chiefly through radio
airplay and continues to
be a much-loved tune
throughout the world.
Hideaki Miura’s
fabulous arrangement for
concert band is sure to
win the heart of your
audience!
Ist
sie nicht
entzückend“
sang Stevie Wonder 1976
anlässlich der Geburt
seiner Tochter Aisha. Da
der Song nie als Single
erschien, wurde er vor
allem über das
Radio bekannt und blieb
über die Jahre
hinweg in den Ohren und
Herzen der Menschen auf
der ganzen Welt lebendig.
Entzücken Sie Ihr
Publikum mit der
gelungenen
Blasorchesterbearbeitung
von Hideaki Miura!
“Non è
splendida….â€
cantava Stevie Wonder nel
1976 dopo la nascita
della figlia Aisha. Una
meravigliosa ballata
romantica, dai testi
commoventi che i non
giovanissimi ricordano
aver ascoltato
innumerevoli volte alla
radio. Incantate il
pubblico con questo
arrangiamento molto
riuscito firmato Hideaki
Miura!
Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F).
ISBN
9781491153239. UPC:
680160910731.
Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major.
Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .