Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
You Raise Me Up Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-140-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-140-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Score Only.
Composed 2011. 20 pages.
Music Sales #1891-12-140
MS. Published by Music
Sales
(BT.1891-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story nannte,
nach der Melodie des
irischen Traditionals
Danny Boy und bat
den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
You Raise Me Up Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie and Euphonium Solo - Grade 3 SKU: BT.1891-12-010-MS ...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 3
SKU:
BT.1891-12-010-MS
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Solo &
Concerto. Set (Score &
Parts). Composed 2011.
Music Sales #1891-12-010
MS. Published by Music
Sales
(BT.1891-12-010-MS).
9x12 inches.
English-German-French-Dut
ch.
You Raise Me
Up is a concert band
arrangement of one of the
most popular ballads of
all time by Takashi
Hoshide. Composed by Rolf
Løvland, who, inspired
by traditional Irish
melodies, asked Irish
author and lyricist
Brendan Graham to provide
lyrics, the song has
become a worldwide hit
through pop artists such
as Josh Groban and
Westlife. Featuring a
solo for euphonium or
baritone player.
De Noor Rolf
Løvland van de groep
Secret Garden componeerde
een werk dat hij
oorspronkelijk de titel
Silent Story gaf. Het was
gebaseerd op de melodie
van de Ierse traditional
Danny Boy. Løvland
vroeg de Ierse tekst- en
liedschrijverBrendan
Graham woorden te
bedenken bij zijn
melodie. Het resultaat is
You Raise Me Up dat in de
vertolkingen van Josh
Groban, de Ierse band
Westlife en vele andere
artiesten wereldwijd
succes boekte. Takashi
Hoshide maakte ereen
roerende versie voor
blaasorkest
van.
Der Norweger
Rolf Løvland von der
Gruppe Secret Garden
komponierte ein
Stück, das er
ursprünglich
Silent Story
nannte, nach der
Melodie des irischen
Traditionals Danny Boy
und bat den irischen
Schriftsteller und
Liedtexter Brendan Graham
um einen Text zu seiner
Melodie. Das Resultat,
You Raise Me Up,
wurde mit Josh Groban,
der irischen Band
Westlife und anderen
Künstlern zu einem
weltweiten Erfolg.
Takashi Hoshide setzte
die gefühlvolle
Ballade in ein
Solostück für
Euphonium/Bariton und
Blasorchester
um.
Il norvegese Rolf
Løvland, membro del
gruppo Secret Garden
compone, ispirato da
un’aria
tradizionale irlandese
(Danny Boy), una canzone
che intitola in un primo
tempo Silent Story.
Chiede al paroliere
irlandese Brendan Graham
di scrivere un testo per
questa melodia. Il
fantastico risultato, You
Raise Me Up, è oggi
accessibile a tutte le
orchestre di fiati grazie
al coinvolgente
arrangiamento firmato
Takashi Hoshide.
Concert Band - Grade 4 SKU: WJ.3014231 Composed by Jacob Narverud. C...(+)
Concert Band - Grade
4
SKU: WJ.3014231
Composed by Jacob
Narverud. Concert Band
Grade 4 & Up. Concert
Band Series. Concert and
Contest. Concert and
Contest. Score and parts.
Wingert-Jones
Publications #3014231.
Published by
Wingert-Jones
Publications
(WJ.3014231).
UPC:
822424018498. 9 x 12
inches.
Beautiful
and poignant, here is an
intriguing musical
portrait of the passage
of time. Relaxed and
gentle, with lush, solid
harmonies and an
occasional glimpse of
dissonance, this is a
work that fully displays
the musical dimensions of
the ensemble. The lyrical
melody, continuously
passed and developed from
one section to another,
represents the dawning of
each new day. Perfect for
concerts, festivals and
graduation
ceremonies.
Time After Time Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
As Performed by Cyndi Lauper. Composed by Rob Hyman and Cyndi Lauper. Arranged...(+)
As Performed by Cyndi
Lauper.
Composed by Rob Hyman and
Cyndi Lauper. Arranged by
Patrick Roszell. Concert
Band; Performance Music
Ensemble. Pop Young Band.
Form: Ballade. Light
Concert;
Pop; Rock. Part(s);
Score.
Alfred Music #00-49155.
Published by Alfred Music
Time After Time Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
As Performed by Cyndi Lauper. Composed by Rob Hyman and Cyndi Lauper. Arrang...(+)
As Performed by Cyndi
Lauper.
Composed by Rob Hyman and
Cyndi Lauper. Arranged by
Patrick Roszell. Concert
Band; Performance Music
Ensemble. Pop Young Band.
Form: Ballade. Light
Concert;
Pop; Rock. Score. Alfred
Music #00-49155S.
Published
by Alfred Music
It's Holiday Time Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by John O'reilly. Concert Band. Concert Band; Part(s); Score. Accent on...(+)
Arranged by John
O'reilly. Concert Band.
Concert Band; Part(s);
Score. Accent on
Achievement. Christmas;
Secular; Winter. Grade 1.
134 pages. Published by
Alfred Music Publishing
(from 'Once upon a time in America'). Composed by Ennio Morricone (1928-). Arran...(+)
(from 'Once upon a time
in America'). Composed by
Ennio Morricone (1928-).
Arranged by Ton van
Grevenbroek. For concert
band. Movies/Catalogue
New Band Music Vol. 13.
Molenaar Slow Movements.
Recorded on The Rise -
2351 (ML.311122720).
Grade 3. Full set.
Duration 4 minutes, 16
seconds. Published by
Molenaar Edition
Concert Band (SCORE) - Grade 2 SKU: HL.4003172 Composed by Johann Sebasti...(+)
Concert Band (SCORE) -
Grade 2
SKU:
HL.4003172
Composed
by Johann Sebastian Bach.
Arranged by Samuel R.
Hazo. MusicWorks Grade 2.
Baroque, Classical. 12
pages. Duration 840
seconds. Published by Hal
Leonard (HL.4003172).
UPC: 884088651480.
9.0x12.0x0.054
inches.
Introducing
your young musicians to
J.S. Bach's poignantly
familiar work is now
possible with this easy
arrangement by Samuel R.
Hazo. Treated in an
easy-to-grasp 3/4 time
signature, your students
will experience the
genius of Bach and the
alluring qualities of
this gorgeous theme. Each
section of the band gets
a turn at the melody, and
rhythmically there is
nothing faster than a
quarter note. Guaranteed
to sound great with
limited rehearsal time!
Dur: 1:45.
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
Joyful Time Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
(From Symphony No. 9). By Ludwig van Beethoven (1770-1827). Arranged by Victor L...(+)
(From Symphony No. 9). By
Ludwig van Beethoven
(1770-1827). Arranged by
Victor LÌ_pez. Concert
Band. Concert Band;
Masterworks; Part(s);
Score. Belwin Young Band.
Form: Overture.
Classical; Masterwork
Arrangement; Romantic.
Grade 2. 252 pages.
Published by Belwin
Publishing
Score Only Concert Band (Score) - Grade 2 SKU: HL.4006658 Composed by Edv...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4006658
Composed
by Edvard Grieg. Arranged
by Johnnie Vinson.
MusicWorks Grade 2.
Contest, Festival.
Softcover. 12 pages.
Duration 850 seconds.
Published by Hal Leonard
(HL.4006658).
UPC:
840126927054.
9.0x12.0x0.043
inches.
Composed by
Edvard Grieg in 1875,
music from Peer Gynt was
originally incidental
music for Henrik Ibsen's
five-act play. The
beautiful Solveig's Song
is from the second
orchestral suite later
extracted by Grieg.
Johnnie's tender setting
opens with a lyric theme
scored for the trumpet
section. A brief andante
section features the
woodwinds before
returning to the opening
melody this time richly
scored for full band. A
beautiful work for
teaching lyric style
playing.
Score Only Concert Band (Score) - Level 1.5 SKU: HL.4006907 Composed by L...(+)
Score Only Concert Band
(Score) - Level 1.5
SKU: HL.4006907
Composed by Lee Mendelson
and Vince Guaraldi.
Arranged by Michael
Sweeney. Flex-Band Grade
1. Christmas, Holiday.
Softcover. 12 pages.
Duration 405 seconds.
Published by Hal Leonard
(HL.4006907).
UPC:
840126945607.
9.0x12.0x0.044
inches.
Here's the
beloved holiday classic
from A Charlie Brown
Christmas in a very easy
arrangement featuring
flexible
instrumentation.
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012456 Suite from On...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44012456
Suite
from Once Upon a Time
.... Composed by Jan
Van der Roost. De Haske
Concert Band. Softcover.
Composed 2014. De Haske
Publications #1145609010.
Published by De Haske
Publications
(HL.44012456).
UPC:
888680084646.
English-German-French-Dut
ch.
Based on the
orchestral part of the
play Es War einmal...
(Once Upon a Time...)
for narrator, actors,
children's choir and wind
band, there's now an
'enchanted' suite for
band only -- Grimm's
Fairytale Forest,
based on four famous
tales ofthe Brothers
Grimm. Some of the most
colourful and varied
themes and melodies from
Once Upon a
Time... reappear in
this lovely instrumental
suite by Jan Van der
Roost. Welcome to the
enchanted
forest!
Na het
wereldwijde succes van
het zangspel Es war
einmal... (Er was
eens...), is er nu het
sprookjesachtige
Grimm's Fairytale
Forest, dat is
gebaseerd op vier
beroemde sprookjes van de
gebroeders Grimm. Het
orkestgedeelte van
hetoorspronkelijke
Singspiel is kleurrijk en
divers, en biedt meer dan
genoeg muzikaal materiaal
voor deze instrumentale
suite, waarin de mooiste
melodieen en thema's
weerklinken. Welkom in
het
sprookjesbos!
Nach
dem Es war einmal...
fur Erzahler,
Schauspieler, Kinderchor
und Blasorchester
weltweit Einzug in die
Musikwelt gehalten hat,
liegt mit Grimm's
Fairytale Forest nun
eine marchenhafte Suite
aus dem Singspiel vor.
Der
farbenreicheOrchesterteil
bot mehr als genugend
musikalisches Material
fur diese
Instrumentalsuite, in der
die schonsten Melodien
und Themen aus vier
beruhmten Grimms-Marchen
erklingen. Willkommen im
Marchenwald!
Jan
Van der Roost a cree
Grimm's Fairytale
Forest en reprenant
la partie orchestrale de
l'oeuvre Es war
einmal... (Il etait
une fois...). Coloree et
variee, les melodies et
themes les plus
memorables de l'oeuvre
source y occupent
unelarge place. Bienvenue
dans l'univers magique
des freres Grimm, un
monde plein de fantaisie
qui reflete pourtant la
realite de la vie - comme
c'est souvent le cas dans
les contes de
fees.
Jan Van der
Roost ha composto
Grimm's Fairytale
Forest riprendendo la
parte orchestrale del
brano Es war
einmal (C'era una
volta). Colorite e
variegate, le melodie piu
memorabili dell'opera
occupano una parte
importante in questa
nuovacreazione del
compositore belga.
Benvenuti nell'universo
magico dei fratelli
Grimm, un mondo
fantastico che rispecchia
pero la realta della
vita.
As Time Goes By Orchestre d'harmonie [Conducteur] - Intermédiaire Molenaar Edition
(From Casablanca). Composed by H. Hupveld. Arranged by Willy Hautvast. For conce...(+)
(From Casablanca).
Composed by H. Hupveld.
Arranged by Willy
Hautvast. For concert
band. Slow
Fox/Arrangements of
Modern Light Music/Pop
Music. Movie and Musical.
Recorded on Italienische
Lustspiel Ouverture
(ML.311039720). Grade 3.
Score only. Duration 3
minutes, 39 seconds.
Published by Molenaar
Edition
Concert Band (Score) - Grade 4 SKU: HL.4005397 Composed by Karl L. King. ...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4005397
Composed
by Karl L. King. Arranged
by Thomas G. Leslie.
MusicWorks Grade 4.
Concert. Softcover.
Duration 140 seconds.
Published by Hal Leonard
(HL.4005397).
UPC:
888680720629.
9.0x12.0x0.059
inches.
When Karl
King was conducting
circus bands he would
frequently edit his
marches so the same
composition could be used
for contrasting acts (for
example a lion act one
time, and a trapeze act
the next). In the same
spirit, Thomas Leslie has
creatively repurposed
this familiar march to
suit an imaginary clown
act; complete with
novelty percussion sounds
and a few surprises
sprinkled in. A bit
outrageous, but
definitely fun! Dur: c.
2:20.
Concert Band (Score) - Grade 3 SKU: HL.4007652 Composed by Jay Bocook. Mu...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.4007652
Composed
by Jay Bocook. MusicWorks
Grade 3. Concert.
Softcover. 32 pages.
Duration 275 seconds.
Published by Hal Leonard
(HL.4007652).
UPC:
196288075103.
9.0x12.0x0.086
inches.
In ancient
times, Hadrian's Wall was
a Roman fortification
running for 73 miles in
nothern England and
marking the boundary
between Roman Britannia
and Caledonia to the
north. Jay's inventive
work for band features a
Roman flavor along with
unique textures and
effects, including a
dramatic sword fight.
Distinctive and exciting!
Dur: 4:35.
By Edward Pola and George Wyle. Arranged by Chris Sharp. For concert band. FJH C...(+)
By Edward Pola and George
Wyle. Arranged by Chris
Sharp. For concert band.
FJH Concert Band. Full
set (score and parts).
Score only also
available: B1408S.
Christmas. Grade 4. Score
and set of parts.
Composed 2009
Concert Band - Grade 3.5 SKU: AP.81-CB224483 Composed by Frank McKinney. ...(+)
Concert Band - Grade 3.5
SKU:
AP.81-CB224483
Composed by Frank
McKinney. Concert Band.
Folk; Spiritual. Score
and Part(s). Duration
3:50. Eighth Note
Publications
#81-CB224483. Published
by Eighth Note
Publications
(AP.81-CB224483).
ISBN
9781778930492. UPC:
685462030507.
English.
Behold a
Ladder Set Up on the
Earth by Frank McKinney
is a composition that
touches upon both the
thoughtful meditation and
the emotional response to
the lyrics of the African
American slave spiritual
We Are Climbing Jacob's
Ladder. There are
abundant opportunities
for both sensitive and
robust musical moments. A
variation of the
well-known theme is
stated in the opening
Adagio trumpet solo and
then repeated several
times throughout the
piece. A more upbeat
Allegro variation then
enters before the
familiar tune is finally
introduced calmly by the
bassoon. The climactic
Religioso section
presents the main theme
in all of its call and
response glory.
(3:50).
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2
SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor.
Band Concert Band - Grade 2 SKU: CF.YPS200F Composed by Matthew R. Putnam...(+)
Band Concert Band - Grade
2
SKU: CF.YPS200F
Composed by Matthew R.
Putnam. Young Band (YPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS200F.
Published by Carl Fischer
Music (CF.YPS200F).
Grimm's Fairytale Forest Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1145609-010 Suite from Onc...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1145609-010
Suite from Once Upon a
Time .... Composed by
Jan Van der Roost.
Concert and Contest
Collection CBHA. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145609-010. Published by
De Haske Publications
(BT.DHP-1145609-010).
English-German-French-
Dutch.
Based on the
orchestral part of the
play Es War
einmal… (Once
Upon a Time…) for
narrator, actors,
children’s choir
and wind band,
there’s now an
‘enchanted’
suite for band only
—
Grimm’s
Fairytale Forest,
based on four famous
tales ofthe Brothers
Grimm. Some of the most
colourful and varied
themes and melodies from
Once Upon a
Time… reappear
in this lovely
instrumental suite by Jan
Van der Roost. Welcome to
the enchanted
forest!
Na het
wereldwijde succes van
het zangspel Es war
einmal… (Er was
eens…), is er nu
het sprookjesachtige
Grimm’s
Fairytale Forest, dat
is gebaseerd op vier
beroemde sprookjes van de
gebroeders Grimm. Het
orkestgedeelte van
hetoorspronkelijke
Singspiel is kleurrijk en
divers, en biedt meer dan
genoeg muzikaal materiaal
voor deze instrumentale
suite, waarin de mooiste
melodieën en
thema’s
weerklinken. Welkom in
het
sprookjesbos!
Nach
dem Es war einmal...
für Erzähler,
Schauspieler, Kinderchor
und Blasorchester
weltweit Einzug in die
Musikwelt gehalten hat,
liegt mit
Grimm’s
Fairytale Forest nun
eine
märchenhafte“
Suite aus dem Singspiel
vor. Der
farbenreicheOrchesterteil
bot mehr als genügend
musikalisches Material
für diese
Instrumentalsuite, in der
die schönsten Melodien
und Themen aus vier
berühmten
Grimms-Märchen
erklingen. Willkommen im
Märchenwald!
Jan Van
der Roost ha composto
Grimm’s
Fairytale Forest
riprendendo la parte
orchestrale del brano
Es war einmal
(C’era una volta).
Colorite e variegate, le
melodie più memorabili
dell’opera
occupano una parte
importante in questa
nuovacreazione del
compositore belga.
Benvenuti
nell’universo
magico dei fratelli
Grimm, un mondo
fantastico che rispecchia
però la realt della
vita.
Grade 3 SKU: CL.011-3695-01 Composed by Shaffer. Young Concert Band. Comm...(+)
Grade 3
SKU:
CL.011-3695-01
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR359). Extra full
score. Composed 2008.
Duration 2 minutes, 37
seconds. C.L. Barnhouse
#011-3695-01. Published
by C.L. Barnhouse
(CL.011-3695-01).
Oh NO!
It’s happened
again! Several years ago
as the town band prepared
their annual holiday
concert, somehow the
music got mixed up in the
folders and upon the
downbeat the rest was
painful music history.
This time the mix-up
includes the ranting
recitatives and aimless
arias from some of the
most famous opera tunes
of all times. This crazy,
mixed-up opera concert is
sure to be the hit of
your next program!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
There's No Place
Like. Composed by
Robert Allen. Arranged by
Larry Clark. FS-SWS. Carl
Fischer Young Performance
Series. Score and Set of
Parts. With Standard
notation.
16+8+2+4+4+2+2+5+2+2+4+4+
4+6+3+2+3+2+1+2+2 pages.
Carl Fischer Music
#YPS38. Published by Carl
Fischer Music (CF.YPS38).
ISBN 9780825852152.
UPC: 798408052157. 9 X 12
inches. Key: Eb major.
Text: Al Stillman. Al
Stillman.
The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal. The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a hymn-style
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program. -LARRY CLARK New
York, NY 2003. The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal.The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a
“hymn-styleâ€
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program.-LARRY CLARKNew
York, NY 2003.
Score and Parts. Composed by Ferruccio Busoni (1866-1924). Arranged by Mark Ro...(+)
Score and Parts. Composed
by
Ferruccio Busoni
(1866-1924).
Arranged by Mark Rogers.
Southern Music.
Softcover.
Southern Music Company
#S953CB. Published by
Southern Music Company
Tre Sentimenti Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Bass Clarinet Solo - Grade 6 SKU: BT.DHP-1053797-14...(+)
Concert Band/Harmonie and
Bass Clarinet Solo -
Grade 6
SKU:
BT.DHP-1053797-140
Three Moods for Bass
Clarinet and Symphonic
Band. Composed by Jan
Van der Roost. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2005. 102 pages.
De Haske Publications
#DHP 1053797-140.
Published by De Haske
Publications
(BT.DHP-1053797-140).
340 X 250 inches.
English-German-French-Dut
ch.
At last the
bass clarinet can shine
in this major new solo
work for bass clarinet
and concert band. This
composition begins with a
rather mysterious opening
passage with atmospheric
sounds and effects. The
soloist plays-preferably
backstage- a number of
fragments and melodic
patterns, without
actually starting the
piece. After this
somewhat hesitant
introduction, a lively,
cheerful allegro entitled
Con Giocondita (with joy)
bursts out. It isswarming
with irregular meters,
changing tempos, and
polyrhythm, through which
the listeners (and
sometimes also the
musicians) constantly get
the feeling that they are
being tossed around. The
second movement brings
rest andpeace making
careful use of sound
colours. The upbeat
finale, titled Con
Allegria (with
cheerfulness), is the
most significant movement
for the soloist. This is
a challenging piece of
music that demands great
virtuosity, but withthe
correct performer it will
be a real highpoint in
any concert..
In
een mysterieuze
openingspassage zijn
atmosferische klanken te
horen. Dan barst er een
vrolijk allegro los:
Con Giocondita
(met vreugde). Een
intiemer tweede deel,
Con Tristezza (met
droefheid), brengt rust.
Het orkestspeelt hier een
belangrijke rol en laat
allerlei klankkleuren
horen in de dialoog met
de solist. De onstuimige
finale getiteld Con
Allegria (met
vrolijkheid) vraagt grote
virtuositeit van de
solist, het orkest doet
opnieuwmeer dan alleen
begeleiden. Na een korte
cadens worden de drie
voorafgaande
thema’s in
omgekeerde volgorde
herhaald en een spannend
slot beëindigt dit
contrastrijke
werk.
Freude,
Traurigkeit und
Fröhlichkeit sind die
drei Stimmungen, die Jan
Van der Roost in diesem
Werk für
Bassklarinette und
Blasorchester in ebenso
vielen Sätzen
vertonte. Während die
Freude in einem
rhythmischen,
energiereichen und
lebhaften Allegro zum
Ausdruck kommt, setzt der
zweite, langsamere Satz
lyrische und melodische
Akzente. Das schnelle
Finale ist eine große
Herausforderung an den
Solisten. Auch das
Blasorchester spielt in
diesem musikalisch
erfinderischen Werk eine
weit mehr als begleitende
Rolle.