Score Only Concert Band (Score) - Grade 3

SKU: HL.4004996

By Justin Timberlake. By Max Martin and Shellback. Arranged by Paul Murtha. Young Concert Band. Pop. Softcover. Published by Hal Leonard (HL.4004996).

UPC: 888680657505. 9.0x12.0x0.041 inches.

In addition to being a hit single on the pop charts, this catchy and upbeat Justin Timberlake tune is featured in the animated film Trolls. The opening melody is play by alto sax solo, followed by trombones and baritones, and finally the entire ensemble. With interesting parts for all sections of the band, this is sure to be enjoyed by your players and audience alike.

Score Only Concert Band (SCORE) - Level 1.5

SKU: HL.4005009

By Blue Swede. By Mark James. Arranged by Johnnie Vinson. Discovery Concert Band. Pop. Softcover. 12 pages. Published by Hal Leonard (HL.4005009).

UPC: 888680657604. 9.0x12.0x0.029 inches.

Recorded by Blue Swede and featured in the movie Guardians of the Galaxy, this iconic hit from the 1970s is available now in this arrangement for younger players.

By Erik Morales. Concert Band/Wind Ensemble. FJH Concert Band. This musical work illustrates the harrowing experience of our hero, Ichabod Crane, as he tries to escape the fate that was cast upon him on that dark and scary night. The introduction also illustrates the unsettling feeling Crane has as he departs into the darkness. Once convinced he is being pursued, he darts forth suddenly on his horse, Gunpowder, and the chase begins. The very last measures of the piece illustrate the moment of impact. The story also suggests that Brom Bones, a character who competed with Crane for the affections of a local maiden, may have been the perpetrator of the horrible prank. But Irving ingeniously hints at this supposition and leaves the reader to ponder the mystery of the legend. Score for this title: B1299S. Extra part for this title: B1299P. Concert Band. Level: Grade 3. Score and Set of Parts. Published by The FJH Music Company Inc.

Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS154F

Composed by William Harbinson. Concert Band. Full score. 12 pages. Duration 3 minutes, 13 seconds. Carl Fischer Music #CPS154F. Published by Carl Fischer Music (CF.CPS154F).

ISBN 9780825896477. UPC: 798408096472. 9 x 12 inches.

A beautiful ballad for band, At Twilight will help your ensemble address phrasing and melodic nuance, and is sure to bring about an expressive performance. Twilight is a subtle time of day, and composer Harbison has channeled this feeling expertly through this welcome addition to the Carl Fischer Music library.

Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS154

Composed by William Harbinson. Concert Band. Set of Score and Parts. With Standard notation. 4+4+2+4+4+4+2+2+2+2+2+2+4 +4+4+2+2+3+3+3+2+4+1+1+1+ 12 pages. Duration 3 minutes, 13 seconds. Carl Fischer Music #CPS154. Published by Carl Fischer Music (CF.CPS154).

ISBN 9780825895852. UPC: 798408095857. 9 x 12 inches.

A beautiful ballad for band, At Twilight will help your ensemble address phrasing and melodic nuance, and is sure to bring about an expressive performance. Twilight is a subtle time of day, and composer Harbison has channeled this feeling expertly through this welcome addition to the Carl Fischer Music library.

By David Marlatt. Concert Band. Concert Band. Eighth Note Publications. Contemporary. Conductor Score and Parts. Duration 00:03:20. Published by Eighth Note Publications

Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani, Tom-tom and more. - Grade 1.5

SKU: CF.FPS152F

Composed by Sean O'Loughlin. First Plus Band (FPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #FPS152F. Published by Carl Fischer Music (CF.FPS152F).

ISBN 9781491152805. UPC: 680160910304.

Incur sion was a collaboration between composer Sean O'Loughlin and the students of the commissioning group. When asked for a dark and scary sounding piece, O'Loughlin delivered in his typical fashion. Aggressive rhythmic figures set the tone of the piece early with a foreboding and dark melody in the lower voices.  The piece develops through a number of contrasting sections, providing plenty of exciting variations for students to enjoy.
Incursion is a dramatic, powerful work for the developing ensemble. The piece begins with an aggressive rhythmic idea that sets the tone for the composition. The lower voices enter with a foreboding and dark melody that carries on this feeling. The upper voices then split into counterpoint with the lower voices at m. 17. The counterpoint splits into three parts at m. 25, which culminates in a return to the opening rhythmic figure at m. 33. A contrasting slow section features some lush and haunting passages. Measure 54 brings the opening rhythmic figure back again, but this time includes a quietly intense approach. A recapitulation of the counterpoint and subsequent development follows. Measure 83 brings back the opening rhythmic idea one more time to conclude with a rousing finish.

Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani, Tom-tom and more. - Grade 1.5

SKU: CF.FPS152

Composed by Sean O'Loughlin. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+3 +1+2+4+4+20+2 pages. Duration 2 minutes, 5 seconds. Carl Fischer Music #FPS152. Published by Carl Fischer Music (CF.FPS152).

ISBN 9781491152126. UPC: 680160909629.

Incur sion was a collaboration between composer Sean O'Loughlin and the students of the commissioning group. When asked for a dark and scary sounding piece, O'Loughlin delivered in his typical fashion. Aggressive rhythmic figures set the tone of the piece early with a foreboding and dark melody in the lower voices.  The piece develops through a number of contrasting sections, providing plenty of exciting variations for students to enjoy.
Incursion is a dramatic, powerful work for the developing ensemble. The piece begins with an aggressive rhythmic idea that sets the tone for the composition. The lower voices enter with a foreboding and dark melody that carries on this feeling. The upper voices then split into counterpoint with the lower voices at m. 17. The counterpoint splits into three parts at m. 25, which culminates in a return to the opening rhythmic figure at m. 33. A contrasting slow section features some lush and haunting passages. Measure 54 brings the opening rhythmic figure back again, but this time includes a quietly intense approach. A recapitulation of the counterpoint and subsequent development follows. Measure 83 brings back the opening rhythmic idea one more time to conclude with a rousing finish.

Concert Band Concert Band - Grade 1.5

SKU: XC.HCB1902FS

Composed by Larry Clark. Harmony Band Series. Concert and Contest. Classical, Acoustic. Score. Excelcia Music Publishing #HCB1902FS. Published by Excelcia Music Publishing (XC.HCB1902FS).

UPC: 812598031270. 9 x 12 inches.

In every person’s life there are shining moments where we are at our best, where we show others the best version of ourselves and we achieve. Shining Moments is intended to musically depict this feeling in a beautiful, but uplifting ballad that can be used to teach developing bands good musicianship qualities, like phrasing and playing with emotion. A wonderful opportunity for developing student to have a musically powerful experience.

Concert Band - Grade 1

SKU: XC.DCB2306FS

Composed by Larry Clark. Concert Concert Band. Da Capo Grade 1. Score. Excelcia Music Publishing #DCB2306FS. Published by Excelcia Music Publishing (XC.DCB2306FS).

What young person hasn’t looked up at the stars and wondered what is up there in the cold darkness of space? The piece tries to depict this feeling with majestic fanfare-like themes in the winds, and twinkling of the stars depicted in the bells. A dream-like secondary theme is used to add to the musical mystery.

Composed by Larry Clark. Concert Concert Band. Da Capo Grade 1. Set of parts. Excelcia Music Publishing #DCB2306. Published by Excelcia Music Publishing

Grade 1.5

SKU: CL.011-1707-01

Composed by Schaeffer. Young Concert Band. Command Series. Extra score. Composed 1983. C.L. Barnhouse #011-1707-01. Published by C.L. Barnhouse (CL.011-1707-01).

Down home funky rock tune that should be a favorite concert piece for young players.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 1

SKU: CL.011-1707-00

Composed by Schaeffer. Young Concert Band. Command Series. Score and set of parts. Composed 1983. C.L. Barnhouse #011-1707-00. Published by C.L. Barnhouse (CL.011-1707-00).

Down home funky rock tune that should be a favorite concert piece for young players.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert Band Concert Band - Grade 1.5

SKU: XC.HCB1902

Composed by Larry Clark. Harmony Band Series. Concert and Contest. Classical, Acoustic. Set of parts. Excelcia Music Publishing #HCB1902. Published by Excelcia Music Publishing (XC.HCB1902).

UPC: 812598031898. 9 x 12 inches.

In every person’s life there are shining moments where we are at our best, where we show others the best version of ourselves and we achieve. Shining Moments is intended to musically depict this feeling in a beautiful, but uplifting ballad that can be used to teach developing bands good musicianship qualities, like phrasing and playing with emotion. A wonderful opportunity for developing student to have a musically powerful experience.

Concert Band/Harmonie/Fanfare Band - Grade 3.5

SKU: BT.DHP-1216331-215

Composed by Peter Kleine Schaars. Peter's Compact Collection. Original Light Music. Score Only. Composed 2021. 18 pages. De Haske Publications #DHP 1216331-215. Published by De Haske Publications (BT.DHP-1216331-215).

English-German-French- Dutch.

With this composition in a rumba style, Peter Kleine Schaars invites us to enjoy a relaxed sailing trip in the waters of the Caribbean. The feeling of freedom on the boat is mirrored by an extensive melody surrounded by a palette of colourful harmonies the shades of the water while the clever percussion sets the course of the ship. Who wouldn’t dream of such an adventure? Although the musical themes and accompaniments have been constructed from combinations of rhythmic cells that occur less often, the composition sounds very natural and flowing. Assuming the rhythmic cells 1 to 8 are part of the basic skills of your band, in this composition, the accent rather lies on cells 9 to 13. The instrumentation is created in such a way that these ‘new cells’ occur in all parts, so that all musicians of the band become familiar with this rhythmic development.

Met deze compositie in rumbastijl neemt Peter Kleine Schaars ons voor een relaxte zeiltocht mee naar de Caribische wateren. Het vrije gevoel op de boot wordt weerspiegeld door een uitgestrekte melodie te midden van een palet van kleurrijke harmonieën de schakeringen van het water terwijl de uitgekiende percussie de rechte koers van het schip bepaalt. Wie droomt er nou niet van zo’n avontuur? Hoewel de muzikale thema’s en begeleidingen zijn opgebouwd uit combinaties van enkele minder vaak voorkomende ritmische cellen, klinkt de compositie heel natuurlijk en vloeiend. Ervan uitgaande dat de ritmische cellen 1 tot en met 8 tot de basisvaardigheden van uw orkest behoren, ligt in deze compositie de nadruk vooral op de cellen 9 tot en met 13. De instrumentatie is dusdanig dat deze ‘nieuwe cellen’ voorkomen in alle partijen, zodat alle musici van het orkest vertrouwd raken met deze ritmische ontwikkeling.

Mit dieser Komposition im Rumba-Stil lädt uns Peter Kleine Schaars zu einem entspannten Segeltörn in der Karibik ein. Das Gefühl der Freiheit an Bord spiegelt sich in einer ausgedehnten Melodie wider, die von einer Reihe farbiger Harmonien den Bewegungen des Wassers umrahmt wird, während das Schlagzeug geschickt den Kurs des Schiffes hält. Wer träumt nicht von einem solchen Abenteuer? Obwohl die musikalischen Themen und die Begleitung aus einer Kombination verschiedener Rhythmus-Einheiten bestehen, die nur vereinzelt vorkommen, klingt die Komposition sehr natürlich und fließend. Da die Rhythmus-Einheiten 1 bis 8 sicher zu den Grundfertigkeiten Ihres Ensembles gehören, liegt der Schwerpunkt dieser Komposition eher auf den Rhythmus-Einheiten 9 bis 13. Die Instrumentierung ist so angelegt, dass diese neuen Rhythmus-Einheiten“ in allen Stimmenvorkommen, sodass alle Orchestermitglieder mit diesen Rhythmen vertraut gemacht werden.

Avec cette composition de style rumba, Peter Kleine Schaars nous invite un voyage décontracté en bateau sur les eaux des Cara bes. Le sentiment de liberté qu’offre le voilier est dépeint par une ample mélodie dans une palette d’harmonies colorées les teintes de l’eau , tandis que d’habilles percussions tiennent le cap. Qui ne rêverait pas d’une telle aventure ? Bien que les thèmes et accompagnements musicaux aient été élaborés partir de combinaisons de cellules rythmiques qui se rencontrent moins souvent, les sonorités de l’œuvre sont très naturelles et fluides. En présumant que les cellules rythmiques 1 8 fassent partie des compétences de base de votre orchestre, l’accent se trouve plutôt sur les cellules 9 13. L’instrumentation est arrangée de manière ce que ces « nouvelles cellules » se trouvent dans toutes les parties, afin que tous les membres de l’orchestre se familiarisent avec cette évolution rythmique.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1 and more. - Grade 3

SKU: CF.CPS210

Composed by Sean O'Loughlin. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+16+8+16+32+32+8+8+8+8+ 8+8+16+16+16+8+8+12+12+12 +16+8+4+8+32+40+8 pages. Duration 3 minutes, 57 seconds. Carl Fischer Music #CPS210. Published by Carl Fischer Music (CF.CPS210).

ISBN 9781491152362. UPC: 680160909865.

A driving composition from Sean O'loughlin,?Commence!?beg ins with a spirited theme that oscillates between triple and duple meter. After developing into a heartfelt lush brass chorale, the lilting theme returns again. The composition concludes with a dramatic return of the B theme and a rousing finale. A beautiful piece,?Commence!?is a?strong choice for any contest or festival.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.
Co mmence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn. This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds. This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1 and more. - Grade 3

SKU: CF.CPS210F

Composed by Sean O'Loughlin. Concert Band (CPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #CPS210F. Published by Carl Fischer Music (CF.CPS210F).

ISBN 9781491153048. UPC: 680160910540.

A driving composition from Sean O'loughlin,?Commence!?beg ins with a spirited theme that oscillates between triple and duple meter. After developing into a heartfelt lush brass chorale, the lilting theme returns again. The composition concludes with a dramatic return of the B theme and a rousing finale. A beautiful piece,?Commence!?is a?strong choice for any contest or festival.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.
Co mmence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn. This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds. This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

Concert Band/Harmonie and Bass Clarinet Solo - Grade 6

SKU: BT.DHP-1053797-140

Three Moods for Bass Clarinet and Symphonic Band. Composed by Jan Van der Roost. Solo Spectrum. Solo & Concerto. Score Only. Composed 2005. 102 pages. De Haske Publications #DHP 1053797-140. Published by De Haske Publications (BT.DHP-1053797-140).

340 X 250 inches. English-German-French-Dut ch.

At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays-preferably backstage- a number of fragments and melodic patterns, without actually starting the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It isswarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but withthe correct performer it will be a real highpoint in any concert..

In een mysterieuze openingspassage zijn atmosferische klanken te horen. Dan barst er een vrolijk allegro los: Con Giocondita (met vreugde). Een intiemer tweede deel, Con Tristezza (met droefheid), brengt rust. Het orkestspeelt hier een belangrijke rol en laat allerlei klankkleuren horen in de dialoog met de solist. De onstuimige finale getiteld Con Allegria (met vrolijkheid) vraagt grote virtuositeit van de solist, het orkest doet opnieuwmeer dan alleen begeleiden. Na een korte cadens worden de drie voorafgaande thema’s in omgekeerde volgorde herhaald en een spannend slot beëindigt dit contrastrijke werk.

Freude, Traurigkeit und Fröhlichkeit sind die drei Stimmungen, die Jan Van der Roost in diesem Werk für Bassklarinette und Blasorchester in ebenso vielen Sätzen vertonte. Während die Freude in einem rhythmischen, energiereichen und lebhaften Allegro zum Ausdruck kommt, setzt der zweite, langsamere Satz lyrische und melodische Akzente. Das schnelle Finale ist eine große Herausforderung an den Solisten. Auch das Blasorchester spielt in diesem musikalisch erfinderischen Werk eine weit mehr als begleitende Rolle.

Tre Sentimenti (Trois sentiments) pour Clarinette Basse et Orchestre d’Harmonie est un carrefour inédit de sentiments contrastés (l’exubérance, la tristesse, l’allégresse) et d’idées musicales captivantes.

Concert Band/Harmonie and Bass Clarinet Solo - Grade 6

SKU: BT.DHP-1053797-010

Three Moods for Bass Clarinet and Symphonic Band. Composed by Jan Van der Roost. Solo Spectrum. Solo & Concerto. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053797-010. Published by De Haske Publications (BT.DHP-1053797-010).

9x12 inches. English-German-French-Dut ch.

At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually “starting” the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..

In een mysterieuze openingspassage zijn atmosferische klanken te horen. Dan barst er een vrolijk allegro los: Con Giocondita (met vreugde). Een intiemer tweede deel, Con Tristezza (met droefheid), brengt rust. Het orkestspeelt hier een belangrijke rol en laat allerlei klankkleuren horen in de dialoog met de solist. De onstuimige finale getiteld Con Allegria (met vrolijkheid) vraagt grote virtuositeit van de solist, het orkest doet opnieuwmeer dan alleen begeleiden. Na een korte cadens worden de drie voorafgaande thema’s in omgekeerde volgorde herhaald en een spannend slot beëindigt dit contrastrijke werk.

Freude, Traurigkeit und Fröhlichkeit sind die drei Stimmungen, die Jan Van der Roost in diesem Werk für Bassklarinette und Blasorchester in ebenso vielen Sätzen vertonte. Während die Freude in einem rhythmischen, energiereichen und lebhaften Allegro zum Ausdruck kommt, setzt der zweite, langsamere Satz lyrische und melodische Akzente. Das schnelle Finale ist eine große Herausforderung an den Solisten. Auch das Blasorchester spielt in diesem musikalisch erfinderischen Werk eine weit mehr als begleitende Rolle.

Tre Sentimenti (Trois sentiments) pour Clarinette Basse et Orchestre d’Harmonie est un carrefour inédit de sentiments contrastés (l’exubérance, la tristesse, l’allégresse) et d’idées musicales captivantes.

Band Concert Band - Grade 3

SKU: CF.CPS263F

Composed by Carl Strommen. Cps. Full score. 32 pages. Duration 4 minutes, 38 seconds. Carl Fischer Music #CPS263F. Published by Carl Fischer Music (CF.CPS263F).

ISBN 9781491161739. UPC: 680160920426.

Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone teewinet, meaning many pinnacles. Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight swing and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129.
Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone teewinet, meaning many pinnacles. Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight swing and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129.
Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone “teewinet,” meaning “many pinnacles.” Perf ormance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight “swing” and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129.

Band Concert Band - Grade 3

SKU: CF.CPS263

Composed by Carl Strommen. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8 +8+8+4+4+4+4+6+6+6+6+4+8+ 1+1+4+5+32 pages. Duration 4 minutes, 38 seconds. Carl Fischer Music #CPS263. Published by Carl Fischer Music (CF.CPS263).

ISBN 9781491161524. UPC: 680160920150.

Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone teewinet, meaning many pinnacles. Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight swing and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129.
Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone teewinet, meaning many pinnacles. Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight swing and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129.
Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone “teewinet,” meaning “many pinnacles.” Perf ormance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight “swing” and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129.

Concert Band/Harmonie - Grade 2.5

SKU: BT.1413-07-010-MS

Composed by Amy Foster-Gillies, Andrea Bocelli, and David Babyface Foster. Arranged by Wim Stalman. De Haske Pop Collection. Pop & Rock. Set (Score & Parts). Composed 2007. Music Sales #1413-07-010 MS. Published by Music Sales (BT.1413-07-010-MS).

9x12 inches. English-German-French-Dut ch.

This song was written by David Foster, who has also penned many previous hits which have been performed and recorded by such artists as Céline Dion, Lionel Richie, Madonna and Michael Bublé. Because We Believe owes its fame to the performance by Andrea Bocelli during the closing ceremony of the Winter Olympics held in Torino during 2006. Finish any concert with this great anthem and your audience will leave with a great feeling of well-being!

Andrea Bocelli en Marco Borsato hadden elkaar al meerdere malen ontmoet toen ze het plan opvatten om samen eens iets op te nemen. Begin 2006 zongen ze in Bocelli’s studio in Italië het prachtige duet Because We Believe in.Het nummer werd geschreven door David Foster, die al eerder verantwoordelijk was voor successen van andere wereldsterren, zoals Céline Dion, Lionel Richie, Madonna en Michael Bublé. Because We Believe dankt zijn bekendheidaan de solo-uitvoering door Andrea Bocelli tijdens de sluitingsceremonie van de Olympische Winterspelen in Turijn op 26 februari 2006. In verschillende Europese landen voerde dit nummer wekenlang de hitlijsten aan.

Dieses Lied stammt von David Foster, der schon Hits für Weltstars wie Céline Dion, Lionel Richie, Madonna und Michael Bublé geschrieben hat. Nachdem Andrea Bocelli den Titel während der Abschlussfeier der Olympischen Winterspiele in Toronto 2006 vorgetragen hatte, kletterte er an die Spitze der Hitparaden vieler Länder. Wim Stalman erkannte, dass sich die Musik außerordentlich gut für Blasorchester eignete und schuf diese gelungene, authentische Bearbeitung.

Le nom de David Foster est associé de nombreux artistes internationaux, notamment Céline Dion, Lionel Richie, Madonna et Michael Bublé, pour qui il a composé de grands succès. Sa chanson Because We Believe a séduit le monde entier gr ce la magnifique interprétation d’Andrea Boccelli lors de la cérémonie de clôture des Jeux Olympiques de Turin en février 2006. Because We Believe s’est classé numéro un des ventes dans la plupart des pays européens pendant plusieurs semaines. L’arrangement pour Orchestre d’Harmonie est signé Wim Stalman.

Concert Band - Grade 4

SKU: HL.44010712

Brass Band - Score Only. Composed by John Williams. Arranged by Philip Sparke. Anglo Music Concert Band. Movies. Set (Score and Parts). Composed 2004. Anglo Music Press #AMP068030. Published by Anglo Music Press (HL.44010712).

UPC: 884088519414.

Sa ving Private Ryan is certainly one of Steven Spielberg's most powerful films. The brilliant John Williams score creates part of this power. Hymn to the Fallen one of the most powerful and emotional melodies which appears during the closing credits, evokes a feeling of hope and strength amid the overall tone of reverence. Philip Sparke has transcribed this moving work for brass band using John Williams original orchestral score as the source. For added effect this work can also be performed with a wordless chorus, with parts being available separately.

A terrific Brass Band arrangement of Johnm Williams' Hymn To The Fallen from the paramount and DreamWorks motion picture Saving Private Ryan - by Philip Sparke.

Saving Private Ryan is beslist een van de meest indrukwekkende films van Steven Spielberg. De effecten van zijn grootse fotografie en de uitmuntende acteerprestaties in de film creeren samen een emotioneel schokeffect, metname in de laatste momenten van de film, aldus John Williams in zijn voorwoord bij de orkestscore van de filmmuziek. Deze transcriptie van Philip Sparke benadert de originele score zo dicht mogelijk. De optionele koorpartijen zijnafzonderlijk verkrijgbaar.

Kaum ein Film hat die Wirren des zweiten Weltkriegs je ehrlicher und in so erschutternden und eindrucksvollen Bildern dargestellt, als Steven Spielbergs Der Soldat James Ryan. Die Musik zu dem monumentalen Epos stammt vom grossen amerikanischen Filmmusikkomponisten John Williams, der sein Werk den gefallenen Kriegshelden widmete. Hymn to the Fallen - eine Ehrerbietung an die Gefallenen - wurde von Philip Sparke getreu der Originalpartitur fur Brass Band bearbeitet. Optionale Chorstimmen sind separat erhaltlich.

Quand on pense a Steven Spielberg, on evoque facilement ses films a grand spectacle. Mais c'est occulter l'homme engage qui a signe plusieurs chef-d'oeuvres dont Saving Private Ryan (Il faut sauver le soldat Ryan) couronne par 5 Oscars. Avec Hymn To The Fallen, le generique de fin, John Williams nous offre un puissant hymne en memoire aux soldats qui ont sacrifie leur vie sur l'autel de la liberte lors du debarquement en Normandie, le 6 juin 1944. Une note d'humanite dans un ocean de noirceur et de violence.

Se si pensa a Steven Spielberg, si evocano allo stesso tempo i suoi film di grande successo. Spielberg e anche un regista che ha firmato molti capolavori tra i quali Saving Private Ryan (Salvate il Soldato Ryan) insignito di 5 Oscar. Con Hymn to the Fallen, John Williams ci offre un potente inno in memoria dei soldati americani che hanno sacrificato la loro vita durante lo sbarco in Normandia, il 6 giugno 1944.

Concert Band/Harmonie - Grade 2.5

SKU: BT.1413-07-140-MS

Composed by Amy Foster-Gillies, Andrea Bocelli, and David Babyface Foster. Arranged by Wim Stalman. De Haske Pop Collection. Pop & Rock. Score Only. Composed 2007. 20 pages. Music Sales #1413-07-140 MS. Published by Music Sales (BT.1413-07-140-MS).

9x12 inches. English-German-French-Dut ch.

This song was written by David Foster, who has also penned many previous hits which have been performed and recorded by such artists as Céline Dion, Lionel Richie, Madonna and Michael Bublé. Because We Believe owes its fame to the performance by Andrea Bocelli during the closing ceremony of the Winter Olympics held in Torino during 2006. Finish any concert with this great anthem and your audience will leave with a great feeling of well-being!

Andrea Bocelli en Marco Borsato hadden elkaar al meerdere malen ontmoet toen ze het plan opvatten om samen eens iets op te nemen. Begin 2006 zongen ze in Bocelli’s studio in Italië het prachtige duet Because We Believe in.Het nummer werd geschreven door David Foster, die al eerder verantwoordelijk was voor successen van andere wereldsterren, zoals Céline Dion, Lionel Richie, Madonna en Michael Bublé. Because We Believe dankt zijn bekendheidaan de solo-uitvoering door Andrea Bocelli tijdens de sluitingsceremonie van de Olympische Winterspelen in Turijn op 26 februari 2006. In verschillende Europese landen voerde dit nummer wekenlang de hitlijsten aan.

Dieses Lied stammt von David Foster, der schon Hits für Weltstars wie Céline Dion, Lionel Richie, Madonna und Michael Bublé geschrieben hat. Nachdem Andrea Bocelli den Titel während der Abschlussfeier der Olympischen Winterspiele in Toronto 2006 vorgetragen hatte, kletterte er an die Spitze der Hitparaden vieler Länder. Wim Stalman erkannte, dass sich die Musik außerordentlich gut für Blasorchester eignete und schuf diese gelungene, authentische Bearbeitung.

Le nom de David Foster est associé de nombreux artistes internationaux, notamment Céline Dion, Lionel Richie, Madonna et Michael Bublé, pour qui il a composé de grands succès. Sa chanson Because We Believe a séduit le monde entier gr ce la magnifique interprétation d’Andrea Boccelli lors de la cérémonie de clôture des Jeux Olympiques de Turin en février 2006. Because We Believe s’est classé numéro un des ventes dans la plupart des pays européens pendant plusieurs semaines.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-0910273-015

Composed by Giacomo Puccini. Arranged by Robert van Beringen. Your Favorite Classics. Festive and Solemn Music. Set (Score and Parts). Composed 1991. De Haske Publications #DHP 0910273-015. Published by De Haske Publications (BT.DHP-0910273-015).

Nessun Dorma, an aria from Pucciniâ??s Turandot, is now instantlyrecognised due mainly to the performance by the late Pavarotti at the1990 World Cup in Italy. Since that time its popularity has continuedto grow and it is now often thought of as Pavarottiâ??s theme tune.This version for concert band retains all the intense feeling of theoriginal.

De Italiaanse componist Giacomo Puccini (1858-1924) schreef een aantal indrukwekkende operaâ??s die hem wereldberoemd maakten - onder andere La Bohème, Tosca, Madama Butterfly en Turandot. â??Nessun Dormaâ?? uit Turandot iseen van de bekendste tenorariaâ??s uit de wereld van de opera. De schitterende melodie komt in deze bewerking uitstekend tot haar recht.

Dieses langsame, eher besinnliche Stück aus Puccinis beliebter Oper Turandot eignet sich ausgezeichnet als ruhiger Programmpunkt in Ihrem Konzert. Nessun dorma ist ein eindrucksvolles Werk, das mit seiner ruhigen, fast melancholischen Stimmung seine Wirkung beim Publikum nicht verfehlen wird.

Turandot (1926) est un opéra posthume. Puccini décède en 1924, laissant son opéra incomplet. Turandot sera achevé par Franco Alfano dâ??après les esquisses du compositeur. Lyrique, somptueux et poignant, Nessun Dorma est devenu lâ??un des plus beaux airs dâ??opéra, un thème de prédilection pour les ténors les plus prestigieux, tels que Luciano Pavarotti, Placido Domingo et Roberto Alagna.

Composed by Christina Aguilera and Linda Perry. Arranged by Peter Kleine Schaars. Peter's Popular Collection. Pop and Rock. Set (Score and Parts). Composed 2007. Hal Leonard #1514-07- 010 DHE. Published by Hal Leonard